By Joseph C. Lincoln (Author), Colin Heston (Introduction)

In Shavings, published in 1918 at the peak of his literary success, Joseph C. Lincoln again turns his familiar eye and pen toward Cape Cod—its people, its rhythms, and its moral heart. Like much of Lincoln’s fiction, this novel offers more than light entertainment; it is a nuanced exploration of human decency, community obligation, and emotional transformation, wrapped in a quietly humorous and affectionately drawn setting.
Set in the fictional village of East Wellmouth, Shavings centers on a seemingly unremarkable character: a middle-aged man named Lemuel “Shavings” Keziah, a gentle and eccentric resident who works as a handyman and caretaker of sorts at the local ship-chandlery. What begins as a portrait of a quiet, solitary man becomes a deeper meditation on compassion, guardianship, and the power of unassuming kindness to transform lives. In this novel, Lincoln refines his formula of New England coastal fiction, combining rich local detail, deft character sketches, and moral clarity in a story that both reflects and transcends its setting.
The title Shavings is rich in metaphor. At the surface level, it refers to wood shavings—fragments trimmed away in the process of building or shaping. But on a deeper level, it suggests themes of smallness, modesty, and the overlooked. Lemuel Keziah is, like his namesake shavings, a figure that most would pass over without a second thought. He is plain, odd, physically unimposing, and considered somewhat simple by his neighbors. Yet within that uncarved block of humility lies a figure of enormous quiet integrity, and Lincoln’s triumph is in showing how such a man can become a pillar of his community and a redeemer in the lives of others.
Lincoln gives us a novel that blends humility with heart, modesty with moral insight. It is a story of redemption through quiet persistence, of fatherhood without blood, and of character tested not by fame or fortune but by the daily demands of decency. For those who cherish gentle fiction with real emotional weight, Shavings is a touchstone. It evokes a vanished New England but leaves in its place timeless lessons on love, trust, and the power of doing good without seeking reward. In Lemuel Keziah, Lincoln offers a model of quiet heroism whose relevance has only grown with time.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 229p.

By R. L. Stevenson. Edited by Colin Heston.

“St. Ives: Being the Adventures of a French Prisoner in England” is an unfinished historical romance by Robert Louis Stevenson, posthumously Vol. XX published and included in Volume XX of the Swanston Edition of his collected works. Begun in 1893 during Stevenson’s final years in Samoa, the novel was left incomplete at his death in 1894 and later finished by Arthur Quiller-Couch, a respected British writer and editor.

Set during the Napoleonic Wars, St. Ives follows the escapades of Viscomte Anne de Keroual de St. Ives, a dashing and witty French officer who is captured and imprisoned in Scotland. The novel opens with his internment at Edinburgh Castle, from which he eventually escapes, embarking on a series of adventures across the British countryside. Along the way, he encounters a colorful cast of characters, including fellow prisoners, eccentric aristocrats, and a romantic interest, Flora Gilchrist, whose loyalty and courage become central to the story.

Thematically, St. Ives explores identity, honor, and the absurdities of war, all delivered with Stevenson’s characteristic blend of humor, irony, and narrative flair. The protagonist’s aristocratic pride and gallant demeanor are frequently tested by the unpredictable circumstances of exile and captivity, offering a light-hearted yet insightful commentary on the nature of heroism and national rivalry.

Although the novel remains incomplete in Stevenson’s hand—he wrote approximately thirty chapters before his death—Quiller-Couch’s continuation, based on Stevenson’s notes and stylistic cues, brings the story to a satisfying conclusion. The transition between authors is handled with care, though literary scholars often distinguish between the two parts in terms of tone and polish.

The Swanston Edition presents St. Ives with critical apparatus, including editorial notes and historical context, allowing readers to appreciate both the literary qualities of the work and the circumstances of its creation. As a late work, it reflects Stevenson’s enduring fascination with adventure, character, and the interplay between personal freedom and historical forces.

“St. Ives” stands as a testament to Stevenson’s narrative gifts and his ability to infuse even unfinished tales with charm, wit, and enduring appeal. It offers a unique glimpse into the author’s creative process and remains a valuable piece of his literary legacy.

This volume has been carefully edited and redesigned by Colin Heston, a renowned novelist and storyteller, to make the book more enjoyable and comprehensible to the modern reader.

Read-Me.Org Inc. Australia-New York-Philadelphia. 2025. 245p.