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LITERATURE & MEDIA

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Posts in media
Should Media Coverage Affect Sentencing?

By Paul McGorrery

In sentencing an offender, courts take many factors into account, such as the seriousness of the offence, the offender’s prior record, their age, whether they pleaded guilty and many others. In Australia, courts do this through an approach known as instinctive synthesis, meaning they consider all the factors that can justify a sentence being more or less severe and then arrive at a final outcome. One of the factors that courts may take into account is whether the offender has already been punished in some fashion outside the criminal justice process. Known as extra-curial punishment3 (or extra judicial or natural5 punishment) this can take various forms such as visa cancellation,6 loss of chosen career, injury to the offender8 and hardship to the offender’s family. This report is concerned with just one form of extra-curial punishment: adverse media coverage, in particular, of people. The media and the courts have an important and symbiotic relationship, but sometimes their interests can diverge. The media have an interest in reporting on criminal justice matters because they are often stories of considerable interest to their audiences. In reporting on those stories, the media often concentrate their attentions ‘on the exceptional and unusual among serious crimes’, which can lead to ‘intense and often emotive media reporting’ about sentencing. This can run the risk of undermining, rather than promoting, confidence in the justice system.

Courts in turn have an interest in having their decisions reported. Confidence in the judicial arm of the criminal justice system relies on a combination of community awareness about what courts do, the transparency of their work, and the apparent fairness of their decisions, which can only be scrutinised if there is transparency and community awareness. Moreover, the sentencing purpose of general deterrence – whereby the sentencing of one offender is thought to deter other people from engaging in similar behaviour – is realistically only achievable (if at all) if the media and/or government operate as the conduit between the courts and the community. While some courts have taken the very laudable step of making most of their sentencing remarks publicly available, many people do not even have time to read media summaries, let alone original source material like sentencing remarks, especially in the social media age. So the community realistically only becomes aware of sentencing decisions through the media. The difficulty is balancing the need for fair coverage (the courts’ priority) with the need for interesting coverage (the media’s priority). Justice Harper has described the relationship as like a ‘Greek tragedy’ because ‘[e]ach is forced by its circumstances to face the other off, with neither having the flexibility necessary to reach a satisfactory working compromise’.

Malbourne: Sentencing Advisory Council (VIC), 2022. 24p.

The Early Modern Dutch Press in an Age of Religious Persecution: The Making of Humanitarianism

By David de Boer

For victims of persecution, attracting international awareness of their plight is often a matter of life and death. This book uncovers how in seventeenth-century Europe, persecuted minorities first learned how to use the press as a weapon to combat religious persecution. To mobilize foreign audiences, they faced an acute dilemma: how to make people care about distant suffering? This study argues that by answering this question, they laid the foundations of a humanitarian culture in Europe. The book reveals how, as consuming news became an everyday practice for many Europeans, the Dutch Republic emerged as an international hub of printed protest against religious violence. It traces how a diverse group of people, including Waldensian refugees, Huguenot ministers, Savoyard officeholders, and many others, all sought access to the Dutch printing presses to raise transnational solidarity for their cause. By examining their publicity strategies, this study deepens our understanding of how people tried to confront the specter of religious violence that had haunted them for generations.

Oxford, UK: Oxford University Press, 2023. 225p.

Sitting in Darkness: Mark Twain's Asia and Comparative Racialization

By Hsuan L. Hsu

Perhaps the most popular of all canonical American authors, Mark Twain is famous for creating works that satirize American formations of race and empire. While many scholars have explored Twain’s work in African Americanist contexts, his writing on Asia and Asian Americans remains largely in the shadows. In Sitting in Darkness, Hsuan Hsu examines Twain’s career-long archive of writings about United States relations with China and the Philippines. Comparing Twain’s early writings about Chinese immigrants in California and Nevada with his later fictions of slavery and anti-imperialist essays, he demonstrates that Twain’s ideas about race were not limited to white and black, but profoundly comparative as he carefully crafted assessments of racialization that drew connections between groups, including African Americans, Chinese immigrants, and a range of colonial populations. Drawing on recent legal scholarship, comparative ethnic studies, and transnational and American studies, Sitting in Darkness engages Twain’s best-known novels such as Tom Sawyer, Huckleberry Finn, and A Connecticut Yankee in King Arthur’s Court, as well as his lesser-known Chinese and trans-Pacific inflected writings, such as the allegorical tale “A Fable of the Yellow Terror” and the yellow face play Ah Sin. Sitting in Darkness reveals how within intersectional contexts of Chinese Exclusion and Jim Crow, these writings registered fluctuating connections between immigration policy, imperialist ventures, and racism.

New York: NYU Press.2015.

Murdering Masculinities: Fantasies of Gender and Violence in the American Crime Novel

by Gregory Forter

Though American crime novels are often derided for containing misogynistic attitudes and limiting ideas of masculinity, Greg Forter maintains that they are instead psychologically complex and sophisticated works that demand closer attention. Eschewing the synthetic methodologies of earlier work on crime fiction, Murdering Masculinities argues that the crime novel does not provide a consolidated and stable notion of masculinity. Rather, it demands that male readers take responsibility for the desires they project on to these novels.
Forter examines the narrative strategies of five novels--Hammett's The Glass Key, Cain's Serenade, Faulkner's Sanctuary, Thompson's Pop. 1280, and Himes's Blind Man with a Pistol--in conjunction with their treatment of bodily metaphors of smell, vision, and voice. In the process, Forter unearths a "generic unconscious" that reveals things Freud both discovered and sought to repress.

New York; London: NYU Press, 2000. 278p.

MEDIA, CRISIS AND DEMOCRACY : Mass Communication and the Disruption of Social Order

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Marc Raboy and Bernard Dagenai

FROMN THE COVER: In modern states, the functioning of democratic politics is centrally tied to the role of the media in the creation and dissemination of information, images and ideas. The authors in this book explore through a number of different contexts the way in which crises highlight the problematic issues of media performance in democratic states.

SAGE Publications. London • Newbury Park. 1992. 208p.

Media, Crime, and Criminal Justice: Images and Realities

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Ray Surette

FROM THE COVER: In this provocative volume, Ray Surette challenges readers to consider the commonly perceived paradoxical relationship of the media to crime and criminal justice: both as a major cause of crime and violence and as an untapped but powerful potential solution to crime.

Brooks/Cole Publishing Company. 1992. 315p.

MEDIA PERFORMANCE: MASS COMMUNICATION AND THE PUBLIC INTEREST

DENIS McQUAIL

FROM THE PREFACE: The principal origins of this book date back to the mid-1970s, when, on secondment from the University of Southampton, I directed research into the content of British newspapers on behalf of the 1974-77 Royal Commission on the Press, which included in its terns of reference the task of inquiring into the 'editorial standards of newspapers and periodicals'. This was the first time that l had tried to grapple systematically with the concept of media performance in the sense of expectations concerning the broader public role of mass media. I discovered that there was rather little relevant social or media theory suitable for the task and few coherent attempts had been made to connect social theory with the sort of empirical enquiry called for by the terms of reference cited.

SAGE Publications. London - Newbury Park .

MEDIA, CULTURE AND SOCIETY: A Critical Reader

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Edited by Richard Collins, James Curran, Nicholas Garnham, Paddy Scannell, Philip Schlesinger and Colin Sparks

Media, Culture and Society: A Critical Reader edited by Richard Collins, James Curran, Nicholas Garnham, Paddy Scannell, Philip Schlesinger, and Colin Sparks delves deep into the intricate relationship between media, culture, and society. This comprehensive reader presents a collection of insightful essays that explore the profound influence of media on our culture and social structures. Through critical analysis and thought-provoking perspectives, this book offers readers a comprehensive overview of key theories and concepts shaping the dynamic landscape of media studies today. Featuring contributions from leading scholars in the field, this reader is an essential guide for students, academics, and anyone interested in understanding the complex interplay between media, culture, and society in our increasingly interconnected world.

SAGE Publications London • Beverly Hills. 1986. 364p.

THE MANY LIVES OF THE BATMAN: Critical Approaches to a Superhero and his Media

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EDITED BY ROBERTA E. PEARSON AND WILLIAM URICCHIO

FROM THE COVER: The Many Lives of the Batman is the first serious academic exploration of this intriguing cultural phenomenon. Marketing savvy alone did not build the Batman's extraordinary success; it encompasses a variety of audiences who have embraced the hero through a collage of different media manifestations during his fifty-year history. Batman's overlapping lives are illuminated in this critical anthology, which analyzes the contexts of the character's production and reception across a wide spectrum of time and media forms.

NY. Routledge. 1991. 225p

Media, Myths, and Narratives: Television and the Press

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EDITED BY JAMES W. CAREY

Media, Myths, and Narratives: Television and the Press, edited by James W. Carey, is a compelling exploration into the intertwined worlds of media, myths, and narratives. In this insightful collection, Carey delves into the complex relationship between television and the press, shedding light on how these powerful mediums shape our understanding of the world.

Carey's nuanced approach challenges conventional wisdom and prompts readers to question the stories we are told. By dissecting the role of media in constructing myths and narratives, this book offers a fresh perspective on the influence of television and the press on society.

Through thought-provoking analyses and engaging commentary, Media, Myths, and Narratives is a must-read for anyone interested in the dynamic interplay between media, myths, and narratives in our modern world. James W. Carey's editorial expertise brings together a diverse range of voices and ideas, making this book an essential addition to the study of contemporary media culture.

NJ. SAGE PUBLICATIONS, 1988. 266p.

Political Torture in Popular Culture: The role of representations in the post-9/11 torture debate

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By Alex Adams

"Political Torture in Popular Culture" by Alex Adams offers an insightful exploration into the complex intersections between entertainment media and real-world political discourse surrounding torture, particularly in the aftermath of 9/11. Adams delves into the ways in which popular culture represents and shapes public perceptions of torture, shedding light on the broader implications of these representations on societal attitudes and policy debates. Through meticulous analysis and compelling examples, this book invites readers to critically examine the influence of media depictions on the wider socio-political landscape. A must-read for those interested in understanding the interconnectedness of popular culture, politics, and moral complexities in contemporary society."

NY. Routledge. 2016. 214p.

Popular Culture Genres: Theories and Texts

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By Arthur Asa Berger

Popular Culture Genres: Theories and Texts by Arthur Asa Berger is a comprehensive and insightful exploration of the various genres that dominate popular culture. Delving into the theories behind these genres, Berger offers a thought-provoking analysis of their impact on contemporary society. Through engaging prose and rich examples, this book sheds light on the intricate relationship between popular culture and broader cultural trends. A must-read for anyone interested in understanding the nuances of popular culture genres and their significance in today's media landscape.

Foundations of Popular Culture Vol. 2. SAGE, 1992. 192p.

TERROR and everyday life: Singular Moments in the History of the Horror Film

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By Jonathan Lake Crane

TERROR and Everyday Life: Singular Moments in the History of the Horror Film by Jonathan Lake Crane delves into the intricate relationship between terror on screen and everyday experiences. Crane's insightful analysis explores the ways in which horror films reflect and sometimes shape societal fears, anxieties, and cultural norms throughout history. From iconic classics to modern masterpieces, this book offers a profound exploration of how horror cinema captures singular moments in time and connects with the collective psyche. A must-read for fans of horror films and anyone interested in the intersection of entertainment and culture.

SAGE PUBLICATIONS. International Educational and Professional Publisher. Thousand Oaks London New Delhi. 1994. 191p.

Victims in the News: Crime and the American news Media

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By Steven M. Chermak

In the gripping pages of this novel, readers are drawn into a world where mystery and suspense intertwine with raw human emotion. As the intricate plot unfolds, characters are forced to confront their deepest fears and desires, ultimately revealing the complexities of the human psyche. This thought-provoking narrative challenges readers to examine their own beliefs and motivations as they navigate a thrilling journey filled with unexpected twists and turns. A compelling blend of heart-pounding action and profound introspection, this book is sure to captivate readers from beginning to end.

Boulder. Oxford. Westview Press. 1995. 213p.

CRIME NEWS AND THE PUBLIC

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By DORIS A. GRABER

In Crime News and the Public, the author delves into the intricate relationship between crime reporting and the public perception of crime. This insightful book explores how media coverage of criminal events shapes our understanding of crime, criminals, and the criminal justice system. Through a series of thought-provoking analyses and real-world examples, the author challenges readers to question the impact of sensationalized crime stories on society.

From dissecting the role of the media in influencing public fear to investigating the ethics of crime reporting, Crime News and the Public offers a comprehensive examination of the complex dynamics at play. Whether you're a journalist, a criminologist, or simply a concerned citizen, this book is a must-read that will leave you questioning the narratives presented in the news and the implications they hold for our communities.

Praeger, 1980, 239 pages

Concepts in Film Theory

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By Dudley Andrew

Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation.

Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.

Oxford University Press, 1984, 239 pages

Taking Offense: Religion, Art, and Visual Culture in Plural Configurations

Editors: Christiane Kruse, Birgit Meyer, and Anne-Marie Korte

What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of “icono-clash” (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.

Leiden: Brill - Schöningh and Fink Social Sciences, 2018. 383p.