By Alexander K. McClure (Author), Colin Heston (Introduction)

Abe’s Yarns and Stories, edited by Alexander K. McClure and first published in 1901 by the International Publishing Company, is a unique and enduring contribution to the cultural memory of Abraham Lincoln. Rather than a conventional biography, this volume presents Lincoln through the lens of his own storytelling—anecdotes, jokes, parables, and recollections that he used to communicate, persuade, and connect with people from all walks of life. The book is both a literary and historical artifact, capturing the essence of Lincoln’s personality and the oral tradition that helped shape his public image. McClure, a journalist and political figure who knew Lincoln personally, compiled this collection not only to entertain but to preserve the wit and wisdom of a man whose humor was as integral to his leadership as his moral conviction.
What makes Abe’s Yarns and Stories particularly compelling is its blend of folklore and fact. While some of the anecdotes may be apocryphal or embellished, they reflect the way Lincoln was remembered and revered by those who knew him and those who came after. The book thus serves as a bridge between history and myth, illustrating how Lincoln’s legacy was shaped not only by his deeds but by the stories told about him. McClure’s editorial voice is respectful and admiring, but he allows Lincoln’s own words and the voices of his contemporaries to take center stage. The result is a portrait that is intimate, humanizing, and deeply American. His rich self-education and his storytelling formed the foundation of a presidency that not only preserved the Union but also reshaped the American identity. They allowed him to lead not just with policy, but with wisdom and heart—qualities that continue to define his legacy.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 360p.

By Charles Dickens

From Wikipedia: “In 1859 Dickens founded a new journal called All the Year Round, and the "Uncommercial Traveller" articles would be among his main contributions. He seems to have chosen the title and persona of the Uncommercial Traveller as a result of a speech he gave on 22 December 1859 to the Commercial Travellers' School in London,[1] in his role as honorary chairman and treasurer. The persona sits well with a writer who liked to travel, not only as a tourist, but also to research and report what he found visiting Europe, America and giving book readings throughout Britain. He did not seem content to rest late in his career when he had attained wealth and comfort and continued travelling locally, walking the streets of London in the mould of the flâneur, a "gentleman stroller of city streets". He often suffered from insomnia and his night-time wanderings gave him an insight into some of the hidden aspects of Victorian London, details of which he also incorporated into his novels.”

London: Chapman & Hall, Ld. New York: Charles Scribner’s Sons. 1905. 370p.

By Miles Franklin

"My Brilliant Career" tells the story of Sybylla, a headstrong young woman living in rural Australia in the late 19th century. She dreams of a life beyond the narrow expectations of her social class and gender, but struggles to reconcile her desire for independence with the pressure to marry and conform to traditional gender roles. The novel is noted for its vivid descriptions of the Australian landscape, as well as its frank depiction of Sybylla's rebellious spirit and the social constraints that limit her opportunities.

"My Career Goes Bung" picks up Sybylla's story several years after the events of the first novel. She has moved to the city and is working as a governess, but continues to struggle with the tension between her desire for independence and the societal pressure to conform to traditional gender roles. The novel continues to explore themes of class, gender, and the limitations imposed on women in turn-of-the-century Australia, and is notable for its witty and irreverent tone.

Both novels are widely regarded as landmarks of Australian literature, and are celebrated for their feminist themes, vivid descriptions of the Australian landscape, and their pioneering portrayal of a young woman's struggle for independence and self-determination. Miles Franklin herself was a pioneering figure in Australian literature and a passionate advocate for women's rights, and the Miles Franklin Literary Award, one of Australia's most prestigious literary prizes, is named in her honor.

Sydney Australia. Harper Collins. 1901 & 1946. 448p

By Tim Winton

In the 1990s Tim Winton made his mark through tough spare stories about youth and promise; of early age parenthood and the challenges of loyalty. Now almost 20 years since his last collection he returns to the form with 17 overlapping stories of second thoughts and mid-life regret set in the brooding small town world of coastal WA. Brilliantly crafted and as tender as they are confronting these ellagic stories examine the darkness and frailty of ordinary people and celebrate the moments when the light shines through.

Picador. Australia. Pan Macmillan. 2004. 317p.

By Julie Otsuka

Winner of the Pen Faulkner Award for Fiction 2012. National Book Award Finalist 2011. From the cover. Between the wars a group of young, non-English-speaking Japanese women travelled by boat to America. They were picture brides, clutching photos of husbands-to-be whom they had yet to meet. Julie Otsuka tells their extraordinary, heartrending story in this spellbinding and poetic account
of strangers lost and alone in a new and deeply foreign land. “Harrowing. Otsuka tells a powerful, affecting story that ensures a largely forgotten voice is heard once more.” Scotsman. ‘Poignant, fascinating and tragic’ Easy Living

NY. Penguin. 2011. 130p.

By Alexander Solzhenitsyn

Translated from the Russian by Ralph Parker. With an Introduction by Marvin L. Kalb. Foreword By Alexander Tvardovsky. From the cover: This extraordinary novel is one of the most significant and outspoken literary documents ever to come out of Soviet Russia. It is both a brutally graphic picture of life in a Stalinist work camp and a moving tribute to man's will to prevail over relentless dehumanization. A masterpiece of modern Russian fiction, ONE DAY IN THE LIFE OF IVAN DENISOVICH first brought to world attention the work of Alexander Solzhenitsyn, brilliant author of THE CANCER WARD and THE FIRST CIRCLE.

Alexander Solzhenitsyn was born in 1918, a year after the Bolsheviks stormed to; power through­out Russia. He studied at the University of Rostov and served with distinction in the Russian Army dur­ing World War II. In 1945 he was arrested and im­prisoned in a labor camp for eight years because he allegedly made a derogatory remark about Stalin. He was released in 1953 after the death of Stalin, but was forced to live in Central Asia, where he remained until Premier Khrushchev’s historic “secret speech” denounced Stalin in 1956. Rehabilitated in 1957, Solzhenitsyn moved to Ryazan, married a chemistry student, and began to teach mathematics at the local school. In his spare time, he started to write. This novel is his first published work.

NY. A Signet Classic from New American Library. 1963. 158p.

By Wilkie Collins.

The loss of the diamond opens the beginning of this adventure and events as related by Gabriel Betteredge, house-steward in the service of Julia, Lady Verinder. “ The Moonstone is a 19th-century British epistolary novel. It is an early modern example of the detective novel, and established many of the ground rules of the modern genre. Told from the perspective of 11different characters, tale of mystery and suspicion was considered the first modern English detective novel at its time of publication.” (Amazon).

NY. Harrow and Heston Classic Reprint. (1868) 510 pages.

By Charles Dickens.

This was Charles Dickens' thirteenth novel published in Dickens' weekly journal All the Year Round without illustrations. An American edition was also published in Harper's Weekly. The novel contains a strong autobiographical element, though not as openly as in David Copperfield. Dickens reread Copperfield before beginning Great Expectations to avoid unintentional repetition. It is generally acclaimed as his best work.

NY. Harrow and Heston Classic Reprint. (186-1861) 521 pages.

By Charles Dickens.

This is Charles Dickens' eighth novel, illustrated by Phiz. Some say that it is a thinly disguised autobiography with many of the story lines mirroring Dickens' own life.

NY. Harrow and Heston Classic Reprint. (1849-1850) 963 pages.