By Robert Louis Stevenson

In the South Seas” is a richly detailed and deeply reflective travel narrative by Robert Louis Stevenson, compiled from his journals and letters during his extensive travels across the Pacific Islands between 1888 and 1890. Published posthumously in 1896 and included in Volume XVIII of the Swanston Edition of his collected works, this volume offers a unique blend of ethnography, personal observation, and philosophical inquiry, capturing Stevenson’s fascination with the cultures, landscapes, and colonial dynamics of the South Pacific.

The book is divided into several sections, each focusing on a different island group, including the Marquesas, Paumotus (Tuamotus), and the Gilberts, as well as Samoa, where Stevenson eventually settled. Through vivid prose and a keenly observant eye, Stevenson documents the customs, beliefs, and social structures of the islanders, often contrasting them with the encroaching influence of European colonialism and missionary activity. His tone is both empathetic and critical—he admires the resilience and richness of Polynesian cultures while lamenting the disruptions caused by foreign intervention.

What distinguishes In the South Seas is Stevenson’s humanistic approach. Unlike many travel writers of his time, he does not exoticize or patronize the people he encounters. Instead, he seeks to understand them on their own terms, often engaging in thoughtful reflections on cultural relativism, mortality, and the nature of civilization. His writing is infused with a sense of moral responsibility and personal transformation, shaped by his own experiences of illness, displacement, and a growing disillusionment with Western imperialism.

The Swanston Edition presents this work with scholarly annotations and editorial context, highlighting its significance within Stevenson’s oeuvre and its contribution to travel literature and cultural history. It also situates the text within the broader framework of 19th-century colonial discourse, offering modern readers a critical lens through which to appreciate Stevenson’s nuanced and often progressive perspectives.

“In the South Seas” is not only a travelogue but also a meditation on identity, belonging, and the complexities of cross-cultural encounter. It remains a vital and thought-provoking work for readers interested in Pacific history, postcolonial studies, and the literary legacy of one of Scotland’s most celebrated authors.

By Ardis Cameron

Published in 1956, Peyton Place became a bestseller and a literary phenomenon. A lurid and gripping story of murder, incest, female desire, and social injustice, it was consumed as avidly by readers as it was condemned by critics and the clergy. Its author, Grace Metalious, a housewife who grew up in poverty in a New Hampshire mill town and had aspired to be a writer from childhood, loosely based the novel’s setting, characters, and incidents on real-life places, people, and events. The novel sold more than 30 million copies in hardcover and paperback, and it was adapted into a hit Hollywood film in 1957 and a popular television series that aired from 1964 to 1969. More than half a century later, the term ""Peyton Place"" is still in circulation as a code for a community harboring sordid secrets. In Unbuttoning America, Ardis Cameron mines extensive interviews, fan letters, and archival materials including contemporary cartoons and cover images from film posters and foreign editions to tell how the story of a patricide in a small New England village circulated over time and became a cultural phenomenon. She argues that Peyton Place, with its frank discussions of poverty, sexuality, class and ethnic discrimination, and small-town hypocrisy, was more than a tawdry potboiler. Metalious’s depiction of how her three central female characters come to terms with their identity as women and sexual beings anticipated second-wave feminism. More broadly, Cameron asserts, the novel was also part of a larger postwar struggle over belonging and recognition. Fictionalizing contemporary realities, Metalious pushed to the surface the hidden talk and secret rebellions of a generation no longer willing to ignore the disparities and domestic constraints of Cold War America. ; Published in 1956, Peyton Place became a bestseller and a literary phenomenon. A lurid and gripping story of murder, incest, female desire, and social injustice, it was consumed as avidly by readers as it was condemned by critics and the clergy. Its author, Grace Metalious, a housewife who grew up in poverty in a New Hampshire mill town and had aspired to be a writer from childhood, loosely based the novel's setting, characters, and incidents on real-life places, people, and events. The novel sold more than 30 million copies in hardcover and paperback, and it was adapted into a hit Hollywood film in 1957 and a popular television series that aired from 1964 to 1969. More than half a century later, the term "Peyton Place" is still in circulation as a code for a community harboring sordid secrets.In Unbuttoning America, Ardis Cameron mines extensive interviews, fan letters, and archival materials including contemporary cartoons and cover images from film posters and foreign editions to tell how the story of a patricide in a small New England village circulated over time and became a cultural phenomenon. She argues that Peyton Place, with its frank discussions of poverty, sexuality, class and ethnic discrimination, and small-town hypocrisy, was more than a tawdry potboiler. Metalious's depiction of how her three central female characters come to terms with their identity as women and sexual beings anticipated second-wave feminism. More broadly, Cameron asserts, the novel was also part of a larger postwar struggle over belonging and recognition. Fictionalizing contemporary realities, Metalious pushed to the surface the hidden talk and secret rebellions of a generation no longer willing to ignore the disparities and domestic constraints of Cold War America.

Ithaca, NY: Cornell University Press, 2015.

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By RYAN CROPP

IFROM THE COVER: In the 1960s, DONALD HORNE offered Australians a compelling reinterpretation of the Menzies years as a period of social and political inertia and mediocrity. His book The Lucky Country was profoundly influential and, without doubt, one of the most significant shots ever fired in Australia's endless culture war. Ryan Cropp's landmark biography positions Horne as an antipodean Orwell, a lively, independent and distinct literary voice 'searching for the temper of the people, accepting it, and moving on from there'. Through the eyes - and unforgettable words - of this preternaturally observant and articulate man, we see a recognisable modern Australia emerge.

'A compulsive read about a writer who shaped the way we Australians think about ourselves' -Judith Brett

Melbourne. La Trobe University Press. 2023. 375p.

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By Fredric S. Zuckerman

The Tsarist Secret Police in Russian Society, 1880-1917 delves into the intricate web of surveillance, espionage, and control wielded by the Russian secret police during a tumultuous period in history. Author Fredric S. Zuckerman meticulously uncovers the role of the secret police in shaping Russian society from 1880 to 1917, exploring how their tactics influenced political movements, dissent, and everyday life. Through extensive research and detailed analysis, Zuckerman sheds light on the far-reaching impact of the secret police on Russian society, offering a compelling narrative that illuminates this shadowy chapter in history. A must-read for those interested in the complexities of power, control, and resistance in Imperial Russia.

NY. NEW YORK UNIVERSITY PRESS. 1996. 358p.

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Edited by Joseph and Barrie Klaits

"The ties between people and animals are as mysterious and as obvious as the mutual devotion of a boy and his dog. We catch glimpses of these ties when we watch a circus parade, when we see someone's pet crushed in an accident, or when we witness the birth of kittens. Exhilaration, compassion, wonder-intangible responses like these are this book's raisons d'être.

"We have collected a series of readings that attempt to analyze such responses.,. The authors share a concern with the issue we have regarded as the leitmotif of this book: What do man's attitudes and behavior toward animals tell us about the historical development of human society and culture?" - from the Introduction.

NY. Harper and Row, Publishers. 1974. 177p.

By Stephan Conermann, Claudia Rauhut, Ulrike Schmieder and Michael Zeuske

In the recent cultural heritage boom, community-based and national identity projects are intertwined with interest in cultural tourism and sites of the memory of enslavement. Questions of historical guilt and present responsibility have become a source of social conflict, particularly in multicultural societies with an enslaving past. This became apparent in the context of the Black Lives Matter movement in 2020, when statues of enslavers and colonizers were toppled, controversial debates about streets and places named after them re-ignited, and the European Union apologized for slavery after the racist murder of George Floyd. Related debates focus on museums, on artworks acquired unjustly in societies under colonial rule, the question of whether and how museums should narrate the hidden past of enslavement and colonialism, including their own colonial origins with respect to narratives about presumed European supremacy, and the need to establish new monuments for the enslaved, their resistance, and abolitionists of African descent.

Berlin/Boston:DeGruyter, 2024, 352p.

Edited by Carin Kuoni and Laura Raicovich

There have been few times in US American history when the very concept of freedom of speech—its promise and its contradictions—has been under greater scrutiny. Guided by acclaimed artist, filmmaker, and activist Amar Kanwar, the Vera List Center for Art and Politics at The New School convened a series of public seminars on freedom of speech with the participation of some of the most original thinkers and artists on the topic. Structured as an open curriculum, each seminar examined a particular aspect of freedom of speech, reflecting on and informed by recent debates around hate speech, censorship, sexism, and racism in the US and elsewhere. Studies into Darkness emerges from these seminars as a collection of newly commissioned texts, artist projects, and resources that delve into the intricacies of free speech. Providing a practical and historical guide to free speech discourse and in-depth investigations that extend far beyond the current moment, and featuring poetic responses to the crises present in contemporary culture and society around expression, this publication provocatively questions whether true communication is ever attainable.

Amherst, MA: Amherst College Press, 2022. 390p.

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By Huston Smith

FROM THE PREFACE: “In the spring of 1995 I gave a course on The Religions of Man over KETC, The St.Louis educational television station. The response revealed a real hunger on the part of Americans to know the great faiths that have motivated and continue to motivate the peoples of the world. Over 1200 men and women in this one community enrolled as tuition-paying students while the viewing audience rose to the neighborhood of 100,000. The second thing the response revealed was the need for a different kind of book on world religions, a book which without sacrificing depth would move more rapidly than the usual survey into the meaning these religions carry for the lives of their adherents…”

NY. Harper & Row. 1986.

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By Jérôme Carcopino. Edited With Bibliography And Notes By Henry T. Rowell . Translated From The French By B. O. Lorimer

FROM THE PREFACE: “If 'Roman life' is not to become lost in anachronisms or petrified in abstraction, we must study it within a strictly defined period. Nothing changes more rapidly than human customs. Apart from the recent scientific discoverics which have turned the world of today upside down - steam, electricity, railways, motor-cars, and acroplanes - it is clear that even in times of greater stability and less highly developed technique the elementary forms of everyday life were subject to unceasing change. Coftee, tobacco, and champagne were not introduced into Europe until the seventeenth century; potatoes were first eaten toward the end of the eighteenth; the banana became a feature of our dessert at the beginning of the twentieth. The law of change was not less operative in antiquity. It was a commonplace of Roman rhetoric to contrast the rude simplicity of the republic with the lwxury and refinement of imperial times and to recall that Curius Dentatus 'gathered his scanty vegetables and himself cooked them on his little stove'!

London Penguin. 1967 (1941). 360p.

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By Ann Cornelisen

FROM THE COVER: “This is the painful, heroic story of five contemporary peasant women in souther Italy- Peppina, Ninetta, Teresa, Pinuccia, Cettina. For these women and others like them, marriage is a practical and religious necessity although men and women spend very little time together once married. Many men leave their families to seek sporadic work in the cities or in other countries, and those who remain spend all of their free time with other men. Their wives are left to their own devices, and it is their earnings and their efforts that largely support the family….”

NY. Vintage. 1997. 247p.

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By Herbert Agar Ray Billington, Denis Brogan, David Daiches, Corwin D. Edwards, John Hope Franklin, Graham Hutton, Gordon C. Lee And Frank Thistlethwaite

FROM THE PREFACE: “ThE chapters of this book were originally delivered as broadcast talks to the sixth forms of the schools of England and Wales during the spring term of 1955. The British sixth form are a tough-minded crew, and their class room a very lively forum; it is less surprising, therefore, than it might seem, that a series of talks beamed at them should also have been heard by adult cavesdroppers and should now find its way into print to reach a wider public. The talks have been printed as they were spoken, except for the elimination of certain oralisms and the inclusion, here and there, of passages fromthe B.B.C. pamphlet designed to accompany them. They have therefore the limitations of the spoken word in print. Their script-writers had to solve the problem of con- veying a few important truths about the American people in twenty minutes. …”

Melbourne. Cheshire. 1956. 130p.

By Thomas Bullfinch.

From thePublishers’ Preface: No new edition of Bulfinch’s classic work can be con­sidered complete without some notice of the American scholar to whose wide erudition and painstaking care it stands as a perpetual monument. “The Age of Fable” has come to be ranked with older books like “Pilgrim’s Progress,” “Gulliver’s Travels,” “The Arabian Nights,” “Robinson Crusoe,” and five or six other productions of world-wide renown as a work with which every one must claim some acquaintance before his education can be called really complete. Many readers of the present edition will probably recall coming in contact with the work as children, and, it may be added, will no doubt discover from a fresh perusal the source of numerous bits of knowledge that have remained stored in their minds since those early years. Yet to the majority of this great circle of readers and students the name Bulfinch in itself has no significance.

NY. Crown Publishers Avenel Books. 1978 1021p..