By John F. Mauro

Published in 1940 by the small New York firm Fortuny's, Rhapsody in Death is a quintessential example of the "weird menace" genre, characterized by its extreme and often lurid horror elements. The book gained a specific cult status due to its connection to cinema history, featuring an introduction by the legendary horror actor Bela Lugosi, who allegedly intended to star in a film version that was never produced. The story follows the villainous Professor Zoocarnivora, a classic mad scientist who embarks on a murderous rampage fueled by a deep-seated hatred for women who had rejected him.

The Professor’s reign of terror is carried out through bizarre and supernatural means, most notably a pack of fire-breathing hounds that he unleashes upon his victims. Amidst a backdrop of bats, vultures, and macabre experiments, the narrative pits the Professor against a spiritual healer named Father Theobald and a pair of young protagonists caught in the chaos. While contemporary critics often found the prose over-the-top and the plot nearly absurd, the book remains a highly sought-after collector's item today. Its rarity is compounded by the fact that its publisher went bankrupt shortly after release, leaving very few original copies in circulation.

Fortuny;s. 1941. 187p

By David Freedman. Introduction by Colin Heston.

David Freedman (1898–1936) was a central figure in the literary and entertainment world of the early 20th century. While Mendel Marantz remains his most enduring prose creation, his career spanned a vast range of media, from short stories to Broadway stages and the burgeoning world of radio

Freedman began his rise to prominence in the early 1920s. Mendel Marantz first appeared as a series of popular short stories in The Pictorial Review Company between 1922 and 1924. These stories were so well-received that they were compiled into the 1926 novel. The book’s dedication to Arthur Turner Vance expresses Freedman's gratitude for "bringing humble Mendel Marantz into the salons of literature," highlighting the character's journey from a folk figure to a literary icon.

Freedman's talent for sharp, rhythmic dialogue and philosophical wit—perfected in Mendel’s "What is...?" proverbs—led him naturally toward the performing arts.

Stage Success: In the mid-1920s, he transitioned to Broadway, writing for the legendary Ziegfeld Follies. He became a lead writer for comedy icons, most notably Eddie Cantor.

The Radio King: By the 1930s, Freedman was known as the "King of Radio Writers." At the height of his career, he was reportedly writing scripts for several of the most popular shows on the air simultaneously, earning a then-staggering salary for his creative output.

Freedman's work is characterized by a unique blend of immigrant humor and universal human truth. In Mendel Marantz, he explores the tension between the "fish market" of Pitt Street and the "Fifth Avenue" of high society. The novel captures the evolution of the Marantz family over several years, following their growth from a small apartment where "seven people in three rooms" lived like "cats on a roof" to the invention of the "Pitt Street Studio Apartments de Luxe. Mendel Marantz (1926), the full novel that solidified his reputationThe story was later adapted for both the stage and the 1926 silent film The Family Upstairs.

Freedman's career was cut short by his early death in 1936, but his "What is...?" philosophy continues to offer a window into the resilient, dreaming spirit of the era.

About the novel: Meet Mendel Marantz: the philosopher of the Fifth Avenue mind living in a fifth-floor walk-up. In David Freedman’s timeless classic, we step into the bustling, heart-filled world of the Marantz family, where the rent is high, the tea is hot, and the jokes are always free At the center of it all is Mendel—a man who views work as "poison" but sees life as a "see-saw" of endless possibilities While his wife, Zelde, scrubs away the "ocean of troubles" on a washboard, Mendel is busy dreaming up the next big thing, like his revolutionary Refillable Can Company. He’s the original "idea man," a dreamer who believes that while "fools can make money," only brains can create a future.

But when the family hits a breaking point, Zelde stages a revolt that flips their world upside down. In a modern twist on roles, Mendel finds himself trading his inventions for the "charms" of 1920s housekeeping—battling flying pillows, greasy garbage, and the relentless energy of six children. It’s a hilarious and poignant look at family dynamics that feels surprisingly fresh today.

Whether he’s turning a crumbling Pitt Street tenement into a "Studio Apartment de Luxe" or navigating the high-society dreams of his daughter Sarah, Mendel meets every challenge with a sharp wit and a signature "What is...?" proverb.

Mendel Marantz isn't just a book about the old days; it’s a celebration of the dreamer in all of us, proving that no matter how tough the "journey" gets, it's always better with a joke and a cup of tea.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. p.212.

By Frederic F. Van de Water. Introduction by Graeme R. Newman

When Grey Riders appeared in 1922, Frederic F. Van de Water was already emerging as one of the most capable interpreters of American frontier mythology. A journalist, historian, and novelist, he had spent years documenting the enduring tensions between law, order, memory, and violence in the development of the Atlantic seaboard. Grey Riders stands as one of his most vivid contributions to that project: a narrative history and interpretive reconstruction of the Border Riders—Vermont and New York militiamen, irregulars, and informal vigilante bands who policed, contested, and sometimes exploited the wilderness regions between the American colonies and British Canada during the late eighteenth and early nineteenth centuries

Van de Water had a journalist’s fascination with complexity, and Grey Riders is at its strongest when it illuminates the contradictions inherent in a frontier culture that simultaneously demanded firmness of justice and tolerated the improvisational violence of irregular policing. In his account, the riders are men shaped by hardship—farmers, Loyalists, deserters, Yankee patriots, trappers, smugglers, and opportunists—who alternately defended and defied the emerging legal structures of the early United States. Their world was one where the line between protector and predator was always negotiable.

The book’s historical frame—stretching most visibly from the late Revolutionary era through the War of 1812—allows Van de Water to explore how unresolved grievances, economic scarcity, and geopolitical rivalry produced a frontier culture that did not neatly conform to the nation-state boundaries we take for granted today. The riders themselves were products of this ambiguity. While some acted as scouts and auxiliaries for the Continental Army or state militias, others drifted into banditry, smuggling, or private vengeance. Van de Water refuses to simplify this ambiguity; instead, he constructs a narrative that emphasizes how the frontier’s conditions forged men who were, by necessity, adaptable to both moral clarity and moral shade.

For the modern reader, Grey Riders also holds value as part of the broader early-twentieth-century reconsideration of American origins. The 1920s were a period of heightened nostalgia, cultural nationalism, and renewed interest in the country’s formative conflicts. Van de Water, however, avoids sentimentalism. His frontier is not a place of heroic inevitability but a zone of tension where identity, loyalty, and legitimacy are constantly renegotiated. In this respect, the book anticipates the more critical frontier historiography that would emerge later in the century.

Contemporary scholars may also find in Grey Riders an instructive account of how local communities develop security practices when state institutions are weak, distant, or contested—an issue that remains resonant in discussions of borderlands worldwide. The riders, as Van de Water portrays them, are precursors to many modern forms of irregular security actors: militias, local auxiliaries, self-appointed protectors, and armed community defense groups. Their actions demonstrate both the necessity and danger of such formations, especially when scarcity and political friction define daily life.

This new edition returns readers to a moment when questions of national boundaries, informal justice, and community resilience are central to global debate. Van de Water’s riders, moving through a grey zone of legality and identity, offer a powerful reminder that the frontier has never been a simple place—and that the forces shaping it never truly disappeared.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. p.188.

By Frances Parkinson Keyes

Came a Cavalier by Frances Parkinson Keyes is a sweeping historical romance set against the backdrop of two world wars. The novel explores themes of resilience, identity, and the transformative power of love. At its heart is Constance “Connie” Galt, a young woman whose life is reshaped by personal betrayal and the chaos of global conflict. Her journey begins with heartbreak, which propels her into service with the American Red Cross in France during World War I. This experience becomes a crucible for her character, forcing her to confront suffering and loss while discovering inner strength and purpose.

The story delves deeply into the theme of personal growth through adversity. Connie’s evolution from a disillusioned college student to a confident, compassionate woman mirrors the broader societal shifts of the early twentieth century. Her relationships—first with Duncan Craig, an American doctor, and later with Tristan de Fremond, a French cavalry officer—highlight the tension between security and passion, as well as the cultural contrasts between America and Europe during wartime.

Historically, the novel captures the atmosphere of wartime France with vivid detail, from the scarcity and danger of the front lines to the elegance and traditions of the French aristocracy. It reflects the impact of war on both individuals and nations, portraying how global upheaval can dismantle old social orders while creating new opportunities for connection and renewal. The narrative also touches on themes of honor and duty, embodied in Tristan’s role within the prestigious Cadre Noir, and contrasts these ideals with the pragmatic realities of survival and love in times of uncertainty.

Ultimately, Came a Cavalier is not just a romance but a meditation on courage, endurance, and the human capacity for reinvention. It situates personal drama within the grand sweep of history, offering readers both an intimate love story and a rich portrait of a world in transition.

Julian Messner, Inc. NY. 1947. Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 437p.

By Erskine Caldwell. Designed and Edited with an Introduction  by Colin Heston

When All Night Long appeared in 1942, Erskine Caldwell was already one of the most widely read—and most controversial—American novelists of his generation. Known primarily for his unsparing portrayals of poverty, violence, and moral stress in the American South, Caldwell here turned his attention outward, to a global conflict unfolding at unprecedented scale. Subtitled A Novel of Guerrilla Warfare in Russia, All Night Long represents Caldwell’s direct literary engagement with the Second World War at the moment when its outcome remained deeply uncertain and when the Soviet Union, newly allied with the United States, had become a central symbol of resistance to fascist aggression.

Caldwell’s Russia is not a romanticized abstraction nor a detailed ethnographic portrait. Instead, it functions as a stark moral landscape shaped by occupation, deprivation, and constant threat. Villages, forests, and frozen terrain become arenas of endurance rather than scenery. The emphasis falls on night operations, secrecy, hunger, exhaustion, and the psychological toll of living in a perpetual state of danger. The title itself—All Night Long—signals this temporal and emotional register: war as an unbroken vigil, a continuous strain that erodes the boundary between action and survival.

For modern readers, the novel occupies an intriguing position in Caldwell’s body of work and in twentieth-century war literature more broadly. It stands apart from his Southern novels in geography but not in theme. As in Tobacco Road or God’s Little Acre, Caldwell examines how extreme conditions strip life down to its essentials and expose the structures—economic, political, or military—that govern human behavior. In All Night Long, the setting is international, but the underlying concerns remain consistent: power, exploitation, resilience, and the cost of endurance.

Read today, All Night Long also invites reflection on the evolving representation of guerrilla warfare itself. Long before such conflicts became a dominant feature of late-twentieth- and early-twenty-first-century military discourse, Caldwell recognized the strategic and moral complexity of irregular resistance. His novel anticipates later debates about asymmetrical warfare, civilian involvement, and the blurred lines between combatant and noncombatant—issues that continue to shape global conflicts.

Ultimately, All Night Long is less a novel about Russia per se than a novel about resistance under occupation. It captures a historical moment when global war demanded new forms of solidarity and new narrative frameworks to explain them. Caldwell’s achievement lies in his ability to translate that vast struggle into an intimate, unrelenting account of human persistence, sustained through darkness, danger, and the long hours of night.

NY.Book League of America. 1942. Read-Me.Org Inc. Australia, New York & Philadelphia. 2025. 161p.

By Afshin rad

The document The Inner Beams by Afshin Rad is a historical novel set in East Berlin during the final years of the Cold War, focusing on the brutal atmosphere created by the East German Ministry of State Security, the Stasi. The narrative combines political history with a deeply personal story, illustrating how authoritarianism corrodes ordinary lives. It opens with a preface explaining the power and reach of the Stasi, an organization that employed nearly a hundred thousand agents and twice as many informants under the chilling slogan that anyone who “thinks differently” is an enemy.

The story follows Nadia, a young, marginalized woman surviving on the fringes of society through prostitution while raising her daughter Maya. Despite her poverty, stigmatization, and abuse at the hands of neighbors and strangers, she displays resilience and a rebellious spirit. Her life becomes entangled with the violence and hypocrisy of both the state and the church. She is alternately vilified and desired, caught between accusations of being a spy and exploitation by priests who hide their own corruption.

As events unfold, Nadia becomes a victim of the Stasi’s cruelty. She is imprisoned, tortured, and left for dead, only to be saved by a compassionate old man who hides her and helps her plan to reclaim her daughter, who has been taken by Party officials. Their efforts culminate in a daring but tragic attempt to rescue the child from a powerful regime family. The old man sacrifices his life to protect Nadia, while she herself endures near-death encounters in the collapsing state.

Against the backdrop of the Berlin Wall’s fall and the chaos of 1989, Nadia’s fate is sealed in both tragedy and symbolic triumph. Though she dies violently, her memory and sacrifice become a posthumous inspiration. Her grave, once marked with disdain, is later reclaimed as a shrine to freedom, with an epitaph honoring her rebellious spirit.

The work blends history, fiction, and allegory to show how individuals—especially the marginalized and forgotten—resist oppression and become unwilling martyrs of liberty. Through Nadia’s story, the book captures the human cost of totalitarianism while leaving readers with a sense of dignity, defiance, and the enduring value of freedom.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 77p.

By Ring W. Gardner (Author), Colin Heston (Preface) Format: Kindle Edition

Round Up gathers together the taut, muscular stories of Ring W. Lardner, a writer whose work bridges the divide between the mythologized West and its harsher, less forgiving realities. In these pages, Lardner is neither sentimental nor nostalgic. He strips the Western narrative to its barest elements, presenting us with a landscape that is both expansive and claustrophobic, and characters who are caught between the lure of freedom and the inevitability of fate.
Lardner’s contribution to the American short story lies in his ability to invest the familiar tropes of frontier life with psychological depth and moral ambiguity. His cowboys and ranchers are not mere archetypes; they are restless souls negotiating loyalty, isolation, and survival in a world where law and justice are provisional at best. The violence in these stories is never gratuitous—it is sudden, often senseless, and always carries a human cost. Lardner understands that the West was not only a place but also an idea, one that promised reinvention yet often delivered ruin.
What sets Lardner apart from many of his contemporaries is his prose: terse, unsentimental, yet charged with a quiet lyricism. His narratives move with the inevitability of a gathering storm, his dialogue as spare as the plains he describes. The result is a body of work that feels astonishingly modern in its refusal of easy resolutions.
In an era when the Western genre risks being dismissed as an artifact of popular culture, Round Up demands reconsideration. These are not mere adventure tales or moral fables. They are stories of a liminal world, where the boundaries between civilization and wilderness, justice and vengeance, myth and memory, blur and collapse. Lardner’s West is not simply the West that was; it is also the West as it continues to haunt the American imagination.

By George Meredith (Author), Colin Heston (Introduction)

Evan Harrington, first published in 1861, represents a crucial early milestone in the literary career of George Meredith. While not as formally experimental or philosophically dense as his later masterpieces like The Egoist or Beauchamp’s Career, this novel nonetheless displays in fully developed form the sharp social satire, psychological acuity, and probing concern with class, identity, and social performance that would become hallmarks of Meredith’s mature work. More overtly comedic than much of his later fiction, Evan Harrington occupies a unique place in his canon as both a sparkling social comedy and a pointed critique of the hypocrisies embedded within Victorian class structures.
At its most basic level, Evan Harrington is a novel about a young man’s struggle with the question of identity — specifically, the tension between his personal merit and the social stigma attached to his family’s occupation. Evan is the son of Melchisedec Harrington, an exceedingly proud and flamboyant tailor whose death leaves his family facing financial and social crisis. Although Evan has received a gentleman’s education and possesses the manners and intellect of the upper classes, he is forced to reckon with the fact that in the rigidly stratified world of mid-19th century England, the mere fact of being “the tailor’s son” is enough to exclude him from the ranks of polite society.
Evan Harrington remains a vital and compelling work not only because it provides insight into Meredith’s literary evolution but also because its central concerns continue to resonate. The tension between personal integrity and social expectation, the arbitrariness of class distinctions, and the enduring question of what it means to live authentically within a society structured by appearances — these remain pressing questions in any era.
In sum, Evan Harrington is both a sparkling social comedy and a profound moral fable. It combines the pleasures of sharp character portraits, witty dialogue, and romantic intrigue with a serious exploration of identity, class, and the painful comedy of human vanity. It is a work that delights the reader while also challenging them to reflect on the enduring absurdities of social life and the courage it takes to live truthfully in the face of them. As such, it stands as a worthy introduction to the genius of George Meredith and a foundational text within the broader tradition of the Victorian social novel.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 332p.

By Joseph Crosby Lincoln . Designed and Edited with an Introduction by Colin Heston

Joseph C. Lincoln's 1920 novel The Portygee holds a unique place in his body of work. Known for his warm-hearted Cape Cod tales celebrating small-town life, moral decency, and New England character, Lincoln here expands his focus to address questions of heritage, identity, and belonging in a changing America. While retaining the gentle humor and richly textured settings that made him popular with early 20th-century readers, The Portygee engages more directly with themes of cultural difference and assimilation—offering a nuanced portrayal of prejudice, generational misunderstanding, and the search for personal integrity.

The novel’s title refers to the derogatory local slang for “Portuguese,” used to identify individuals of Portuguese descent who had settled along the Massachusetts coast in significant numbers by the late 19th and early 20th centuries. Through this lens, Lincoln examines not only the resilience of the American immigrant but also the sometimes unspoken tensions that lie beneath the surface of even the most tight-knit communities. It is a story of collision—between old and new, native and newcomer, tradition and ambition.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 262p.

By Joseph C. Lincoln (Author), Colin Heston (Introduction)

The Depot Master by Joseph C. Lincoln is a warm and humorous novel set in the fictional Cape Cod town of East Harniss. The story centers on Captain Solomon Berry, affectionately known as Cap’n Sol, who serves as the depot master—a position that places him at the heart of the town’s daily life and gossip. Cap’n Sol is a retired sea captain with a strong sense of justice, a dry wit, and a deep affection for his community. His role at the depot brings him into contact with a wide array of townspeople, each with their own quirks and stories, and he often finds himself drawn into their personal dramas and schemes.

The arrival of Ruth Nelson, a young and talented artist seeking refuge from a troubled past, introduces a romantic and emotional thread to the narrative. Ruth’s presence stirs both admiration and suspicion among the townsfolk, and Cap’n Sol becomes her unlikely protector and confidant. As Ruth tries to rebuild her life, she must navigate the challenges of small-town scrutiny and the lingering shadows of her history. Meanwhile, Cap’n Sol finds himself at odds with Mr. Williams, a wealthy and manipulative figure whose ambitions threaten the harmony of East Harniss. Their conflict becomes a central tension in the story, highlighting themes of integrity, community, and the quiet heroism of standing up for what is right.

Lincoln populates the novel with a rich cast of secondary characters, including the eccentric Mr. Simeon Phinney, whose sign advertises a bewildering array of services, and the ever-curious townspeople who gather at the depot not just for mail, but for news and camaraderie. The novel’s episodic structure allows for a series of vignettes that together paint a vivid portrait of Cape Cod life, filled with humor, sentiment, and a deep appreciation for the everyday struggles and triumphs of ordinary people.

Through Cap’n Sol’s steady presence and moral compass, The Depot Master celebrates the values of kindness, resilience, and community spirit. Lincoln’s storytelling, rich in local color and dialect, offers a nostalgic and uplifting glimpse into a world where decency and compassion quietly shape the course of lives.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. p.173p.

By Joseph C. Lincoln. Designed and Edited with an Introduction by Colin Heston

Cap’n Warren’s Wards by Joseph C. Lincoln is a heartwarming and humorous novel set in a quaint Cape Cod town in the late 19th century. The story follows Captain Elihu Warren, a retired sea captain who has settled into a quiet life after years at sea. His peaceful routine is upended when he unexpectedly becomes the guardian of two orphaned siblings, Joseph and Ruth. These children, who have been raised in a more refined and urban environment, are suddenly thrust into the rustic and straightforward world of Cape Cod, creating a clash of cultures and expectations that fuels much of the novel’s charm and humor.

Captain Warren, though initially bewildered by the responsibility, approaches his new role with a mix of gruff kindness and genuine care. As he navigates the challenges of raising two young people, he finds his life enriched by their presence. Joseph is headstrong and idealistic, while Ruth is sensitive and intelligent, and both bring a new sense of purpose and vitality to the captain’s life. The novel explores their gradual adjustment to Cape Cod life, the bonds they form with the local community, and the personal growth they experience under the captain’s guidance.

The story is populated with a cast of colorful secondary characters, including the eccentric Aunt Lavinia and the mischievous Eben Salters, who add depth and humor to the narrative. Lincoln’s portrayal of small-town life is affectionate and detailed, filled with the rhythms of daily chores, community gossip, and the ever-present influence of the sea. The novel emphasizes themes of resilience, the importance of family—whether by blood or by choice—and the quiet heroism of everyday kindness.

As the characters face various trials and misunderstandings, they come to understand the value of simplicity, honesty, and love. Captain Warren, in particular, undergoes a transformation from a solitary figure to a beloved patriarch, discovering that the greatest adventures can sometimes be found not on the high seas, but in the hearts of those we care for. Lincoln’s storytelling is rich with Cape Cod dialect and atmosphere, offering readers a nostalgic and uplifting glimpse into a bygone era.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. p.

By Joseph Crosby Lincoln. Designed and Edited with an Introduction by Colin Heston

Cap’n Eri by Joseph C. Lincoln is a lighthearted and endearing novel set in a small Cape Cod town, where three retired sea captains—Eri, Jerry, and Perez—live together in a somewhat chaotic but good-natured bachelor household. As they grow older, they begin to realize that their domestic arrangements are becoming increasingly unmanageable, especially when it comes to cooking and housekeeping. The trio decides that the best solution is to find a housekeeper, but their plan takes an unexpected turn when they conclude that the most efficient way to secure one is for one of them to get married. This leads to a humorous and sometimes awkward series of events as they attempt to find a suitable bride through a matrimonial advertisement.

The story unfolds with a mix of comedic misunderstandings, heartfelt moments, and the gentle satire of small-town life. When a woman named Mrs. Snow responds to the ad and arrives in town, the captains are thrown into a whirlwind of adjustments and surprises. Mrs. Snow is not quite what they expected, and her presence begins to shift the dynamics of the household in unexpected ways. Meanwhile, a subplot involving a young man named John Brown and his romantic interest in a local girl adds a layer of youthful energy and emotional depth to the narrative.

Lincoln’s portrayal of Cape Cod life is rich with regional dialect, local color, and a deep affection for the traditions and quirks of the community. The novel is not just a comedy of manners but also a reflection on aging, companionship, and the importance of human connection. Through the humorous escapades of the three captains and the evolving relationships among the characters, Cap’n Eri offers a warm and nostalgic glimpse into a bygone era, celebrating the resilience and kindness of ordinary people navigating life’s changes together.

This edition has been reformatted, designed, abridged and annotated  by renowned novelist and story writer Colin Heston to remove errors and other distracting content that occurred in the original edition, making the book more accessible for the present day reader..

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 179 p.

By  Robert Louis Stevenson. Edited by Colin Heston

“The Story of a Lie” is one of Cs earliest works of fiction, first published in 1879 and later included in Volume XXI of the Swanston Edition of his collected works. Though lesser known than his major novels, this short novella is a significant piece in Stevenson’s literary development, showcasing his early experimentation with moral themes, psychological conflict, and narrative form.

The story centers on Dick Naseby, a young man of artistic temperament and idealistic values, who becomes entangled in a web of deception involving his friend Edward Langham and Langham’s romantic interest, Esther Warriston. Langham, a man of weak character and social ambition, fabricates a noble identity to win Esther’s affection. Dick, initially complicit in the lie out of loyalty, soon finds himself morally compromised and emotionally conflicted as the consequences of the deception unfold.

At its core, The Story of a Lie is a moral fable—a study of how even well-intentioned falsehoods can spiral into destructive outcomes. Stevenson explores the psychological burden of dishonesty, the tension between personal integrity and social expectation, and the painful awakening that often accompanies disillusionment. The narrative is compact but layered, with Stevenson’s characteristic wit and insight into human nature already evident.

Stylistically, the novella reflects Stevenson’s early prose—elegant, precise, and tinged with irony. Though the plot is relatively simple, the emotional and ethical dilemmas faced by the characters give the story depth and resonance. It also anticipates themes that would recur in Stevenson’s later works, such as dual identity, moral ambiguity, and the conflict between appearance and reality. Though not as widely read as Dr. Jekyll and Mr. Hyde or Treasure Island, “The Story of a Lie” remains a compelling and thought-provoking piece, valuable for its literary craftsmanship and its exploration of timeless ethical questions.

The Swanston Edition presents The Story of a Lie with scholarly annotations and contextual commentary, situating it within Stevenson’s broader literary career and the Victorian literary landscape. As part of Volume XXI, it is accompanied by other shorter works and essays, offering readers a fuller view of Stevenson’s range and evolution as a writer. Other works included in this volume are: Olalla, A Fragment, Heathercat, The Great North Road, The Young Chevalier, and Fables  .

Read-Me.Org Inc. New York-Australia-Philadelphia. 2025. 190p.

By R.L. STEVENSON and W.E. HENLEY

“Deacon Brodie, or The Double Life” is a compelling historical drama co-written by Robert Louis Stevensonand William Ernest Henley, included in the Swanston Edition, Volume XV, which collects their collaborative dramatic works. This play dramatizes the real-life story of William Brodie, a respected Edinburgh cabinetmaker and city councillor by day, and a cunning burglar by night—whose double life ultimately led to his downfall and execution in 1788.

Set in 18th-century Edinburgh, the play explores themes of duality, deception, morality, and social hypocrisy, echoing many of the psychological and philosophical concerns that would later appear in Stevenson’s more famous work, Dr. Jekyll and Mr. Hyde. Brodie is portrayed as a man torn between his public persona and private vices, embodying the tension between outward respectability and inner corruption.

The drama unfolds with a rich cast of characters, including Brodie’s criminal associates, his family, and the lawmen who pursue him. The dialogue, shaped by Henley’s theatrical sensibilities and Stevenson’s narrative flair, is sharp and evocative, blending suspense with moments of dark humor and emotional intensity. The structure of the play builds steadily toward Brodie’s exposure and tragic end, offering a powerful commentary on the dangers of living a life divided by conflicting identities.

The Swanston Edition presents this work with scholarly attention to detail, including editorial notes and historical context that illuminate the real events behind the drama and the creative collaboration between Stevenson and Henley. As part of their broader dramatic output, Deacon Brodie stands out for its psychological depth and historical resonance, making it a significant contribution to late Victorian theatre and a fascinating study in character and consequence..

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 176p.

By Robert Louis Stevenson. Edited by Colin Heston

A Child’s Garden of Verses is a celebrated collection of poetry by Robert Louis Stevenson, first published in 1885. This volume, part of the Swanston Edition—a comprehensive and scholarly presentation of Stevenson’s works—appears as Volume XIV in the series, offering readers a carefully curated and historically contextualized version of this beloved classic.

The collection contains over 60 poems that reflect the world through the eyes of a child. Stevenson explores themes such as play, imagination, solitude, illness, and the natural world, capturing the emotional and intellectual landscape of childhood with remarkable sensitivity and lyrical grace. Poems like “My Shadow,” “The Land of Nod,” and “Bed in Summer” have become enduring favorites, celebrated for their rhythm, simplicity, and universal appeal.

The Swanston Edition enhances the reading experience with thoughtful editorial notes, biographical context, and period-appropriate formatting, making it ideal for literary scholars, collectors, and general readers alike. This edition not only preserves the charm and innocence of Stevenson’s verse but also situates it within the broader scope of his literary legacy.

By Robert Louis Stevenson (Author), LLoyd Osbourne (Author), Colin Heston (Editor)

The Wrecker, co-written by Robert Louis Stevenson and his stepson Lloyd Osbourne, is a globe-trotting mystery and adventure novel centered around the mysterious fate of a derelict ship found in the South Seas. The story follows Loudon Dodd, an idealistic artist turned reluctant adventurer, as he unravels the secrets of the wrecked ship Currency Lass. Combining elements of detective fiction, satire, and romance, the novel explores themes of ambition, identity, and the illusion of fortune. Set against a backdrop of San Francisco, Paris, and the Pacific Islands, it presents a vivid and at times ironic portrait of late 19th-century capitalist enterprise and artistic struggle. This novel is taken from The Works of Robert Louis Stevenson VOL. XIII. This volume has been carefully edited and redesigned by Colin Heston, renowned novelist and story writer, to make the book more comprehensible to the present-day reader.

Read-Me.Org Inc. New York-Australia-Philadelphia. 2025. 269p.

By Robert Louis Stevenson:. Edited by Colin Heston

The Master of Ballantrae is a dark historical novel by Robert Louis Stevenson, set during the Jacobite rising of 1745. It tells the story of two brothers—noble and dutiful Henry Durie and his charming but treacherous elder brother James, the Master of Ballantrae—whose rivalry leads to betrayal, vengeance, and tragedy. Narrated by the loyal steward Ephraim Mackellar, the novel explores themes of family loyalty, pride, and the destructive power of ambition, set against a backdrop that spans Scotland, America, and India. With its psychological depth and moral complexity, the book stands as one of Stevenson’s most powerful works.

Read-Me.Org. Inc. Australia, New York, Philadelphia. 2025. 171p.

By James Branch Cabell. Introduction by Colin Heston.

This book offers a witty and insightful examination of love, honor, and human imperfection. Through his richly drawn characters and elegant prose, he creates a collection of entertaining and thought-provoking stories. The themes of romantic love and societal expectations are explored with humor and irony, making "Gallantry" a timeless work that continues to resonate with readers today. His writing stands out for its sophisticated prose, satirical edge, and intricate exploration of themes like love, honor, and human folly. His style is a unique blend of fantasy and social critique, making his works both entertaining and thought-provoking. Gallantry is a fascinating collection of comedic narratives that delve into romantic entanglements and societal interplay, set against a backdrop reminiscent of the 18th century. Gallantry is part of Cabell's larger body of work that often blends fantasy, satire, and historical fiction. The book is structured as a series of interconnected stories, each exploring different facets of love, honor, and human imperfection. Cabell's writing is known for its wit, irony, and elaborate prose, which are all evident in this collection.

Original Publication Date: 1922. Publisher: Robert M. McBride & Company. This version Read-Me.Org Inc 2025. 237p.

By George Eliot. Introduction by Colin Heston

Step into the rich tapestry of Renaissance Florence with George Eliot's Romola, a novel that masterfully intertwines politics, religion, philosophy, and personal transformation. Originally published as a serial in The Cornhill Magazine from July 1862 to August 1863, and later in three volumes by Smith, Elder & Co., Romola stands as one of Eliot's most ambitious and intellectually rich works..

In this special edition, Colin Heston provides a compelling introduction that sets the stage for Eliot's intricate narrative. Heston's introduction delves into the historical and cultural backdrop of late 15th-century Florence, a city undergoing dramatic transformation following the death of Lorenzo de’ Medici and the rise of the Dominican friar Girolamo Savonarola. Heston highlights how Eliot's profound historical research and deep psychological insight bring to life the ideological conflicts and moral questions faced by the protagonists.

Follow the journey of Romola de’ Bardi, the daughter of a blind scholar, as she navigates personal disillusionment and societal upheaval. Raised in an environment that reveres knowledge and classical learning, Romola's path becomes entangled with Tito Melema, a charming but opportunistic Greek scholar. As Romola evolves from a passive intellectual companion to an active agent of change, she becomes a symbol of ethical steadfastness and selfless service.

Eliot's Romola engages with themes of reform, idealism, and the struggles of the human soul against the tides of history. Through Savonarola's rise and fall, Eliot examines the dangers and possibilities of ideological purity, raising questions about the balance between faith, reason, and pragmatism. The novel suggests that while individuals are often caught within the larger movements of history, personal choices and moral convictions can shape the course of one's life. Reflecting Eliot's engagement with historical materialism, moral idealism, and the complexities of human character, Romola is deeply philosophical. Heston's introduction underscores the novel's ambitious scope, feminist undertones, and philosophical depth, making it a significant achievement in historical fiction.

For those willing to immerse themselves in its complex narrative, Romola offers a rewarding exploration of human character set against one of the most fascinating periods of European history. This edition, enriched by Colin Heston's insightful introduction, invites readers to experience Eliot's remarkable ability to illuminate the past while grappling with timeless questions of morality, identity, and social responsibility.

Read-Me.Org Inc. 2025. 411p.

By George Eliot. Introduction by Colin Heston.

Discover the timeless classic Silas Marner by George Eliot, a heartwarming tale of redemption and the transformative power of love. Follow the journey of Silas Marner, a reclusive weaver whose life is turned upside down when he loses his treasured gold and finds an unexpected treasure in a golden-haired child named Eppie. Set in the quaint village of Raveloe, this novel beautifully explores themes of community, isolation, and the true meaning of wealth and happiness. With richly developed characters and a compelling narrative, Silas Marner is a story that will captivate and inspire readers of all ages.

First published in 1861 by William Blackwood and Sons. This edition Read-Me.Org Inc. 2025.149p.