By William Handel Richardson

'The Getting of Wisdom' is a compelling and frank account of a young girl's coming of age. It tells the story of Laura Rambotham and her struggle to be accepted by her peers at a new school.

Henry Handel was the pseudonym of Ethel Florence Lindsay Richardson. She was born in 1870 in Victoria. Her family was fairly well-off in the early days, but fell on hard times, after her father died. She attended the Presbyterian Ladies’ College in Melbourne from age 13 – 17.

The Getting of Wisdom was written in 1910, but was set in 1890’s Melbourne & loosely followed Richardson’s own experiences at boarding school. Curiously none of the girls (or women) in The Getting of Wisdom are very likeable. They’re mean, snobbish, selfish & bitchy. Even Laura, who you empathise with at the start, never learns from her mistakes. And in fact, her self-deception, lying, cheating & self-absorption at the expense of others grew worse with time. At the end, while wondering “wisdom, what wisdom?”, Richardson did have some interesting things to say about conformity, creativity, moderation, honesty, integrity & the status of women in Victorain society, via her characters.

London. Heinemann. 1910. 209p.

By Jonas Jonasson. Translated by Rod Bradbury

A larger-than-life old man with a fondness for vodka goes on an unexpected adventure in this whimsical novel -- perfect for fans of Forrest Gump and A Man Called Ove.. The international publishing sensation -- more than six million copies sold worldwide! A reluctant centenarian much like Forrest Gump (if Gump were an explosives expert) decides it's not too late to start over . . .

After a long and eventful life, Allan Karlsson ends up in a nursing home, believing it to be his last stop. The only problem is that he's still in good health, and in one day, he turns 100. A big celebration is in the works, but Allan really isn't interested (and he'd like a bit more control over his vodka consumption). So he decides to escape. He climbs out the window in his slippers and embarks on a hilarious and entirely unexpected journey, involving, among other surprises, a suitcase stuffed with cash, some unpleasant criminals, a friendly hot-dog stand operator, and an elephant (not to mention a death by elephant).

It would be the adventure of a lifetime for anyone else, but Allan has a larger-than-life backstory: Not only has he witnessed some of the most important events of the twentieth century, but he has actually played a key role in them. Starting out in munitions as a boy, he somehow finds himself involved in many of the key explosions of the twentieth century and travels the world, sharing meals and more with everyone from Stalin, Churchill, and Truman to Mao, Franco, and de Gaulle. Quirky and utterly unique, The 100-Year-Old Man Who Climbed Out the Window and Disappeared has charmed readers across the world.

NY. Hachette. 2009, 2012. 381p.

By Alex Miller

Following the sudden end of her marriage, Annabelle Beck returns from Melbourne to the sanctuary of her old family home in North Queensland. There, on an archaeological survey, she discovers that the aboriginal field officer, Bo Rennie, knows her from her childhood. Initially intrigued by his old-fashioned manners, she finds herself increasingly captivated by his modest assurance that he holds the key to her future. Eventually she sets out with him on a path of discovery that leads back to her childhood and to the uncovering of family secrets that have lain buried for a generation or more, secrets that will challenge their future together and force them to question whether their love can survive the terrible knowledge they have come to possess.

NSW. Aust. Allen and Unwin.2002. 327p.

Edited By Aviva Tuffield

Proving that the short story is alive and well in Australia, this eclectic anthology of previously unpublished and uncollected vignettes showcases some of the finest authors from Down Under—from seasoned practitioners to rising and emerging stars of the short story firmament. At once poignant, tender, introspective, and funny, the volume includes a wide variety of genres, from humor and romance to drama and mystery. Capturing whole lives in just a few satisfying pages, this lively compendium is ideal for dipping into and perfect for those seeking inspiration and escape.. This eclectic anthology of new stories showcases some of our finest writers, and proves that the short story is alive and well in Australia.

From seasoned practitioners of the form through to emerging stars of the short-story firmament, New Australian Stories 2 caters for all tastes. There's humour, mystery, drama, and even some delusion and deceit. Ideal for dipping into, and perfect for those seeking inspiration and escape, this collection is designed for your reading pleasure.

Full list of contributors: Debra Adelaide, Claire Aman, Jon Bauer, Melissa Beit, Tegan Bennett Daylight, Tony Birch, Georgia Blain, Patrick Cullen, Sonja Dechian, Brooke Dunnell, Peggy Frew, Julie Gittus, Marion Halligan, Jacinta Halloran, Karen Hitchcock, Anne Jenner, Myfanwy Jones, Lesley Jorgensen, Cate Kennedy, Zane Lovitt, Scott McDermott, Fiona McFarlane, Jane McGown, A.G. McNeil, Susan Midalia, Jennifer Mills, Meg Mundell, Peta Murray, Ruby J. Murray, Mark O'Flynn, Ryan O'Neill, Paddy O'Reilly, Kate Ryan, Emma Schwarcz, Jane Sullivan, Chris Womersley.

Melbourne Scribe. 2009. 339p.

By Bianca Pitzorno Translated by Brigid Maher.

The irresistible story of a young woman seeking freedom and happiness.


Born into poverty, the seamstress spends her days sewing in the houses of wealthy families. Her work is simple and honest; taught by her nonna, she skilfully prepares nightgowns, undergarments and children's clothes, leaving the finer work of dressmaking to the ateliers in Paris.


Her story weaves in and out of the lives of the people she works for, whose secrets and scandals she is privy to. Some are kind and generous, others blinded by their desire to climb the social ladder. She dreams of freeing herself from the hardscrabble life she has inherited but can't help being pulled back in by the love of the people around her.


Set at the dawn of the twentieth century, The Seamstress of Sardinia follows the girl as she grows into a woman, strives to educate herself and falls in love-always fighting for her independence in a world dominated by men and old social conventions.

Melbourne. Text Publishing. 2018. 292p.

By Markus Zusak

The Dunbar boys bring each other up in a house run by their own rules a family of ramshackled tragedy their mother is dead their father has fled they love and fight and learn to reckon with the adult world. It is Clay, the quiet one, who will build a bridge; for his family, for his past, for his sins. He builds a bridge to transcend humanness. To survive A miracle and nothing less. Markus Zusak makes his long-awaited return with a profoundly heartfelt and inventive novel about a family held together by stories, and a young life caught in the current: a hoy in search of greatness, as a cure for a painful past. “‘Brilliant and hugely ambitious...the kind of book that can be life changing.” The New York Times. “‘Unsettling, thought-provoking, life affirming, triumphant and tragic, this is a novel of breathtaking scope, masterfully told.” Guardian. ‘Zusak’s novel is a highwire act of inventiveness and emotional suppleness’ The Australian.

Australia. Picador Macmillan. 2018. 581p.

By Tim Winton

In the 1990s Tim Winton made his mark through tough spare stories about youth and promise; of early age parenthood and the challenges of loyalty. Now almost 20 years since his last collection he returns to the form with 17 overlapping stories of second thoughts and mid-life regret set in the brooding small town world of coastal WA. Brilliantly crafted and as tender as they are confronting these ellagic stories examine the darkness and frailty of ordinary people and celebrate the moments when the light shines through.

Picador. Australia. Pan Macmillan. 2004. 317p.

By Woody Allen

From the cover. In Getting Even Woody Allen revenges himself upon such significant subjects as death, obe­sity, organized crime, the invention of the sandwich, adult education, laundry lists of famous people, and Latin American revolu­tionaries. Here is Woody Allen at his philo­sophical deepest: •    "... Death is an acquired trait.'' •    "If man were immortal, do you realize what his meat bills would be?" •    "Why pork was proscribed by Hebraic law is still unclear, and some scholars believe that the Torah merely suggested not eating pork at certain restaurants." •    "Eternal Nothingness is OK if you're dressed for it." •    "My mind can never know my body although it has become quite friendly with my legs."

NY. Random House. 1978. 124p.

By Alexander Solzhenitsyn

Translated from the Russian by Michael Guybon. “*The First Circle asks to be compared to Dostoevsky. Solzhenitsyn is in the great story-telling tradition. When he introduces a character, he fills in the complete background. His portrait of a Soviet prosecutor and his family circle is unforgettable. So are chapters devoted to the brooding Stalin. A future generation of Russians will be able to come to terms with their history through books like Dr. Zhivago and The First Circle.'“ David Pryce-Jones, Financial Times.

London Collins. Fontana Books. 1970. 680P.

By Phillip Crocket Thomas.

Abolition Science Fiction is a new, free collection of sci fi short stories written by activists and scholars involved in prison abolition and transformative justice in the UK. The stories are not all explicitly about prison abolition, but all of them explore the underlying question of how we can live well together, tackling complex topics like violence, revenge, responsibility, care, and community. As such they can help us imagine a future where we respond to harm without exclusion and punishment, illustrating Ruth Wilson Gilmore’s contention that ‘abolition requires that we change one thing: everything.’ Alongside the stories are extracts from discussions from the workshops where we wrote and shared the stories. There are also creative writing exercises and discussion prompts, included to help readers explore ideas about abolition and transformative justice in creative ways. The book is aimed both at those curious about abolition and at seasoned activists who want to explore abolition through creative writing. The book is free and can be downloaded below. There is a limited number of print copies available, to request one please email abolitionscifi [at] gmail [dot] com.

Abolition Science Fiction. 2022. 94p.

By Alexander Solzhenitsyn

Translated from the Russian by Ralph Parker. With an Introduction by Marvin L. Kalb. Foreword By Alexander Tvardovsky. From the cover: This extraordinary novel is one of the most significant and outspoken literary documents ever to come out of Soviet Russia. It is both a brutally graphic picture of life in a Stalinist work camp and a moving tribute to man's will to prevail over relentless dehumanization. A masterpiece of modern Russian fiction, ONE DAY IN THE LIFE OF IVAN DENISOVICH first brought to world attention the work of Alexander Solzhenitsyn, brilliant author of THE CANCER WARD and THE FIRST CIRCLE.

Alexander Solzhenitsyn was born in 1918, a year after the Bolsheviks stormed to; power through­out Russia. He studied at the University of Rostov and served with distinction in the Russian Army dur­ing World War II. In 1945 he was arrested and im­prisoned in a labor camp for eight years because he allegedly made a derogatory remark about Stalin. He was released in 1953 after the death of Stalin, but was forced to live in Central Asia, where he remained until Premier Khrushchev’s historic “secret speech” denounced Stalin in 1956. Rehabilitated in 1957, Solzhenitsyn moved to Ryazan, married a chemistry student, and began to teach mathematics at the local school. In his spare time, he started to write. This novel is his first published work.

NY. A Signet Classic from New American Library. 1963. 158p.

By Aleksandr Solzhenitsyn.

From the jacket: Cancer Ward, which has been compared to the master­piece of another Nobel Prize winner, Thomas Mann's The Magic Mountain,examines the relationships of a group of people in a provincial Soviet hospital in 1955, two years after Stalin's death. Through their stories, Aleksandr Solzhenitsyn has created a vivid portrait of life in the So­viet Union. Alexsandr Solzhenitsyn, winner of the 1970 Nobel Prize in Literature, was born in 1918. In 1945, while a captain in the Soviet Army, he was arrested—for criticiz­ing Stalin in a letter to a friend—and sentenced to an eight-year term in a labor camp and permanent exile. In exile, he became a patient in a cancer ward, and later re­covered. Although he was allowed to publish One Day in the Life of Ivan Denisovich in 1962, Solzhenitsyn was expelled from the Soviet Writers Union in 1969. When the KGB discovered the manuscript of The Gulag Archi­pelago, it became imperative for Solzhenitsyn to have the book published in the West. The authorities retaliated in 1974 by exiling him from the Soviet Union. He settled in the United States in 1976 and now lives in Vermont.

NY. Farrar, Straus and Giroux. 1968. 630p.

By Fyodor Dostoevsky.

Or The Devils. Translated From The Russian By Constance Garnett. “Inspired by the true story of a political murder that horried Russians in 1869, Fyodor Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia.” 1872 (Russian)

A Read-Me.Org classic reprint. 1916 (English). 718p.

By Fyodor Dostoevsky.

This was his last novel, published as a serial in The Russian Messenger from January 1879 to November 1880. Dostoevsky died less than four months after its publication. Set in 19th-century Russia, this book is a passionate philosophical novel that enters deeply into questions of God, free will, and morality. It is a theological drama dealing with problems of faith, doubt, and reason in the context of a modernizing Russia, with a plot that revolves around the subject of patricide.

NY. Lowell Press. 1880. 600p.

By Charles Reade.

‘Hard Cash like ‘The Cloister and the Hearth' is a matter-of-fact Romance—that is, a fiction built on truths ; and these truths have been gathered by long, severe, systematic labour, from a multitude of volumes, pamphlets, journals, reports, blue-books, manuscript narratives, letters, and living people, whom I have sought out, examined, and cross-examined, to get at the truth on each main topic I have striven to handle. The madhouse scenes have been picked out by certain disinterested gentlemen, who keep private asylums, and periodicals to puff them ; and have been met with bold denials of public facts, and with timid personalities, and a little easy cant about Sensation * Novelists ; but in reality those passages have been written on the same system as the nautical, legal, and other scenes : the best evidence has been ransacked ; and a large portion of this evidence I shall be happy to show at my house to any brother writer who is disinterested, and really cares enough for truth and humanity to walk or ride a mile in pursuit of them.” (From Preface)

London: Chatto and Windus, 1899. 625p.

By Honoré de Balzac.

“The Wild Ass's Skin is Honoré de Balzac's 1831 novel that tells the story of a young man, Raphaël de Valentin, who discovers a piece of shagreen, in this case a rough untanned piece of a wild ass's skin, which has the magical property of granting wishes. However the fulfillment of the wisher's desire comes at a cost, after each wish the skin shrinks a little bit and consumes the physical energy of the wisher. "The Wild Ass's Skin" is at once both a work of incredible realism, in the descriptions of Parisian life and culture at the time, and also a work of supernatural fantasy, in the desires that are fulfilled by the wild ass's skin. Balzac uses this fantastical device masterfully to depict the complexity of the human nature in civilized society.”

Philadelphia: Gebbie Publishing, 1897, 324p.

By Charles Dickens.

“The sensational bestselling story of Little Nell, the beautiful child thrown into a shadowy, terrifying world, seems to belong less to the history of the Victorian novel than to folklore, fairy tale, or myth. The sorrows of Nell and her grandfather are offset by Dickens's creation of a dazzling contemporary world inhabited by some of his most brilliantly drawn characters—the eloquent ne'er-do-well Dick Swiveller; the hungry maid known as the "Marchioness"; the mannish lawyer Sally Brass; Quilp's brow-beaten mother-in-law; and Quilp himself, the lustful, vengeful dwarf, whose demonic energy makes a vivid counterpoint to Nell's purity.”

London: Chapman and Hall, 1840. 460p.

By A. Conan Doyle.

“ I care not how humble your bookshelf may be, nor how lowly the room which it adorns. Close the door of that room behind you, shut off with it all the cares of the outer world, plunge back into the soothing company of the great dead, and then you are through the magic portal into that fair land whither worry and vexation can follow you no more. You have left all that is vulgar and all that is sordid behind you. There stand your noble, silent comrades, waiting in their ranks. Pass your eye down their files. Choose your man. And then you have but to hold up your hand to him and away you go together into dreamland. Surely there would be something eerie.”

New York: Double, Page, 1908. 176p.

By Mark Twain.

“A young slave woman attempting to protect her son from the horrors of slavery, switches her light-skinned infant with the master's white son. This novel features a literary first — the use of fingerprinting to solve a crime.”

London: Chatto and Windus, 1905. 262p.

By Charles Dickens.

When artist Robert Seymour proposed to publishers Chapman and Hall a series of engravings featuring Cockney sporting life, with accompanying text published in monthly installments. After they were turned down by several writers finally asked 24-year-old Charles Dickens to provide the text. Dickens accepted and argued successfully that the text should be foremost and the engravings should complement the story. Seymour, an established artist resisted but finally agreed. On completion of the engravings for the second monthly part Seymour, who had a history of mental health problems, committed suicide.

NY. Harrow and Heston Classic Reprint. (1836) 942 pages.