By Ciarán O’Connor

In collaboration with the Southern Poverty Law Center, ISD conducted research to examine the use and misuse of YouTube Super Chats, a tool that allows creators to monetise comments in their livestream chat feeds, that are an increasingly important source of revenue for both YouTube and creators on the platform. The report features three case studies examining popular political commentary and content channels; Timcast IRL, The Young Turks and Right Side Broadcasting Network. In the past, Super Chats have been used by extremists on the platform as a source of generating revenue and, as this report demonstrates, Super Chats continue to enable creators and YouTube to profit from comments that promote violence, conspiracy theories, misinformation and hate. The report features three case studies of popular YouTube highlights YouTube’s failure to effectively enforce its own community guidelines on Super Chats and includes recommendations on how the platform can address this enforcement gap.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2022. 18p.

By Amy Sodaro 

Through a global comparative approach, Amy Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the form: the US Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world emerging from widely divergent forms of political violence.

New Brunswick, NJ: Rutgers University Press, 2018. 227p.

By Jason E. Pierce

In the early nineteenth century, critics like Zebulon Pike and Washington Irving viewed the West as a “dumping ground” for free blacks and Native Americans, a place where they could be segregated from the white communities east of the Mississippi River. But as immigrant populations and industrialization took hold in the East, white Americans began to view the West as a “refuge for real whites.” The West had the most diverse population in the nation with substantial numbers of American Indians, Hispanics, and Asians, but Anglo-Americans could control these mostly disenfranchised peoples and enjoy the privileges of power while celebrating their presence as providing a unique regional character. The first comprehensive study to examine the construction of white racial identity in the West, Making the White Man’s West shows how these two visions of the West shaped the history of the region and influenced a variety of contemporary social issues in the West today. 

Boulder: University Press of Colorado, 2016. 323p.

By  Werner Riess

This book offers the first attempt at understanding interpersonal violence in ancient Athens. While the archaic desire for revenge persisted into the classical period, it was channeled by the civil discourse of the democracy. Forensic speeches, curse tablets, and comedy display a remarkable openness regarding the definition of violence. But in daily life, Athenians had to draw the line between acceptable and unacceptable behavior. They did so by enacting a discourse on violence in the performance of these genres, during which complex negotiations about the legitimacy of violence took place. Since discourse and reality were intertwined and the discourse was ritualized, actual violence might also have been partly ritualized. By still respecting the on-going desire to harm one’s enemy, this partial ritualization of violence helped restrain violence and thus contributed to Athens’ relative stability.

Berlin; Boston: Walter de Gruyter GmbH & Co,  2012.  492p.

By David Brion Davis

Homicide has many social and psychological implications that vary from culture to culture and which change as people accept new ideas concerning guilt, responsibility, and the causes of crime. A study of attitudes toward homicide is therefore a method of examining social values in a specific setting. Homicide in American Fiction, 1798–1860 is the first book to contrast psychological assumptions of imaginative writers with certain social and intellectual currents in an attempt to integrate social attitudes toward such diverse subjects as human evil, moral responsibility, criminal insanity, social causes of crime, dueling, lynching, the "unwritten law" of a husband's revenge, and capital punishment. In addition to works of literary distinction by Cooper, Hawthorne, Irving, and Poe, among others, Davis considers a large body of cheap popular fiction generally ignored in previous studies of the literature of this period. This is an engrossing study of fiction as a reflection of and a commentary on social problems and as an influence shaping general beliefs and opinions.

Ithaca, NY: Cornell University Press, 196f 367p.

By Jonathan Beller

The Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities, and that the rise of digital culture and technologies under capitalism should be seen as an extension of capitalism's bloody logic. Engaging with Borges, Turing, Claude Shannon, Hitchcock and Marx, this book tracks computational capital to reveal the lineages of capitalised power as it has restructured representation, consciousness and survival in the twentieth and twenty-first centuries. Ultimately The Message is Murder makes the case for recognising media communications across all platforms - books, films, videos, photographs and even language itself - as technologies of political economy, entangled with the social contexts of a capitalism that is inherently racial, 

London: Pluto Press, 2017. 225p.

By Sabine Binder

In this ground-breaking study, Sabine Binder analyses the complex ways in which female crime fictional victims, detectives and perpetrators in South African crime fiction resonate with widespread and persistent real crimes against women in post-apartheid South Africa. Drawing on a wide range of crime novels written over the last decade, Binder emphasises the genre’s feminist potential and critically maps its political work at the intersection of gender and race. Her study challenges the perception of crime fiction as a trivial genre and shows how, in South Africa at least, it provides a vibrant platform for social, cultural and ethical debates, exposing violence, misogyny and racism and shedding light on the problematics of law and justice for women faced with crime. Readership: All interested in crime fiction and its gender/racial political potential, its cultural relevance, its ethics and aesthetics, in South Africa and beyond.

Leiden, NETH: Brill. 2020. 252p.

By Peter Kishore Saval

  Hate, malice, rage, and enmity: what would Shakespeare’s plays be without these demonic, unruly passions? Shakespeare in Hate studies how the tirades and unrestrained villainy of Shakespeare’s art explode the decorum and safety of our sanitized lives and challenge the limits of our selfhood. Everyone knows Shakespeare to be the exemplary poet of love, but how many celebrate his clarifying expressions of hatred? How many of us do not at some time feel that we have come away from his plays transformed by hate and washed clean by savage indignation? Saval fills the great gap in the interpretation of Shakespeare’s unsocial feelings. The book asserts that emotions, as Aristotle claims in the Rhetoric, are connected to judgments. Under such a view, hatred and rage in Shakespeare cease to be a “blinding” of judgment or a loss of reason, but become claims upon the world that can be evaluated and interpreted. The literary criticism of anger and hate provides an alternative vision of the experience of Shakespeare’s theater as an intensification of human experience that takes us far beyond criticism’s traditional contexts of character, culture, and ethics. The volume, which is alive to the judgmental character of emotions, transforms the way we see the rancorous passions and the disorderly and disobedient demands of anger and hatred. Above all, it reminds us why Shakespeare is the exemplary creator of that rare yet pleasurable thing: a good hater.  

London; New York: Routledge, 2015. 177p.

By Mark Pizzato

From the Preface: Why do humans perform acts of violence for a watching audience? This book

explores the performance of violence in various cultures, from ancient human and animal sacrifices to modern sports and cinema, through psychoanalytic theories and theatrical paradigms. How is the sublimation of human sacrifice today, on sports fields and movie screens, like and unlike actual bloodshed in prior cultures? Does it create a current community of ritual belief in the divine powers of mythic heroes and demons? What effects might melodramatic violence have on a mass audience--with purely good and evil forces battling apocalyptically onscreen especially after September 11, 2001, and the subsequent "war on terrorism" in our new millennium? Is a fundamental catharsis of fear and desire, of terrorist paranoia and capitalist greed, still pos- sible today, through complex characters and tragic violence, involving our mass-media warriors and godlike stars?

NY. SUNY Press. 2005. 260p. CONTAINS MARK-UP

Edited By Mark Fishman and Gray Cavender

From the cover: In eleven original studies by social scientists, this is the first volume to focus on television reality crime programming as a genre. Contributors address such questions as: why do these programs exist; what larger cultural meaning do they have; what effect do they have on audiences; and what do they indicate about crime and justice in the late twentieth century? Adaptable at both undergraduate and graduate levels, Entertaining Crime wil contribute to discussions of crime and the media, as well as crime in relation to other issues, such as gender, race/ethnicity, and fear of crime.

NY. Aldine De Gruyter. 1998. 208p. CONTAINS MARK-UP

By David John Brennan

In 1798, William Wordsworth and Samuel Taylor Coleridge were engaged in a top secret experiment. This was not, as many assume, the creation of a book of poetry. A book emerged, to be sure—the landmark Lyrical Ballads. But in Murder Ballads, David John Brennan posits that the two poets were in fact pursuing far different ends: to birth from their poems a singular, idealized Poet. Despite their success, such Frankensteinian pursuits proved rife with consequence for the men. Doubts and questions plagued them: What does it mean to be a poet if your work is not your own? Who is best fit to lay claim to a parcel of poetic property that was collaboratively crafted and bequeathed to a fictitious Poet? How does one kill a Poet born of one’s own hand? Blending critical examination with jocular playlets-in-verse featuring the authors of the two books in baffled conversation.

Brooklyn, NY: Punctum Books, 2016. 160p.

By Gene. D. Phillips

From the Introduction: “….In sum, this book presents an in-depth discussion of several gangster films, some of which are familiar members of the gangster genre, like John: Huston’s The Asphalt Jungle, and some that deserve to be better known, for example, Stephen Frears’s The Grifters. That a few meaningful books on the gangster film have appeared throughout the years demonstrates the continued interest in the genre….in this volume, I include some overlooked crime movies that deserve more attention than they have received. In addition, I have interviewed film directors, as well as other artists and technicians, associated with the films I treat. I also focus on some more recent movies, along with some from the classic period. These later movies are reminders that the gangster genre is still with us and is not going away.

NY. Rowman & Littlefield. 2014. 204p. CONTAINS MARK-UP

By Fran Mason

From the preface: “The film gangster, therefore, represents a seminal figure in the history of twentieth-century culture, forming the focus for a range of tensions that have dominated the discourses of industrialised society. These range from the role of the individual within an increasingly rationalised society, the impact of urban space (and its association with the fracturing discourses of modernity and postmodernity), the tension between tradition and the modern, the opposition between labour and pleasure, and particularly the relationship between ideology and freedom.

NY. Palgrave Macmillan. 2002. 203p. CONTAINS MARK-UP.