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By Jonathan Lake Crane

TERROR and Everyday Life: Singular Moments in the History of the Horror Film by Jonathan Lake Crane delves into the intricate relationship between terror on screen and everyday experiences. Crane's insightful analysis explores the ways in which horror films reflect and sometimes shape societal fears, anxieties, and cultural norms throughout history. From iconic classics to modern masterpieces, this book offers a profound exploration of how horror cinema captures singular moments in time and connects with the collective psyche. A must-read for fans of horror films and anyone interested in the intersection of entertainment and culture.

SAGE PUBLICATIONS. International Educational and Professional Publisher. Thousand Oaks London New Delhi. 1994. 191p.

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By Dudley Andrew

Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation.

Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.

Oxford University Press, 1984, 239 pages

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By Stuart Ewen

All Consuming Images by Stuart Ewen dives deep into the world of consumer culture, exploring the powerful influence of images on our society. Ewen takes readers on a thought-provoking journey examining how advertising, media, and propaganda shape our desires, beliefs, and behaviors.

Through insightful analysis and engaging examples, Ewen uncovers the ways in which images have become central to modern life, driving consumerism and shaping our collective consciousness. This book challenges readers to question the pervasive influence of visual culture and consider the implications of our image-saturated world.

With meticulous research and a critical perspective, All Consuming Images offers a compelling exploration of the intersection between image, power, and consumption in contemporary society. This book is a must-read for anyone interested in understanding the complexities of our media-driven world.

Basic Books, 1999, 306 pages