by Guy Boothby (Author), Colin Heston (Introduction)

To step into the world of Guy Boothby is to step into a whirlwind. At the turn of the 20th century, few authors could match Boothby's sheer velocity. A man who famously dictated his novels into a phonograph to keep pace with his imagination, Boothby was the architect of the "sensation novel," bridging the gap between the gothic mysteries of the past and the fast-paced thrillers of the future. This volume brings together two of his most gripping works: My Strangest Case and The Red Rat's Daughter. While different in setting, they share the quintessential Boothby hallmarks—exotic locales, high-stakes intrigue, and the relentless pursuit of justice (or survival).

The George Fairfax Mystery: My Strangest Case
In My Strangest Case, we are introduced to George Fairfax, a detective who stands in the long shadow of Sherlock Holmes but operates with a flair all his own. Originally published at the dawn of the 1900s, this story takes the reader from the high society of London to the rugged landscapes of the East. It is more than a simple whodunit; it is a globe-trotting adventure that explores the consequences of a long-hidden secret. Boothby’s talent for atmosphere ensures that the mystery feels as much a part of the environment as the characters themselves.

Intrigue in the East: The Red Rat's Daughter
The Red Rat's Daughter showcases Boothby’s obsession with the "Far East" and the political tensions of the era. Set against the backdrop of imperial Russia and the vast Siberian frontier, it is a tale of romance entangled with international conspiracy. The title itself—alluding to the mysterious "Red Rat"—promises a level of melodrama that Boothby delivers in spades. It captures a specific moment in literary history when the world felt both dangerously large and increasingly interconnected.
Why Boothby Matters Today
Reading Guy Boothby in the 21st century offers more than just nostalgia. It provides a window into the Victorian psyche:

• The Pace: Boothby’s narrative drive is modern; he rarely lets a chapter end without a hook.

• The Scope: He was an early pioneer of the "international thriller," refusing to keep his protagonists tethered to English soil.

• The Style: His prose is unapologetically bold, designed to entertain the masses of the Edwardian era.

Whether you are a devotee of classic detective fiction or a newcomer to the "sensation" genre, these two novels represent a master storyteller at the height of his powers. Turn the page and prepare for a journey that spans continents and decades.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 350p.

by Guy Boothby (Author), Graeme Newman (Editor), Colin Heston (Introduction)

. When the enigmatic Dr. Nikola first stepped onto the literary stage in 1895, clutching his sinister black cat Apollyon and weaving schemes that stretched from the back alleys of Shanghai to the hidden monasteries of Tibet, he didn't just capture the Victorian imagination—illegally or otherwise, he colonized it.
These volumes bring together, for the first time in a single definitive collection, the complete saga of Dr. Nikola: A Bid for Fortune, Dr. Nikola, The Lust of Hate, Dr. Nikola’s Experiment, and Farewell, Nikola. To read them in succession is to witness the birth of the modern "super-villain" and to appreciate the unique, rugged perspective Boothby brought to the crowded field of late-Victorian sensation fiction.
Born in Adelaide in 1867, Guy Newell Boothby was the son of a prominent South Australian parliamentarian. While he eventually found fame in the drawing rooms of London, his formative years were spent in the wide-open, often unforgiving landscapes of the Australian colonies.
In the 1890s, the literary world was reeling from "Sherlock-mania." While Sir Arthur Conan Doyle gave the world the ultimate champion of logic, Boothby gave it the ultimate agent of chaos. Dr. Nikola is not merely a criminal; he is a polymath, an occultist, and a man of immense physical and intellectual magnetism.
Across these five novels, we see Nikola evolve:
Volume 1:
A Bid for Fortune (1895): We are introduced to the Doctor through the eyes of Richard Hattasall. Here, Nikola is a vengeful shadow, a man whose "vendetta" drives a globe-trotting chase.
Dr. Nikola (1896): Arguably the centerpiece of the series, Boothby takes us into the forbidden heart of Tibet. It remains one of the finest examples of the "Lost World" genre, enriched by Stanley L. Wood’s iconic illustrations.
The Lust of Hate (1898): A darker, more psychological turn where Nikola manipulates a broken man’s desire for revenge.
Volume 2
Dr. Nikola’s Experiment (1899): Here, Boothby touches on the "mad scientist" tropes that would later define 20th-century sci-fi, as Nikola attempts to conquer death itself.
Farewell, Nikola (1901): The swan song of the character, providing a sense of closure to a man who lived his life in the liminal space between genius and madness.
Guy Boothby died tragically young at the age of 37, leaving behind a staggering 53 novels written in just over a decade. For years, his work languished in the shadows of more "academic" Victorian literature. However, as these works have entered the public domain, a new generation of readers—and editors—has rediscovered the sheer, unadulterated joy of his storytelling.
Boothby’s Dr. Nikola remains a vital link in the evolution of popular fiction. Without Nikola, would we have Sax Rohmer’s Fu Manchu? Would we have the sophisticated antagonists of James Bond? Probably not. By centering this edition on Boothby’s Australian roots, we acknowledge that the "King of Sensation" wasn't just a product of London’s Fleet Street, but a traveler of the world who brought the wild energy of the Antipodes to the heart of the Empire. This collection aims to preserve the thrill of the original serialization while providing the context necessary for a modern reader. As you follow the Doctor through the mist-shrouded streets of London and the sun-bleached ports of the Pacific, remember that you are in the hands of a master who knew those ports firsthand.
Welcome to the world of Dr. Nikola. Tread carefully—Apollyon is watching!

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 292p.

by Guy Boothby (Author), Graeme Newman (Editor), Colin Heston (Introduction)

When the enigmatic Dr. Nikola first stepped onto the literary stage in 1895, clutching his sinister black cat Apollyon and weaving schemes that stretched from the back alleys of Shanghai to the hidden monasteries of Tibet, he didn't just capture the Victorian imagination—illegally or otherwise, he colonized it. Behind this towering figure of Gothic villainy was a prolific, whirlwind talent from the edge of the British Empire: the South Australian-born Guy Boothby.

These two volumes bring together, for the first time in a single definitive collection, the complete saga of Dr. Nikola: A Bid for Fortune, Dr. Nikola, The Lust of Hate, Dr. Nikola’s Experiment, and Farewell, Nikola. To read them in succession is to witness the birth of the modern "super-villain" and to appreciate the unique, rugged perspective Boothby brought to the crowded field of late-Victorian sensation fiction.

Born in Adelaide in 1867, Guy Newell Boothby was the son of a prominent South Australian parliamentarian. While he eventually found fame in the drawing rooms of London, his formative years were spent in the wide-open, often unforgiving landscapes of the Australian colonies. Unlike many of his contemporaries—who wrote of "The Orient" or the "South Seas" from the comfort of an English study—Boothby had the red dust of the Flinders Ranges and the salt of the Southern Ocean in his blood. In 1891, he and his brother famously crossed Australia from north to south, an arduous journey that informed the visceral, kinetic energy of his prose. This "Australian-ness" manifests in the Nikola series through a distinct lack of Victorian stuffiness; his heroes and villains alike are defined by their competence, their physical endurance, and a certain democratic grit that felt fresh to a British audience.

Guy Boothby died tragically young at the age of 37, leaving behind a staggering 53 novels written in just over a decade. For years, his work languished in the shadows of more "academic" Victorian literature. However, as these works have entered the public domain, a new generation of readers—and editors—has rediscovered the sheer, unadulterated joy of his storytelling. Boothby’s Dr. Nikola remains a vital link in the evolution of popular fiction. Without Nikola, would we have Sax Rohmer’s Fu Manchu? Would we have the sophisticated antagonists of James Bond? Probably not. By centering this edition on Boothby’s Australian roots, we acknowledge that the "King of Sensation" wasn't just a product of London’s Fleet Street, but a traveler of the world who brought the wild energy of the Antipodes to the heart of the Empire.

This collection published in two volumes aims to preserve the thrill of the original serialization while providing the context necessary for a modern reader. As you follow the Doctor through the mist-shrouded streets of London and the sun-bleached ports of the Pacific, remember that you are in the hands of a master who knew those ports firsthand.
Welcome to the world of Dr. Nikola. Tread carefully—Apollyon is watching!

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 471p.

By Guy Boothby. Introduction by Colin Heston.

In the unforgiving expanse of the Australian outback, where the line between fortune and ruin is as thin as a shadow on the sand, the race for survival is never-ending. Guy Boothby’s pulse-pounding tale follows the odyssey of a man driven by ambition and haunted by the specters of his past, thrust into a world where the elements are as treacherous as the men who inhabit them. From the sweat-soaked cattle runs of the bush to the high-stakes tension of the burgeoning colonial cities, this is a story of grit, reinvention, and the relentless pursuit of a legacy.

As the old world’s certainties crumble in the face of a wild, new frontier, the struggle for dominance becomes a trial of the soul. In a landscape that promises everything to the bold and nothing to the weak, can a man outrun his history, or will the "race of life" ultimately claim him? Boothby, the master of Edwardian adventure, delivers a visceral masterwork of high drama and rugged suspense that captures the raw, beating heart of a continent in the making.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 209p.

By Guy Boothby. Introduction by Colin Heston

This volume brings together some of the most imaginative and high-stakes narratives from the pen of Guy Boothby, a writer who reigned as one of the most popular masters of the Victorian "shocker." At a time when the British Empire was at its zenith and the possibilities of modern technology were just beginning to fire the public imagination, Boothby crafted stories that blended geopolitical intrigue with the dark, uncharted corners of the globe.

The centerpiece of this collection, The Kidnapped President (1902), catapults the reader into a world of political conspiracy and daring maritime adventure. Set against the backdrop of a South American revolution, the story follows the audacious abduction of a head of state and the relentless pursuit that follows. Boothby’s personal history as a world traveler is evident here; his descriptions of the sea and the desperate maneuvers of those living on the edge of the law carry an authenticity that few of his contemporaries could match. It is a quintessential example of the "international thriller" before the genre had even fully formed, exploring themes of loyalty, power, and the high price of political ambition.
In A Crime of the Under-Seas (1905), Boothby pivots toward a more localized but no less intense mystery. This narrative delves into the treacherous world of pearl fishing and the cutthroat competition of the maritime trade. When a valuable discovery is marred by a calculated crime, the story becomes a tense examination of greed and the lengths to which men will go when they believe they are beyond the reach of land-based authorities. It serves as a perfect companion to the broader political scope of The Kidnapped President, focusing instead on the gritty, high-stakes reality of those who make their living on the ocean's floor.

Rounding out this edition is a selection of Boothby’s shorter fiction, which highlights his versatility as a storyteller. From eerie tales of the supernatural to sharp, punchy vignettes of colonial life, these stories demonstrate the narrative economy that made him a favorite of the era's leading magazines. Whether he is exploring a haunted family legacy or a clever piece of detective work, Boothby’s prose remains relentlessly paced, always keeping the reader’s curiosity at a fever pitch.
Together, these works offer a vivid window into the anxieties and fascinations of the early 20th century. Guy Boothby understood that his audience craved both the thrill of the unknown and the satisfaction of a justice served, and in this collection, he delivers both with his trademark energy. From the corridors of power to the depths of the sea, this volume invites you to rediscover a pioneer of the thriller genre at the height of his creative powers.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 200p.

by Guuy Boothby (Author), Colin Heston (Introduction)

In this combined edition, readers are presented with two quintessential examples of the late Victorian "shocker" from the pen of Guy Boothby, a writer who defined the era’s taste for fast-paced, sensational mystery. The first novel in this volume, The Mystery of the Clasped Hands, originally published in 1901 by F.V. White & Co., serves as a dark exploration of the macabre and the forensic. The story begins with a truly visceral hook: a wedding gift that contains the severed, preserved hands of a woman. It is a classic example of the Victorian obsession with reputation and the legal system, as the protagonist, Godfrey Tring, finds himself trapped in a web of circumstantial evidence. Boothby expertly depicts how quickly a gentleman’s life can be dismantled by a single accusation, making the legal system itself a source of mounting dread. This work highlights Boothby's skill in using sensational artifacts to drive a plot that forces the reader to question whether innocence alone is enough to survive a vengeful conspiracy.
Published just a year later in 1902, The Childerbridge Mystery shifts the focus toward the "sins of the father" trope and the intersection of colonial wealth and domestic stability. When wealthy Australian squatter William Standerton returns to England to establish himself at Childerbridge Manor, he brings with him a fortune that carries the shadow of his past. The mystery is not merely a puzzle of logic but a psychological examination of how the "New World" of the colonies—often viewed by Victorians as a place of lawless opportunity—inevitably catches up with the refined "Old World" of the English gentry. Boothby uses the tranquil setting of a country estate to highlight the tension between a man’s desire for a respectable future and the inescapable reach of his history.
Bound together, these two novels illustrate the common threads of Boothby’s literary legacy: the fragility of social identity, the weight of previous associations, and a relentless narrative pace that bridges the gap between 19th-century Gothic horror and the structured detective fiction of the 20th century. Whether dealing with a grisly forensic artifact or a haunted family legacy, Boothby provided his audience with a perfect blend of the familiar and the shocking. This edition serves as a testament to a writer who, though often overlooked today, once stood as a master of the mystery genre, capturing the collective anxieties of a world on the brink of change.

By Guy Boothby

The Beautiful White Devil (1896) by Guy Boothby stands as one of the most vivid artifacts of the fin-de-siècle adventure boom, a moment when popular fiction fused imperial restlessness, criminal romance, and the growing public appetite for charismatic anti-heroes. Boothby, already known for his flair for exotic atmospheres and high-velocity plotting, crafted in this novel a figure who upends the moral architecture of late-Victorian adventure: a brilliant, elusive woman outlaw who commands the seas with a mixture of theatrical bravado, disciplined intelligence, and a distinctly modern sensibility about power.

The novel’s pacing is unmistakably Boothby’s—rapid, cinematic, and unembarrassed in its desire to enthrall—but what gives The Beautiful White Devil enduring interest is its central inversion. Instead of the conventional male pirate-captain or gentleman-adventurer, Boothby builds his drama around a woman whose audacity challenges the gender codes of the 1890s. She is both a product of her age and a challenge to it, exploiting the cracks in a world structured by empire, commerce, and male authority. Her crimes unsettle not simply because they are daring, but because they are executed with a level of strategic clarity usually reserved, in Victorian fiction, for men. Even today, she reads less like a stock villain and more like the prototype of the morally ambiguous mastermind—an ancestor of the elegant thief, the tactical vigilante, and the charismatic rogue.

For modern readers, this fusion of high adventure and gender subversion gives the novel a surprisingly contemporary resonance. Boothby captures the anxieties and fascinations of an empire confronting its own vulnerabilities: the fragility of control over distant seas, the shifting status of women within public life, and the ambiguity of heroism in a world where law, power, and personal justice do not always align. The tension between official authority and individual agency—especially when wielded by someone who is not expected, in the Victorian imagination, to possess it—feels strikingly current in an age that still debates the ethics of resistance, the allure of transgression, and the politics of criminality.

As a narrative artifact for a modern edition, The Beautiful White Devil is more than an adventure story; it is a window into the performative spectacle of crime at the turn of the century and a reminder of how popular fiction often anticipates social transformation before “serious” literature acknowledges it. Boothby’s tale, with its blend of romance, danger, and social provocation, remains a compelling example of how the adventure novel can reveal the shadows and ambitions of the culture that produced it.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 216p.

by Guy Boothby (Author), Colin Heston (Introduction)

In the landscape of late-Victorian sensation fiction, few figures loom as large or as shadow-drenched as Dr. Nikola. Before the world had a definitive supervillain archetype, Guy Boothby introduced a mastermind who combined the cold intellect of Sherlock Holmes with the occult ambitions of a sorcerer. A Bid for Fortune, published in 1895 and often subtitled Dr. Nikola’s Vendetta, marks the debut of this iconic antagonist in a high-stakes adventure that spans the globe, moving restlessly from the dusty streets of Sydney to the high society of London and the secretive corners of the East.
The narrative follows Richard Hatteras, a rugged Australian sailor who finds himself accidentally entangled in a web of international intrigue. Hatteras is a man of action, yet he is fundamentally out of his depth when he crosses paths with the enigmatic Doctor. Nikola is not interested in mere petty theft or local power; he is obsessed with uncovering the ancient secrets of a mysterious Tibetan sect. To achieve his ends, he requires a specific Chinese stick—a relic of immense power—and he proves himself willing to manipulate, kidnap, and destroy anyone standing in his way.
Guy Boothby was a pioneer of the "Yellow Back" thrillers, and in Dr. Nikola, he created a character who fascinated readers as much as he terrified them. Accompanied by a massive, sinister black cat named Apollyon, Nikola is a master of science, hypnotism, and disguise, driven by a personal code that sits entirely outside conventional law. This work is more than a simple chase; it is a quintessential example of the "New Imperial" gothic style, blending the era's anxiety about the unknown with the thrill of global exploration.
Readers should prepare for a narrative that moves at a breakneck pace, as Boothby excels at building atmosphere through his descriptions of Nikola’s cat-like movements and calculated calm. As Hatteras attempts to protect the woman he loves while outmaneuvering a man who seems to see five steps ahead, the audience is invited into a world where the line between science and magic is dangerously thin. It is a story where the hero is constantly shadowed by a man who, as the text suggests, is just as dangerous to have as a friend as he is as an enemy.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 232p.

By Rolf Boldrewood

Plain Living: A Bush Idyll is a captivating tale that delves into the simple yet profound world of rural life. Written in exquisite detail, the novel follows the journey of Sarah, a young woman who leaves the hustle and bustle of the city to seek solace in the peaceful countryside. As she immerses herself in the beauty of nature and the warmth of community, Sarah discovers a deeper connection to the land and its inhabitants.

Through lyrical prose and vivid descriptions, the author paints a rich portrait of life in the bush, intertwining themes of love, loss, and self-discovery. Plain Living invites readers to slow down, appreciate the small moments, and find joy in the quietude of rural living. A poignant and heartfelt narrative, this book is a celebration of simple pleasures and the enduring spirit of the human heart.

Macmillan, 1898, 316 pages

By Rolf Boldrewood

"Old Melbourne Memories" delves into the rich history of one of Australia's most iconic cities. Through a collection of vivid photographs, personal anecdotes, and historical accounts, this book offers readers a glimpse into the past of Melbourne. From its humble beginnings to its transformation into a bustling metropolis, each page is a tribute to the city's remarkable journey. Whether you are a history enthusiast or simply curious about Melbourne's past, this book is a captivating exploration of a bygone era that will resonate with readers of all backgrounds.

Robertson, 1884, 182 pages

By Rolf Boldrewood

In A Crooked Stick or Pollie's Probation, readers are taken on a compelling journey through the trials and tribulations of Pollie as she navigates a crucial period of her life. Author X delves deep into Pollie's character, exploring her flaws, her strengths, and her transformation throughout the narrative.

Set against the backdrop of a quaint English countryside, the story follows Pollie as she grapples with personal demons, societal expectations, and the complexities of relationships. With vivid descriptions and insightful prose, Author X crafts a rich tapestry of emotions and experiences that will resonate with readers of all backgrounds.

Pollie's Probation is not just a tale of redemption and self-discovery; it is a poignant reflection on the human condition and the universal quest for belonging and purpose. As Pollie embarks on her journey of growth and introspection, readers are invited to ponder their own paths and choices, making this novel a truly thought-provoking and captivating read.

Macmillan and Company, 1895, 306 pages

By Rolf Boldrewood

"A Sydney Side Saxon" is a captivating tale that delves into the complexities of identity, heritage, and belonging. Set against the backdrop of multicultural Sydney, the story follows the protagonist as she navigates the challenges of straddling two worlds—the traditional expectations of her Anglo-Saxon lineage and the vibrant diversity of her Australian upbringing. As she learns to embrace her heritage while forging her own path, readers are taken on a poignant journey of self-discovery and acceptance. With richly drawn characters and evocative storytelling, this novel is a compelling exploration of cultural fusion and the universal quest for understanding one's place in the world.

Heinemann and Balestier, 1891, 96 pages

JANE HARPER

FROM THE PREFACE: ” It wasn’t as though the farm hadn’t seen death before, and the blowflies didn’t discriminate. To them there was little difference between a carcass and a corpse.

The drought had left the flies spoiled for choice that summer. They sought out unblinking eyes and sticky wounds as the farmers of Kiewarra levelled their rifles at skinny livestock. No rain meant no feed. And no feed made for difficult decisions, as the tiny town shimmered under day after day of burning blue sky…”

Sydney. Pan Macmillan. 2016. 347p.

By Rolf Boldrewood

Robbery Under Arms was acclaimed as an Australian classic almost immediately after it appeared in book form in the late 1880s. It was praised for its excitement, romance and authentic picture of 1850s colonial life. As the first writer to attempt a long narrative in the voice of an uneducated Australian bushman, Rolf Boldrewood had created a story with enduring cultural resonance. Its continuing appeal and popularity have seen the tale frequently adapted for stage, radio, film and television. During all of this time the novel's text was not stable. It lost some material accidentally in its early typesettings, and these omissions were never repaired. It was later abridged by its author at the publisher's request, but the publisher botched his instructions. And, as with any much-reprinted work, thousands of small changes gradually crept into the text. This Academy Edition is the first full-scale critical edition of the novel. It presents the text as it originally appeared in instalments in the pages of the Sydney Mail in 1882-83. It allows readers to experience the first-person narration that Henry Lawson was inspired by, to appreciate how the special qualities of voice were partially flattened over time and to know exactly what material was omitted.

Univ. of Queensland Press, 2006, 479 pages

By Rolf Boldrewood

"The Squatter's Dream" is a thought-provoking novel that delves into the complexities of identity, belonging, and the pursuit of the Australian dream. Set against the backdrop of the harsh Australian outback, the story follows the journey of a young squatter named Jack as he grapples with his aspirations for the future and the harsh realities of his present circumstances. Through vivid storytelling and rich character development, this novel challenges readers to question the true meaning of success and the sacrifices one must make to achieve it. "The Squatter's Dream" is a poignant exploration of hope, resilience, and the enduring human spirit in the face of adversity.

Macmillan and Company, 1892, 319 pages

By Rolf Boldrewood

In "Ghost Camp" by Rolf Boldrewood, readers are transported to the rugged Australian outback, where the forces of nature and the human spirit collide in a gripping tale of survival and redemption. Set against the backdrop of the unforgiving wilderness, this novel follows a diverse group of characters as they navigate the challenges of the frontier.

Boldrewood's vivid descriptions bring to life the harsh beauty of the Australian landscape, from the scorching heat of the day to the eerie stillness of the night. As the characters face their demons and forge unlikely alliances, they discover the true meaning of courage and sacrifice.

"Ghost Camp" is a timeless classic that delves into themes of loyalty, resilience, and the unbreakable bond between humans and the natural world. Boldrewood's masterful storytelling and rich character development will captivate readers from start to finish, making this a must-read for fans of historical fiction and adventure tales.

Macmillan, 1902 - 409 pages

Adapted from the story by Susan Coolidge

A classic 1950s children’s book for girls. A little marked up and obviously well read.

Whitcome and Tombs. 1950s. 88p.

USED BOOK. MAY CONTAIN MARK-UP

By Norman Lindsay

FROM THE COVER. “This is a very funny book, about a very peculiar pudding. In spite of the word 'magic' in the title,there are no fairies or spells. Only a pudding. Sometimes it was a rich odoriferous steak-and-kidney pudding, sometimes it was boiled jam roll or apple dumpling. All you had to do was whistle twice, turn the pudding round, and you could have whatever you wanted! Indeed, the pudding was such a prize that there were 'professional puddin'-owners' and,alas, 'professional puddin'-thieves'. One of the owners was Sam Sawnoff, whose feet were sitting down while his body was standing (he was a penguin), although Bill was just an ordinary small man with a large hat. The pudding had his own views, and was apt to sing in a very gruff voice… For ages eight to eighty, allowing for brief blind periods now and again in between.”

Middlesex. Penguin. 1918.

By Colleen McCullough

FROM THE COVER: “The publication thirteen years ago of Birds was a landmark event, a remarkable achievement now surpassed by a novel in which storytelling and scholarship combine to bring to life one of history's most important epochs. The First Man in Rome sweeps the reader into an irresistibly vivid world of political intrigue, danger, wars, assassinations, devas- tating upheaval, intricately passionate family alliances and rivalries - and undeniable reality. It is New Year's Day of 110 B.C., and two of the latest in a long line of noble Roman mediocrities are assuming the coveted mantle of consul. But among those watching are two very different men, men whose vision, ruthlessness, and courage will force shattering change upon the Roman Republic, strug- gling to cope with mushrooming territorial possessions and the growing resentment of the Italians it treats as third-class citizens. One of these two men is Marius, a wealthy rustic barred by his low birth from grasping his prophesied destiny, to become the First Man in Rome- he who stands above all his peers through sheer excellence. The second is (continued on back flap)…..”

NY. William Morrow and Company, Inc. 1960. 897p. USED BOOK CONTAINS MARK-UP

By Frederick J. Thwaites

"They Lived That Spring" is a memoir by Frederick J. Thwaites, published in 1950. It chronicles his experiences as a soldier during World War II, including his training in the British army, his deployment to North Africa and Italy, and his return home after the war.

The book offers a personal account of the struggles and hardships of war, as well as the camaraderie and friendships that can develop in such circumstances. Thwaites' writing style is noted for its clarity and directness, and his descriptions of the landscapes and people he encountered during his military service are particularly vivid.

"They Lived That Spring" has been praised for its honest portrayal of the realities of war, as well as for its engaging and accessible writing style. It provides a unique perspective on the experiences of a soldier in World War II, and offers valuable insights into the impact of war on individuals and society as a whole.

Sydney. F. J. Thwaites. 1946, 330p.