By Asbjørn Grønstad.

This book explores the figuration of screen violence, as well as its historical and institutional contexts, in a number of metaviolent films both celebrated and vilified, and attempts thereby to forge a new understanding of a phenomenon whose defining feature seems to be perpetually elusive. As Transfigurations grapples with a series of issues that at times may seem only tenuously interrelated, I shall here take the liberty to summarize and pinpoint its major preoccupation. The objective is to re-establish an awareness of the transtextual opacity of film fiction, an awareness long occluded both by theoretical fallacies and by the petrification of our acquired ways of seeing.

Amsterdam: Amsterdam University Press, 2008. 278p.