By Rolf Boldrewood

Robbery Under Arms was acclaimed as an Australian classic almost immediately after it appeared in book form in the late 1880s. It was praised for its excitement, romance and authentic picture of 1850s colonial life. As the first writer to attempt a long narrative in the voice of an uneducated Australian bushman, Rolf Boldrewood had created a story with enduring cultural resonance. Its continuing appeal and popularity have seen the tale frequently adapted for stage, radio, film and television. During all of this time the novel's text was not stable. It lost some material accidentally in its early typesettings, and these omissions were never repaired. It was later abridged by its author at the publisher's request, but the publisher botched his instructions. And, as with any much-reprinted work, thousands of small changes gradually crept into the text. This Academy Edition is the first full-scale critical edition of the novel. It presents the text as it originally appeared in instalments in the pages of the Sydney Mail in 1882-83. It allows readers to experience the first-person narration that Henry Lawson was inspired by, to appreciate how the special qualities of voice were partially flattened over time and to know exactly what material was omitted.

Univ. of Queensland Press, 2006, 479 pages

By Yuanfei Wang

In Writing Pirates, Yuanfei Wang connects Chinese literary production to emerging discourses of pirates and the sea. In the late Ming dynasty, so-called “Japanese pirates” raided southeast coastal China. Hideyoshi invaded Korea. Europeans sailed for overseas territories, and Chinese maritime merchants and emigrants founded diaspora communities in Southeast Asia. Travel writings, histories, and fiction of the period jointly narrate pirates and China’s Orient in maritime Asia. Wang shows that the late Ming discourses of pirates and the sea were fluid, ambivalent, and dialogical; they simultaneously entailed imperialistic and personal narratives of the “other”: foreigners, renegades, migrants, and marginalized authors. At the center of the discourses, early modern concepts of empire, race, and authenticity were intensively negotiated. Connecting late Ming literature to the global maritime world, Writing Pirates expands current discussions of Chinese diaspora and debates on Sinophone language and identity.

Ann Arbor: University of Michigan Press, 2021. 227p.

USED BOOK. MAY CONTAIN MARK-IP

By Robert Graves

“The troublesome reign of Tiberius Claudius Caesar, emperor of the Romans (born 10 b.c., died a.d. 54), as described by himself; also his murder at the hands of the notorious agrippin a (mother of the emperor nero) and his subsequent deification, as described by others.”

NY. Vintage Random House. 1962. 584p.

By George Eliot III

Silas Marner is George Eliot's (1819-1880) short novel of 1861, in which the protagonist is obliged to leave his small religious community after being falsely accused of theft. He settles in Raveloe, where he works diligently as a weaver for 15 years and manages to accumulate and hoard a substantial amount of gold.
“The Lifted Veil” concerns themes of fate, extrasensory perception, the mystery of life and life after death. Eliot's interest in these themes stemmed partly from her own struggles with religious faith, as she was an extremely devout Christian as a child and young adult who later renounced Christianity completely. “Brother Jacob'“raises issues of perennial concern to George Eliot as an author who was also a woman. In particular, this fabular tale about a hapless confectioner and his imbecilic broth- er exposes the pitfalls in women's relationship(s) to cultural authority, 'the strange bright fruits of knowledge' (Woolf 160). As a fable whose hero is distinguished by fraudulence and guile, 'Brother Jacob' reflects its author's attitude towards plagiarists and other impostors with pre- tensions to authorship. Even as Marian Evans disguised herself as George Eliot, the 'silly lady novelist' of her day is disguised in the story's protagonist, David Faux.

London. Oxford University Press. 1861., 1859, 1860. 318p.

By Gustav Flaubert

"She longed t o rush into his arms. to take refuge in his strength as ir the incarnation of bertect love. tc cry aloud to him- 'Take me away ! Oh, take me away!'" Madame Bovary is the story of a beautiful young woman who marries a luckless and loutishcountry doctor. She attempts to escape the narrou confines of her lifethrough a series of passionate affairs, hoping to find in other men the romantic ideal she has alwavs dreamed about. Her reckless. n e s s comes back to haunt her. however. and the strong-willed and independent Emma finds herself in a desperate fight for existence. Flaubert's daring depiction of adultery and sinfulness caused a national scandal when it was first published, and the author was put on trial for offending public morality. One hundred and fifty years later, this masterpiece of realist literature has lost none of its impact.

Michel Lévy Frères (in book form, 2 Vols). 1857. 322p.

By Gaston Leroux.

Excerpt: “Excerpt: "The Nut lay on the scorching beach facing the terrible sea in which the hungry sharks, the warders of his prison, were disporting. The convict was like a weary animal at rest. In truth, he had availed himself of the "relaxation" at ten o'clock to seek out a little fresh air and seclusion between two precipitous crags which cut him off from the rest of the convict settlement. If only he could live alone! No longer to hear anything. No longer to see anything! No longer to think of anything. But how could he help thinking of what he had seen, of what he had been compelled to see, that morning?"

NY. Harrow and Heston Classic Reprint. (1924) 191 pages.

By Gaston Leroux..

The Phantom of the Opera is the most famous novel by Gaston Leroux. It is believed to be based in George du Maurier's Trilby. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz. It has been successfully adapted into various stage and film adaptations, most notable of which are the 1925 film depiction featuring Lon Chaney, and Andrew Lloyd Webber's 1986 musical — Wikipedia.

NY. Harrow and Heston Classic Reprint. (1911) 270 pages.

By Charles Dickens..

This is a rare detective story of Charles Dickens. The main character is a smart and attentive man named Sampson. One day he sees a strange Mr. Julius Silton in his office acting strangely as though he is hiding something. Sampson suspects that a crime is occurring and and from this point he becomes a real hunter of criminals. The story's antagonist is probably based on the real life of poisoner Thomas Wainewright.

NY. Harrow and Heston Classic Reprint. (1859) 39 pages.