By Rolf Boldrewood

"A Sydney Side Saxon" is a captivating tale that delves into the complexities of identity, heritage, and belonging. Set against the backdrop of multicultural Sydney, the story follows the protagonist as she navigates the challenges of straddling two worlds—the traditional expectations of her Anglo-Saxon lineage and the vibrant diversity of her Australian upbringing. As she learns to embrace her heritage while forging her own path, readers are taken on a poignant journey of self-discovery and acceptance. With richly drawn characters and evocative storytelling, this novel is a compelling exploration of cultural fusion and the universal quest for understanding one's place in the world.

Heinemann and Balestier, 1891, 96 pages

By Rolf Boldrewood

A Colonial Reformer delves deep into the life of an unsung hero of colonial America. Through meticulous research and insightful analysis, this book brings to light the struggles and triumphs of a visionary figure who challenged the status quo and paved the way for change. Readers will be captivated by the story of a man ahead of his time, whose unwavering dedication to reform reshaped the course of history. A compelling narrative that sheds light on a forgotten chapter of America's past, A Colonial Reformer is a must-read for anyone interested in the untold stories of courage and perseverance.

Macmillan and Company, 1891, 518 pages

By John Meade Falkner

Edited with an Introduction by Edward Wilson who notes: “The detailed apparatus to this edition has been demanded not only by Time, which has altered not just the senses of words but a whole cultural hinterland beyond a modern reader's recognition, but by Falkner himself, who delighted in sowing his novel with literary and antiquarian allusions. Indeed, a character, Mr Gaskell, in The Lost Stradivarius itself, when reading an eighteenth-century diary in pursuit of highly sensational matter cannot resist telling us that "the minute details given were often of high antiquarian interest'“

London. Oxford University Press. 1954. (1895). USED BOOK. CONTAINS MARK-UP.

By Henry James

The Bostonians is a novel by Henry James, first published as a serial in The Century Magazine in 1885–1886 and then as a book in 1886. This bittersweet tragicomedycentres on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young protégée of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics.

• More...

  Henry James originally entered into an agreement with the Boston publisher James R. Osgood & Co. to publish the book in the United States for $4,000. Osgood made a separate agreement with The Century for the magazine to serialize the novel. In May 1885, before the serialization had finished and James had been paid any of the money owed to him, Osgood's firm went bankrupt.[1] James was able to recover part of the lost sum by selling the copyright to Macmillan and Co., which published The Bostonians in a three-volume edition in Britain in February 1886, and in a one-volume edition in the US in May 1886.[1] James was not, however, able to recover any money for the serialization in The Century.[2]

• Plot...

  Mississippi lawyer and Civil War veteran, Basil Ransom, visits his cousin Olive Chancellor in Boston. She takes him to a political meeting where Verena Tarrant delivers a feminist speech. Ransom, a strong conservative, is annoyed by the speech but fascinated with the speaker. Olive, who never has set eyes on Verena, is equally fascinated. She persuades Verena to leave her parents' house, move in with her and study in preparation for a career in the feminist movement. Meanwhile, Ransom returns to his law practice in New York, which is not doing well. He visits Boston again and walks with Verena through the grounds of Harvard College, including the impressive Civil War Memorial Hall. Verena finds herself attracted to the charismatic Ransom. Basil eventually proposes to Verena, much to Olive's dismay. Olive has arranged for Verena to speak at the Boston Music Hall. Ransom shows up at the hall just before Verena is scheduled to begin her speech. He persuades Verena to elope with him, to the discomfiture of Olive and her fellow-feminists. The final sentence of the novel shows Verena in tears – not to be her last, James assures us.

London. Macmillan . 1886. 419p.

By George Eliot III

Silas Marner is George Eliot's (1819-1880) short novel of 1861, in which the protagonist is obliged to leave his small religious community after being falsely accused of theft. He settles in Raveloe, where he works diligently as a weaver for 15 years and manages to accumulate and hoard a substantial amount of gold.
“The Lifted Veil” concerns themes of fate, extrasensory perception, the mystery of life and life after death. Eliot's interest in these themes stemmed partly from her own struggles with religious faith, as she was an extremely devout Christian as a child and young adult who later renounced Christianity completely. “Brother Jacob'“raises issues of perennial concern to George Eliot as an author who was also a woman. In particular, this fabular tale about a hapless confectioner and his imbecilic broth- er exposes the pitfalls in women's relationship(s) to cultural authority, 'the strange bright fruits of knowledge' (Woolf 160). As a fable whose hero is distinguished by fraudulence and guile, 'Brother Jacob' reflects its author's attitude towards plagiarists and other impostors with pre- tensions to authorship. Even as Marian Evans disguised herself as George Eliot, the 'silly lady novelist' of her day is disguised in the story's protagonist, David Faux.

London. Oxford University Press. 1861., 1859, 1860. 318p.

By Mrs. Craik.

The action is centred on the town of Tewkesbury, scarcely disguised by the fictional name Norton Bury, in Gloucestershire. The story is narrated by Phineas, a friend of the central character. John Halifax is an orphan, determined to make his way in the world through honest hard work. He is taken in by a tanner, Abel Fletcher, who is a Quaker, and thus meets Phineas, who is Abel's son. John eventually achieves success in business and love, and becomes a wealthy man. (Wikipedia)

London: Ward, Lock and Co. 1856. 449p.

By Oliver Goldsmith.

“When Dr Primrose loses his fortune in a disastrous investment, his idyllic life in the country is shattered and he is forced to move with his wife and six children to an impoverished living on the estate of Squire Thornhill. Taking to the road in pursuit of his daughter, who has been seduced by the rakish Squire, the beleaguered Primrose becomes embroiled in a series of misadventures–encountering his long-lost son in a travelling theatre company and even spending time in a debtor’s prison. Yet Primrose, though hampered by his unworldliness and pride, is sustained by his unwavering religious faith. In The Vicar of Wakefield, Goldsmith gently mocks many of the literary conventions of his day–from pastoral and romance to the picaresque – infusing his story of a hapless clergyman with warm humour and amiable social satire.”

J.C. Krieger and Company, 1828 300p.

By Wilkie Collins.

This book is a 19th-century novel by the master of sensation fiction, Wilkie Collins. A country gentleman is killed in an accident and his wife dies shortly after him. The blow is double for their daughters, who discover that they were born before their parents were married. Their sudden illegitimacy robs them of their inheritance and their accustomed place in society.

New York: Harper and Brothers, 1873. 622p.

By Wilkie Collins. .

A Novel . Two of the characters which appear in these pages -- "Rosamond," and "Uncle Joseph" -- had the good fortune to find friends everywhere who took a hearty liking to them. A more elaborately drawn personage in the story -- "Sarah Leeson" -- was, I think, less generally understood. The idea of tracing, in this character, the influence of a heavy responsibility on a naturally timid woman, whose mind was neither strong enough to bear it, nor bold enough to drop it altogether, was a favorite idea with me, at the time, and is so much a favorite still, that I privately give "Sarah Leeson" the place of honor in the little portrait-gallery which my story contains.

London: Bradbury and Evans, 1857. 322p.

By G.K. Chesterton.

When two men decide to fight for their respective beliefs, they discover to their astonishment that an unbelieving world won’t let them, and they find themselves partners and fugitives from the law in this steampunk satire. Penned by G.K. Chesterton in 1909, this whimsical and biting novel eerily foreshadows a world in which “tolerance” is the only god and all those who believe ideas are worth dying for are forced to stand together to defend freedom of speech and belief.

New York: J. Lane, 1909. 436p.

By Gaston Leroux.

Young engineer Raymond Ozoux, accompanied by his uncle, arrives in Peru to meet his fiancée, Marie-Thérèse. Meanwhile, descendents of the Incas are preparing a great feast during which a virgin will be sacrificed to the Sun, walled up alive in a secret temple. At the same time, a mysterious Inca bracelet is sent to Marie-Thérèse purporting to be a gift of the Sun to his future bride.. The young girl is then kidnapped by the Incas and Raymond, his uncle and Marie-Thérèse's father set out on a trek across Peru to free her while a revolution shakes the country.

NY. Harrow and Heston Classic Reprint. (1912) 177 pages.

By Gaston Leroux.

Excerpt: “Excerpt: "The Nut lay on the scorching beach facing the terrible sea in which the hungry sharks, the warders of his prison, were disporting. The convict was like a weary animal at rest. In truth, he had availed himself of the "relaxation" at ten o'clock to seek out a little fresh air and seclusion between two precipitous crags which cut him off from the rest of the convict settlement. If only he could live alone! No longer to hear anything. No longer to see anything! No longer to think of anything. But how could he help thinking of what he had seen, of what he had been compelled to see, that morning?"

NY. Harrow and Heston Classic Reprint. (1924) 191 pages.

By Gaston Leroux..

The Phantom of the Opera is the most famous novel by Gaston Leroux. It is believed to be based in George du Maurier's Trilby. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz. It has been successfully adapted into various stage and film adaptations, most notable of which are the 1925 film depiction featuring Lon Chaney, and Andrew Lloyd Webber's 1986 musical — Wikipedia.

NY. Harrow and Heston Classic Reprint. (1911) 270 pages.

By Charles Dickens.

This is Dickens’ tenth novel, published without illustrations, in Household Word, his weekly journal. Dickens continues to fly the banner of social reform, touching on themes of industrialization, education, and utilitarianism in the sweeping Industrial Revolution of the 1850's.

NY. Harrow and Heston Classic Reprint. (1854) 302 pages.

By Charles Dickens.

This was Charles Dickens' thirteenth novel published in Dickens' weekly journal All the Year Round without illustrations. An American edition was also published in Harper's Weekly. The novel contains a strong autobiographical element, though not as openly as in David Copperfield. Dickens reread Copperfield before beginning Great Expectations to avoid unintentional repetition. It is generally acclaimed as his best work.

NY. Harrow and Heston Classic Reprint. (186-1861) 521 pages.

By Charles Dickens.

This is Charles Dickens' eighth novel, illustrated by Phiz. Some say that it is a thinly disguised autobiography with many of the story lines mirroring Dickens' own life.

NY. Harrow and Heston Classic Reprint. (1849-1850) 963 pages.