By Blyth Crawford, Florence Keen, Guillermo Suarez-Tangil

Several violent far-right attacks in recent years have revealed an apparent connection with ‘chan culture’, not just in the tangible examples of attackers uploading manifestos, final messages, and live streams to chan sites themselves, but in the widespread community support exhibited in some corners of this online subculture where violence is both trivialised and glorified. Commonly, this is manifested in the visual culture present on chan sites, particularly memes, which may be used to promote extreme or even violent narratives under the guise of humour and irony.

We sought to understand how the visual culture of chan sites was contributing to, and/or encouraging violent discourse. To do this, our team combined quantitative data scraping, ethnography, and visual analysis across 12 chan sites ranging in popularity between March and June 2020, in addition to conducting 12 interviews with experts over this period.

London: The International Centre for the Study of Radicalisation (ICSR),2020. 50P.