DENIS McQUAIL

FROM THE PREFACE: The principal origins of this book date back to the mid-1970s, when, on secondment from the University of Southampton, I directed research into the content of British newspapers on behalf of the 1974-77 Royal Commission on the Press, which included in its terns of reference the task of inquiring into the 'editorial standards of newspapers and periodicals'. This was the first time that l had tried to grapple systematically with the concept of media performance in the sense of expectations concerning the broader public role of mass media. I discovered that there was rather little relevant social or media theory suitable for the task and few coherent attempts had been made to connect social theory with the sort of empirical enquiry called for by the terms of reference cited.

SAGE Publications. London - Newbury Park .

MAY CONTAIN MARKUP

EDITED BY JAMES W. CAREY

Media, Myths, and Narratives: Television and the Press, edited by James W. Carey, is a compelling exploration into the intertwined worlds of media, myths, and narratives. In this insightful collection, Carey delves into the complex relationship between television and the press, shedding light on how these powerful mediums shape our understanding of the world.

Carey's nuanced approach challenges conventional wisdom and prompts readers to question the stories we are told. By dissecting the role of media in constructing myths and narratives, this book offers a fresh perspective on the influence of television and the press on society.

Through thought-provoking analyses and engaging commentary, Media, Myths, and Narratives is a must-read for anyone interested in the dynamic interplay between media, myths, and narratives in our modern world. James W. Carey's editorial expertise brings together a diverse range of voices and ideas, making this book an essential addition to the study of contemporary media culture.

NJ. SAGE PUBLICATIONS, 1988. 266p.

MAY CONTAIN MARKUP

By Steven M. Chermak

In the gripping pages of this novel, readers are drawn into a world where mystery and suspense intertwine with raw human emotion. As the intricate plot unfolds, characters are forced to confront their deepest fears and desires, ultimately revealing the complexities of the human psyche. This thought-provoking narrative challenges readers to examine their own beliefs and motivations as they navigate a thrilling journey filled with unexpected twists and turns. A compelling blend of heart-pounding action and profound introspection, this book is sure to captivate readers from beginning to end.

Boulder. Oxford. Westview Press. 1995. 213p.

MAY CONTAIN MARKUP

MICHAEL CONNELLY

Jack McEvoy is at the end of the line as a crime reporter. Forced to take a buy-out from the Los Angeles Times as the newspaper grapples with dwindling revenues, he’s got only a few days left on the job. His last assignment? Training his replacement, a low-cost reporter just out of journalism school. But Jack has other plans for his exit. He is going to go out with a bang — a final story that will win the newspaper journalism’s highest honor — a Pulitzer prize.

Jack focuses on Alonzo Winslow, a 16-year-old drug dealer from the projects who has confessed to police that he brutally raped and strangled one of his crack clients. Jack convinces Alonzo’s mother to cooperate with his investigation into the possibility of her son’s innocence. But she has fallen for the oldest reporter’s trick in the book. Jack’s real intention is to use his access to report and write a story that explains how societal dysfunction and neglect created a 16-year-old killer.

But as Jack delves into the story he soon realizes that Alonzo’s so-called confession is bogus, and Jack is soon off and running on the biggest story he’s had since The Poet crossed his path years before. He reunites with FBI Agent Rachel Walling to go after a killer who has worked completely below police and FBI radar — and with perfect knowledge of any move against him. What Jack doesn’t know is that his investigation has inadvertently set off a digital tripwire. The killer knows Jack is coming — and he’s ready.

NSW. Allen and Unwin. 2020. 527p.

may contain markup

By DORIS A. GRABER

In Crime News and the Public, the author delves into the intricate relationship between crime reporting and the public perception of crime. This insightful book explores how media coverage of criminal events shapes our understanding of crime, criminals, and the criminal justice system. Through a series of thought-provoking analyses and real-world examples, the author challenges readers to question the impact of sensationalized crime stories on society.

From dissecting the role of the media in influencing public fear to investigating the ethics of crime reporting, Crime News and the Public offers a comprehensive examination of the complex dynamics at play. Whether you're a journalist, a criminologist, or simply a concerned citizen, this book is a must-read that will leave you questioning the narratives presented in the news and the implications they hold for our communities.

Praeger, 1980, 239 pages