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By Robert Fisk

FROM THE JACKET: “During the thirty years that award-winning journalist Robert Fisk has been reporting on the Middle East, he has covered every major event in the region, from the Algerian Civil War to the Iranian Revolution. from the American hostage crisis in Beirut (as one of only two Western journalists in the city at the time) to the Iran-Iraq War. from the Russian invasion of Afghanistan to Israel's invasions of Lebanon, from the Gulf War to the invasion and ongoing war in Iraq. Now he brings his knowledge. his firsthand experience and his intimate understanding of the Middle East to a book that addresses the full complexity of its political history and its current state of affairs.

Passionate in his concerns about the region and relentless in his pursuit of the truth, Fisk has been able to enter the world of the Middle East and the lives of its people as few other journalists have. The result is a work of stunning reportage. His unblinking eyewitness testimony to the horrors of war places him squarely in the tradition of the great frontline reporters of the Second World War. His searing descriptions of lives mangled in the chaos of battle and of the battles themselves are at once dreadful and heartrending.

This is also a book of lucid, incisive analysis. Reaching back into the long history of invasion, occupation and colonization in the region, Fisk sets forth this information in a way that makes clear how a history of injustice "has condemned the Middle East to war." He lays open the role of the West in the seemingly endless strife and warfare in the region, traces the growth of the West's involvement and infiuence there over the past one hundred years….

NY. Alfred Knopf. 2006. 1150p.

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Edited By David Womersley

FROM THE INTRODUCTION: “Edward Gibbon (1737-94) published The History of the Decline and Fall of the Roman Empire in three instalments between 1776 and 1788. It was an immediate popular success, selling (as the delighted author put it) 'like a sixpenny pamphlet on the news of the day'. The book was immediately involved in controversy for its supposed hostility to established religion. But Gibbon's attitudes were much more nuanced, his intentions much more complicated, and his historical interests vastly more profound, than were those of any deist….”

London. Penguin Books. 1995. 97p.

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By Michael Grant

FROM THE JACKET: “….Michael Grant dives into the reasons why the reign of this Roman emperor, which lasted from 306 to 337 A.D.. marked a watershed in the history of civilization, albeit one charged with irony. Founding his capital at Constantinople, Constantine revitalized the Enstern half of the empire, enabling it to survive and flourish (as the Byzantine Empire) for another thousand years. Yet, as Grant shows, this shift of power to the east would prove fatal to the Western empire and have profound consequences for Europe as a whole. Constantine’s most far-reaching decision, however. was the legalization of Christianity and his conversion to the faith. Without this dramatic change Christianity might have remained a suppressed. minority religion---or worse. Grant points out the irony behind this watershed, too: For Constantine, the Christian God represented not peace but power, not humanity but success in warfare. Whatever the emperor's motives, Christian writers of that period--and after--greatly admired Constantine. Grant draws on their writings judiciously, while noting, for example, that Eusebius fails to mention Constantine's murder of his own son and his empress. Grant deftly explores the many questions surrounding these killings--Had the son plotted revolution? Had his stepmother, the empress, fallen in love with him? Had the emperor allowed a charge of rape (possibly false) brought by the empress against the stepson to stand?…

NY. Barnes & Noble. 1993. 282p.

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By H. A. L. Fisher

FROM THE PREFACE: “…Men wiser a n dmore learned than I have discerned in history a plot, a rhythm, a predetermined pattern. These harmonies are concealed from me. I can see only o n e emergency following upon another as wave follows upon wave, only one great fact withrespect to which, since it is unique, there can be no generalizations, only one safe rule for the historian: that he should recognize in the develop- ment of human destinies the play of the contingent and the unforeseen. This is not a doctrine of cynicism and despair. The fact of progress is written plain and large on the page of history; but progress is not a law of nature. The ground gained by one generation may b e lost by the next. The thoughts of men may flow into the channels which lead to disaster and barbarism….

London. Collins. Fontana. 1960 (1936). 770p.

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By Sir George Clark

FROM THE JACKET: “In this book (originally written for The Europear Inheritance) Sir George Clark tells the story of European civilization, western and eastern, in the period which followed the Middle Ages. Beginning about 1453, when the Turks captured Constantinople, be- fore America was discovered or Martin Luther born, it ends in the early eighteenth century, when Peter the Great was founding St. Peters- burg, when Sir Isaac Newton was a very old man, when steam-engines were already in use, but before any- one foresaw the French Revolution. Touching many aspects of civiliza- tion, economic, social, political, mili- tary, naval, religious and intellectual, it presents the history of the period as a record of endeavour and achievement. It is neither, on the one hand, a mere summary of facts and dates, nor, on the other, a mere essay in interpretation…”

London. Oxford University Press. 1957. 273p.

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By George L. Mosse

FROM THE PREFACE: “A prominent historian once wrote that "what man is, only history tells." This is certainly true if we want to understand the evolution of man in the society which he has made for himself. The age of the Reformation represents a crucial step in that historical development. Through their own thought the Reformers mirrored the doubts, hopes, and aspirations of the people of Europe. Yet it has been difficult to find modern interpretations of the age which are neither too specialized nor too elementary. Such interpretations undoubtedly do exist, but in the form of larger and more detailed analyses or as chapters in general works. This book is meant to provide an initial grasp of this epoch, and the bibliography at the end of the work will enable those so inclined to go further into the prob. lems and interpretations of the age.

NY. Henry Holt And Company. 1953. 110p.

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By Bernhard Berenson

FROM THE PREFACE: “The following essay owes its origin to the author's belief that Venetian painting is the most complete expression in art of the Italian Renaissance. The Renaissance is even more important typically than historically. Historically it may be looked upon as an age of glory or of shame according to the different views entertained of European events during the past five centuries. But typically it stands for youth, and youth alone--for intellectual curiosity and energy grasping at the whole of life as material which it hope so mould in any shape….”

London. Oxford. Fontana. 1930). 1960. 274p.

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Edited With An Introduction BY Karl H. Dannenfeldt.

FROM THE INTRODUCTION: “In 1860 in the introduction to his work on The Civilization of the Renaissance in Italy, Jacob Burckhardt predicted the present "Problem of the Renaissance” when he wrote "To each eye, perhaps, the out¬lines of a great civilization present a differ¬ent picture. ... In the wide ocean upon which we venture, the possible ways and directions are many; and the same studies which have served for this work might easily, in other hands, not only receive a wholly different treatment and application, but lead to essentially different conclusions.” To the writers of the Italian Renaissance itself, there was no serious problem. Their views of the age in which they were living furnished the basis for a long-held concept, namely, that after a period of about a thousand years of cultural darkness and igno-rance, there arose a new age with a great revival in classical literature, learning, and the arts. The humanists of the Northern Renaissance continued this concept. "Out of the thick Gothic night our eyes are opened to the glorious torch of the sun,” wrote Rabelais. Moreover, there was also now introduced a reforming religious element, further emphasizing the medieval barbarization of religion and culture. Protestant writers joined in this condemnation of the dark medieval period, an attack little circumscribed by the defense of the medieval Church by Catholic apologists…”

Boston. D. C. Heath. Problems In European Civilization. 1959. 129p.