By Dimitri A. Bogazianos

In 2010, President Barack Obama signed a law repealing one of the most controversial policies in American criminal justice history: the one hundred to one sentencing disparity between crack cocaine and powder whereby someone convicted of “simply” possessing five grams of crack—the equivalent of a few sugar packets—had been required by law to serve no less than five years in prison. In this highly original work, Dimitri A. Bogazianos draws on various sources to examine the profound symbolic consequences of America’s reliance on this punishment structure, tracing the rich cultural linkages between America’s War on Drugs, and the creative contributions of those directly affected by its destructive effects.

Focusing primarily on lyrics that emerged in 1990s New York rap, which critiqued the music industry for being corrupt, unjust, and criminal, Bogazianos shows how many rappers began drawing parallels between the “rap game” and the “crack game." He argues that the symbolism of crack in rap’s stance towards its own commercialization represents a moral debate that is far bigger than hip hop culture, highlighting the degree to which crack cocaine—although a drug long in decline—has come to represent the entire paradoxical predicament of punishment in the U.S. today.

New York; London: NYU Press, 2011. 216p.

By Tatjana Neubauer

F. Scott Fitzgerald once said: »Show me a hero, and I'll write you a tragedy.« In the 1990s, nobody fell deeper than O.J. Simpson. Once considered a national treasure, the athlete was accused of brutally slaying his ex-wife Nicole Brown and her friend Ronald Goldman on June 12, 1994. Within days, the media and public developed an unprecedented obsession with the story, turning a murder investigation and trial into a sensationalized reality show. Tatjana Neubauer examines the mediatization, deliberate manipulation, and the simplification of popular criminal trials for profit on television. She demonstrates that TV conflated legal proceedings into entertainment programming by commodifying events, people, and places.

Bielefeld, Germany: transcript Verlag, Bielefeld, 2023. 271p.

By Leighton Andrews

Facebook, the Media and Democracy examines Facebook Inc. and the impact that it has had and continues to have on media and democracy around the world. Drawing on interviews with Facebook users of different kinds and dialogue with politicians, regulators, civil society and media commentators, as well as detailed documentary scrutiny of legislative and regulatory proposals and Facebook’s corporate statements, the book presents a comprehensive but clear overview of the current debate around Facebook and the global debate on the regulation of social media in the era of ‘surveillance capitalism.’ Chapters examine the business and growing institutional power of Facebook as it has unfolded over the fifteen years since its creation, the benefits and meanings that it has provided for its users, its disruptive challenge to the contemporary media environment, its shaping of conversations, and the emerging calls for its further regulation. The book considers Facebook’s alleged role in the rise of democratic movements around the world as well as its suggested role in the election of Donald Trump and the UK vote to leave the European Union. This book argues that Facebook, in some shape or form, is likely to be with us into the foreseeable future and that how we address the societal challenges that it provokes, and the economic system that underpins it, will define how human societies demonstrate their capacity to protect and enhance democracy and ensure that no corporation can set itself above democratic institutions. This is an important research volume for academics and researchers in the areas of media studies, communications, social media and political science.

London; New York: Routledge, 2020. 137p.

Edited by Rüdiger Lohlker

Jihadi online media try to mobilize, recruit, and disseminate the messages of jihadi subcultures. Understanding the mechanisms and structures of the products of these online media is essential for understanding jihadism in general. Original research into visual representations of jihadi media outlets, the subtleties of jihadi videos, the specific ways jihadis use Islamic religious language, into jihadi poetry, and the ways jihadis stage their concepts in videos of kangaroo trials is presented in this volume. Jihadis as part of the imaginary of global media production is another aspect of representations of jihadism described in one of the contributions.

Gottingen: Vienna University Press, 2013/ 257p.

By Paula Matlach, Dominik Hammer and Christian Schwieter

This is a translation of a report first published in German on 10 August 2022 under the title “Auf Odysee: Die Rolle von Blockchain-Technologie für die Monetarisierung im rechtsextremen Onlinemilieu“.

Odysee is one of the “alternative” social media platforms identified by ISD Germany researchers as part of their project “Countering Radicalization in Right-Wing Extremist Online Subcultures,” funded by the German Federal Ministry of Justice. The video hosting portal, which markets itself as a YouTube alternative and hosts similar functions, relies on blockchain technology to provide platform-specific monetization opportunities that offer financial incentives. These “incentivized” platforms are structured to reward users for their activities – e.g. publishing, liking and distributing posts – by paying them cryptocurrencies. The use of decentralized blockchain technology in this context is often accompanied by promises of unmoderated exchange and anonymity. This and the opportunities to make profits are particularly interesting for right-wing extremists, “lateral thinkers” and conspiracy ideologues, whose content is often deleted on established platforms and who rely on financial support from their supporters. In this way, right-wing extremists can not only disseminate anti-constitutional content on the Internet undisturbed, but even earn money from it. For the far-right online milieu, Odysee serves as a regulation-free retreat or as part of a multiplatform strategy, or backup option. Whether it can be successful in the long run depends, among other things, on the fluctuating value of cryptocurrencies. Another determining factor is how investors who have lost money due to fraud or a drop in the value of cryptocurrencies on Odysee behave. As a crypto-related space, the platform is an ideal recruitment space for right-wing extremists who want to convince disappointed investors of their ideology. 

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 24. 32p.

By Moustafa Ayad, Anisa Harrasy, Mohammed Abdullah A. 

Researchers at the Institute for Strategic Dialogue (ISD) led a two-year investigation into the online media ecosystem of al-Shabaab and the Islamic State in Africa, analyzing the role of “independent news” outlets and their intersections with hundreds-strong networks of amplifier profiles on Facebook linked to a number of central pages identifying themselves as “media outlets” or “media personalities” operating in Somali, Kiswahili and Arabic. Researchers found that the network of support for al-Shabaab and Islamic State extended across several platforms, including decentralized messaging applications such as Element and RocketChat, and encrypted messaging platforms such as Telegram, as well as Twitter, YouTube and Facebook.  A qualitative cross-platform analysis showed the most active, networked, and multilingual ecosystem of support for al-Shabaab and the Islamic State existed on Facebook, where profiles and pages classified as “media outlets” were sharing terrorist content openly and eschewing private groups and profiles. The content that ISD researchers observed through the networks is often linked to “media” and “media personality” pages in Somali, Kiswahili and Arabic, and not only violates the platform’s community guidelines, but also points to language moderation blind spots that have been previously documented by journalists as well as whistleblowers.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2022. 22p.

By Henry Tuck, Jakob Guhl, Julia Smirnova, Lea Gerster and Oliver Marsh

Harmful actors use an ever-expanding range of digital spaces to spread harmful ideologies and undermine human rights and democracy online. Understanding their evolving ideas, online networks and activities is critical to developing a more comprehensive evidence base to inform effective and proportional efforts to counter them. But creating that evidence base can challenge the technical capabilities, resources, and even ethical and legal boundaries of research. We are concerned that all these may be getting worse, just as the options for spreading harm online increase. It should therefore be of concern that in many instances it is increasingly hard to conduct digital research in a systematic, ethical and legal manner. This results in a situation where difficult trade offs have to be made between competing goods, including the desire to understand and mitigate harmful content and behaviour online, the preservation of privacy and the adherence to legal agreements. We argue in this report that this does not need to be the case; solutions are available,…

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2023. 60p.

By Ciarán O’Connor

This report aims to provide an in-depth analysis on the state of extremism and hate on TikTok. It is the culmination of three months of research on a sample of 1,030 videos, equivalent to just over eight hours of content, posted on the social media platform. These videos were used to promote hatred, as well as glorify extremism and terrorism. ISD set out to examine the state of hate and extremism on TikTok in two ways. The first objective involved analysing how individuals or groups promote hateful ideologies and target people on the platform based on numerous protected attributes such as ethnicity, religion, gender or others. Second, using the same framework, ISD investigated how features on TikTok like profiles, hashtags, share functions, video effects and music are used to spread hate. This report seeks to start a conversation around how platforms like TikTok can improve their own practices to protect users from harm. Additionally, it underscores the clear need for independent oversight of such platforms, which currently leave users and the wider public open to significant risks to their health, security and rights.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2021. 57p.

By Ciarán O’Connor

In collaboration with the Southern Poverty Law Center, ISD conducted research to examine the use and misuse of YouTube Super Chats, a tool that allows creators to monetise comments in their livestream chat feeds, that are an increasingly important source of revenue for both YouTube and creators on the platform. The report features three case studies examining popular political commentary and content channels; Timcast IRL, The Young Turks and Right Side Broadcasting Network. In the past, Super Chats have been used by extremists on the platform as a source of generating revenue and, as this report demonstrates, Super Chats continue to enable creators and YouTube to profit from comments that promote violence, conspiracy theories, misinformation and hate. The report features three case studies of popular YouTube highlights YouTube’s failure to effectively enforce its own community guidelines on Super Chats and includes recommendations on how the platform can address this enforcement gap.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2022. 18p.

By Jan Blommaert

Sociolinguistic evidence is an undervalued resource for social theory. In this book, Jan Blommaert uses contemporary sociolinguistic insights to develop a new sociological imagination, exploring how we construct and operate in online spaces, and what the implications of this are for offline social practice. Taking Émile Durkheim’s concept of the ‘social fact’ (social behaviours that we all undertake under the influence of the society we live in) as the point of departure, he first demonstrates how the facts of language and social interaction can be used as conclusive refutations of individualistic theories of society such as 'Rational Choice'. Next, he engages with theorizing the post-Durkheimian social world in which we currently live. This new social world operates 'offline' as well as 'online' and is characterized by 'vernacular globalization', Arjun Appadurai’s term to summarise the ways that larger processes of modernity are locally performed through new electronic media. Blommaert extrapolates from this rich concept to consider how our communication practices might offer a template for thinking about how we operate socially. Above all, he explores the relationship between sociolinguistics and social practice In Durkheim and the Internet, Blommaert proposes new theories of social norms, social action, identity, social groups, integration, social structure and power, all of them animated by a deep understanding of language and social interaction. In drawing on Durkheim and other classical sociologists including Simmel and Goffman, this book is relevant to students and researchers working in sociolinguistics as well as offering a wealth of new insights to scholars in the fields of digital and online communications, social media, sociology, and digital anthropology.

London; New York: Bloomsbury Academic, 2018. 136p.

Edited by Eric Schaefer

Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media—film and television, recorded sound, and publishing—that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as ;Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.

Durham, NC: Duke University Press, 2014. 481p.

Edited by Richard Rogers

There is growing awareness about how social media circulate extreme viewpoints and turn up the temperature of public debate. Posts that exhibit agitation garner disproportionate engagement. Within this clamour, fringe sources and viewpoints are mainstreaming, and mainstream media are marginalized. This book takes up the mainstreaming of the fringe and the marginalization of the mainstream. In a cross-platform analysis of Google Web Search, Facebook, YouTube, Reddit, Twitter, Instagram, 4chan and TikTok, we found that hyperpartisan web operators, alternative influencers and ambivalent commentators are in ascendency. The book can be read as a form of platform criticism. It puts on display the current state of information online, noting how social media platforms have taken on the mantle of accidental authorities, privileging their own on-platform performers and at the same time adjudicating between claims of what is considered acceptable discourse.

Amsterdam: Amsterdam University Press, 2023. 246p.

By Jonathan Beller

The Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities, and that the rise of digital culture and technologies under capitalism should be seen as an extension of capitalism's bloody logic. Engaging with Borges, Turing, Claude Shannon, Hitchcock and Marx, this book tracks computational capital to reveal the lineages of capitalised power as it has restructured representation, consciousness and survival in the twentieth and twenty-first centuries. Ultimately The Message is Murder makes the case for recognising media communications across all platforms - books, films, videos, photographs and even language itself - as technologies of political economy, entangled with the social contexts of a capitalism that is inherently racial, 

London: Pluto Press, 2017. 225p.

Edited by Richard Rogers and Sabine Niederer

Disinformation and so-called fake news are contemporary phenomena with rich histories. Disinformation, or the willful introduction of false information for the purposes of causing harm, recalls infamous foreign interference operations in national media systems. Outcries over fake news, or dubious stories with the trappings of news, have coincided with the introduction of new media technologies that disrupt the publication, distribution and consumption of news -- from the so-called rumour-mongering broadsheets centuries ago to the blogosphere recently. Designating a news organization as fake, or <i>der Lügenpresse</i>, has a darker history, associated with authoritarian regimes or populist bombast diminishing the reputation of 'elite media' and the value of inconvenient truths. In a series of empirical studies, using digital methods and data journalism, the authors inquire into the extent to which social media have enabled the penetration of foreign disinformation operations, the widespread publication and spread of dubious content as well as extreme commentators with considerable followings attacking mainstream media as fake.

Amsterdam: Amsterdam University Press, 2020. 257p.