By Robert Graves
“From The Autobiography Of Tiberius Claudius Born B.C. X Murdered And Deified A.D. Liv.”
NY. Vintage Random House. 1961. 453p.
By Robert Graves
“From The Autobiography Of Tiberius Claudius Born B.C. X Murdered And Deified A.D. Liv.”
NY. Vintage Random House. 1961. 453p.
By Robert Graves
“The troublesome reign of Tiberius Claudius Caesar, emperor of the Romans (born 10 b.c., died a.d. 54), as described by himself; also his murder at the hands of the notorious agrippin a (mother of the emperor nero) and his subsequent deification, as described by others.”
NY. Vintage Random House. 1962. 584p.
By Irving Stone
FROM THE COVER: “Set in the days of the deadly Borgias, the warring popes and the mighty Medicis, this is the truly great novel of Michelangelo, his lifelong friendships, his passionate loves and his unquenchable genius. ….
"Irving Stone has painted the portrait of a supreme craftsman, one of the most versatile artists of all time, and he has also laid before us a cyclorama of one of the world's most astounding ages." New York Times
NY. Fontana books. 1970. 786p.
By Max Byrd
FROM THE COVER: “It is 1784, and Jefferson, the newly appointed American ambassador to the court of Louis XVI and Marie-Antoinette, has just arrived in Paris-a city adrift in intrigue, upheaval, and temptation that will challenge his principles, incite his passions, and change Thomas Jefferson forever.... Through the eyes of his impressionable young secretary, William Short, we watch as the future president builds his dream of an America with fellow patriots John Adams and Ben Franklin, and as he struggles between political ambition and an unexpected crisis of the heart with a woman who has the power to destroy him. And we discover-behind the face the complex Virginian shows the world -an enigmatic statesman who fights for individual liberty even as he keeps slaves, who champions free will even as he denies it to his daughters, and who holds men to the highest standards of honor-even as he embarks on a shadowy double life of his own.”
"A Novel To Be Admired And Enjoyed,The Best Fictionalized Life Of Jefferson Yet!' -Jack McLaughlin,
NY. Bantam. 1994. 470p.
By Jane Shaw
FROM THE COVER FLAP: “It was Imposible for Susan, when she knew someone was needing help, not to do something about it. This incurable habit of hers led her into m any awkward situations when she was staying over Christmas with her cousins, the Carmichaels. Charlotte, Midge and Bill all assured her that they would really prefer her t o stop trying to put everything right, but Susan persisted, and proved, in an exciting climax, that her interference wasmore than justified. Jane Shaw's lively sense of humour makes this a very engaging tale; from Susan herself to the " Plum * and Chang the cat, the characters are real, and your interest in them will be kept and held from the first to the last page…”
London. Children’s Press. 1950. 188p.
By Constance M. White
From the cover: “With a father who is a well. known newspaper man and an elder sister a junior reporter, it is hardly surprising that Laurel Chester considers that she had definitely inherited the "Chester nose for news" Andno sooner has she decided to edit the Fourth Form magazine, than things begin to happen which exer- cise all her ingenuity. To begin with, there is the empty man- s i o n next door. Why does nobody live there and why does it intrigue Laurel so much? And what are the activities of the strange old man in the long black cloak? As for the mistress, Miss James, her behaviour, to say the least of it, is distinctly odd. Other events complicate Laurel's detective work even further ….”
London. Hutchinson Co. 1950s. 235p.
By Hilary Mantel
FROM CHAPTER 1:
“So now get up."
Felled, dazed, silent, he has fallen; knocked full length on the cobbles of the yard. His head turns sideways; his eyes are turned toward the gate, as if someone might arrive to help him out. One blow, properly placed, could i kill him now. Blood from the gash on his head--which was his father's first effort is trickling across his face. Add to this, his left eye is blinded; but if he squints sideways, with his right eye he can see that the stitching of his father's boot is unraveling. The twine has sprung clear of the leather, and a hard knot in it has caught his eyebrow and opened another cut.”
NY. Henry Holt and Company. 2009. 548p.
By John Meade Falkner
Edited with an Introduction by Edward Wilson who notes: “The detailed apparatus to this edition has been demanded not only by Time, which has altered not just the senses of words but a whole cultural hinterland beyond a modern reader's recognition, but by Falkner himself, who delighted in sowing his novel with literary and antiquarian allusions. Indeed, a character, Mr Gaskell, in The Lost Stradivarius itself, when reading an eighteenth-century diary in pursuit of highly sensational matter cannot resist telling us that "the minute details given were often of high antiquarian interest'“
London. Oxford University Press. 1954. (1895). USED BOOK. CONTAINS MARK-UP.
By Madeline Miller
FROM USA TODAY: “"It takes a truly gifted writer to make a song this old feel this beauti- fully new. What's startling about this sharply written, cleverly reimagined, enormously promising debut novel from Madeline Miller is how fresh and moving her take on the tale is--how she has managed to bring Achilles and his companion Patroclus to life in our time without removing them from their own."
NY. Harper Collins. 2012. 426p. USED BOOK. CONTAINS MARK-UP
By Colleen McCullough
FROM THE COVER: “The publication thirteen years ago of Birds was a landmark event, a remarkable achievement now surpassed by a novel in which storytelling and scholarship combine to bring to life one of history's most important epochs. The First Man in Rome sweeps the reader into an irresistibly vivid world of political intrigue, danger, wars, assassinations, devas- tating upheaval, intricately passionate family alliances and rivalries - and undeniable reality. It is New Year's Day of 110 B.C., and two of the latest in a long line of noble Roman mediocrities are assuming the coveted mantle of consul. But among those watching are two very different men, men whose vision, ruthlessness, and courage will force shattering change upon the Roman Republic, strug- gling to cope with mushrooming territorial possessions and the growing resentment of the Italians it treats as third-class citizens. One of these two men is Marius, a wealthy rustic barred by his low birth from grasping his prophesied destiny, to become the First Man in Rome- he who stands above all his peers through sheer excellence. The second is (continued on back flap)…..”
NY. William Morrow and Company, Inc. 1960. 897p. USED BOOK CONTAINS MARK-UP
By Henry James
The Bostonians is a novel by Henry James, first published as a serial in The Century Magazine in 1885–1886 and then as a book in 1886. This bittersweet tragicomedycentres on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young protégée of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics.
Henry James originally entered into an agreement with the Boston publisher James R. Osgood & Co. to publish the book in the United States for $4,000. Osgood made a separate agreement with The Century for the magazine to serialize the novel. In May 1885, before the serialization had finished and James had been paid any of the money owed to him, Osgood's firm went bankrupt.[1] James was able to recover part of the lost sum by selling the copyright to Macmillan and Co., which published The Bostonians in a three-volume edition in Britain in February 1886, and in a one-volume edition in the US in May 1886.[1] James was not, however, able to recover any money for the serialization in The Century.[2]
Mississippi lawyer and Civil War veteran, Basil Ransom, visits his cousin Olive Chancellor in Boston. She takes him to a political meeting where Verena Tarrant delivers a feminist speech. Ransom, a strong conservative, is annoyed by the speech but fascinated with the speaker. Olive, who never has set eyes on Verena, is equally fascinated. She persuades Verena to leave her parents' house, move in with her and study in preparation for a career in the feminist movement. Meanwhile, Ransom returns to his law practice in New York, which is not doing well. He visits Boston again and walks with Verena through the grounds of Harvard College, including the impressive Civil War Memorial Hall. Verena finds herself attracted to the charismatic Ransom. Basil eventually proposes to Verena, much to Olive's dismay. Olive has arranged for Verena to speak at the Boston Music Hall. Ransom shows up at the hall just before Verena is scheduled to begin her speech. He persuades Verena to elope with him, to the discomfiture of Olive and her fellow-feminists. The final sentence of the novel shows Verena in tears – not to be her last, James assures us.
London. Macmillan . 1886. 419p.
By Kim Scott
"That Deadman Dance" is a novel by Kim Scott, first published in 2010. The novel is set in Western Australia in the early 1800s, and tells the story of a young Noongar boy named Bobby Wabalanginy and his encounters with the first British settlers in the region.
Bobby is a curious and energetic child who is fascinated by the newcomers and their strange customs, language, and technology. He befriends several of the settlers, including the kind-hearted Dr. Cross and the ambitious Lieutenant Dan Horton, and becomes a bridge between the two cultures.
However, as the British settlers begin to establish their presence in the region, conflicts and tensions arise between them and the Noongar people, and Bobby finds himself caught in the middle. As he navigates his way through the rapidly changing landscape of his world, Bobby must confront difficult questions about identity, belonging, and the legacy of colonialism.
Australia Macmillan. 2010. 401p.
By Phillippa Gregory
London. Harper Collins. 2009. 491p.
"The Other Queen" is a historical fiction novel by Philippa Gregory, published in 2008. The book is set in 16th century England and Scotland, and tells the story of Mary, Queen of Scots, who is imprisoned by her cousin Queen Elizabeth I of England.
The novel is told from the perspective of three women: Mary, Queen of Scots; Elizabeth Talbot, Countess of Shrewsbury; and Georgiana, Duchess of Bedford. Elizabeth Talbot is charged with the care of Mary during her imprisonment and becomes her confidante, while Georgiana is a friend of Elizabeth I who becomes involved in the political intrigues surrounding Mary's imprisonment.
"The Other Queen" is a richly detailed and meticulously researched work of historical fiction that offers a compelling glimpse into the lives of the powerful women who shaped 16th century England and Scotland. Gregory's prose is vivid and engaging, and her characters are complex and nuanced, with their own desires, fears, and motivations.
By Phillippa Gregory
NY. Touchstone. 2004. 512p.
"The Queen's Fool" is a historical fiction novel by Philippa Gregory, first published in 2003. The book is set in England in the 16th century, during the reigns of King Henry VIII and Queen Mary I, and tells the story of a young girl named Hannah Green who becomes a servant in the royal court.
Hannah is a gifted "fool," a type of entertainer who uses jokes and acrobatics to amuse the court. She catches the eye of Queen Mary, who takes her under her wing and makes her a trusted confidante. But as Hannah gets caught up in the political machinations of the court, she must navigate dangerous alliances and protect herself from those who would do her harm.
"The Queen's Fool" is a well-researched and engaging work of historical fiction that offers a window into the complex and turbulent world of Tudor England. Gregory's prose is vivid and evocative, and her characters are richly drawn and memorable. The book offers a fresh perspective on well-known historical figures, such as King Henry VIII and Queen Mary I, and provides a compelling glimpse into the lives of the ordinary people who served them.
By E. V. Timms
NY. Pyramid. 1951. 315p
"The Valleys Beyond" is a novel by Australian author Peter Kocan, first published in 1995. The novel follows the lives of a group of working-class Australians living in the fictional town of Walgaree, New South Wales, in the 1950s and 1960s.
At the heart of the novel is the character of Brian Madden, a troubled young man who struggles with mental illness and a sense of alienation from the world around him. Madden's struggles are mirrored in the lives of the other characters, including his mother, who works as a cleaner, his father, a factory worker, and his girlfriend, an aspiring singer.
Kocan uses vivid and poetic language to capture the landscape and atmosphere of Walgaree and to explore the characters' inner lives and struggles. The novel also explores themes of class, identity, and the impact of social and economic change on working-class communities in Australia.
By Robert Harris
London. Hutchinson. 2003. 341p.
The novel is set against the backdrop of the impending eruption of Mount Vesuvius, which eventually destroys the city of Pompeii and leads to the death of thousands of its inhabitants. Harris uses meticulous historical research to bring the city and its inhabitants to life, and the novel provides a vivid and immersive portrayal of life in ancient Rome.
The novel also explores themes of greed, corruption, and political intrigue, as Attilius uncovers a conspiracy involving the corrupt aquarius in charge of Pompeii's water supply, as well as the wealthy and powerful Pompeian elite. The novel's suspenseful plot and vivid descriptions of the eruption of Mount Vesuvius create a gripping and immersive reading experience.
By Steele Rudd
Sydneeele Ruddy. Angus and Robertson. 1899. 258p.
"On Our Selection" is a play and a collection of stories written by Australian author Steele Rudd (real name Arthur Hoey Davis) in the late 19th and early 20th centuries. The stories are based on Rudd's own experiences growing up in rural Queensland and revolve around the trials and tribulations of a farming family, the Rudds.
The character of Dad Rudd, the patriarch of the family, has become an iconic figure in Australian literature and is known for his wit, wisdom, and resilience in the face of adversity. The stories offer a humorous and affectionate portrayal of rural life in Australia at the turn of the century, and explore the themes of family, community, and the struggle for survival in a harsh and unforgiving environment.
"On Our Selection" was first published in 1899 and became an instant success, both in Australia and overseas. The stories have been adapted into several films, plays, and television series over the years, and continue to be celebrated as a classic example of Australian literature.
Editor-in-Chief, Kuno Francke
NY. The German Publication Society. 1914.
The collection includes works by famous authors such as Johann Wolfgang von Goethe, Friedrich Schiller, Thomas Mann, and Franz Kafka. It also includes lesser-known works by writers such as Adalbert Stifter, Gottfried Keller, and Gerhart Hauptmann.
Each work in the collection offers a unique perspective on the cultural, social, and political issues of its time, and reflects the distinctive style and voice of its author. The works in the collection range from romantic poetry and lyrical prose to philosophical essays and modernist fiction.
By Chris Cleave
NY. Simon and Schuster. 2008. 298p.
The novel alternates between the perspectives of Little Bee and Sarah, a British woman whose life intersects with Little Bee's when they meet on a Nigerian beach two years before Little Bee's arrival in England. As the two women's stories unfold, the novel explores themes of identity, trauma, and the complexities of human relationships.
Through the character of Little Bee, the novel sheds light on the experiences of refugees and asylum seekers, and the challenges they face as they try to build new lives in unfamiliar and often hostile environments. It also explores issues of race, privilege, and the legacy of colonialism, as well as the impact of global economic and political forces on the lives of individuals and communities.
By George Eliot III
Silas Marner is George Eliot's (1819-1880) short novel of 1861, in which the protagonist is obliged to leave his small religious community after being falsely accused of theft. He settles in Raveloe, where he works diligently as a weaver for 15 years and manages to accumulate and hoard a substantial amount of gold.
“The Lifted Veil” concerns themes of fate, extrasensory perception, the mystery of life and life after death. Eliot's interest in these themes stemmed partly from her own struggles with religious faith, as she was an extremely devout Christian as a child and young adult who later renounced Christianity completely. “Brother Jacob'“raises issues of perennial concern to George Eliot as an author who was also a woman. In particular, this fabular tale about a hapless confectioner and his imbecilic broth- er exposes the pitfalls in women's relationship(s) to cultural authority, 'the strange bright fruits of knowledge' (Woolf 160). As a fable whose hero is distinguished by fraudulence and guile, 'Brother Jacob' reflects its author's attitude towards plagiarists and other impostors with pre- tensions to authorship. Even as Marian Evans disguised herself as George Eliot, the 'silly lady novelist' of her day is disguised in the story's protagonist, David Faux.
London. Oxford University Press. 1861., 1859, 1860. 318p.