By George Eliot III

Silas Marner is George Eliot's (1819-1880) short novel of 1861, in which the protagonist is obliged to leave his small religious community after being falsely accused of theft. He settles in Raveloe, where he works diligently as a weaver for 15 years and manages to accumulate and hoard a substantial amount of gold.
“The Lifted Veil” concerns themes of fate, extrasensory perception, the mystery of life and life after death. Eliot's interest in these themes stemmed partly from her own struggles with religious faith, as she was an extremely devout Christian as a child and young adult who later renounced Christianity completely. “Brother Jacob'“raises issues of perennial concern to George Eliot as an author who was also a woman. In particular, this fabular tale about a hapless confectioner and his imbecilic broth- er exposes the pitfalls in women's relationship(s) to cultural authority, 'the strange bright fruits of knowledge' (Woolf 160). As a fable whose hero is distinguished by fraudulence and guile, 'Brother Jacob' reflects its author's attitude towards plagiarists and other impostors with pre- tensions to authorship. Even as Marian Evans disguised herself as George Eliot, the 'silly lady novelist' of her day is disguised in the story's protagonist, David Faux.

London. Oxford University Press. 1861., 1859, 1860. 318p.

By Mrs. Craik.

The action is centred on the town of Tewkesbury, scarcely disguised by the fictional name Norton Bury, in Gloucestershire. The story is narrated by Phineas, a friend of the central character. John Halifax is an orphan, determined to make his way in the world through honest hard work. He is taken in by a tanner, Abel Fletcher, who is a Quaker, and thus meets Phineas, who is Abel's son. John eventually achieves success in business and love, and becomes a wealthy man. (Wikipedia)

London: Ward, Lock and Co. 1856. 449p.

By D. H. Lawrence

Kangaroo is D. H. Lawrence's eighth novel, set in Australia. He wrote the first draft in just forty-five days while living south of Sydney, in 1922, and revised it three months later in New Mexico. The descriptions of the country are vivid and sympathetic and the book fuses lightly disguised autobiography with an exploration of political ideas at an immensely personal level. Based on a collation of the manuscript, typescripts and first editions, this text of Kangaroo is closest to what Lawrence would have expected to see in print. There is a full textual apparatus of variants, a comprehensive introduction giving the background and history of composition and publication and a summary of contemporary reviewers' opinions. Explanatory notes elucidate the many geographical, political and literary allusions in the text; there are three maps and an appendix detailing Australian locations.

London. Thomas Seltzer Inc. 1923. 367p.

By Katharine Susannah Prichard

From the jacket: No writer has painted a more vivid picture of the tragic meeting of primi­tive and civilized humanity than Katharine Susannah Prichard in Coonardoo. First published in 1929, this remarkable novel has become an Australian classic, as moving in its deli­cate portraiture of an aboriginal girl as it is revealing in its authentic know­ledge of the outback scene in north­western Australia. The little black girl Coonardoo and the boy Hugh are childhood play­mates, and the relationship that gradually develops from their early bond is compelling and disastrous. Coonardoo has her tribal partner; Hugh, the station-owner, must marry. This drama is played out in the deserts and cattle country of the north­west, a cruel story redeemed by the poetic quality-of Coonardoo and her devotion to the man whose race dealt so harshly with hers.

Melbourne. Angus and Robertson. 1929.

By Gustav Flaubert

"She longed t o rush into his arms. to take refuge in his strength as ir the incarnation of bertect love. tc cry aloud to him- 'Take me away ! Oh, take me away!'" Madame Bovary is the story of a beautiful young woman who marries a luckless and loutishcountry doctor. She attempts to escape the narrou confines of her lifethrough a series of passionate affairs, hoping to find in other men the romantic ideal she has alwavs dreamed about. Her reckless. n e s s comes back to haunt her. however. and the strong-willed and independent Emma finds herself in a desperate fight for existence. Flaubert's daring depiction of adultery and sinfulness caused a national scandal when it was first published, and the author was put on trial for offending public morality. One hundred and fifty years later, this masterpiece of realist literature has lost none of its impact.

Michel Lévy Frères (in book form, 2 Vols). 1857. 322p.

By Niccolo Machiavelli

From Chapter 1: The people who inhabit the northern parts beyond the Rhine and the Danube, living in a healthy and prolific region, frequently increase to such vast multitudes, that part of them are compelled to abandon their native soil, and seek a habitation in other countries. The method adopted, when one of these provinces had to be relieved of its superabundant population, was to divide into three parts, each containing an equal number of nobles and of people, of rich and of poor. The third upon whom the lot fell, then went in search of new abodes, leaving the remaining two-thirds in possession of their native country. These migrating masses destroyed the Roman empire by the facilities for settlement which the country offered when the emperors abandoned Rome, the ancient seat of their dominion, and fixed their residence at Constantinople…..

London. M. Walter Dunne. 1901.

By Emile Gaboriau

Illustrated by W. Glackens. From Chapter 1: In the Paris evening papers of Tuesday, February 28, 1866, under the head of Local Items, the following announcement appeared: " A daring robbery, committed against one of our most eminent bankers, M. André Fauvel, caused great excitement this morning throughout the neighborhood of Rue de Provence. " The thieves, who were as skilful as they were bold, succeeded in making an entrance to the bank, in forcing the lock of a safe that has heretofore been considered impregnable, and in possessing themselves of the enormous sum of three hundred and fifty thousand francs in bank-notes…”

NY. Charles Scribner’s Sons. 1903. 540p.

Translated Into English By Samuel Croxall.

This version is beautifully illustrated and contains “New applications, Morals etc. by the Rev. Geo. Tyler Townsend, editor of the “Arabian Nights’ Entertainments.” Eighty original Illustratiiona.

London” Frederick Warne and Co. Strand. ca. 1885. 161p.

By Sir Walter Scott.

“Edinburgh, 1736: an indignant crowd has gathered in the Grassmarket to watch the execution of a smuggler...” Opening with the start of the Porteous Riots, The Heart of Midlothian is one of Walter Scott's most famous historical novels, featuring murder, madness and seduction. Following his brutal suppression of the spectators, John Porteous, Captain of the Guard, is charged with murder and locked up in Edinburgh's Tolbooth prison, also known as the Heart of Midlothian. When news comes that he has been pardoned, an angry mob breaks into the jail, liberating its inmates and bringing Porteous to its own form of justice. But one prisoner who fails to take this opportunity to flee is Effie Deans, who, wrongly convicted of infanticide, has been sentenced to death. Jeanie, her older sister, sets off to London on foot to beg for her pardon from the queen.

Boston: Dana Estes & Co., 1893.

By Sir Walter Scott.

“The Author, on a former occasion, declined giving the real source from which he drew the tragic subject of this history, because, though occurring at a distant period, it might possibly be unpleasing to the feelings of the descendants of the parties. But as he finds an account of the circumstances given in the Notes to Law's Memorials by his ingenious friend Charles Kirkpatrick Sharpe, Esq., and also indicated in his reprint of the Rev. Mr. Symson's poems, appended to the Description of Galloway as the original of the Bride of Lammermoor, the Author feels himself now at liberty to tell the tale as he had it from connections of his own, who lived very near the period, and were closely related to the family of the Bride.

London: Collins Clear -Type Press, 1900. 416p.

By E. Phillips Oppenheim.

“An Englishman is enjoying his dinner at Stephano's, at which he is a regular diner. A man enters quickly, sits at his table, starts eating his food, and hands him a packet underneath the table! So begins Paul Walmsley's acquaintance - and adventures - with American adventurer Joseph H. Parker and his lovely daughter, Eve.”

Boston: Little, Brown and Co., 1916.341p.

By E. Phillips Oppenheim.

“… Opposite him, at the other end of the table, sat his wife, Mrs. Barnes, a somewhat voluminous lady with a high colour, a black satin frock, and many ornaments. On her left the son of the house, eighteen years old, of moderate stature, somewhat pimply, with the fashion of the moment reflected in his pink tie with white spots, drawn through a gold ring, and curving outwards to seek obscurity underneath a dazzling waistcoat.”

Boston: Little, Brown, 1912. 424p.

By Edgar Allan Poe.

The discovery of a message in code on a shoreline formerly infested with pirates sends William Legrand and his friends on a hunt for buried treasure.

London: Routledge, 1891. 153p.

By Wilkie Collins.

This book is a 19th-century novel by the master of sensation fiction, Wilkie Collins. A country gentleman is killed in an accident and his wife dies shortly after him. The blow is double for their daughters, who discover that they were born before their parents were married. Their sudden illegitimacy robs them of their inheritance and their accustomed place in society.

New York: Harper and Brothers, 1873. 622p.

By Wilkie Collins. .

A Novel . Two of the characters which appear in these pages -- "Rosamond," and "Uncle Joseph" -- had the good fortune to find friends everywhere who took a hearty liking to them. A more elaborately drawn personage in the story -- "Sarah Leeson" -- was, I think, less generally understood. The idea of tracing, in this character, the influence of a heavy responsibility on a naturally timid woman, whose mind was neither strong enough to bear it, nor bold enough to drop it altogether, was a favorite idea with me, at the time, and is so much a favorite still, that I privately give "Sarah Leeson" the place of honor in the little portrait-gallery which my story contains.

London: Bradbury and Evans, 1857. 322p.

By G.K. Chesterton.

When two men decide to fight for their respective beliefs, they discover to their astonishment that an unbelieving world won’t let them, and they find themselves partners and fugitives from the law in this steampunk satire. Penned by G.K. Chesterton in 1909, this whimsical and biting novel eerily foreshadows a world in which “tolerance” is the only god and all those who believe ideas are worth dying for are forced to stand together to defend freedom of speech and belief.

New York: J. Lane, 1909. 436p.

By G.K. Chesterton.

It is very difficult to classify The Man Who Was Thursday. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, The Man Who Was Thursday succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing. However, the reader will soon discover that it is much more than that. Carried along on the boisterous rush of the narrative by Chesterton’s wonderful high-spirited style, he will soon see that he is being carried into much deeper waters than he had planned on; and the totally unforeseeable denouement will prove for the modern reader, as it has for thousands of others since 1908 when the book was first published, an inevitable and moving experience, as the investigators finally discover who Sunday is.

Bristol: J.W. Arrowsmith, 1908. 329p.

By Gaston Leroux.

Young engineer Raymond Ozoux, accompanied by his uncle, arrives in Peru to meet his fiancée, Marie-Thérèse. Meanwhile, descendents of the Incas are preparing a great feast during which a virgin will be sacrificed to the Sun, walled up alive in a secret temple. At the same time, a mysterious Inca bracelet is sent to Marie-Thérèse purporting to be a gift of the Sun to his future bride.. The young girl is then kidnapped by the Incas and Raymond, his uncle and Marie-Thérèse's father set out on a trek across Peru to free her while a revolution shakes the country.

NY. Harrow and Heston Classic Reprint. (1912) 177 pages.

By Charles Dickens..

This is a rare detective story of Charles Dickens. The main character is a smart and attentive man named Sampson. One day he sees a strange Mr. Julius Silton in his office acting strangely as though he is hiding something. Sampson suspects that a crime is occurring and and from this point he becomes a real hunter of criminals. The story's antagonist is probably based on the real life of poisoner Thomas Wainewright.

NY. Harrow and Heston Classic Reprint. (1859) 39 pages.

By Charles Dickens.

This is Dickens’ tenth novel, published without illustrations, in Household Word, his weekly journal. Dickens continues to fly the banner of social reform, touching on themes of industrialization, education, and utilitarianism in the sweeping Industrial Revolution of the 1850's.

NY. Harrow and Heston Classic Reprint. (1854) 302 pages.