By Ring W. Gardner (Author), Colin Heston (Preface) Format: Kindle Edition

Round Up gathers together the taut, muscular stories of Ring W. Lardner, a writer whose work bridges the divide between the mythologized West and its harsher, less forgiving realities. In these pages, Lardner is neither sentimental nor nostalgic. He strips the Western narrative to its barest elements, presenting us with a landscape that is both expansive and claustrophobic, and characters who are caught between the lure of freedom and the inevitability of fate.
Lardner’s contribution to the American short story lies in his ability to invest the familiar tropes of frontier life with psychological depth and moral ambiguity. His cowboys and ranchers are not mere archetypes; they are restless souls negotiating loyalty, isolation, and survival in a world where law and justice are provisional at best. The violence in these stories is never gratuitous—it is sudden, often senseless, and always carries a human cost. Lardner understands that the West was not only a place but also an idea, one that promised reinvention yet often delivered ruin.
What sets Lardner apart from many of his contemporaries is his prose: terse, unsentimental, yet charged with a quiet lyricism. His narratives move with the inevitability of a gathering storm, his dialogue as spare as the plains he describes. The result is a body of work that feels astonishingly modern in its refusal of easy resolutions.
In an era when the Western genre risks being dismissed as an artifact of popular culture, Round Up demands reconsideration. These are not mere adventure tales or moral fables. They are stories of a liminal world, where the boundaries between civilization and wilderness, justice and vengeance, myth and memory, blur and collapse. Lardner’s West is not simply the West that was; it is also the West as it continues to haunt the American imagination.

By George Meredith (Author), Colin Heston (Introduction)

Vittoria, published in 1867, is one of George Meredith’s most ambitious historical novels and serves as a sequel to his earlier work Sandra Belloni (originally titled Emilia in England). While Sandra Belloni explored the struggles of an Italian-born heroine within the confines of English provincial society, Vittoria shifts the scene entirely to Italy during one of the most turbulent and significant periods of the 19th century—the Italian Risorgimento, the movement for national unification and independence from foreign rule.
In Vittoria, Meredith combines the personal and the political, weaving a narrative in which the inner development of the heroine, Vittoria, mirrors the aspirations and tumult of the Italian national cause. The novel is set during the events of 1848, a year of revolutionary fervor across Europe, when Italy was in the throes of armed uprisings against Austrian dominance. Through the story of Vittoria, a gifted opera singer who becomes involved in the nationalist struggle, Meredith addresses questions of patriotism, duty, identity, and the costs of freedom. Ultimately, Vittoria is a novel about courage—the courage to defy oppression, to embrace love in the face of danger, and to live a life that is aligned with one’s highest convictions. It is both a stirring narrative of revolution and an enduring meditation on the responsibilities that come with freedom. For readers willing to engage with its intellectual demands, Vittoria offers a richly rewarding experience—a testament to Meredith’s belief that literature should challenge as well as enlighten.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 358p.

By George Meredith (Author)

Set in an imaginary Oriental landscape, The Shaving of Shagpat follows the humble barber Shibli Bagarag, who embarks on an epic quest to perform the symbolic and dangerous act of shaving Shagpat—a powerful figure whose enchanted, unshorn hair represents the tyranny of falsehood and delusion over the minds of men. The narrative is populated with genies, enchantresses, magical cities, and perilous tasks, weaving a tapestry of adventure that operates on both the literal and allegorical planes. At first glance, The Shaving of Shagpat appears to be a whimsical fantasy—an exotic romance filled with the familiar trappings of Eastern fable. Yet beneath the surface lies a sophisticated commentary on the nature of truth, illusion, and the moral evolution of the individual. Meredith uses the framework of fantasy not merely to entertain but to craft a parable about the necessity of intellectual courage and the struggle for personal enlightenment.

For contemporary readers, the book remains a fascinating artifact of literary daring—a playful yet profound reminder that the struggle against illusion, whether in the form of personal vanity or societal falsehood, is both eternal and essential. In The Shaving of Shagpat, Meredith offers not only an enchanting fable but also an enduring meditation on the human condition.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 242p.

By George Meredith (Author), Colin Heston (Introduction)

George Meredith’s “The Egoist” is widely regarded as one of his most accomplished and mature works, combining his characteristic wit, psychological depth, and social critique into a sharp and satirical narrative. Published in 1879, this novel represents a pinnacle in Meredith’s literary philosophy—his commitment to using fiction not merely as entertainment but as a vehicle for exploring human character, societal expectations, and the subtle dynamics of personal relationships. In many ways, “The Egoist” functions both as a comedy of manners and as a profound psychological study, holding a mirror up to the follies and vanities of Victorian society.
At the heart of “The Egoist” lies a central theme that preoccupied Meredith throughout his literary career: the tension between individual selfhood and the demands of others—particularly within the confines of marriage and social conventions. The story revolves around Sir Willoughby Patterne, a wealthy and charming yet profoundly self-absorbed gentleman, whose narcissism forms the axis upon which the novel’s drama turns. Meredith describes him as a man who regards others merely as extensions of his own identity, whose self-love blinds him to the autonomy, desires, and inner lives of those around him. Willoughby’s egoism is not the mere arrogance or pride commonly depicted in fiction but is an all-encompassing psychological state—a subtle, insidious failure of empathy and moral imagination.
In conclusion, “The Egoist” is more than a satire of a single narcissistic man; it is a brilliant dissection of the subtle forces that govern human relationships. Through its precise psychological characterization, sharp wit, and philosophical depth, the novel transcends its Victorian context to speak to enduring questions about identity, autonomy, and the ethical demands of living among others. Its challenge to readers remains as relevant today as it was in 1879: to recognize, confront, and transcend the egoisms that so often distort both personal and social life.
Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 441p..

By George Meredith (Author), Colin Heston (Introduction) Format: Kindle Edition

George Meredith’s poetry stands as one of the most intellectually challenging and idiosyncratic contributions to Victorian literature. Published in 1888 by Macmillan and Co., The Poetry of George Meredith collects his poetic output into a single volume, offering readers a comprehensive view of a body of work that was often overshadowed by his accomplishments as a novelist. While Meredith’s fiction earned him widespread recognition during his lifetime, his poetry was a more private, cerebral pursuit—revered by literary peers but frequently misunderstood or overlooked by the broader reading public.
To approach Meredith’s poetry is to enter a realm where language serves not merely as ornament but as a crucible for thought. His verse rejects the lush musicality and emotional immediacy typical of many of his contemporaries in favor of a dense, elliptical style that demands intellectual engagement. Meredith himself was acutely aware of how unconventional his poetic voice was, famously describing his work as being written for those “whose heads are used to thinking.” His lines often eschew smoothness for compression, sacrificing surface harmony in pursuit of precision, depth, and psychological or philosophical insight.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 501p.

By George Meredith. Designed and Edited with an Introduction by Colin Heston.

Sandra Belloni, first published in 1864 under the title Emilia in England, occupies a distinctive place in the literary corpus of George Meredith. It represents one of his earliest extended efforts to merge the comic novel with a more pointed social critique, a technique that would become a hallmark of his mature style. This novel, rich in subtle irony and psychological insight, grapples with the tensions between individuality and conformity, art and social convention, and the constraints of class and gender in Victorian England. At its heart, it is a narrative about a young woman of Italian descent, Emilia Belloni, whose musical gifts and unorthodox spirit clash with the expectations of the rigid English society into which she is thrust.

Meredith uses Emilia’s character not merely as a protagonist but as a symbolic figure—an embodiment of passionate sincerity, artistic freedom, and the disruptive power of the outsider. Emilia’s foreignness is not just ethnic; it is deeply cultural and emotional. Her instincts are governed by feeling and a commitment to truth, which repeatedly brings her into conflict with the carefully cultivated hypocrisies and social facades of the English middle and upper classes. Through her, Meredith examines the ways in which English society suppresses emotional authenticity in favor of propriety and self-interest.

In reading Sandra Belloni today, one encounters not only a portrait of Victorian society in all its contradictions but also an enduring exploration of the universal struggle between the self and society, between the voice that seeks to sing freely and the forces that would silence it. It is a novel that resonates beyond its historical moment, inviting readers to reflect on the costs and necessities of remaining true to oneself in the face of overwhelming pressure to conform.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 318p.

By George Meredith. Designed and Edited with an Introduction by Colin Heston

The Adventures of Harry Richmond, first published in serial form between 1870 and 1871, then in full in 1871, occupies a fascinating place in the evolution of the English novel. A heady mixture of picaresque adventure, coming-of-age narrative, satire, romance, and psychological study, it is one of George Meredith’s most ambitious works. Beneath its surface as a lively and sometimes eccentric tale of a young man’s escapades lies an intricate meditation on the construction of identity, the conflict between appearance and reality, and the profound influence of family, class, and society. These themes connect the novel powerfully to concerns that dominate modern fiction.

At its core, Harry Richmond examines how identity is not simply inherited but assembled—through choice, resistance, deception, and chance. Harry Richmond is born into a web of conflicting influences: his father, Roy Richmond, is a charming but unscrupulous social climber whose life revolves around maintaining appearances and manipulating social structures; his grandfather, Squire Beltham, represents a rigid, landed English respectability that is both moralistic and emotionally cold. Caught between these poles, Harry’s life becomes a journey to define himself outside the narrow confines of these competing legacies.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 355p.

By George Meredith (Author), Colin Heston (Introduction)

At the heart of One of Our Conquerors is the story of Victor Radnor, a self-made, successful businessman who embodies the energies of commercial Victorian England. Victor is a man of formidable charm, ambition, and benevolence, yet he is ensnared in a socially precarious position due to his relationship with his beloved partner, Nataly, with whom he has lived for years as husband and wife without formal marriage. Their union, socially illegitimate though personally devoted, becomes the focal point for much of the novel’s tension. Victor’s desire to legitimize their relationship and secure a respectable position for their daughter Nesta in society serves as the narrative’s driving conflict.
Meredith, ever the ironist, does not present Victor uncritically. Victor is a man of immense energy, imagination, and generosity, but also prone to illusions—particularly about the power of charm, wealth, and personal will to override the deeper currents of social judgment. His belief that society can be bent to his personal desires reflects both the optimism of the self-made man and the hubris that often accompanies unchecked ambition. In this sense, the title One of Our Conquerors carries a double edge: it acknowledges Victor’s triumphs in commerce and his conquest of circumstances but also points to the broader critique of conquest itself—whether in business, society, or personal relationships.
One of Our Conquerors is a profound exploration of the tensions between private morality and public life, between individual will and social constraint, and between the old moral orders and the emerging complexities of modernity. It challenges readers to consider the costs of social conformity, the meaning of success, and the possibilities for human integrity in a world increasingly driven by commerce, appearance, and social performance. As with Meredith’s other major works, it is a novel whose rewards are commensurate with the patience and thoughtfulness brought to it—a work that continues to resonate with readers interested in the enduring struggles between the personal and the public, the ideal and the real.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 291p.

By George Meredith (Author), Colin Heston (Introduction)

Evan Harrington, first published in 1861, represents a crucial early milestone in the literary career of George Meredith. While not as formally experimental or philosophically dense as his later masterpieces like The Egoist or Beauchamp’s Career, this novel nonetheless displays in fully developed form the sharp social satire, psychological acuity, and probing concern with class, identity, and social performance that would become hallmarks of Meredith’s mature work. More overtly comedic than much of his later fiction, Evan Harrington occupies a unique place in his canon as both a sparkling social comedy and a pointed critique of the hypocrisies embedded within Victorian class structures.
At its most basic level, Evan Harrington is a novel about a young man’s struggle with the question of identity — specifically, the tension between his personal merit and the social stigma attached to his family’s occupation. Evan is the son of Melchisedec Harrington, an exceedingly proud and flamboyant tailor whose death leaves his family facing financial and social crisis. Although Evan has received a gentleman’s education and possesses the manners and intellect of the upper classes, he is forced to reckon with the fact that in the rigidly stratified world of mid-19th century England, the mere fact of being “the tailor’s son” is enough to exclude him from the ranks of polite society.
Evan Harrington remains a vital and compelling work not only because it provides insight into Meredith’s literary evolution but also because its central concerns continue to resonate. The tension between personal integrity and social expectation, the arbitrariness of class distinctions, and the enduring question of what it means to live authentically within a society structured by appearances — these remain pressing questions in any era.
In sum, Evan Harrington is both a sparkling social comedy and a profound moral fable. It combines the pleasures of sharp character portraits, witty dialogue, and romantic intrigue with a serious exploration of identity, class, and the painful comedy of human vanity. It is a work that delights the reader while also challenging them to reflect on the enduring absurdities of social life and the courage it takes to live truthfully in the face of them. As such, it stands as a worthy introduction to the genius of George Meredith and a foundational text within the broader tradition of the Victorian social novel.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 332p.

By George Meredith (Author), Colin Heston (Introduction)

Diana of the Crossways, first published in 1885, represents a pivotal achievement in George Meredith’s literary career. It stands apart not merely as his most commercially successful novel during his lifetime but as a mature and sophisticated exploration of some of the most pressing social, psychological, and philosophical dilemmas of the Victorian age. This novel synthesizes his longstanding thematic concerns—gender relations, the constraints of marriage, the struggle for individual autonomy, and the social mechanisms of hypocrisy and surveillance—into a narrative that is at once accessible, profoundly ironic, and deeply analytical.
At its center is the figure of Diana Merion Warwick, a woman of exceptional beauty, intellect, and vivacity, whose struggle is emblematic of the tensions between the individual, particularly the intellectually aspiring woman, and a society structured to suppress her independence. Diana’s trajectory is not merely the story of a woman’s personal fate but a dramatization of the larger structural impediments to female agency in a patriarchal world that equates female virtue with silence, obedience, and domestic confinement.
The novel’s contemporary relevance is striking. Its exploration of gendered power dynamics, the politics of reputation, the policing of women’s voices, and the ethical failures of institutions built on inequality continues to resonate with modern readers. It anticipates many of the concerns that would later be taken up by feminist literary critics, particularly in its portrayal of how systemic power operates through language, marriage, and social surveillance.
Diana of the Crossways thus stands not merely as a compelling work of Victorian fiction but as a profound literary experiment in social critique, psychological realism, and moral philosophy. It is a novel that challenges the reader to think deeply about the structures of power that govern intimate relationships and public life, and about the costs of pursuing truth and autonomy in a world designed to punish those who do. Through its combination of narrative wit, philosophical depth, and emotional intensity, it remains one of George Meredith’s most enduring and significant achievements.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 275p.

By George Meredith. Introduction by Colin Heston

When An Amazing Marriage was published in 1895, George Meredith stood at the summit of his literary career, celebrated as one of the most intellectually formidable and stylistically daring novelists of the Victorian age. By this time, Meredith had forged a reputation for works that combined psychological subtlety, social satire, and philosophical inquiry, appealing more to the discerning literary elite than to the broader Victorian reading public. An Amazing Marriage emerges as one of his last full-length novels and, fittingly, revisits many of the themes that had preoccupied him throughout his life—gender relations, the institution of marriage, the constraints of social conventions, and the inner lives of women.

The very title, An Amazing Marriage, signals Meredith's ironic stance toward the Victorian ideal of marriage. Rather than a romantic or sentimental union, marriage is often portrayed in his works as a contested arena, where conflicting expectations, social pressures, and personal ambitions collide. In this novel, Meredith offers a biting critique of the marital conventions of his era, presenting a union that is both remarkable and troubling in its complexity.
Although An Amazing Marriage is less frequently read today than Meredith’s earlier masterpieces, it remains a vital document of the tensions that defined late-Victorian society. Its psychological acuity, progressive gender politics, and sharp critique of social hypocrisy retain their resonance in the modern era, where debates about marriage, gender roles, and personal autonomy continue to evolve.
For contemporary readers, the novel offers both a window into the anxieties of the past and a mirror reflecting the enduring challenges of balancing love, freedom, and social expectation. Aminta’s journey toward self-realization, with all its attendant risks and uncertainties, anticipates the narratives of countless women in the century that followed.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 213p.

By George Meredith. Designed and Edited with an Introduction by Colin Heston.

More than any other of his novels, Beauchamp’s Career embodies Meredith’s philosophical worldview: that the highest human calling is the continual pursuit of greater consciousness. For Meredith, the “Comic Spirit” serves as an ethical guide—illuminating human folly, deflating pretension, and inviting self-correction through laughter rather than dogma.

Yet Beauchamp, ironically, lacks the flexibility of the Comic Spirit. He is too earnest, too driven by absolute convictions, to fully participate in the comic self-awareness that Meredith idealizes. In this sense, Beauchamp is both a hero and a warning: a figure of immense moral courage whose tragedy lies in his refusal to accept that the world operates not by ideals but by compromises.

While Beauchamp’s Career was never Meredith’s most popular work during his lifetime, it has come to be recognized as one of his most ambitious and profound novels. Its examination of the dilemmas of idealism, political integrity, and personal sacrifice remains strikingly relevant in an era of political polarization and disillusionment.

The novel speaks to anyone who has struggled with the tension between moral conviction and the messy realities of human society. Its insights into the nature of political life—the seductions of populism, the compromises demanded by coalition, the frustrations of advocacy in an indifferent world—resonate just as powerfully now as they did in the 19th century. Beauchamp’s Career stands as one of George Meredith’s greatest achievements: a work that challenges as much as it enlightens, a moral and political fable wrapped in the ironic garb of the Victorian social novel. It demands much of its readers—patience, attentiveness, and a willingness to engage with ambiguity—but it rewards that effort with a deeply moving meditation on the costs and the dignity of living according to one’s principles.

In an age when the struggle between ideals and pragmatism remains as urgent as ever, Beauchamp’s Career offers both a mirror and a guide—one that reflects the frailty of human institutions, but also the enduring power of conscience.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 383p.

By Joseph C. Lincoln (Author), Colin Heston (Introduction)

In Shavings, published in 1918 at the peak of his literary success, Joseph C. Lincoln again turns his familiar eye and pen toward Cape Cod—its people, its rhythms, and its moral heart. Like much of Lincoln’s fiction, this novel offers more than light entertainment; it is a nuanced exploration of human decency, community obligation, and emotional transformation, wrapped in a quietly humorous and affectionately drawn setting.
Set in the fictional village of East Wellmouth, Shavings centers on a seemingly unremarkable character: a middle-aged man named Lemuel “Shavings” Keziah, a gentle and eccentric resident who works as a handyman and caretaker of sorts at the local ship-chandlery. What begins as a portrait of a quiet, solitary man becomes a deeper meditation on compassion, guardianship, and the power of unassuming kindness to transform lives. In this novel, Lincoln refines his formula of New England coastal fiction, combining rich local detail, deft character sketches, and moral clarity in a story that both reflects and transcends its setting.
The title Shavings is rich in metaphor. At the surface level, it refers to wood shavings—fragments trimmed away in the process of building or shaping. But on a deeper level, it suggests themes of smallness, modesty, and the overlooked. Lemuel Keziah is, like his namesake shavings, a figure that most would pass over without a second thought. He is plain, odd, physically unimposing, and considered somewhat simple by his neighbors. Yet within that uncarved block of humility lies a figure of enormous quiet integrity, and Lincoln’s triumph is in showing how such a man can become a pillar of his community and a redeemer in the lives of others.
Lincoln gives us a novel that blends humility with heart, modesty with moral insight. It is a story of redemption through quiet persistence, of fatherhood without blood, and of character tested not by fame or fortune but by the daily demands of decency. For those who cherish gentle fiction with real emotional weight, Shavings is a touchstone. It evokes a vanished New England but leaves in its place timeless lessons on love, trust, and the power of doing good without seeking reward. In Lemuel Keziah, Lincoln offers a model of quiet heroism whose relevance has only grown with time.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 229p.

By Alexander K. McClure (Author), Colin Heston (Introduction)

Abe’s Yarns and Stories, edited by Alexander K. McClure and first published in 1901 by the International Publishing Company, is a unique and enduring contribution to the cultural memory of Abraham Lincoln. Rather than a conventional biography, this volume presents Lincoln through the lens of his own storytelling—anecdotes, jokes, parables, and recollections that he used to communicate, persuade, and connect with people from all walks of life. The book is both a literary and historical artifact, capturing the essence of Lincoln’s personality and the oral tradition that helped shape his public image. McClure, a journalist and political figure who knew Lincoln personally, compiled this collection not only to entertain but to preserve the wit and wisdom of a man whose humor was as integral to his leadership as his moral conviction.
What makes Abe’s Yarns and Stories particularly compelling is its blend of folklore and fact. While some of the anecdotes may be apocryphal or embellished, they reflect the way Lincoln was remembered and revered by those who knew him and those who came after. The book thus serves as a bridge between history and myth, illustrating how Lincoln’s legacy was shaped not only by his deeds but by the stories told about him. McClure’s editorial voice is respectful and admiring, but he allows Lincoln’s own words and the voices of his contemporaries to take center stage. The result is a portrait that is intimate, humanizing, and deeply American. His rich self-education and his storytelling formed the foundation of a presidency that not only preserved the Union but also reshaped the American identity. They allowed him to lead not just with policy, but with wisdom and heart—qualities that continue to define his legacy.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 360p.

By Joseph Crosby Lincoln . Designed and Edited with an Introduction by Colin Heston

Joseph C. Lincoln's 1920 novel The Portygee holds a unique place in his body of work. Known for his warm-hearted Cape Cod tales celebrating small-town life, moral decency, and New England character, Lincoln here expands his focus to address questions of heritage, identity, and belonging in a changing America. While retaining the gentle humor and richly textured settings that made him popular with early 20th-century readers, The Portygee engages more directly with themes of cultural difference and assimilation—offering a nuanced portrayal of prejudice, generational misunderstanding, and the search for personal integrity.

The novel’s title refers to the derogatory local slang for “Portuguese,” used to identify individuals of Portuguese descent who had settled along the Massachusetts coast in significant numbers by the late 19th and early 20th centuries. Through this lens, Lincoln examines not only the resilience of the American immigrant but also the sometimes unspoken tensions that lie beneath the surface of even the most tight-knit communities. It is a story of collision—between old and new, native and newcomer, tradition and ambition.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 262p.

By Joseph C. Lincoln. Designed and Edited with an Introduction by Colin Heston

Published in 1921, Galusha the Magnificent stands as one of Joseph Crosby Lincoln’s most beloved and subtly humorous novels—a story that embodies the author’s signature blend of small-town Cape Cod charm, gently satirical social commentary, and richly drawn characters. Lincoln, often hailed as the “Bard of Cape Cod,” built a prolific career chronicling the lives, habits, and quirks of New England coastal communities. In Galusha the Magnificent, he brings his literary artistry to full bloom by offering readers a delightfully incongruous protagonist: a mild-mannered, absent-minded biblical archaeologist who finds himself entangled in the practical and parochial dramas of a fictional Cape Cod town.

Like many of Lincoln’s novels, Galusha the Magnificent is set in a fictional Cape Cod village—in this case, the town of Trumet. Lincoln’s Trumet is a lovingly detailed and recognizable composite of real Cape Cod communities, built upon generations of seafaring traditions, strong social cohesion, and a lively sense of local identity. For Lincoln, setting is never mere background. The Cape Cod environment—with its salt air, white churches, general stores, and crusty locals—serves as a character in its own right. Trumet is where the genteel values of Old New England meet the changing modern world of the early 20th century, and this dynamic tension is what fuels the plot and humor of the book.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 272p.

By Joseph C. Lincoln (Author), Colin Heston (Introduction)

Cy Whittaker’s Place by Joseph C. Lincoln is a humorous and heartwarming novel set in the fictional Cape Cod town of Bayport. The story follows Captain Cy Whittaker, a former sea captain who returns to his hometown after years of sailing and making his fortune. Having left Bayport as a young man with no intention of coming back, Cy finds himself drawn back to the familiar shores and the old homestead, now in disrepair and known locally as “the Cy Whittaker place.” With no surviving relatives and a reputation to rebuild, Cy sets out to reestablish himself in the community, bringing with him a mix of worldly wisdom, dry wit, and a generous heart.

As Cy settles into life on land, he becomes involved in the town’s affairs, often clashing with local politics and social expectations. His unconventional ways and blunt honesty both amuse and unsettle the townspeople, but over time, his integrity and kindness win them over. A central thread of the story involves Cy’s guardianship of a young boy, whose presence brings new purpose and emotional depth to his life. The novel also features a romantic subplot, as Cy navigates the complexities of rekindled relationships and new affections, all while trying to do right by those around him.

Lincoln populates the novel with a colorful cast of Cape Cod characters, including the meticulous town clerk Asaph Tidditt, the meddling but well-meaning neighbors, and the ever-watchful townsfolk who provide a steady stream of gossip and commentary. The narrative is rich with regional dialect, local color, and the gentle humor that characterizes Lincoln’s work. Through Cy’s journey, the novel explores themes of redemption, community, and the enduring value of home and belonging. With its blend of comedy, sentiment, and social observation, Cy Whittaker’s Place offers a nostalgic and uplifting portrait of small-town life and the quiet heroism of an ordinary man determined to make a difference.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 200 p.

By Joseph C. Lincoln (Author), Colin Heston (Introduction)

The Depot Master by Joseph C. Lincoln is a warm and humorous novel set in the fictional Cape Cod town of East Harniss. The story centers on Captain Solomon Berry, affectionately known as Cap’n Sol, who serves as the depot master—a position that places him at the heart of the town’s daily life and gossip. Cap’n Sol is a retired sea captain with a strong sense of justice, a dry wit, and a deep affection for his community. His role at the depot brings him into contact with a wide array of townspeople, each with their own quirks and stories, and he often finds himself drawn into their personal dramas and schemes.

The arrival of Ruth Nelson, a young and talented artist seeking refuge from a troubled past, introduces a romantic and emotional thread to the narrative. Ruth’s presence stirs both admiration and suspicion among the townsfolk, and Cap’n Sol becomes her unlikely protector and confidant. As Ruth tries to rebuild her life, she must navigate the challenges of small-town scrutiny and the lingering shadows of her history. Meanwhile, Cap’n Sol finds himself at odds with Mr. Williams, a wealthy and manipulative figure whose ambitions threaten the harmony of East Harniss. Their conflict becomes a central tension in the story, highlighting themes of integrity, community, and the quiet heroism of standing up for what is right.

Lincoln populates the novel with a rich cast of secondary characters, including the eccentric Mr. Simeon Phinney, whose sign advertises a bewildering array of services, and the ever-curious townspeople who gather at the depot not just for mail, but for news and camaraderie. The novel’s episodic structure allows for a series of vignettes that together paint a vivid portrait of Cape Cod life, filled with humor, sentiment, and a deep appreciation for the everyday struggles and triumphs of ordinary people.

Through Cap’n Sol’s steady presence and moral compass, The Depot Master celebrates the values of kindness, resilience, and community spirit. Lincoln’s storytelling, rich in local color and dialect, offers a nostalgic and uplifting glimpse into a world where decency and compassion quietly shape the course of lives.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. p.173p.

By Joseph C. Lincoln. Designed and Edited with an Introduction by Colin Heston

Cap’n Warren’s Wards by Joseph C. Lincoln is a heartwarming and humorous novel set in a quaint Cape Cod town in the late 19th century. The story follows Captain Elihu Warren, a retired sea captain who has settled into a quiet life after years at sea. His peaceful routine is upended when he unexpectedly becomes the guardian of two orphaned siblings, Joseph and Ruth. These children, who have been raised in a more refined and urban environment, are suddenly thrust into the rustic and straightforward world of Cape Cod, creating a clash of cultures and expectations that fuels much of the novel’s charm and humor.

Captain Warren, though initially bewildered by the responsibility, approaches his new role with a mix of gruff kindness and genuine care. As he navigates the challenges of raising two young people, he finds his life enriched by their presence. Joseph is headstrong and idealistic, while Ruth is sensitive and intelligent, and both bring a new sense of purpose and vitality to the captain’s life. The novel explores their gradual adjustment to Cape Cod life, the bonds they form with the local community, and the personal growth they experience under the captain’s guidance.

The story is populated with a cast of colorful secondary characters, including the eccentric Aunt Lavinia and the mischievous Eben Salters, who add depth and humor to the narrative. Lincoln’s portrayal of small-town life is affectionate and detailed, filled with the rhythms of daily chores, community gossip, and the ever-present influence of the sea. The novel emphasizes themes of resilience, the importance of family—whether by blood or by choice—and the quiet heroism of everyday kindness.

As the characters face various trials and misunderstandings, they come to understand the value of simplicity, honesty, and love. Captain Warren, in particular, undergoes a transformation from a solitary figure to a beloved patriarch, discovering that the greatest adventures can sometimes be found not on the high seas, but in the hearts of those we care for. Lincoln’s storytelling is rich with Cape Cod dialect and atmosphere, offering readers a nostalgic and uplifting glimpse into a bygone era.

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By Joseph Crosby Lincoln. Designed and Edited with an Introduction by Colin Heston

Cap’n Eri by Joseph C. Lincoln is a lighthearted and endearing novel set in a small Cape Cod town, where three retired sea captains—Eri, Jerry, and Perez—live together in a somewhat chaotic but good-natured bachelor household. As they grow older, they begin to realize that their domestic arrangements are becoming increasingly unmanageable, especially when it comes to cooking and housekeeping. The trio decides that the best solution is to find a housekeeper, but their plan takes an unexpected turn when they conclude that the most efficient way to secure one is for one of them to get married. This leads to a humorous and sometimes awkward series of events as they attempt to find a suitable bride through a matrimonial advertisement.

The story unfolds with a mix of comedic misunderstandings, heartfelt moments, and the gentle satire of small-town life. When a woman named Mrs. Snow responds to the ad and arrives in town, the captains are thrown into a whirlwind of adjustments and surprises. Mrs. Snow is not quite what they expected, and her presence begins to shift the dynamics of the household in unexpected ways. Meanwhile, a subplot involving a young man named John Brown and his romantic interest in a local girl adds a layer of youthful energy and emotional depth to the narrative.

Lincoln’s portrayal of Cape Cod life is rich with regional dialect, local color, and a deep affection for the traditions and quirks of the community. The novel is not just a comedy of manners but also a reflection on aging, companionship, and the importance of human connection. Through the humorous escapades of the three captains and the evolving relationships among the characters, Cap’n Eri offers a warm and nostalgic glimpse into a bygone era, celebrating the resilience and kindness of ordinary people navigating life’s changes together.

This edition has been reformatted, designed, abridged and annotated  by renowned novelist and story writer Colin Heston to remove errors and other distracting content that occurred in the original edition, making the book more accessible for the present day reader..

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 179 p.