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Posts tagged terror
Terror, Theory and the Humanities

Edited by Jeffrey R. Di Leo and Uppinder Mehan

The events of September 11, 2001, have had a strong impact on theory and the humanities. They call for a new philosophy, as the old philosophy is inadequate to account for them. They also call for reflection on theory, philosophy, and the humanities in general. While the recent location and killing of Osama bin Laden, the leader of al-Qaeda, in Pakistan on May 2, 2011—almost ten years after he and his confederates carried out the 9/11 attacks—may have ended the “war on terror,” it has not ended the journey to understand what it means to be a theorist in the age of phobos nor the effort to create a new philosophy that measures up with life in the new millennium. It is in the spirit of hope—the hope that theory will help us to understand the age of terror—that the essays in this collection are presented.

With essays by Christian Moraru, Terry Caesar, David B. Downing, Horace L. Fairlamb, Emory Elliott, Elaine Martin, Robin Truth Goodman, Sophia A. McClennen, William V. Spanos, Zahi Zalloua.

Ann Arbor, MI: Open Humanities Press - An imprint of MPublishing – University of Michigan Library, Ann Arbor , 2012. 250p.

Mussolini's Italy: Life under the fascist dictatorship 1915-1945

By R. J. B. Bosworth

From the Preface: “My task… has been to unveil the lives of Italians under a generation of dictatorship, be they men, women or children, party officials and party intellectuals or anti-Fascists, landowners and industrialists or workers and peasants, all coming from the many and varied regions of Italy or, on occasion, emigrants passed beyond the national border. It is, of course, an impossible protect. Aspiring to write the tout history of a totalitarian society is a delusion. Yet any reader who consults the book’s pages will find that a vast array of people rum up »n my tale and that it spans from Sardinia to Sicily, from Tumi to Reggio Calabria, from Trieste to Bari and beyond. There are many stories in the pages that follow and my hope must be that readers will find them emblematic and will draw a general picture from their impressionist detail.”

London. Penguin. 2005. 689p.