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LITERATURE & MEDIA

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Posts tagged narrative structure
Media, Myths, and Narratives: Television and the Press

MAY CONTAIN MARKUP

EDITED BY JAMES W. CAREY

Media, Myths, and Narratives: Television and the Press, edited by James W. Carey, is a compelling exploration into the intertwined worlds of media, myths, and narratives. In this insightful collection, Carey delves into the complex relationship between television and the press, shedding light on how these powerful mediums shape our understanding of the world.

Carey's nuanced approach challenges conventional wisdom and prompts readers to question the stories we are told. By dissecting the role of media in constructing myths and narratives, this book offers a fresh perspective on the influence of television and the press on society.

Through thought-provoking analyses and engaging commentary, Media, Myths, and Narratives is a must-read for anyone interested in the dynamic interplay between media, myths, and narratives in our modern world. James W. Carey's editorial expertise brings together a diverse range of voices and ideas, making this book an essential addition to the study of contemporary media culture.

NJ. SAGE PUBLICATIONS, 1988. 266p.

Concepts in Film Theory

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By Dudley Andrew

Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation.

Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.

Oxford University Press, 1984, 239 pages