MAY CONTAIN MARKUP

Minette Walters

FROM THE COVER: 'Acid Row' is the name the beleaguered inhabitants give to their housing estate. A no-man's land of single mothers and fatherless chíldren-where angry, alienated youth control the streets. Into this battlefield comes Sophíe Morrison, a young doctor visiting a patient in Acid Row. Litle does she know that she is entering the home of a known paedophile ...and with reports circulating that a tormented child called Amy has disappeared, the vigilantes are out in force. Soon Sophie is trapped at the centre of a terrifying siege, held hostage by a violent psychopath. Whipped to a frenzy by unsubstantiated rumour, the mob unleashes its hatred. Against authority.. the law...and the pervert'. Protecting.Amy' becomes the catch-all defence for the terrible events that follow. And if murder is part of it, then so be it. But is Amy really missing?

London Allen and Unwin. 2001. 353p.

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By Jack Higgins

FROM THE COVER: “……London 1993, and the day looms ever closer when Communist China will finally seize the much coveted island of Hong Kong, with billions at stake. British Intelligence have just discovered the existence of a document, known as the Chungking Covenant, that would extend the lease on Hong Kong for another century. Sean Dillon, once a feared IRA enforcer now working for the British, is tasked to track down the document before Mafia-based interests with billions invested in Hong Kong can use it for their own ends. Pitted against sly and ruthless adversaries, Dillon and his intelligence associates follow a deadly trail to a castle in the Highlands of Scotland, by Loch Dhu, the Place of Dark Waters, the home of an American billionaire and Matia boss. Dillon's usual clear-headed commitment to his mission is compromised by the alluring young socialite Asta Morgan. However, as the evidence of fifty years begins to unfold, the solution to the enigma comes tantalisingly close. But only one side can reap the spoils…”

Australia. Griffin. BCA. Michael Josephs. 1994. 286p.

MAY CONTAIN MARKUP

By Elizabeth George

FROM THE COVER: It is barely three months since the murder of his wife and Thomas Lynley has taken to the South-West Coast Path in Cornwall, determined to walk its length in an attempt to recover from his loss. On the forty-third day of this walk, he spies a body on the beach - a young cliff climber has suffered a fatal fall. The nearest house to the death site belongs to a woman veterinarian from Bristol, and this proximity makes her an automatic suspect, particularly as she seems to have no personal history before her thirteenth year. The case brings Barbara Havers from London and thrusts both detectives into the rugged beauty of out-of-season Cornwall, with its community of surfers and hoteliers. But the wild landscape is the scene of jealousy, betrayal and revenge, and Lynley and Havers must sift through all these human emotions in their search for the killer. Careless in Red marks the welcome return of Scotland Yard's Detective….”

London. by Hodder & Stoughton. 2008. 547p.

By Daphne Du Maurier

"My Cousin Rachel" is a novel written by Daphne du Maurier, a British author known for her Gothic and romantic suspense novels. The novel was first published in 1951 and is set in 19th-century Cornwall, England.

The story follows the character of Philip Ashley, a young man who is raised by his cousin Ambrose on their estate in Cornwall. When Ambrose travels to Italy for his health and falls in love with their distant cousin Rachel, Philip is initially suspicious of her motives. After Ambrose's sudden death, Philip inherits his estate and becomes increasingly obsessed with Rachel, who comes to visit him in Cornwall.

The novel is a blend of mystery, romance, and psychological drama, as Philip tries to uncover the truth about Rachel's involvement in Ambrose's death and struggles with his conflicting feelings for her.

London. Gollancz. 1951. 221p.

By Jock Serong

"Preservation" is a historical fiction novel by Australian author Jock Serong, first published in 2018. The novel is based on the true story of the wreck of the Sydney Cove, a British merchant ship that was carrying a cargo of spirits and supplies from Calcutta to the fledgling colony of Sydney in 1797.

The novel tells the story of the survivors of the wreck, who find themselves stranded on the coast of present-day Victoria, Australia. The group includes the ship's captain, a pair of American sailors, an Irish convict, and a group of Chinese traders. They are forced to endure hunger, thirst, and the harsh Australian wilderness as they try to make their way back to civilization.

The novel is a vivid and atmospheric portrayal of early colonial life in Australia, and is notable for its detailed research and historical accuracy. Serong draws on a range of historical sources to create a nuanced and complex picture of the social, political, and economic forces at play in colonial Australia, as well as the experiences of the different groups of people who were involved in the colony's development.

Melbourne Aust. Text Publishing. 2018. 364.p

By Daphne du Maurier

"Rebecca" is a novel by British author Daphne du Maurier, first published in 1938. The novel is a gothic romance and psychological thriller that tells the story of an unnamed young woman who marries a wealthy widower, Maxim de Winter, and moves into his estate, Manderley.

The new Mrs. de Winter soon realizes that the shadow of Maxim's first wife, Rebecca, who died in mysterious circumstances, still looms large over the house and its inhabitants. She feels like an outsider in her own home and is haunted by the memory of Rebecca, who was beautiful, charismatic, and seemingly perfect. As she tries to uncover the truth about Rebecca's death, the new Mrs. de Winter becomes entangled in a web of deceit, jealousy, and danger.

The novel is known for its vivid descriptions of the English countryside, its atmospheric portrayal of Manderley, and its exploration of themes such as love, identity, jealousy, and the nature of truth. It has been adapted into several films, stage productions, and a television series, and is considered one of du Maurier's most popular and enduring works.

London. Gollancz. 1936. 283p.

By Richard North Patterson

Richard North Patterson is the author of "The Spire" published in 2009. It is a legal thriller about a prominent San Francisco cathedral, its charismatic priest, and the secrets and scandals that threaten to tear the church apart. The story centers on a young female lawyer named Abby Chandlis, who is tasked with defending the church against a lawsuit brought by a former choirboy who alleges that he was sexually abused by a priest. As Abby delves deeper into the case, she uncovers a web of corruption, cover-ups, and betrayals that threatens to destroy the church and the people associated with it. The novel explores themes such as faith, justice, and the abuse of power, and is a thought-provoking and gripping read for fans of legal thrillers.

NY. Macmillan. 2009. 377p.

By John Updike

"Terrorist" is a novel by John Updike, published in 2006. The book tells the story of a young Muslim-American named Ahmad Ashmawy Mulloy, who becomes radicalized and plots a terrorist attack in the United States.

The novel explores themes of religion, identity, and extremism, and provides a nuanced portrayal of the motivations and beliefs that drive individuals to engage in acts of terrorism.

"Terrorist" received mixed reviews upon its release, with some critics praising Updike's exploration of complex themes and his ability to create nuanced and sympathetic characters, while others criticized the book for being overly didactic and preachy.

NY. Alfred A. Knopf. 2006. 318p.

By Mario Puzo

"The Godfather" is a novel written by Mario Puzo and published in 1969. The book tells the story of the Corleone family, a powerful mafia family based in New York City, and their involvement in organized crime during the mid-20th century.

The novel is notable for its detailed portrayal of the inner workings of the mafia, as well as its exploration of themes such as power, loyalty, and family. The central character of the novel is Don Vito Corleone, the patriarch of the Corleone family, who is widely regarded as one of the greatest characters in American literature.

"The Godfather" was a commercial and critical success, and has been adapted into numerous films, television series, and video games. The book is widely regarded as one of the greatest works of fiction of the 20th century, and its influence on popular culture and the portrayal of organized crime in media is still felt today.

Greenwich. Conn. Fawcett, 1969. 439p.

By Eleanor Catton

New York Little Brown. 2013. 834p.

The novel begins with the arrival of Walter Moody, a young Scottish lawyer, in Hokitika, where he stumbles upon a meeting of 12 local men. Each of these men has a different story to tell about a recent series of events involving theft, deception, and possible murder. As the novel progresses, their stories become increasingly entangled, and Moody finds himself drawn into the intricate web of secrets and lies that surround them.

Catton uses a range of narrative techniques, including astrology and multiple points of view, to create a complex and layered narrative. The novel also explores a range of themes, including class, race, gender, and the pursuit of wealth and power in a frontier society.

By Daphne Du Maurier.

Many of Daphne dimario's novels are set in Cornwall probably because she had made her home in the area and her writing seems to have absorbed so much of the atmosphere of that land of mystery and dark deeds. From Chapter 1: “It was a cold grey day in late November. The weather had changed overnight, when a backing wind brought a granite sky and a mizzling rain with it, and although it was now only a little after two o’clock in the afternoon the pallor of a winter evening seemed to have closed upon the hills, cloaking them in mist. It would be dark by four. The air was clammy cold, and for all the tightly closed windows it penetrated the interior of the coach. The leather seats felt damp to the hands, and there must have been a small crack in the roof, because now and again little drips of rain fell softly through, smudging the leather and leaving a dark-blue stain like a splodge of ink. The wind came in gusts, at times shaking the coach as it travelled round the bend of the road, and in the exposed places on the high ground it blew with such force that the whole body of the coach trembled and swayed, rocking between the high wheels like a drunken man….”

U.K. Gollancz. 1936.189p.

By Josef Hoffmann

Josef Hoffmann covers influences and inspirations in crime writing with references to a stellar cast of crime writers including Arthur Conan Doyle, G. K. Chesterton, Dashiell Hammett, Albert Camus, Borges, Agatha Christie, Raymond Chandler, and Ted Lewis. Hoffmann examines why crime literature may provide stronger consolation for readers than philosophy. In so doing, he demonstrates the truth of Wittgenstein's claim that more wisdom is contained in the best crime fiction than in philosophical essays. Josef Hoffmann's combination of knowledge, academic acuity, and enthusiasm makes this a must-have book for any crime fiction aficionado—with or without a philosophical nature.

Harpenden, Herts, UK: No Exit Press, 2013. 192p.

By Lisa Hopkins

This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four ‘queens of crime’ (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value.

London; New York: Palgrave Macmillan, 2016. 211p.