By George W. Cable

The Grandissimes: A Story of Creole Life stands among the most vivid and penetrating literary portraits of early New Orleans—its tangled ancestries, its hierarchies of caste and color, and its rich cultural complexity at the turn of the nineteenth century. First published in 1880, George W. Cable’s novel announced the arrival of a distinctive Southern voice: one capable of blending romance, social critique, historical reconstruction, and an almost anthropological attention to the manners and moral contradictions of Creole society.

Cable, himself native to New Orleans, wrote at a moment when the American public was only beginning to recognize the significance of Louisiana’s unique heritage. The city had passed from French to Spanish control, then back to France, then suddenly into the hands of the United States through the Louisiana Purchase. In Cable’s imagination, this swirl of sovereignties—compounded by the interwoven legacies of France, Spain, Africa, the Caribbean, and Indigenous peoples—created a society unlike any other on the continent. The Grand–issimes dramatizes this world at a moment of profound transition, when old loyalties struggled against the pressures of Americanization, and when the boundaries of race, class, and honor were both fiercely guarded and constantly transgressed.

At its center stands the old Creole family of the Grandissimes, whose branches include both the proud white aristocracy and a free man of color who bears the same name—a blood relationship that must not, in respectable society, be spoken aloud. Through this intricate family history, Cable exposes the contradictions of slavery, the moral compromises of privilege, and the tragic limitations imposed on people of mixed heritage. Yet the novel is anything but a simple moral allegory. Its pages teem with humor, local color, memorable characters, and a richly textured atmosphere that evokes the city’s architecture, dialects, festivals, and customs with unmatched fidelity.

Cable’s realism—rare among Southern writers of his generation—caused both admiration and controversy. His depictions of racial injustice were received with anger in parts of the post-Reconstruction South, and his advocacy for Black civil rights would eventually drive him to relocate to the North. Today, his work is recognized as foundational: a precursor to later explorations of New Orleans identity by Kate Chopin, Lafcadio Hearn, Lyle Saxon, and many others.

This edition of The Grandissimes invites readers to rediscover Cable’s great novel not merely as an historical document but as a living work of art. Its themes of belonging, cultural collision, and the moral weight of inherited systems remain deeply resonant. In tracing the fate of a family—and of a city—at a crossroads, Cable offers a vision both critical and compassionate, illuminating a world whose complexities still echo through the streets of New Orleans today.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. p.248.

by J. S. Fletcher. Preface by Colin Heston.

The Ransom for London is one of the last full-length mysteries penned by J. S. Fletcher, the prolific master of British crime fiction whose work helped shape the modern detective novel. First published in 1937—just months before the golden age of classic mystery reached its twilight—this novel stands as a testament to Fletcher’s enduring gifts: intricate plots, bristling suspense, and a keen sense of how crime reveals the hidden tensions of society.

This edition invites readers to rediscover a late gem from a writer whose contributions to the detective genre paved the way for many who followed. With The Ransom for London, Fletcher delivers a fast-moving, atmospheric tale that demonstrates his continuing relevance, his wit, and his unmatched instinct for suspense.

Step into London on the brink—into a story built on riddles, danger, and the high cost of holding a city’s fate in the balance. The ransom has been demanded. Whether the truth is paid in gold or courage is for you to discover.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. p.229.

By Bram Stoker

Bram Stoker's Dracula, first published in 1897, remains one of the most iconic and influential novels in the Gothic literary tradition. More than a simple horror story, Dracula is a rich tapestry of Victorian anxieties, cultural tensions, and symbolic complexity. Through its epistolary structure and vivid characters, the novel explores themes of modernity versus antiquity, sexuality and repression, imperialism, and the supernatural. It is a work that not only defined the vampire genre but also reflected the fears and fascinations of its time.

The late 19th century was a period of profound transformation in Britain. The Industrial Revolution had ushered in an age of technological innovation and scientific progress, while the British Empire stood at the height of its global influence. Yet beneath this veneer of confidence lay deep-seated anxieties about degeneration, foreign invasion, and the erosion of traditional values. Dracula captures these tensions through its central antagonist, Count Dracula, a foreign aristocrat who threatens the sanctity of British society. His arrival in England symbolizes a reverse colonization, where the East invades the West, challenging notions of cultural superiority and national security.

Stoker’s use of the epistolary format—comprising diaries, letters, newspaper articles, and ship logs—serves to ground the supernatural elements of the story in a framework of realism and documentation. This narrative technique reflects the Victorian obsession with empirical evidence and rationality, even as the characters confront a force that defies scientific explanation. The juxtaposition of modern tools such as typewriters and phonographs with ancient folklore and religious symbols underscores the novel’s central conflict between progress and the past.

One of the most compelling aspects of Dracula is its exploration of sexuality and repression. Victorian society was marked by strict moral codes, particularly regarding gender roles and sexual behavior. The novel subverts these norms through the seductive and transgressive nature of vampirism. Characters like Lucy Westenra and Mina Harker become battlegrounds for these tensions, as their encounters with Dracula blur the lines between victimhood and desire. The act of bloodsucking, laden with erotic undertones, becomes a metaphor for the loss of innocence and the threat of moral corruption.

Religion plays a crucial role in the narrative, often positioned as the ultimate defense against the vampire’s evil. Crucifixes, holy water, and sacred rites are employed alongside scientific reasoning, suggesting a synthesis of faith and logic in the fight against darkness. This duality reflects the Victorian struggle to reconcile religious belief with the rise of secularism and scientific thought.

Dracula also engages with the theme of identity and duality. Count Dracula himself embodies contradictions: he is both man and monster, aristocrat and predator, host and parasite. His ability to transform into animals and control the elements adds to his mystique and reinforces his role as a symbol of the uncanny. The characters who oppose him—Jonathan Harker, Van Helsing, Dr. Seward, and others—represent various facets of Victorian society, from legal and medical professions to religious authority, united in their mission to restore order.

The legacy of Dracula is vast and enduring. It established many of the conventions of vampire fiction and inspired countless adaptations across literature, film, and popular culture. Count Dracula has become a cultural archetype, embodying both fear and fascination. The novel’s rich symbolism and thematic depth continue to invite critical analysis, from psychoanalytic and feminist readings to postcolonial and queer interpretations.

In conclusion, Bram Stoker’s Dracula is far more than a tale of terror. It is a mirror reflecting the complexities of its time, a narrative that intertwines the rational and the irrational, the modern and the ancient, the sacred and the profane. Its enduring power lies in its ability to evoke fear while provoking thought, making it a masterpiece of Gothic literature and a cornerstone of cultural history.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 284p.

By Afshin rad

The document The Inner Beams by Afshin Rad is a historical novel set in East Berlin during the final years of the Cold War, focusing on the brutal atmosphere created by the East German Ministry of State Security, the Stasi. The narrative combines political history with a deeply personal story, illustrating how authoritarianism corrodes ordinary lives. It opens with a preface explaining the power and reach of the Stasi, an organization that employed nearly a hundred thousand agents and twice as many informants under the chilling slogan that anyone who “thinks differently” is an enemy.

The story follows Nadia, a young, marginalized woman surviving on the fringes of society through prostitution while raising her daughter Maya. Despite her poverty, stigmatization, and abuse at the hands of neighbors and strangers, she displays resilience and a rebellious spirit. Her life becomes entangled with the violence and hypocrisy of both the state and the church. She is alternately vilified and desired, caught between accusations of being a spy and exploitation by priests who hide their own corruption.

As events unfold, Nadia becomes a victim of the Stasi’s cruelty. She is imprisoned, tortured, and left for dead, only to be saved by a compassionate old man who hides her and helps her plan to reclaim her daughter, who has been taken by Party officials. Their efforts culminate in a daring but tragic attempt to rescue the child from a powerful regime family. The old man sacrifices his life to protect Nadia, while she herself endures near-death encounters in the collapsing state.

Against the backdrop of the Berlin Wall’s fall and the chaos of 1989, Nadia’s fate is sealed in both tragedy and symbolic triumph. Though she dies violently, her memory and sacrifice become a posthumous inspiration. Her grave, once marked with disdain, is later reclaimed as a shrine to freedom, with an epitaph honoring her rebellious spirit.

The work blends history, fiction, and allegory to show how individuals—especially the marginalized and forgotten—resist oppression and become unwilling martyrs of liberty. Through Nadia’s story, the book captures the human cost of totalitarianism while leaving readers with a sense of dignity, defiance, and the enduring value of freedom.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 77p.

by Thomas W Lawson (Author), Colin Heston (Editor)

Friday the Thirteenth (1907) is a fast-paced financial novel by Thomas W. Lawson, a real-life financier and reformer who had firsthand experience in the volatile world of Wall Street at the turn of the twentieth century. The book tells the story of Robert Brownley, a charismatic but embittered stockbroker who decides to take revenge on the corrupt financial system that has wronged him. Choosing the superstitiously unlucky date of Friday the 13th, Brownley orchestrates a plan to deliberately crash the stock market, triggering a financial panic that ruins the wealthy elite and brings Wall Street to its knees.

Lawson uses the novel to expose the greed, manipulation, and moral bankruptcy of the financial world, offering readers both a gripping drama and a pointed critique of early twentieth-century capitalism. The book combines elements of romance, thriller, and social commentary, presenting the stock exchange as both a place of opportunity and a dangerous machine capable of destroying lives.

Today, Friday the Thirteenth is notable not only as an engaging piece of popular fiction but also as a window into public attitudes toward finance during the Progressive Era. It remains a fascinating blend of fiction and financial history, reflecting Lawson’s insider knowledge and reformist zeal.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 109 p.

By Alexandre Dumas (Author), G. Staal (Illustrator), J.A. Beauce (Illustrator), & 2more Format: Kindle Edition

Few novels have captured the imagination of readers across generations as powerfully as The Count of Monte Cristo. First published in 1844, this sweeping tale of betrayal, revenge, and redemption is the work of Alexandre Dumas, one of France’s most celebrated literary figures. Set against the backdrop of post-Napoleonic France, the novel follows the transformation of Edmond Dantès, a young sailor whose promising future is shattered by the treachery of those he trusted. Wrongfully imprisoned in the Château d’If, Dantès emerges years later not as the man he once was, but as the enigmatic and wealthy Count of Monte Cristo—determined to exact justice on those who wronged him. At once a thrilling adventure and a profound exploration of human nature, The Count of Monte Cristodelves into themes of vengeance, justice, mercy, and the enduring power of hope. Dumas weaves a rich tapestry of characters and subplots, each contributing to the novel’s intricate moral landscape. His storytelling is both grand in scope and intimate in detail, offering readers a journey that is as emotionally resonant as it is exhilarating.
This two volume edition is based on the five volume 1888 English edition. It retains all text as in the original and includes most of the illustrations preserving the spirit and elegance of Dumas’s original edition, while making the novel accessible to contemporary readers. This version is most likely that of an anonymous translator who translated the work from the French for the publisher Chapman and Hall in 1846. There have been many translations in dozens of languages, and some in the 20th century basically rewriting the novel in modern prose and almost always considerably abridged.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 501 p.

By Alexandre Dumas (Author), G. Staal (Illustrator), J.A. Beauce (Illustrator), & 2more Format: Kindle Edition

Few novels have captured the imagination of readers across generations as powerfully as The Count of Monte Cristo. First published in 1844, this sweeping tale of betrayal, revenge, and redemption is the work of Alexandre Dumas, one of France’s most celebrated literary figures. Set against the backdrop of post-Napoleonic France, the novel follows the transformation of Edmond Dantès, a young sailor whose promising future is shattered by the treachery of those he trusted. Wrongfully imprisoned in the Château d’If, Dantès emerges years later not as the man he once was, but as the enigmatic and wealthy Count of Monte Cristo—determined to exact justice on those who wronged him. At once a thrilling adventure and a profound exploration of human nature, The Count of Monte Cristodelves into themes of vengeance, justice, mercy, and the enduring power of hope. Dumas weaves a rich tapestry of characters and subplots, each contributing to the novel’s intricate moral landscape. His storytelling is both grand in scope and intimate in detail, offering readers a journey that is as emotionally resonant as it is exhilarating.
This two volume edition is based on the five volume 1888 English edition. It retains all text as in the original and includes most of the illustrations preserving the spirit and elegance of Dumas’s original edition, while making the novel accessible to contemporary readers. This version is most likely that of an anonymous translator who translated the work from the French for the publisher Chapman and Hall in 1846. There have been many translations in dozens of languages, and some in the 20th century basically rewriting the novel in modern prose and almost always considerably abridged.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 456 p.

By R.L. STEVENSON and W.E. HENLEY

“Deacon Brodie, or The Double Life” is a compelling historical drama co-written by Robert Louis Stevensonand William Ernest Henley, included in the Swanston Edition, Volume XV, which collects their collaborative dramatic works. This play dramatizes the real-life story of William Brodie, a respected Edinburgh cabinetmaker and city councillor by day, and a cunning burglar by night—whose double life ultimately led to his downfall and execution in 1788.

Set in 18th-century Edinburgh, the play explores themes of duality, deception, morality, and social hypocrisy, echoing many of the psychological and philosophical concerns that would later appear in Stevenson’s more famous work, Dr. Jekyll and Mr. Hyde. Brodie is portrayed as a man torn between his public persona and private vices, embodying the tension between outward respectability and inner corruption.

The drama unfolds with a rich cast of characters, including Brodie’s criminal associates, his family, and the lawmen who pursue him. The dialogue, shaped by Henley’s theatrical sensibilities and Stevenson’s narrative flair, is sharp and evocative, blending suspense with moments of dark humor and emotional intensity. The structure of the play builds steadily toward Brodie’s exposure and tragic end, offering a powerful commentary on the dangers of living a life divided by conflicting identities.

The Swanston Edition presents this work with scholarly attention to detail, including editorial notes and historical context that illuminate the real events behind the drama and the creative collaboration between Stevenson and Henley. As part of their broader dramatic output, Deacon Brodie stands out for its psychological depth and historical resonance, making it a significant contribution to late Victorian theatre and a fascinating study in character and consequence..

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 176p.

By Robert Louis Stevenson (Author), LLoyd Osbourne (Author), Colin Heston (Editor)

The Wrecker, co-written by Robert Louis Stevenson and his stepson Lloyd Osbourne, is a globe-trotting mystery and adventure novel centered around the mysterious fate of a derelict ship found in the South Seas. The story follows Loudon Dodd, an idealistic artist turned reluctant adventurer, as he unravels the secrets of the wrecked ship Currency Lass. Combining elements of detective fiction, satire, and romance, the novel explores themes of ambition, identity, and the illusion of fortune. Set against a backdrop of San Francisco, Paris, and the Pacific Islands, it presents a vivid and at times ironic portrait of late 19th-century capitalist enterprise and artistic struggle. This novel is taken from The Works of Robert Louis Stevenson VOL. XIII. This volume has been carefully edited and redesigned by Colin Heston, renowned novelist and story writer, to make the book more comprehensible to the present-day reader.

Read-Me.Org Inc. New York-Australia-Philadelphia. 2025. 269p.

By Robert Louis Stevenson:. Edited by Colin Heston

The Master of Ballantrae is a dark historical novel by Robert Louis Stevenson, set during the Jacobite rising of 1745. It tells the story of two brothers—noble and dutiful Henry Durie and his charming but treacherous elder brother James, the Master of Ballantrae—whose rivalry leads to betrayal, vengeance, and tragedy. Narrated by the loyal steward Ephraim Mackellar, the novel explores themes of family loyalty, pride, and the destructive power of ambition, set against a backdrop that spans Scotland, America, and India. With its psychological depth and moral complexity, the book stands as one of Stevenson’s most powerful works.

Read-Me.Org. Inc. Australia, New York, Philadelphia. 2025. 171p.

By R.L. Stevenson. Edited by Colin Heston.

The Works of Robert Louis Stevenson: Volume X presents two of Stevenson’s most engaging narratives in one timeless edition. In Kidnapped, follow young David Balfour on a perilous journey through betrayal, abduction, and rebellion in 18th-century Scotland—a gripping tale of adventure, identity, and justice. Paired with The Misadventures of John Nicholson, a sharply witty story of folly and redemption, this volume showcases Stevenson’s unmatched storytelling range. A must-have for lovers of classic literature, this Swanston Edition reprint brings together drama, danger, and Stevenson’s signature charm..

Read-Me.Org Inc. 2025. 214p.

By R. L. Stevenson. Edited by Colin Heston

"The Black Arrow: A Tale of the Two Roses" is a historical adventure novel by Robert Louis Stevenson, first published in 1888. Set during the tumultuous period of the Wars of the Roses in 15th-century England, the story follows the young protagonist, Richard Shelton. Richard is caught in the conflict between the houses of York and Lancaster, and his journey is marked by themes of loyalty, betrayal, and revenge. The novel begins with Richard discovering that his guardian, Sir Daniel Brackley, is involved in treacherous activities. As Richard seeks justice for his father's murder, he joins forces with a band of outlaws known as the Black Arrow. The leader of the outlaws, John Amend-All, becomes a key ally in Richard's quest. Throughout the narrative, Richard faces numerous challenges, including battles, escapes, and romantic entanglements with Joanna Sedley, a young woman disguised as a boy. Stevenson's vivid descriptions and fast-paced plot make "The Black Arrow" a captivating read. The novel seamlessly combines elements of adventure, romance, and historical fiction, offering readers a thrilling portrayal of medieval England and its intricate political landscape.

Volume VIII of the Swanston Edition of "The Works of Robert Louis Stevenson" continues to showcase Stevenson's literary versatility. This volume typically includes a mix of his essays, short stories, and other writings, reflecting his wide-ranging interests and talents. The Swanston Edition is renowned for its comprehensive and authoritative compilation of Stevenson's works, providing readers with an in-depth exploration of his literary contributions. Each volume in this series highlights Stevenson's ability to engage readers with his storytelling prowess across various genres and styles. This volume has been carefully edited and redesigned by Colin Heston, a renowned novelist and storyteller, to make the book more enjoyable and comprehensible to the modern reader.

Read-Me.Org Inc. New York, Philadelphia, Australia. 2025. 178p.

By R. L. Stevenson. Edited by Colin Heston

"Treasure Island" is a classic adventure novel by Robert Louis Stevenson, first published in 1883. The story follows young Jim Hawkins, who discovers a treasure map in the chest of a deceased pirate. This discovery sets him on a thrilling journey across the seas aboard the Hispaniola, in search of the hidden treasure. Along the way, Jim encounters a host of memorable characters, including the charismatic and cunning Long John Silver, who leads a mutiny among the crew. The novel is celebrated for its vivid characters, gripping plot, and timeless themes of adventure, bravery, and the quest for fortune. "Treasure Island" has had a lasting impact on popular culture, shaping the modern image of pirates and inspiring countless adaptations.

Volume VI of the Swanston Edition of "The Works of Robert Louis Stevenson" continues to showcase the breadth of Stevenson's literary talent. This volume typically includes a mix of his essays, short stories, and other writings. The Swanston Edition is known for its comprehensive and authoritative compilation of Stevenson's works, offering readers a thorough exploration of his diverse contributions to literature. Each volume in this series provides insight into Stevenson's versatility as a writer, highlighting his ability to engage readers across various genres and styles.

This volume has been carefully edited and redesigned by Colin Heston, renowned novelist and story writer, to make the book more comprehensible to the present-day reader.

Read-Me.Org Inc. NY. Philal Australia. 2025. 197p.

By R. L. Stevenson. Edited by Colin Heston

"Strange Case of Dr. Jekyll and Mr. Hyde" is a novella by Robert Louis Stevenson, first published in 1886. The story explores the duality of human nature through the character of Dr. Henry Jekyll, a respected scientist who creates a potion that transforms him into the sinister and violent Mr. Edward Hyde. As Hyde, Jekyll indulges in immoral acts without fear of social repercussions. The narrative delves into themes of identity, morality, and the struggle between good and evil within the human soul. The novella is renowned for its suspenseful and gothic atmosphere, as well as its profound psychological insights.
In addition to Jekyll and Hyde, this volume features a mix of Stevenson’s essays, short stories, and other literary works. The Swanston Edition iis known for its comprehensive and authoritative compilation of Stevenson's oeuvre, providing readers with a deep dive into his diverse literary contributions. Additional stories and writings in this volume include:.
Thrawn Janet. A short story, first published in 1881. Set in a small Scottish village, the tale revolves around the mysterious and eerie events surrounding Janet, an old woman believed to be a witch. The story is narrated by the local minister, who recounts Janet's unsettling behavior and the supernatural occurrences that follow her arrival. The narrative is steeped in gothic elements and explores themes of superstition, fear, and the clash between rationality and the supernatural.
More New Arabian Nights, The Dynamiter. A collection of linked short stories co-written by Robert Louis Stevenson and his wife, Fanny Van de Grift Stevenson. Published in 1885, the stories are set in London and revolve around the adventures of various characters entangled in plots involving dynamite and political intrigue. The collection is a sequel to Stevenson's earlier work "New Arabian Nights" and continues to employ a similar structure of interconnected tales. Themes of adventure, mystery, and social commentary are prevalent throughout the stories.
This volume has been carefully edited and redesigned by Colin Heston, renowned novelist and story writer, to make the book more comprehensible to the present-day reader.

Read-Me.Org Inc. NY-Phila.-Australia. 2025. 193p.

By Robert Louis Stevenson. Edited by Colin Heston

"The New Arabian Nights" by Robert Louis Stevenson is a captivating collection of short stories that showcases his talent for blending adventure, mystery, and humor. Volume 4 of his works includes these tales, which are inspired by the classic "Arabian Nights" but set in contemporary Europe.

The Suicide Club: The collection opens with "The Suicide Club," a trilogy of stories that revolve around Prince Florizel of Bohemia and his loyal companion, Colonel Geraldine. They stumble upon a secret society where members gamble with their lives, seeking an escape from their troubles through death. The stories are filled with suspense, intrigue, and Stevenson's signature wit, as the prince and the colonel navigate dangerous situations to uncover the club's dark secrets.

The Rajah's Diamond: Another notable story is "The Rajah's Diamond," which is divided into four parts. It follows the adventures of a priceless diamond and the various characters who come into possession of it. The diamond's journey leads to a series of thrilling and unexpected events, showcasing Stevenson's ability to weave complex plots and create memorable characters.

Other Stories: The volume also includes other engaging tales such as "The Pavilion on the Links," a story of love, betrayal, and revenge set against the backdrop of a remote Scottish coast, and "A Lodging for the Night," which features the infamous French poet François Villon and his escapades in medieval Paris.

"The New Arabian Nights" is a testament to Stevenson's versatility as a writer. Each story is rich with vivid descriptions, dynamic characters, and a blend of humor and suspense. Stevenson's ability to transport readers to different settings and immerse them in the adventures of his characters makes this collection a delightful and compelling read. Volume 4 of his works highlights Stevenson's skill in crafting engaging narratives that continue to captivate readers with their originality and charm.

Australia. Read-Me.Org. Inc. 2025. 197p.

By Colin Heston (Author), James Tucker (Author), Ralph Rashleigh (Contributor)

This compelling narrative offers a vivid portrayal of the convict experience in early colonial Australia. The book, first published in 1929, is attributed to James Tucker, who wrote under the pseudonym Ralph Rashleigh. This introduction by Colin Heston aims to provide an overview of the book’s themes, historical context, and its significance in Australian literature. The story is set during a tumultuous period in Australian history when the continent was used as a penal colony by the British Empire. From 1788 to 1868, over 160,000 convicts were transported to Australia, fundamentally shaping the social and cultural landscape of the emerging nation. “Adventures of an Outlaw” provides a firsthand account of this era, detailing the harsh realities faced by convicts and the brutal conditions of the penal system. James Tucker, the presumed author, was himself a convict transported to Australia for forgery. His experiences and observations lend authenticity to the narrative, making it a valuable historical document. The book offers insights into the daily lives of convicts, their interactions with authorities, and their struggles for survival and dignity in an unforgiving environment. This abridged edition simplifies the narrative and corrects the many quaint spellings and expressions while keeping the essential facts and challenging experiences that challenged Rasjleigh's resilience and determination to find freedom.

First published in 1929 by Jonathan Cape and Harrison Smith1. The memoir, attributed to the pseudonym Ralph Rashleigh, is actually the work of James Rosenberg Tucker. This abridged edition Read-Me.Org Inc. 2025. 105p.

By George Meredith

This book, first published in 1859, is a novel that explores the complexities of human nature and the consequences of rigid educational systems. The story centers around Sir Austin Feverel, who devises a strict educational plan known as "the System" to raise his son, Richard, in isolation from the corrupting influences of society. Despite Sir Austin's efforts, Richard falls in love with Lucy Desborough, a girl of lower social standing, leading to a series of tragic events. The novel delves into themes of love, passion, and the limitations of authoritarian control, offering a critical examination of contemporary attitudes toward education and sexuality.

Meredith's work is notable for its rich psychological analysis and lyrical prose, significantly contributing to Victorian literature. The novel's exploration of the father-son relationship and the impact of societal expectations on individual lives is both poignant and thought-provoking. "The Ordeal of Richard Feverel" was controversial at the time of its publication, with some readers finding its content prurient, leading to its ban by leading lending libraries. Despite this, it has endured as a classic, praised for its depth and literary merit.

First published by Chapman & Hall in a three-volume set. 1859. This edition Read-Me.Org Inc. 2025. 320p.

MAY CONTAIN MARKUP

Minette Walters

FROM THE COVER: 'Acid Row' is the name the beleaguered inhabitants give to their housing estate. A no-man's land of single mothers and fatherless chíldren-where angry, alienated youth control the streets. Into this battlefield comes Sophíe Morrison, a young doctor visiting a patient in Acid Row. Litle does she know that she is entering the home of a known paedophile ...and with reports circulating that a tormented child called Amy has disappeared, the vigilantes are out in force. Soon Sophie is trapped at the centre of a terrifying siege, held hostage by a violent psychopath. Whipped to a frenzy by unsubstantiated rumour, the mob unleashes its hatred. Against authority.. the law...and the pervert'. Protecting.Amy' becomes the catch-all defence for the terrible events that follow. And if murder is part of it, then so be it. But is Amy really missing?

London Allen and Unwin. 2001. 353p.

MAY CONTAIN MARKUP

By Elizabeth George

FROM THE COVER: It is barely three months since the murder of his wife and Thomas Lynley has taken to the South-West Coast Path in Cornwall, determined to walk its length in an attempt to recover from his loss. On the forty-third day of this walk, he spies a body on the beach - a young cliff climber has suffered a fatal fall. The nearest house to the death site belongs to a woman veterinarian from Bristol, and this proximity makes her an automatic suspect, particularly as she seems to have no personal history before her thirteenth year. The case brings Barbara Havers from London and thrusts both detectives into the rugged beauty of out-of-season Cornwall, with its community of surfers and hoteliers. But the wild landscape is the scene of jealousy, betrayal and revenge, and Lynley and Havers must sift through all these human emotions in their search for the killer. Careless in Red marks the welcome return of Scotland Yard's Detective….”

London. by Hodder & Stoughton. 2008. 547p.

MAY CONTAIN MARKUP

By Dean Koontz

FROM THE COVER: Martie Rhodes, a happily married, successful video games designer, takes an agoraphobic friend to therapy sessions twice a week. Each trip is a grim ordeal, but the experience has brought the two friends even closer together. Then, one morning, Martie experiences a brief, irrational but disquieting fear of... her shadow. When autophobia - one of the rarest and most intriguing phobias known to psychology - is diagnosed, suddenly, radically her life changes, and the future looks dark. Martie's husband, Dusty, loves her profoundly, and is desperate to understand the cause of her autophobia. But as he comes closer to the terrible truth, Dusty himsell starts showing signs of a psychological disorder even more frightening than that afflicting Martie...FALSE MEMORY is the breathtaking new thriller from the internationally bestselling author of SEIZE THE NIGHT and FEAR NOTHING.

London. Headline Book Publishing. 1999. 827p.