USED BOOK. MAY CONTAIN MARK-UP

By Irving Stone

FROM THE COVER: “Set in the days of the deadly Borgias, the warring popes and the mighty Medicis, this is the truly great novel of Michelangelo, his lifelong friendships, his passionate loves and his unquenchable genius. ….

"Irving Stone has painted the portrait of a supreme craftsman, one of the most versatile artists of all time, and he has also laid before us a cyclorama of one of the world's most astounding ages." New York Times

NY. Fontana books. 1970. 786p.

USED BOOK. MAY CONTAIN MARK-UP

By Max Byrd

FROM THE COVER: “It is 1784, and Jefferson, the newly appointed American ambassador to the court of Louis XVI and Marie-Antoinette, has just arrived in Paris-a city adrift in intrigue, upheaval, and temptation that will challenge his principles, incite his passions, and change Thomas Jefferson forever.... Through the eyes of his impressionable young secretary, William Short, we watch as the future president builds his dream of an America with fellow patriots John Adams and Ben Franklin, and as he struggles between political ambition and an unexpected crisis of the heart with a woman who has the power to destroy him. And we discover-behind the face the complex Virginian shows the world -an enigmatic statesman who fights for individual liberty even as he keeps slaves, who champions free will even as he denies it to his daughters, and who holds men to the highest standards of honor-even as he embarks on a shadowy double life of his own.”

"A Novel To Be Admired And Enjoyed,The Best Fictionalized Life Of Jefferson Yet!' -Jack McLaughlin,

NY. Bantam. 1994. 470p.

USED BOOK. MAY CONTAIN MARK-UP

By Jane Shaw

FROM THE COVER FLAP: “It was Imposible for Susan, when she knew someone was needing help, not to do something about it. This incurable habit of hers led her into m any awkward situations when she was staying over Christmas with her cousins, the Carmichaels. Charlotte, Midge and Bill all assured her that they would really prefer her t o stop trying to put everything right, but Susan persisted, and proved, in an exciting climax, that her interference wasmore than justified. Jane Shaw's lively sense of humour makes this a very engaging tale; from Susan herself to the " Plum * and Chang the cat, the characters are real, and your interest in them will be kept and held from the first to the last page…”

London. Children’s Press. 1950. 188p.

USED BOOK. MAY CONTAIN MARK-UP

By Constance M. White

From the cover: “With a father who is a well. known newspaper man and an elder sister a junior reporter, it is hardly surprising that Laurel Chester considers that she had definitely inherited the "Chester nose for news" Andno sooner has she decided to edit the Fourth Form magazine, than things begin to happen which exer- cise all her ingenuity. To begin with, there is the empty man- s i o n next door. Why does nobody live there and why does it intrigue Laurel so much? And what are the activities of the strange old man in the long black cloak? As for the mistress, Miss James, her behaviour, to say the least of it, is distinctly odd. Other events complicate Laurel's detective work even further ….”

London. Hutchinson Co. 1950s. 235p.

USED BOOK. MAY CONTAIN MARK-UP

By Hilary Mantel

FROM CHAPTER 1:

“So now get up."

Felled, dazed, silent, he has fallen; knocked full length on the cobbles of the yard. His head turns sideways; his eyes are turned toward the gate, as if someone might arrive to help him out. One blow, properly placed, could i kill him now. Blood from the gash on his head--which was his father's first effort is trickling across his face. Add to this, his left eye is blinded; but if he squints sideways, with his right eye he can see that the stitching of his father's boot is unraveling. The twine has sprung clear of the leather, and a hard knot in it has caught his eyebrow and opened another cut.”

NY. Henry Holt and Company. 2009. 548p.

By John Meade Falkner

Edited with an Introduction by Edward Wilson who notes: “The detailed apparatus to this edition has been demanded not only by Time, which has altered not just the senses of words but a whole cultural hinterland beyond a modern reader's recognition, but by Falkner himself, who delighted in sowing his novel with literary and antiquarian allusions. Indeed, a character, Mr Gaskell, in The Lost Stradivarius itself, when reading an eighteenth-century diary in pursuit of highly sensational matter cannot resist telling us that "the minute details given were often of high antiquarian interest'“

London. Oxford University Press. 1954. (1895). USED BOOK. CONTAINS MARK-UP.

By Madeline Miller

FROM USA TODAY: “"It takes a truly gifted writer to make a song this old feel this beauti- fully new. What's startling about this sharply written, cleverly reimagined, enormously promising debut novel from Madeline Miller is how fresh and moving her take on the tale is--how she has managed to bring Achilles and his companion Patroclus to life in our time without removing them from their own."

NY. Harper Collins. 2012. 426p. USED BOOK. CONTAINS MARK-UP

By Colleen McCullough

FROM THE COVER: “The publication thirteen years ago of Birds was a landmark event, a remarkable achievement now surpassed by a novel in which storytelling and scholarship combine to bring to life one of history's most important epochs. The First Man in Rome sweeps the reader into an irresistibly vivid world of political intrigue, danger, wars, assassinations, devas- tating upheaval, intricately passionate family alliances and rivalries - and undeniable reality. It is New Year's Day of 110 B.C., and two of the latest in a long line of noble Roman mediocrities are assuming the coveted mantle of consul. But among those watching are two very different men, men whose vision, ruthlessness, and courage will force shattering change upon the Roman Republic, strug- gling to cope with mushrooming territorial possessions and the growing resentment of the Italians it treats as third-class citizens. One of these two men is Marius, a wealthy rustic barred by his low birth from grasping his prophesied destiny, to become the First Man in Rome- he who stands above all his peers through sheer excellence. The second is (continued on back flap)…..”

NY. William Morrow and Company, Inc. 1960. 897p. USED BOOK CONTAINS MARK-UP

By Phillippa Gregory

London. Harper Collins. 2009. 491p.

"The Other Queen" is a historical fiction novel by Philippa Gregory, published in 2008. The book is set in 16th century England and Scotland, and tells the story of Mary, Queen of Scots, who is imprisoned by her cousin Queen Elizabeth I of England.

The novel is told from the perspective of three women: Mary, Queen of Scots; Elizabeth Talbot, Countess of Shrewsbury; and Georgiana, Duchess of Bedford. Elizabeth Talbot is charged with the care of Mary during her imprisonment and becomes her confidante, while Georgiana is a friend of Elizabeth I who becomes involved in the political intrigues surrounding Mary's imprisonment.

"The Other Queen" is a richly detailed and meticulously researched work of historical fiction that offers a compelling glimpse into the lives of the powerful women who shaped 16th century England and Scotland. Gregory's prose is vivid and engaging, and her characters are complex and nuanced, with their own desires, fears, and motivations.

By Phillippa Gregory

NY. Touchstone. 2004. 512p.

"The Queen's Fool" is a historical fiction novel by Philippa Gregory, first published in 2003. The book is set in England in the 16th century, during the reigns of King Henry VIII and Queen Mary I, and tells the story of a young girl named Hannah Green who becomes a servant in the royal court.

Hannah is a gifted "fool," a type of entertainer who uses jokes and acrobatics to amuse the court. She catches the eye of Queen Mary, who takes her under her wing and makes her a trusted confidante. But as Hannah gets caught up in the political machinations of the court, she must navigate dangerous alliances and protect herself from those who would do her harm.

"The Queen's Fool" is a well-researched and engaging work of historical fiction that offers a window into the complex and turbulent world of Tudor England. Gregory's prose is vivid and evocative, and her characters are richly drawn and memorable. The book offers a fresh perspective on well-known historical figures, such as King Henry VIII and Queen Mary I, and provides a compelling glimpse into the lives of the ordinary people who served them.

By George Eliot III

Silas Marner is George Eliot's (1819-1880) short novel of 1861, in which the protagonist is obliged to leave his small religious community after being falsely accused of theft. He settles in Raveloe, where he works diligently as a weaver for 15 years and manages to accumulate and hoard a substantial amount of gold.
“The Lifted Veil” concerns themes of fate, extrasensory perception, the mystery of life and life after death. Eliot's interest in these themes stemmed partly from her own struggles with religious faith, as she was an extremely devout Christian as a child and young adult who later renounced Christianity completely. “Brother Jacob'“raises issues of perennial concern to George Eliot as an author who was also a woman. In particular, this fabular tale about a hapless confectioner and his imbecilic broth- er exposes the pitfalls in women's relationship(s) to cultural authority, 'the strange bright fruits of knowledge' (Woolf 160). As a fable whose hero is distinguished by fraudulence and guile, 'Brother Jacob' reflects its author's attitude towards plagiarists and other impostors with pre- tensions to authorship. Even as Marian Evans disguised herself as George Eliot, the 'silly lady novelist' of her day is disguised in the story's protagonist, David Faux.

London. Oxford University Press. 1861., 1859, 1860. 318p.

By Mrs. Craik.

The action is centred on the town of Tewkesbury, scarcely disguised by the fictional name Norton Bury, in Gloucestershire. The story is narrated by Phineas, a friend of the central character. John Halifax is an orphan, determined to make his way in the world through honest hard work. He is taken in by a tanner, Abel Fletcher, who is a Quaker, and thus meets Phineas, who is Abel's son. John eventually achieves success in business and love, and becomes a wealthy man. (Wikipedia)

London: Ward, Lock and Co. 1856. 449p.

By Wilkie Collins.

The loss of the diamond opens the beginning of this adventure and events as related by Gabriel Betteredge, house-steward in the service of Julia, Lady Verinder. “ The Moonstone is a 19th-century British epistolary novel. It is an early modern example of the detective novel, and established many of the ground rules of the modern genre. Told from the perspective of 11different characters, tale of mystery and suspicion was considered the first modern English detective novel at its time of publication.” (Amazon).

NY. Harrow and Heston Classic Reprint. (1868) 510 pages.

By Sir Walter Scott.

“Edinburgh, 1736: an indignant crowd has gathered in the Grassmarket to watch the execution of a smuggler...” Opening with the start of the Porteous Riots, The Heart of Midlothian is one of Walter Scott's most famous historical novels, featuring murder, madness and seduction. Following his brutal suppression of the spectators, John Porteous, Captain of the Guard, is charged with murder and locked up in Edinburgh's Tolbooth prison, also known as the Heart of Midlothian. When news comes that he has been pardoned, an angry mob breaks into the jail, liberating its inmates and bringing Porteous to its own form of justice. But one prisoner who fails to take this opportunity to flee is Effie Deans, who, wrongly convicted of infanticide, has been sentenced to death. Jeanie, her older sister, sets off to London on foot to beg for her pardon from the queen.

Boston: Dana Estes & Co., 1893.

By Oliver Goldsmith.

“When Dr Primrose loses his fortune in a disastrous investment, his idyllic life in the country is shattered and he is forced to move with his wife and six children to an impoverished living on the estate of Squire Thornhill. Taking to the road in pursuit of his daughter, who has been seduced by the rakish Squire, the beleaguered Primrose becomes embroiled in a series of misadventures–encountering his long-lost son in a travelling theatre company and even spending time in a debtor’s prison. Yet Primrose, though hampered by his unworldliness and pride, is sustained by his unwavering religious faith. In The Vicar of Wakefield, Goldsmith gently mocks many of the literary conventions of his day–from pastoral and romance to the picaresque – infusing his story of a hapless clergyman with warm humour and amiable social satire.”

J.C. Krieger and Company, 1828 300p.

By R.D. Blackmore.

“This work is called a 'romance,' because the incidents, characters, time, and scenery, are alike romantic. And in shaping this old tale, the Writer neither dares, nor desires, to claim for it the dignity or cumber it with the difficulty of an historic novel….Every woman clutched her child, and every man turned pale at the very name of "Doone" ….John Ridd, an unsophisticated farmer, falls in love with the beautiful and aristocratic Lorna Doone, kidnapped as a child by the outlaw Doones on Exmoor. Ridd's rivalry with the villainous Carver Doone reaches a dramatic climax that will determine Lorna's future happiness.”

New York: Harper & Brothers, 1878. 280p.

By Sir Walter Scott.

“The Author, on a former occasion, declined giving the real source from which he drew the tragic subject of this history, because, though occurring at a distant period, it might possibly be unpleasing to the feelings of the descendants of the parties. But as he finds an account of the circumstances given in the Notes to Law's Memorials by his ingenious friend Charles Kirkpatrick Sharpe, Esq., and also indicated in his reprint of the Rev. Mr. Symson's poems, appended to the Description of Galloway as the original of the Bride of Lammermoor, the Author feels himself now at liberty to tell the tale as he had it from connections of his own, who lived very near the period, and were closely related to the family of the Bride.

London: Collins Clear -Type Press, 1900. 416p.

By E. Phillips Oppenheim.

“An Englishman is enjoying his dinner at Stephano's, at which he is a regular diner. A man enters quickly, sits at his table, starts eating his food, and hands him a packet underneath the table! So begins Paul Walmsley's acquaintance - and adventures - with American adventurer Joseph H. Parker and his lovely daughter, Eve.”

Boston: Little, Brown and Co., 1916.341p.

By E. Phillips Oppenheim.

“… Opposite him, at the other end of the table, sat his wife, Mrs. Barnes, a somewhat voluminous lady with a high colour, a black satin frock, and many ornaments. On her left the son of the house, eighteen years old, of moderate stature, somewhat pimply, with the fashion of the moment reflected in his pink tie with white spots, drawn through a gold ring, and curving outwards to seek obscurity underneath a dazzling waistcoat.”

Boston: Little, Brown, 1912. 424p.

By Edgar Allan Poe.

The discovery of a message in code on a shoreline formerly infested with pirates sends William Legrand and his friends on a hunt for buried treasure.

London: Routledge, 1891. 153p.