By Leighton Andrews

Facebook, the Media and Democracy examines Facebook Inc. and the impact that it has had and continues to have on media and democracy around the world. Drawing on interviews with Facebook users of different kinds and dialogue with politicians, regulators, civil society and media commentators, as well as detailed documentary scrutiny of legislative and regulatory proposals and Facebook’s corporate statements, the book presents a comprehensive but clear overview of the current debate around Facebook and the global debate on the regulation of social media in the era of ‘surveillance capitalism.’ Chapters examine the business and growing institutional power of Facebook as it has unfolded over the fifteen years since its creation, the benefits and meanings that it has provided for its users, its disruptive challenge to the contemporary media environment, its shaping of conversations, and the emerging calls for its further regulation. The book considers Facebook’s alleged role in the rise of democratic movements around the world as well as its suggested role in the election of Donald Trump and the UK vote to leave the European Union. This book argues that Facebook, in some shape or form, is likely to be with us into the foreseeable future and that how we address the societal challenges that it provokes, and the economic system that underpins it, will define how human societies demonstrate their capacity to protect and enhance democracy and ensure that no corporation can set itself above democratic institutions. This is an important research volume for academics and researchers in the areas of media studies, communications, social media and political science.

London; New York: Routledge, 2020. 137p.

Edited by Rüdiger Lohlker

Jihadi online media try to mobilize, recruit, and disseminate the messages of jihadi subcultures. Understanding the mechanisms and structures of the products of these online media is essential for understanding jihadism in general. Original research into visual representations of jihadi media outlets, the subtleties of jihadi videos, the specific ways jihadis use Islamic religious language, into jihadi poetry, and the ways jihadis stage their concepts in videos of kangaroo trials is presented in this volume. Jihadis as part of the imaginary of global media production is another aspect of representations of jihadism described in one of the contributions.

Gottingen: Vienna University Press, 2013/ 257p.

By Jon Lee

Jon Mee explores the popular democratic movement that emerged in the London of the 1790s in response to the French Revolution. Central to the movement’s achievement was the creation of an idea of ‘the people’ brought into being through print and publicity. Radical clubs rose and fell in the face of the hostile attentions of government. They were sustained by a faith in the press as a form of ‘print magic,’ but confidence in the liberating potential of the printing press was interwoven with hard-headed deliberations over how best to animate and represent the people. Ideas of disinterested rational debate were thrown into the mix with coruscating satire, rousing songs, and republican toasts. Print personality became a vital interface between readers and print exploited by the cast of radicals returned to history in vivid detail by Print, Publicity, and Popular Radicalism.

Cambridge, UK: Cambridge University Press, 2016. 286p.

By Paula Matlach, Dominik Hammer and Christian Schwieter

This is a translation of a report first published in German on 10 August 2022 under the title “Auf Odysee: Die Rolle von Blockchain-Technologie für die Monetarisierung im rechtsextremen Onlinemilieu“.

Odysee is one of the “alternative” social media platforms identified by ISD Germany researchers as part of their project “Countering Radicalization in Right-Wing Extremist Online Subcultures,” funded by the German Federal Ministry of Justice. The video hosting portal, which markets itself as a YouTube alternative and hosts similar functions, relies on blockchain technology to provide platform-specific monetization opportunities that offer financial incentives. These “incentivized” platforms are structured to reward users for their activities – e.g. publishing, liking and distributing posts – by paying them cryptocurrencies. The use of decentralized blockchain technology in this context is often accompanied by promises of unmoderated exchange and anonymity. This and the opportunities to make profits are particularly interesting for right-wing extremists, “lateral thinkers” and conspiracy ideologues, whose content is often deleted on established platforms and who rely on financial support from their supporters. In this way, right-wing extremists can not only disseminate anti-constitutional content on the Internet undisturbed, but even earn money from it. For the far-right online milieu, Odysee serves as a regulation-free retreat or as part of a multiplatform strategy, or backup option. Whether it can be successful in the long run depends, among other things, on the fluctuating value of cryptocurrencies. Another determining factor is how investors who have lost money due to fraud or a drop in the value of cryptocurrencies on Odysee behave. As a crypto-related space, the platform is an ideal recruitment space for right-wing extremists who want to convince disappointed investors of their ideology. 

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 24. 32p.

By Moustafa Ayad, Anisa Harrasy, Mohammed Abdullah A. 

Researchers at the Institute for Strategic Dialogue (ISD) led a two-year investigation into the online media ecosystem of al-Shabaab and the Islamic State in Africa, analyzing the role of “independent news” outlets and their intersections with hundreds-strong networks of amplifier profiles on Facebook linked to a number of central pages identifying themselves as “media outlets” or “media personalities” operating in Somali, Kiswahili and Arabic. Researchers found that the network of support for al-Shabaab and Islamic State extended across several platforms, including decentralized messaging applications such as Element and RocketChat, and encrypted messaging platforms such as Telegram, as well as Twitter, YouTube and Facebook.  A qualitative cross-platform analysis showed the most active, networked, and multilingual ecosystem of support for al-Shabaab and the Islamic State existed on Facebook, where profiles and pages classified as “media outlets” were sharing terrorist content openly and eschewing private groups and profiles. The content that ISD researchers observed through the networks is often linked to “media” and “media personality” pages in Somali, Kiswahili and Arabic, and not only violates the platform’s community guidelines, but also points to language moderation blind spots that have been previously documented by journalists as well as whistleblowers.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2022. 22p.

By Elise Thomas, Kata Balint

This research documents how YouTube’s algorithms contribute to promoting misogynistic, anti-feminist and other extremist content to Australian boys and young men. Using experimental accounts, this research tracks the content that YouTube, and their new ‘YouTube Shorts’ feature, routinely recommends to boys and young men. This short-term, qualitative study involved analysing algorithmic recommendations and trajectories provided to 10 experimental accounts. As the study progressed, each account was recommended videos with messages antagonistic towards women and feminism. Following the recommendations and viewing and liking the suggested content resulted in more overtly misogynist ‘Manosphere’ and ‘incel’ content being recommended. The study found that while the general Youtube interface recommended broadly similar content to topics the accounts originally engaged with, the new shorter video feature, called YouTube Shorts, appears to operate quite differently. Shorts seems to optimise more aggressively in response to user behaviour and show more extreme videos within a relatively brief timeframe. On Shorts, all accounts were shown vastly similar and sometimes even the same specific content from right-wing and self-described ‘alt-right’ content creators. The algorithm did not make any distinction between the underage and adult accounts in terms of the content served.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2022. 24p.

By Henry Tuck, Jakob Guhl, Julia Smirnova, Lea Gerster and Oliver Marsh

Harmful actors use an ever-expanding range of digital spaces to spread harmful ideologies and undermine human rights and democracy online. Understanding their evolving ideas, online networks and activities is critical to developing a more comprehensive evidence base to inform effective and proportional efforts to counter them. But creating that evidence base can challenge the technical capabilities, resources, and even ethical and legal boundaries of research. We are concerned that all these may be getting worse, just as the options for spreading harm online increase. It should therefore be of concern that in many instances it is increasingly hard to conduct digital research in a systematic, ethical and legal manner. This results in a situation where difficult trade offs have to be made between competing goods, including the desire to understand and mitigate harmful content and behaviour online, the preservation of privacy and the adherence to legal agreements. We argue in this report that this does not need to be the case; solutions are available,…

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2023. 60p.

By Ciarán O’Connor

This report aims to provide an in-depth analysis on the state of extremism and hate on TikTok. It is the culmination of three months of research on a sample of 1,030 videos, equivalent to just over eight hours of content, posted on the social media platform. These videos were used to promote hatred, as well as glorify extremism and terrorism. ISD set out to examine the state of hate and extremism on TikTok in two ways. The first objective involved analysing how individuals or groups promote hateful ideologies and target people on the platform based on numerous protected attributes such as ethnicity, religion, gender or others. Second, using the same framework, ISD investigated how features on TikTok like profiles, hashtags, share functions, video effects and music are used to spread hate. This report seeks to start a conversation around how platforms like TikTok can improve their own practices to protect users from harm. Additionally, it underscores the clear need for independent oversight of such platforms, which currently leave users and the wider public open to significant risks to their health, security and rights.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2021. 57p.

By Ciarán O’Connor

In collaboration with the Southern Poverty Law Center, ISD conducted research to examine the use and misuse of YouTube Super Chats, a tool that allows creators to monetise comments in their livestream chat feeds, that are an increasingly important source of revenue for both YouTube and creators on the platform. The report features three case studies examining popular political commentary and content channels; Timcast IRL, The Young Turks and Right Side Broadcasting Network. In the past, Super Chats have been used by extremists on the platform as a source of generating revenue and, as this report demonstrates, Super Chats continue to enable creators and YouTube to profit from comments that promote violence, conspiracy theories, misinformation and hate. The report features three case studies of popular YouTube highlights YouTube’s failure to effectively enforce its own community guidelines on Super Chats and includes recommendations on how the platform can address this enforcement gap.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2022. 18p.

Compiled by Charles Mackay

A rare collection of English poems. Extensive topic index, including an index of first lines of all poems.

London. George Routledge & Sons. 1869. 614p.

By Amy Sodaro 

Through a global comparative approach, Amy Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the form: the US Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world emerging from widely divergent forms of political violence.

New Brunswick, NJ: Rutgers University Press, 2018. 227p.

By Jason E. Pierce

In the early nineteenth century, critics like Zebulon Pike and Washington Irving viewed the West as a “dumping ground” for free blacks and Native Americans, a place where they could be segregated from the white communities east of the Mississippi River. But as immigrant populations and industrialization took hold in the East, white Americans began to view the West as a “refuge for real whites.” The West had the most diverse population in the nation with substantial numbers of American Indians, Hispanics, and Asians, but Anglo-Americans could control these mostly disenfranchised peoples and enjoy the privileges of power while celebrating their presence as providing a unique regional character. The first comprehensive study to examine the construction of white racial identity in the West, Making the White Man’s West shows how these two visions of the West shaped the history of the region and influenced a variety of contemporary social issues in the West today. 

Boulder: University Press of Colorado, 2016. 323p.

By  Werner Riess

This book offers the first attempt at understanding interpersonal violence in ancient Athens. While the archaic desire for revenge persisted into the classical period, it was channeled by the civil discourse of the democracy. Forensic speeches, curse tablets, and comedy display a remarkable openness regarding the definition of violence. But in daily life, Athenians had to draw the line between acceptable and unacceptable behavior. They did so by enacting a discourse on violence in the performance of these genres, during which complex negotiations about the legitimacy of violence took place. Since discourse and reality were intertwined and the discourse was ritualized, actual violence might also have been partly ritualized. By still respecting the on-going desire to harm one’s enemy, this partial ritualization of violence helped restrain violence and thus contributed to Athens’ relative stability.

Berlin; Boston: Walter de Gruyter GmbH & Co,  2012.  492p.

By David Brion Davis

Homicide has many social and psychological implications that vary from culture to culture and which change as people accept new ideas concerning guilt, responsibility, and the causes of crime. A study of attitudes toward homicide is therefore a method of examining social values in a specific setting. Homicide in American Fiction, 1798–1860 is the first book to contrast psychological assumptions of imaginative writers with certain social and intellectual currents in an attempt to integrate social attitudes toward such diverse subjects as human evil, moral responsibility, criminal insanity, social causes of crime, dueling, lynching, the "unwritten law" of a husband's revenge, and capital punishment. In addition to works of literary distinction by Cooper, Hawthorne, Irving, and Poe, among others, Davis considers a large body of cheap popular fiction generally ignored in previous studies of the literature of this period. This is an engrossing study of fiction as a reflection of and a commentary on social problems and as an influence shaping general beliefs and opinions.

Ithaca, NY: Cornell University Press, 196f 367p.

By Jan Blommaert

Sociolinguistic evidence is an undervalued resource for social theory. In this book, Jan Blommaert uses contemporary sociolinguistic insights to develop a new sociological imagination, exploring how we construct and operate in online spaces, and what the implications of this are for offline social practice. Taking Émile Durkheim’s concept of the ‘social fact’ (social behaviours that we all undertake under the influence of the society we live in) as the point of departure, he first demonstrates how the facts of language and social interaction can be used as conclusive refutations of individualistic theories of society such as 'Rational Choice'. Next, he engages with theorizing the post-Durkheimian social world in which we currently live. This new social world operates 'offline' as well as 'online' and is characterized by 'vernacular globalization', Arjun Appadurai’s term to summarise the ways that larger processes of modernity are locally performed through new electronic media. Blommaert extrapolates from this rich concept to consider how our communication practices might offer a template for thinking about how we operate socially. Above all, he explores the relationship between sociolinguistics and social practice In Durkheim and the Internet, Blommaert proposes new theories of social norms, social action, identity, social groups, integration, social structure and power, all of them animated by a deep understanding of language and social interaction. In drawing on Durkheim and other classical sociologists including Simmel and Goffman, this book is relevant to students and researchers working in sociolinguistics as well as offering a wealth of new insights to scholars in the fields of digital and online communications, social media, sociology, and digital anthropology.

London; New York: Bloomsbury Academic, 2018. 136p.

Edited by Eric Schaefer

Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media—film and television, recorded sound, and publishing—that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as ;Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.

Durham, NC: Duke University Press, 2014. 481p.

Edited by Rainer Greifeneder, Mariela E. Jaffé, Eryn J. Newman, and Norbert Schwarz

This volume examines the phenomenon of fake news by bringing together leading experts from different fields within psychology and related areas, and explores what has become a prominent feature of public discourse since the first Brexit referendum and the 2016 US election campaign. Dealing with misinformation is important in many areas of daily life, including politics, the marketplace, health communication, journalism, education, and science. In a general climate where facts and misinformation blur, and are intentionally blurred, this book asks what determines whether people accept and share (mis)information, and what can be done to counter misinformation? All three of these aspects need to be understood in the context of online social networks, which have fundamentally changed the way information is produced, consumed, and transmitted. The contributions within this volume summarize the most up-to-date empirical findings, theories, and applications and discuss cutting-edge ideas and future directions of interventions to counter fake news. Also providing guidance on how to handle misinformation in an age of “alternative facts”, this is a fascinating and vital reading for students and academics in psychology, communication, and political science and for professionals including policy makers and journalists.

New York; London: Routledge, 2021. 252p.

Edited by Richard Rogers

There is growing awareness about how social media circulate extreme viewpoints and turn up the temperature of public debate. Posts that exhibit agitation garner disproportionate engagement. Within this clamour, fringe sources and viewpoints are mainstreaming, and mainstream media are marginalized. This book takes up the mainstreaming of the fringe and the marginalization of the mainstream. In a cross-platform analysis of Google Web Search, Facebook, YouTube, Reddit, Twitter, Instagram, 4chan and TikTok, we found that hyperpartisan web operators, alternative influencers and ambivalent commentators are in ascendency. The book can be read as a form of platform criticism. It puts on display the current state of information online, noting how social media platforms have taken on the mantle of accidental authorities, privileging their own on-platform performers and at the same time adjudicating between claims of what is considered acceptable discourse.

Amsterdam: Amsterdam University Press, 2023. 246p.

By Jonathan Beller

The Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities, and that the rise of digital culture and technologies under capitalism should be seen as an extension of capitalism's bloody logic. Engaging with Borges, Turing, Claude Shannon, Hitchcock and Marx, this book tracks computational capital to reveal the lineages of capitalised power as it has restructured representation, consciousness and survival in the twentieth and twenty-first centuries. Ultimately The Message is Murder makes the case for recognising media communications across all platforms - books, films, videos, photographs and even language itself - as technologies of political economy, entangled with the social contexts of a capitalism that is inherently racial, 

London: Pluto Press, 2017. 225p.

By Sabine Binder

In this ground-breaking study, Sabine Binder analyses the complex ways in which female crime fictional victims, detectives and perpetrators in South African crime fiction resonate with widespread and persistent real crimes against women in post-apartheid South Africa. Drawing on a wide range of crime novels written over the last decade, Binder emphasises the genre’s feminist potential and critically maps its political work at the intersection of gender and race. Her study challenges the perception of crime fiction as a trivial genre and shows how, in South Africa at least, it provides a vibrant platform for social, cultural and ethical debates, exposing violence, misogyny and racism and shedding light on the problematics of law and justice for women faced with crime. Readership: All interested in crime fiction and its gender/racial political potential, its cultural relevance, its ethics and aesthetics, in South Africa and beyond.

Leiden, NETH: Brill. 2020. 252p.