By Moustafa Ayad, Anisa Harrasy, Mohammed Abdullah A. 

Researchers at the Institute for Strategic Dialogue (ISD) led a two-year investigation into the online media ecosystem of al-Shabaab and the Islamic State in Africa, analyzing the role of “independent news” outlets and their intersections with hundreds-strong networks of amplifier profiles on Facebook linked to a number of central pages identifying themselves as “media outlets” or “media personalities” operating in Somali, Kiswahili and Arabic. Researchers found that the network of support for al-Shabaab and Islamic State extended across several platforms, including decentralized messaging applications such as Element and RocketChat, and encrypted messaging platforms such as Telegram, as well as Twitter, YouTube and Facebook.  A qualitative cross-platform analysis showed the most active, networked, and multilingual ecosystem of support for al-Shabaab and the Islamic State existed on Facebook, where profiles and pages classified as “media outlets” were sharing terrorist content openly and eschewing private groups and profiles. The content that ISD researchers observed through the networks is often linked to “media” and “media personality” pages in Somali, Kiswahili and Arabic, and not only violates the platform’s community guidelines, but also points to language moderation blind spots that have been previously documented by journalists as well as whistleblowers.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2022. 22p.

By Ciarán O’Connor

This report aims to provide an in-depth analysis on the state of extremism and hate on TikTok. It is the culmination of three months of research on a sample of 1,030 videos, equivalent to just over eight hours of content, posted on the social media platform. These videos were used to promote hatred, as well as glorify extremism and terrorism. ISD set out to examine the state of hate and extremism on TikTok in two ways. The first objective involved analysing how individuals or groups promote hateful ideologies and target people on the platform based on numerous protected attributes such as ethnicity, religion, gender or others. Second, using the same framework, ISD investigated how features on TikTok like profiles, hashtags, share functions, video effects and music are used to spread hate. This report seeks to start a conversation around how platforms like TikTok can improve their own practices to protect users from harm. Additionally, it underscores the clear need for independent oversight of such platforms, which currently leave users and the wider public open to significant risks to their health, security and rights.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2021. 57p.

By Peter Kishore Saval

  Hate, malice, rage, and enmity: what would Shakespeare’s plays be without these demonic, unruly passions? Shakespeare in Hate studies how the tirades and unrestrained villainy of Shakespeare’s art explode the decorum and safety of our sanitized lives and challenge the limits of our selfhood. Everyone knows Shakespeare to be the exemplary poet of love, but how many celebrate his clarifying expressions of hatred? How many of us do not at some time feel that we have come away from his plays transformed by hate and washed clean by savage indignation? Saval fills the great gap in the interpretation of Shakespeare’s unsocial feelings. The book asserts that emotions, as Aristotle claims in the Rhetoric, are connected to judgments. Under such a view, hatred and rage in Shakespeare cease to be a “blinding” of judgment or a loss of reason, but become claims upon the world that can be evaluated and interpreted. The literary criticism of anger and hate provides an alternative vision of the experience of Shakespeare’s theater as an intensification of human experience that takes us far beyond criticism’s traditional contexts of character, culture, and ethics. The volume, which is alive to the judgmental character of emotions, transforms the way we see the rancorous passions and the disorderly and disobedient demands of anger and hatred. Above all, it reminds us why Shakespeare is the exemplary creator of that rare yet pleasurable thing: a good hater.  

London; New York: Routledge, 2015. 177p.