Edited by Barbara Thiele

Rape Culture and the Bible: Scholars Reflect offers readers the opportunity to hear from prominent and influential biblical scholars and scholar activists as they reflect on their work on sexual violence vis-a-vis the Bible. This book covers major points of inquiry in the field, focusing primarily on the Hebrew Bible and the New Testament. It explores debates on appropriate terminology; intersectionality of sexual violence, gender, and race; how survivor perspectives inform the reading of violent texts; male-on-male sexualized violence in biblical literature; and the connections of Judeophobia with sexual violence in early Christian literature. The introductory chapter establishes methodology, purpose, and aims of this volume. The final chapter reflects on the ethical concerns governing the field, challenges scholars have faced in their discipline, and the tasks ahead. Along the way, Rape Culture and the Bible demonstrates how rape and rape culture in the Bible impact real lives across time and the globe.  

Oxford: Routledge, 2025.

By Samblanet, Lauren

Taking its cues from the New Narrative writing movement, like a dog considers how sexual identity is morphed, hidden, and denied by cultural forces like film, pornography, rape culture, and sexual semiotics. The speaker of like a dog writes about her sexuality, sexual trauma, and relationships in the epistolary form to explore how the personal becomes collective and how overt sexuality is necessary for questioning dominant ideologies. The intimacy (or perhaps voyeurism) that is opened through the epistolary form is balanced with commentary on the films of Lars von Trier, primarily Nymphomaniac, as a way to move away from the speaker’s experiences and into the larger social forces that seek to define us. Amidst these letters are images from a handwritten journal where blood, hair, vaginal fluids, and other bodily residues are used to direct the shape and content of the writing surrounding them. The tactility of the journal delivers the reader to the body, not as an intellectualized object, but as the physical, messy, oozing force that it is. Neither fiction nor nonfiction, and inhabiting a realm between gossip and scholarly film analysis, like a dog exists in a liminal zone that offers the speaker a site to rip away the layers of cultural conditioning surrounding sexuality and relationships, and to peek at what lies beneath. This interrogation of identity may not lead to answers but the speaker of like a dog is able to finally hear her own voice and to begin the work of rebuilding an identity that blooms from within.

Brooklyn, NY: punctum books, 2024. 149p.