By George Meredith (Author)

Set in an imaginary Oriental landscape, The Shaving of Shagpat follows the humble barber Shibli Bagarag, who embarks on an epic quest to perform the symbolic and dangerous act of shaving Shagpat—a powerful figure whose enchanted, unshorn hair represents the tyranny of falsehood and delusion over the minds of men. The narrative is populated with genies, enchantresses, magical cities, and perilous tasks, weaving a tapestry of adventure that operates on both the literal and allegorical planes. At first glance, The Shaving of Shagpat appears to be a whimsical fantasy—an exotic romance filled with the familiar trappings of Eastern fable. Yet beneath the surface lies a sophisticated commentary on the nature of truth, illusion, and the moral evolution of the individual. Meredith uses the framework of fantasy not merely to entertain but to craft a parable about the necessity of intellectual courage and the struggle for personal enlightenment.

For contemporary readers, the book remains a fascinating artifact of literary daring—a playful yet profound reminder that the struggle against illusion, whether in the form of personal vanity or societal falsehood, is both eternal and essential. In The Shaving of Shagpat, Meredith offers not only an enchanting fable but also an enduring meditation on the human condition.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 242p.

By George Meredith (Author), Colin Heston (Introduction)

George Meredith’s “The Egoist” is widely regarded as one of his most accomplished and mature works, combining his characteristic wit, psychological depth, and social critique into a sharp and satirical narrative. Published in 1879, this novel represents a pinnacle in Meredith’s literary philosophy—his commitment to using fiction not merely as entertainment but as a vehicle for exploring human character, societal expectations, and the subtle dynamics of personal relationships. In many ways, “The Egoist” functions both as a comedy of manners and as a profound psychological study, holding a mirror up to the follies and vanities of Victorian society.
At the heart of “The Egoist” lies a central theme that preoccupied Meredith throughout his literary career: the tension between individual selfhood and the demands of others—particularly within the confines of marriage and social conventions. The story revolves around Sir Willoughby Patterne, a wealthy and charming yet profoundly self-absorbed gentleman, whose narcissism forms the axis upon which the novel’s drama turns. Meredith describes him as a man who regards others merely as extensions of his own identity, whose self-love blinds him to the autonomy, desires, and inner lives of those around him. Willoughby’s egoism is not the mere arrogance or pride commonly depicted in fiction but is an all-encompassing psychological state—a subtle, insidious failure of empathy and moral imagination.
In conclusion, “The Egoist” is more than a satire of a single narcissistic man; it is a brilliant dissection of the subtle forces that govern human relationships. Through its precise psychological characterization, sharp wit, and philosophical depth, the novel transcends its Victorian context to speak to enduring questions about identity, autonomy, and the ethical demands of living among others. Its challenge to readers remains as relevant today as it was in 1879: to recognize, confront, and transcend the egoisms that so often distort both personal and social life.
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By George Meredith. Designed and Edited with an Introduction by Colin Heston.

Sandra Belloni, first published in 1864 under the title Emilia in England, occupies a distinctive place in the literary corpus of George Meredith. It represents one of his earliest extended efforts to merge the comic novel with a more pointed social critique, a technique that would become a hallmark of his mature style. This novel, rich in subtle irony and psychological insight, grapples with the tensions between individuality and conformity, art and social convention, and the constraints of class and gender in Victorian England. At its heart, it is a narrative about a young woman of Italian descent, Emilia Belloni, whose musical gifts and unorthodox spirit clash with the expectations of the rigid English society into which she is thrust.

Meredith uses Emilia’s character not merely as a protagonist but as a symbolic figure—an embodiment of passionate sincerity, artistic freedom, and the disruptive power of the outsider. Emilia’s foreignness is not just ethnic; it is deeply cultural and emotional. Her instincts are governed by feeling and a commitment to truth, which repeatedly brings her into conflict with the carefully cultivated hypocrisies and social facades of the English middle and upper classes. Through her, Meredith examines the ways in which English society suppresses emotional authenticity in favor of propriety and self-interest.

In reading Sandra Belloni today, one encounters not only a portrait of Victorian society in all its contradictions but also an enduring exploration of the universal struggle between the self and society, between the voice that seeks to sing freely and the forces that would silence it. It is a novel that resonates beyond its historical moment, inviting readers to reflect on the costs and necessities of remaining true to oneself in the face of overwhelming pressure to conform.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 318p.

By George Meredith. Designed and Edited with an Introduction by Colin Heston

The Adventures of Harry Richmond, first published in serial form between 1870 and 1871, then in full in 1871, occupies a fascinating place in the evolution of the English novel. A heady mixture of picaresque adventure, coming-of-age narrative, satire, romance, and psychological study, it is one of George Meredith’s most ambitious works. Beneath its surface as a lively and sometimes eccentric tale of a young man’s escapades lies an intricate meditation on the construction of identity, the conflict between appearance and reality, and the profound influence of family, class, and society. These themes connect the novel powerfully to concerns that dominate modern fiction.

At its core, Harry Richmond examines how identity is not simply inherited but assembled—through choice, resistance, deception, and chance. Harry Richmond is born into a web of conflicting influences: his father, Roy Richmond, is a charming but unscrupulous social climber whose life revolves around maintaining appearances and manipulating social structures; his grandfather, Squire Beltham, represents a rigid, landed English respectability that is both moralistic and emotionally cold. Caught between these poles, Harry’s life becomes a journey to define himself outside the narrow confines of these competing legacies.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 355p.

By George Meredith (Author), Colin Heston (Introduction)

At the heart of One of Our Conquerors is the story of Victor Radnor, a self-made, successful businessman who embodies the energies of commercial Victorian England. Victor is a man of formidable charm, ambition, and benevolence, yet he is ensnared in a socially precarious position due to his relationship with his beloved partner, Nataly, with whom he has lived for years as husband and wife without formal marriage. Their union, socially illegitimate though personally devoted, becomes the focal point for much of the novel’s tension. Victor’s desire to legitimize their relationship and secure a respectable position for their daughter Nesta in society serves as the narrative’s driving conflict.
Meredith, ever the ironist, does not present Victor uncritically. Victor is a man of immense energy, imagination, and generosity, but also prone to illusions—particularly about the power of charm, wealth, and personal will to override the deeper currents of social judgment. His belief that society can be bent to his personal desires reflects both the optimism of the self-made man and the hubris that often accompanies unchecked ambition. In this sense, the title One of Our Conquerors carries a double edge: it acknowledges Victor’s triumphs in commerce and his conquest of circumstances but also points to the broader critique of conquest itself—whether in business, society, or personal relationships.
One of Our Conquerors is a profound exploration of the tensions between private morality and public life, between individual will and social constraint, and between the old moral orders and the emerging complexities of modernity. It challenges readers to consider the costs of social conformity, the meaning of success, and the possibilities for human integrity in a world increasingly driven by commerce, appearance, and social performance. As with Meredith’s other major works, it is a novel whose rewards are commensurate with the patience and thoughtfulness brought to it—a work that continues to resonate with readers interested in the enduring struggles between the personal and the public, the ideal and the real.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 291p.

By George Meredith (Author), Colin Heston (Introduction)

Diana of the Crossways, first published in 1885, represents a pivotal achievement in George Meredith’s literary career. It stands apart not merely as his most commercially successful novel during his lifetime but as a mature and sophisticated exploration of some of the most pressing social, psychological, and philosophical dilemmas of the Victorian age. This novel synthesizes his longstanding thematic concerns—gender relations, the constraints of marriage, the struggle for individual autonomy, and the social mechanisms of hypocrisy and surveillance—into a narrative that is at once accessible, profoundly ironic, and deeply analytical.
At its center is the figure of Diana Merion Warwick, a woman of exceptional beauty, intellect, and vivacity, whose struggle is emblematic of the tensions between the individual, particularly the intellectually aspiring woman, and a society structured to suppress her independence. Diana’s trajectory is not merely the story of a woman’s personal fate but a dramatization of the larger structural impediments to female agency in a patriarchal world that equates female virtue with silence, obedience, and domestic confinement.
The novel’s contemporary relevance is striking. Its exploration of gendered power dynamics, the politics of reputation, the policing of women’s voices, and the ethical failures of institutions built on inequality continues to resonate with modern readers. It anticipates many of the concerns that would later be taken up by feminist literary critics, particularly in its portrayal of how systemic power operates through language, marriage, and social surveillance.
Diana of the Crossways thus stands not merely as a compelling work of Victorian fiction but as a profound literary experiment in social critique, psychological realism, and moral philosophy. It is a novel that challenges the reader to think deeply about the structures of power that govern intimate relationships and public life, and about the costs of pursuing truth and autonomy in a world designed to punish those who do. Through its combination of narrative wit, philosophical depth, and emotional intensity, it remains one of George Meredith’s most enduring and significant achievements.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 275p.

By George Meredith. Introduction by Colin Heston

When An Amazing Marriage was published in 1895, George Meredith stood at the summit of his literary career, celebrated as one of the most intellectually formidable and stylistically daring novelists of the Victorian age. By this time, Meredith had forged a reputation for works that combined psychological subtlety, social satire, and philosophical inquiry, appealing more to the discerning literary elite than to the broader Victorian reading public. An Amazing Marriage emerges as one of his last full-length novels and, fittingly, revisits many of the themes that had preoccupied him throughout his life—gender relations, the institution of marriage, the constraints of social conventions, and the inner lives of women.

The very title, An Amazing Marriage, signals Meredith's ironic stance toward the Victorian ideal of marriage. Rather than a romantic or sentimental union, marriage is often portrayed in his works as a contested arena, where conflicting expectations, social pressures, and personal ambitions collide. In this novel, Meredith offers a biting critique of the marital conventions of his era, presenting a union that is both remarkable and troubling in its complexity.
Although An Amazing Marriage is less frequently read today than Meredith’s earlier masterpieces, it remains a vital document of the tensions that defined late-Victorian society. Its psychological acuity, progressive gender politics, and sharp critique of social hypocrisy retain their resonance in the modern era, where debates about marriage, gender roles, and personal autonomy continue to evolve.
For contemporary readers, the novel offers both a window into the anxieties of the past and a mirror reflecting the enduring challenges of balancing love, freedom, and social expectation. Aminta’s journey toward self-realization, with all its attendant risks and uncertainties, anticipates the narratives of countless women in the century that followed.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 213p.

By George Meredith. Designed and Edited with an Introduction by Colin Heston.

More than any other of his novels, Beauchamp’s Career embodies Meredith’s philosophical worldview: that the highest human calling is the continual pursuit of greater consciousness. For Meredith, the “Comic Spirit” serves as an ethical guide—illuminating human folly, deflating pretension, and inviting self-correction through laughter rather than dogma.

Yet Beauchamp, ironically, lacks the flexibility of the Comic Spirit. He is too earnest, too driven by absolute convictions, to fully participate in the comic self-awareness that Meredith idealizes. In this sense, Beauchamp is both a hero and a warning: a figure of immense moral courage whose tragedy lies in his refusal to accept that the world operates not by ideals but by compromises.

While Beauchamp’s Career was never Meredith’s most popular work during his lifetime, it has come to be recognized as one of his most ambitious and profound novels. Its examination of the dilemmas of idealism, political integrity, and personal sacrifice remains strikingly relevant in an era of political polarization and disillusionment.

The novel speaks to anyone who has struggled with the tension between moral conviction and the messy realities of human society. Its insights into the nature of political life—the seductions of populism, the compromises demanded by coalition, the frustrations of advocacy in an indifferent world—resonate just as powerfully now as they did in the 19th century. Beauchamp’s Career stands as one of George Meredith’s greatest achievements: a work that challenges as much as it enlightens, a moral and political fable wrapped in the ironic garb of the Victorian social novel. It demands much of its readers—patience, attentiveness, and a willingness to engage with ambiguity—but it rewards that effort with a deeply moving meditation on the costs and the dignity of living according to one’s principles.

In an age when the struggle between ideals and pragmatism remains as urgent as ever, Beauchamp’s Career offers both a mirror and a guide—one that reflects the frailty of human institutions, but also the enduring power of conscience.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 383p.

By Joseph C. Lincloln. Introduction by Colin Heston.

Cap’n Dan’s Daughter* by Joseph C. Lincoln is a heartwarming and humorous novel set in the fictional Cape Cod town of Trumet. The story follows Captain Dan Dott, a retired sea captain who now runs a struggling dry goods store, and his family, particularly his ambitious wife Serena and their clever daughter Gertrude. Captain Dan is a simple, good-natured man who finds himself increasingly overwhelmed by the pressures of domestic life and the social aspirations of his wife, who is determined to elevate the family’s status in the community. Serena’s ambitions are fueled when the family receives news of an inheritance from a wealthy relative, which she sees as their ticket to a more refined and prominent lifestyle.

As Serena pushes the family into a more genteel social circle, she becomes increasingly controlling and obsessed with appearances, dragging Captain Dan along with her plans despite his discomfort. Gertrude, however, sees through the pretensions and recognizes the strain it places on her father. She devises a clever plan to gently undermine her mother’s social climbing and restore a sense of balance and authenticity to their lives. Her scheme, while well-intentioned, nearly backfires, leading to a series of misunderstandings and comic situations that test the family’s unity and resilience.

Throughout the novel, Lincoln’s affection for Cape Cod and its people shines through. He populates the story with colorful local characters and infuses the narrative with regional dialect, humor, and a deep sense of place. The novel explores themes of family loyalty, the tension between tradition and change, and the importance of staying true to oneself. In the end, the Dott family comes to a deeper understanding of what truly matters, finding contentment not in wealth or social standing, but in love, honesty, and the enduring bonds of family.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 222p.

By  Robert Louis Stevenson. Edited by Colin Heston

“The Story of a Lie” is one of Cs earliest works of fiction, first published in 1879 and later included in Volume XXI of the Swanston Edition of his collected works. Though lesser known than his major novels, this short novella is a significant piece in Stevenson’s literary development, showcasing his early experimentation with moral themes, psychological conflict, and narrative form.

The story centers on Dick Naseby, a young man of artistic temperament and idealistic values, who becomes entangled in a web of deception involving his friend Edward Langham and Langham’s romantic interest, Esther Warriston. Langham, a man of weak character and social ambition, fabricates a noble identity to win Esther’s affection. Dick, initially complicit in the lie out of loyalty, soon finds himself morally compromised and emotionally conflicted as the consequences of the deception unfold.

At its core, The Story of a Lie is a moral fable—a study of how even well-intentioned falsehoods can spiral into destructive outcomes. Stevenson explores the psychological burden of dishonesty, the tension between personal integrity and social expectation, and the painful awakening that often accompanies disillusionment. The narrative is compact but layered, with Stevenson’s characteristic wit and insight into human nature already evident.

Stylistically, the novella reflects Stevenson’s early prose—elegant, precise, and tinged with irony. Though the plot is relatively simple, the emotional and ethical dilemmas faced by the characters give the story depth and resonance. It also anticipates themes that would recur in Stevenson’s later works, such as dual identity, moral ambiguity, and the conflict between appearance and reality. Though not as widely read as Dr. Jekyll and Mr. Hyde or Treasure Island, “The Story of a Lie” remains a compelling and thought-provoking piece, valuable for its literary craftsmanship and its exploration of timeless ethical questions.

The Swanston Edition presents The Story of a Lie with scholarly annotations and contextual commentary, situating it within Stevenson’s broader literary career and the Victorian literary landscape. As part of Volume XXI, it is accompanied by other shorter works and essays, offering readers a fuller view of Stevenson’s range and evolution as a writer. Other works included in this volume are: Olalla, A Fragment, Heathercat, The Great North Road, The Young Chevalier, and Fables  .

Read-Me.Org Inc. New York-Australia-Philadelphia. 2025. 190p.

By  Robert Louis Stevenson and Lloyd Osbourne, Edited by Colin Heston.

“The Ebb-Tide: A Trio and Quartette” is a dark, psychologically complex novella co-written by Robert Louis Stevenson and his stepson Lloyd Osbourne, first published in 1894. Included in Volume XIX of the Swanston Edition of Stevenson’s collected works, this tale marks one of the final literary efforts of Stevenson’s life and reflects his mature style—gritty, morally ambiguous, and deeply engaged with the human condition.

Set in the South Pacific, a region Stevenson had come to know intimately during his later years, The Ebb-Tide follows three disgraced and destitute Europeans—Herrick, Davis, and Huish—who find themselves stranded in Tahiti. When they are offered the chance to captain a cargo schooner, the Farallone, they seize the opportunity, only to discover that the ship is carrying a mysterious and morally troubling cargo. Their journey soon spirals into a tale of greed, betrayal, and existential crisis, culminating in a confrontation with Attwater, a charismatic and enigmatic missionary who lives alone on a remote island.

The novella is notable for its psychological depth and moral complexity. Each character represents a different facet of human weakness—cowardice, cruelty, and self-deception—and Stevenson explores how these traits play out under the pressures of isolation and lawlessness. The tropical setting, far from being idyllic, becomes a backdrop for moral decay and spiritual reckoning. The story’s title, The Ebb-Tide, metaphorically suggests the retreat of moral certainty and the erosion of personal integrity.

Stylistically, the work is lean and intense, with Stevenson’s prose sharpened by his collaboration with Osbourne. The narrative is driven by suspense and philosophical inquiry, raising questions about redemption, colonialism, and the nature of evil. It is often seen as a companion piece to Stevenson’s earlier South Seas fiction, such as The Beach of Falesá, but it is darker and more introspective in tone.

The Swanston Edition provides this novella with critical annotations and historical context, situating it within Stevenson’s broader literary and biographical trajectory. As one of his final works, The Ebb-Tide offers a powerful and unsettling vision of the human soul adrift—both literally and morally—on the margins of empire and civilization.

Read-Me.Org Inc. Australia-New York-Philadelphia. 2025. 216p.

By R.L. STEVENSON and W.E. HENLEY

“Deacon Brodie, or The Double Life” is a compelling historical drama co-written by Robert Louis Stevensonand William Ernest Henley, included in the Swanston Edition, Volume XV, which collects their collaborative dramatic works. This play dramatizes the real-life story of William Brodie, a respected Edinburgh cabinetmaker and city councillor by day, and a cunning burglar by night—whose double life ultimately led to his downfall and execution in 1788.

Set in 18th-century Edinburgh, the play explores themes of duality, deception, morality, and social hypocrisy, echoing many of the psychological and philosophical concerns that would later appear in Stevenson’s more famous work, Dr. Jekyll and Mr. Hyde. Brodie is portrayed as a man torn between his public persona and private vices, embodying the tension between outward respectability and inner corruption.

The drama unfolds with a rich cast of characters, including Brodie’s criminal associates, his family, and the lawmen who pursue him. The dialogue, shaped by Henley’s theatrical sensibilities and Stevenson’s narrative flair, is sharp and evocative, blending suspense with moments of dark humor and emotional intensity. The structure of the play builds steadily toward Brodie’s exposure and tragic end, offering a powerful commentary on the dangers of living a life divided by conflicting identities.

The Swanston Edition presents this work with scholarly attention to detail, including editorial notes and historical context that illuminate the real events behind the drama and the creative collaboration between Stevenson and Henley. As part of their broader dramatic output, Deacon Brodie stands out for its psychological depth and historical resonance, making it a significant contribution to late Victorian theatre and a fascinating study in character and consequence..

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 176p.

By Robert Louis Stevenson (Author), LLoyd Osbourne (Author), Colin Heston (Editor)

The Wrecker, co-written by Robert Louis Stevenson and his stepson Lloyd Osbourne, is a globe-trotting mystery and adventure novel centered around the mysterious fate of a derelict ship found in the South Seas. The story follows Loudon Dodd, an idealistic artist turned reluctant adventurer, as he unravels the secrets of the wrecked ship Currency Lass. Combining elements of detective fiction, satire, and romance, the novel explores themes of ambition, identity, and the illusion of fortune. Set against a backdrop of San Francisco, Paris, and the Pacific Islands, it presents a vivid and at times ironic portrait of late 19th-century capitalist enterprise and artistic struggle. This novel is taken from The Works of Robert Louis Stevenson VOL. XIII. This volume has been carefully edited and redesigned by Colin Heston, renowned novelist and story writer, to make the book more comprehensible to the present-day reader.

Read-Me.Org Inc. New York-Australia-Philadelphia. 2025. 269p.

By Robert Louis Stevenson:. Edited by Colin Heston

The Master of Ballantrae is a dark historical novel by Robert Louis Stevenson, set during the Jacobite rising of 1745. It tells the story of two brothers—noble and dutiful Henry Durie and his charming but treacherous elder brother James, the Master of Ballantrae—whose rivalry leads to betrayal, vengeance, and tragedy. Narrated by the loyal steward Ephraim Mackellar, the novel explores themes of family loyalty, pride, and the destructive power of ambition, set against a backdrop that spans Scotland, America, and India. With its psychological depth and moral complexity, the book stands as one of Stevenson’s most powerful works.

Read-Me.Org. Inc. Australia, New York, Philadelphia. 2025. 171p.

By R.L. Stevenson. Edited by Colin Heston.

The Works of Robert Louis Stevenson: Volume X presents two of Stevenson’s most engaging narratives in one timeless edition. In Kidnapped, follow young David Balfour on a perilous journey through betrayal, abduction, and rebellion in 18th-century Scotland—a gripping tale of adventure, identity, and justice. Paired with The Misadventures of John Nicholson, a sharply witty story of folly and redemption, this volume showcases Stevenson’s unmatched storytelling range. A must-have for lovers of classic literature, this Swanston Edition reprint brings together drama, danger, and Stevenson’s signature charm..

Read-Me.Org Inc. 2025. 214p.

By R. L. Stevenson. Edited by Colin Heston

"The Black Arrow: A Tale of the Two Roses" is a historical adventure novel by Robert Louis Stevenson, first published in 1888. Set during the tumultuous period of the Wars of the Roses in 15th-century England, the story follows the young protagonist, Richard Shelton. Richard is caught in the conflict between the houses of York and Lancaster, and his journey is marked by themes of loyalty, betrayal, and revenge. The novel begins with Richard discovering that his guardian, Sir Daniel Brackley, is involved in treacherous activities. As Richard seeks justice for his father's murder, he joins forces with a band of outlaws known as the Black Arrow. The leader of the outlaws, John Amend-All, becomes a key ally in Richard's quest. Throughout the narrative, Richard faces numerous challenges, including battles, escapes, and romantic entanglements with Joanna Sedley, a young woman disguised as a boy. Stevenson's vivid descriptions and fast-paced plot make "The Black Arrow" a captivating read. The novel seamlessly combines elements of adventure, romance, and historical fiction, offering readers a thrilling portrayal of medieval England and its intricate political landscape.

Volume VIII of the Swanston Edition of "The Works of Robert Louis Stevenson" continues to showcase Stevenson's literary versatility. This volume typically includes a mix of his essays, short stories, and other writings, reflecting his wide-ranging interests and talents. The Swanston Edition is renowned for its comprehensive and authoritative compilation of Stevenson's works, providing readers with an in-depth exploration of his literary contributions. Each volume in this series highlights Stevenson's ability to engage readers with his storytelling prowess across various genres and styles. This volume has been carefully edited and redesigned by Colin Heston, a renowned novelist and storyteller, to make the book more enjoyable and comprehensible to the modern reader.

Read-Me.Org Inc. New York, Philadelphia, Australia. 2025. 178p.

By R. L. Stevenson. Edited by Colin Heston

"Treasure Island" is a classic adventure novel by Robert Louis Stevenson, first published in 1883. The story follows young Jim Hawkins, who discovers a treasure map in the chest of a deceased pirate. This discovery sets him on a thrilling journey across the seas aboard the Hispaniola, in search of the hidden treasure. Along the way, Jim encounters a host of memorable characters, including the charismatic and cunning Long John Silver, who leads a mutiny among the crew. The novel is celebrated for its vivid characters, gripping plot, and timeless themes of adventure, bravery, and the quest for fortune. "Treasure Island" has had a lasting impact on popular culture, shaping the modern image of pirates and inspiring countless adaptations.

Volume VI of the Swanston Edition of "The Works of Robert Louis Stevenson" continues to showcase the breadth of Stevenson's literary talent. This volume typically includes a mix of his essays, short stories, and other writings. The Swanston Edition is known for its comprehensive and authoritative compilation of Stevenson's works, offering readers a thorough exploration of his diverse contributions to literature. Each volume in this series provides insight into Stevenson's versatility as a writer, highlighting his ability to engage readers across various genres and styles.

This volume has been carefully edited and redesigned by Colin Heston, renowned novelist and story writer, to make the book more comprehensible to the present-day reader.

Read-Me.Org Inc. NY. Philal Australia. 2025. 197p.

By R. L. Stevenson. Edited by Colin Heston

"Strange Case of Dr. Jekyll and Mr. Hyde" is a novella by Robert Louis Stevenson, first published in 1886. The story explores the duality of human nature through the character of Dr. Henry Jekyll, a respected scientist who creates a potion that transforms him into the sinister and violent Mr. Edward Hyde. As Hyde, Jekyll indulges in immoral acts without fear of social repercussions. The narrative delves into themes of identity, morality, and the struggle between good and evil within the human soul. The novella is renowned for its suspenseful and gothic atmosphere, as well as its profound psychological insights.
In addition to Jekyll and Hyde, this volume features a mix of Stevenson’s essays, short stories, and other literary works. The Swanston Edition iis known for its comprehensive and authoritative compilation of Stevenson's oeuvre, providing readers with a deep dive into his diverse literary contributions. Additional stories and writings in this volume include:.
Thrawn Janet. A short story, first published in 1881. Set in a small Scottish village, the tale revolves around the mysterious and eerie events surrounding Janet, an old woman believed to be a witch. The story is narrated by the local minister, who recounts Janet's unsettling behavior and the supernatural occurrences that follow her arrival. The narrative is steeped in gothic elements and explores themes of superstition, fear, and the clash between rationality and the supernatural.
More New Arabian Nights, The Dynamiter. A collection of linked short stories co-written by Robert Louis Stevenson and his wife, Fanny Van de Grift Stevenson. Published in 1885, the stories are set in London and revolve around the adventures of various characters entangled in plots involving dynamite and political intrigue. The collection is a sequel to Stevenson's earlier work "New Arabian Nights" and continues to employ a similar structure of interconnected tales. Themes of adventure, mystery, and social commentary are prevalent throughout the stories.
This volume has been carefully edited and redesigned by Colin Heston, renowned novelist and story writer, to make the book more comprehensible to the present-day reader.

Read-Me.Org Inc. NY-Phila.-Australia. 2025. 193p.

By Robert Louis Stevenson. Edited by Colin Heston

"The New Arabian Nights" by Robert Louis Stevenson is a captivating collection of short stories that showcases his talent for blending adventure, mystery, and humor. Volume 4 of his works includes these tales, which are inspired by the classic "Arabian Nights" but set in contemporary Europe.

The Suicide Club: The collection opens with "The Suicide Club," a trilogy of stories that revolve around Prince Florizel of Bohemia and his loyal companion, Colonel Geraldine. They stumble upon a secret society where members gamble with their lives, seeking an escape from their troubles through death. The stories are filled with suspense, intrigue, and Stevenson's signature wit, as the prince and the colonel navigate dangerous situations to uncover the club's dark secrets.

The Rajah's Diamond: Another notable story is "The Rajah's Diamond," which is divided into four parts. It follows the adventures of a priceless diamond and the various characters who come into possession of it. The diamond's journey leads to a series of thrilling and unexpected events, showcasing Stevenson's ability to weave complex plots and create memorable characters.

Other Stories: The volume also includes other engaging tales such as "The Pavilion on the Links," a story of love, betrayal, and revenge set against the backdrop of a remote Scottish coast, and "A Lodging for the Night," which features the infamous French poet François Villon and his escapades in medieval Paris.

"The New Arabian Nights" is a testament to Stevenson's versatility as a writer. Each story is rich with vivid descriptions, dynamic characters, and a blend of humor and suspense. Stevenson's ability to transport readers to different settings and immerse them in the adventures of his characters makes this collection a delightful and compelling read. Volume 4 of his works highlights Stevenson's skill in crafting engaging narratives that continue to captivate readers with their originality and charm.

Australia. Read-Me.Org. Inc. 2025. 197p.

By R.L. Stevenson. Edited by Colin Heston

Volume 3 of the works of Robert Louis Stevenson is a fascinating collection that showcases his versatility as a writer. This volume includes the chilling short story "The Body Snatcher" and the insightful essays in "Familiar Studies of Men and Books."

"The Body Snatcher" is a macabre tale that delves into the dark world of grave robbing and medical ethics. Set in 19th-century Scotland, the story follows Fettes, a medical student, and his involvement with the unscrupulous Dr. Wolfe Macfarlane. The duo engages in the illegal practice of body snatching to supply cadavers for anatomical study. Stevenson's narrative is rich with suspense and horror, exploring themes of guilt, morality, and the consequences of one's actions. The story's climax is particularly haunting, leaving readers with a lingering sense of dread and contemplation about the darker aspects of human nature.

"Familiar Studies of Men and Books" is a collection of essays in which Stevenson examines the lives and works of various literary figures and thinkers. Through these essays, Stevenson offers his reflections on the personalities and contributions of individuals such as Victor Hugo, Robert Burns, and Walt Whitman. His writing is characterized by a blend of critical analysis and personal insight, revealing his deep appreciation for literature and the human condition. Stevenson’s essays are not merely biographical; they are thoughtful explorations of the impact these figures had on their respective fields and on Stevenson himself. The essays are marked by Stevenson's eloquent prose and his ability to connect with readers on an intellectual and emotional level.

Overall. Volume 3 of Stevenson's works is a testament to his literary prowess, combining the eerie and gripping narrative of "The Body Snatcher" with the reflective and scholarly essays in "Familiar Studies of Men and Books." This volume highlights Stevenson's ability to traverse different genres and themes, offering readers a rich and varied reading experience. Through his storytelling and essays, Stevenson continues to captivate and provoke thought, making this collection a valuable addition to his oeuvre.

Read-Me.Org. Australia. 2025. 185p.