by Gregory Forter

Though American crime novels are often derided for containing misogynistic attitudes and limiting ideas of masculinity, Greg Forter maintains that they are instead psychologically complex and sophisticated works that demand closer attention. Eschewing the synthetic methodologies of earlier work on crime fiction, Murdering Masculinities argues that the crime novel does not provide a consolidated and stable notion of masculinity. Rather, it demands that male readers take responsibility for the desires they project on to these novels.
Forter examines the narrative strategies of five novels--Hammett's The Glass Key, Cain's Serenade, Faulkner's Sanctuary, Thompson's Pop. 1280, and Himes's Blind Man with a Pistol--in conjunction with their treatment of bodily metaphors of smell, vision, and voice. In the process, Forter unearths a "generic unconscious" that reveals things Freud both discovered and sought to repress.

New York; London: NYU Press, 2000. 278p.

MAY CONTAIN MARKUP

Regina Janes

FROM THE PREFACE: Why should anyone, especially sophisticated people like you and me, regard so widespread a cultural practice as beheadings as repellent? About 160,000 years ago, homo sapiens idaltu separated heads from bodies.' Homo sapiens sapiens still does. Disagreeable, fascinating, horrific, laughable, headless bodies and bodiless heads are all around us. Tim Burton, whose Sleepy Hollow (1999) sent heads flying, claims severed heads create unease that one cannot put one's finger on.? Garrison Keillor begins the millennium with a snowboarding beheading in Lake Wobegon where "we don't have many beheadings."3 Snoopy horrifies himself by accidentally beheading a snowman. Decapitating murderers horrify the rest of us, populating our prisons, our films, and our fictions. Horror or comedy: decapitation owes its current characteristic shudder to the placement of violence within the modern ideology of the body. Decapitation, like other mutilations, makes visible a violence that the west has been campaigning to make invisible since the seventeenth century, when our body-based ideology begins to emerge.

NEW YORK UNIVERSITY PRESS. New York and London. 2005. 266p.

by Robert Fine, Philip Spencer

Universalism shows two faces to the world: an emancipatory face that looks to the inclusion of the other, and a repressive face that sees in the other a failure to pass some fundamental test of humanity. Universalism can be used to demand that we treat all persons as human beings regardless of their differences, but it can also be used to represent whole categories of people as inhuman, not yet human or even enemies of humanity.

The Jewish experience offers an equivocal test case. Universalism has stimulated the struggle for Jewish emancipation, but it has also helped to develop the idea that there is something peculiarly harmful to humanity about Jews – that there is a 'Jewish question' that needs to be 'solved'. This original and stimulating book traces struggles within the Enlightenment, Marxism, critical theory and the contemporary left, seeking to rescue universalism from its repressive, antisemitic undertones.

Manchester, UK: Manchester University Press, 2018. 144p

Edited by Branko Lobnikar , Catharina Vogt , Joachim Kersten

The monograph on improving the response of first responders to domestic violence in Europe aims to identify gaps in the cooperation of first-line responders and deliver recommendations, toolkits and collaborative training for European police organizations and medical and social work professionals. The goal is to improve integrate institutional response to domestic violence. Shared training and adequate risk assessment tools will create a positive feedback loop, increasing reporting rates of domestic violence to police, the medical profession, and community and social work practitioners.

Malibor: University of Maribor, University Press, 2021. 363 p

Edited by Lucien van Liere and Erik Meinema

How do objects become contested in settings characterized by (violent) conflict? Why are some things contested by religious actors? How do religious actors mobilize things in conflict situations and how are conflict and violence experienced by religious groups? This volume explores relations between materiality, religion, and violence by drawing upon two fields of scholarship that have rarely engaged with one another: research on religion and (violent) conflict and the material turn within religious studies. This way, this volume sets the stage for the development of new conceptual and methodological directions in the study of religion-related violent conflict that takes materiality seriously. Contributors are Christoph Baumgartner, Margaretha van Es, Lucien van Liere, Erik Meinema, Birgit Meyer, Daan F. Oostveen, Younes Saramifar, Joram Tarusarira, Tammy Wilks.

Leiden; Boston: Brill, 2022, p 237

By Catherine Lester

Watership Down (Martin Rosen, 1978) is as controversial as it is beloved. Whether due to the tear-jerking hit song 'Bright Eyes' or its notorious representation of violence inflicted by and upon animated rabbits, the film retains the ability to move and shock audiences of all ages, remaining an important cultural touchstone decades after its original release. This open access collection unites scholars and practitioners from a diversity of perspectives to consider the ongoing legacy of this landmark of British cinema and animation history. The authors provide nuanced discussions of Watership Down’s infamous animated depictions of violence, death and its contentious relationship with child audiences, as well as examinations of understudied aspects of the film including its musical score, use of language, its increasingly relevant political and environmental themes and its difficult journey to the screen, complete with behind-the-scenes photographs, documents and production artwork. As the first substantial work on Watership Down, this book is a valuable companion on the film for scholars, students and fans alike.

I couldn't download this on OAPEN. You can give it a try...if you want.

ByDavid Wästerfors

This book considers how the concept of violence has been interpreted, used, defined, and explored by social researchers and thinkers. It does not provide a final answer to the question of what violence is or how it should be explained (or prevented), and instead offers a variety of useful ways of thinking about and theorising the phenomenon, mainly from a sociological standpoint.

It outlines four ways of understanding violence:

• • Violence as situation: the tension that exists between category-driven and situational explanations.

• • Violence as speciality: the study of particularly violent actors, and how they may be understood by reference to childhood histories, technologies, institutions, culture, class, and gender.

• • Violence as politics: political violence and violent politics.

• • Violence as storytelling: representations of violence from a narrative perspective.

Concluding with reflections on possible convergences between the four approaches and new directions for research, this book offers a unique and experimental approach to discussing and reconstructing the concept of violence. It is essential reading for criminologists, sociologists, and philosophers alike.

London: Routledge, 2022. 136p.

By  Sonja Schillings,

Hostis humani generis, meaning “enemy of humankind,” is the legal basis by which Western societies have defined such criminals as pirates, torturers, or terrorists as beyond the pale of civilization. Sonja Schillings argues that this legal fiction does more than characterize certain persons as inherently hostile: it provides a narrative basis for legitimating violence in the name of the state. The work draws attention to a century-old narrative pattern that not only underlies the legal category of enemies of the state, but more generally informs interpretations of imperial expansion, protest against government-sponsored oppression, and the transformation of institutions as “legitimate” interventions on behalf of civilized society.

Hanover, NH, Dartmouth University Press,, 2016. 304p.

By Ciarán O’Connor

In collaboration with the Southern Poverty Law Center, ISD conducted research to examine the use and misuse of YouTube Super Chats, a tool that allows creators to monetise comments in their livestream chat feeds, that are an increasingly important source of revenue for both YouTube and creators on the platform. The report features three case studies examining popular political commentary and content channels; Timcast IRL, The Young Turks and Right Side Broadcasting Network. In the past, Super Chats have been used by extremists on the platform as a source of generating revenue and, as this report demonstrates, Super Chats continue to enable creators and YouTube to profit from comments that promote violence, conspiracy theories, misinformation and hate. The report features three case studies of popular YouTube highlights YouTube’s failure to effectively enforce its own community guidelines on Super Chats and includes recommendations on how the platform can address this enforcement gap.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2022. 18p.

By Amy Sodaro 

Through a global comparative approach, Amy Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the form: the US Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world emerging from widely divergent forms of political violence.

New Brunswick, NJ: Rutgers University Press, 2018. 227p.

By  Werner Riess

This book offers the first attempt at understanding interpersonal violence in ancient Athens. While the archaic desire for revenge persisted into the classical period, it was channeled by the civil discourse of the democracy. Forensic speeches, curse tablets, and comedy display a remarkable openness regarding the definition of violence. But in daily life, Athenians had to draw the line between acceptable and unacceptable behavior. They did so by enacting a discourse on violence in the performance of these genres, during which complex negotiations about the legitimacy of violence took place. Since discourse and reality were intertwined and the discourse was ritualized, actual violence might also have been partly ritualized. By still respecting the on-going desire to harm one’s enemy, this partial ritualization of violence helped restrain violence and thus contributed to Athens’ relative stability.

Berlin; Boston: Walter de Gruyter GmbH & Co,  2012.  492p.