By Renato de Almeida Arão Galhardi 

  Historically, Mexicans deported from the United States tend to be overwhelmingly adult men, where the Mexican borderscape of Tijuana is and continues to be the primary site (and sight) where the majority of deported Mexicans are sent to when deported from the United States. Consequently, the semiotic social topography of Tijuana is peopled through the experiences of deportation. How, then, do Mexican deportees negotiate, mediate and articulate their lived experiences of migration? Working with my ethnographic research in Tijuana, during August 2021 and March 2022, I address the ontopological conditioning of living as a deportee in a borderscape such as Tijuana, assessing how their phenomenographic experiences are shaped by the bordering of the Border, and how Mexican deported men are often “unjustly suffering” and enduring “the bare life.” Through discussions on coloniality of Being, I build off Nicolas de Genova’s “border spectacle,” and argue that deportation is better described through its own “spectacle,” the “deportation spectacle,” highlighting how deportees perform and negotiate their agency between the tensions of suffering and resiliency as a consequence of the practices of imposed by deportation. I posit that deportation is not the end of a process, but reshapes migrancy continuity within new constraints, challenges and obstacles. Finally, I conclude by emphasizing the need to recognize misrepresented, misinterpreted and misdiagnosed populations such as deportees in borderscapes such as Tijuana, in order to better attend to the challenges that deportation creates.   

Working Paper No. 2023/07 September 2023  

Toronto: Metropolitan University, 2023. 23p.