By  Sonja Schillings,

Hostis humani generis, meaning “enemy of humankind,” is the legal basis by which Western societies have defined such criminals as pirates, torturers, or terrorists as beyond the pale of civilization. Sonja Schillings argues that this legal fiction does more than characterize certain persons as inherently hostile: it provides a narrative basis for legitimating violence in the name of the state. The work draws attention to a century-old narrative pattern that not only underlies the legal category of enemies of the state, but more generally informs interpretations of imperial expansion, protest against government-sponsored oppression, and the transformation of institutions as “legitimate” interventions on behalf of civilized society.

Hanover, NH, Dartmouth University Press,, 2016. 304p.

Edited by Rüdiger Lohlker

Jihadi online media try to mobilize, recruit, and disseminate the messages of jihadi subcultures. Understanding the mechanisms and structures of the products of these online media is essential for understanding jihadism in general. Original research into visual representations of jihadi media outlets, the subtleties of jihadi videos, the specific ways jihadis use Islamic religious language, into jihadi poetry, and the ways jihadis stage their concepts in videos of kangaroo trials is presented in this volume. Jihadis as part of the imaginary of global media production is another aspect of representations of jihadism described in one of the contributions.

Gottingen: Vienna University Press, 2013/ 257p.

By Jon Lee

Jon Mee explores the popular democratic movement that emerged in the London of the 1790s in response to the French Revolution. Central to the movement’s achievement was the creation of an idea of ‘the people’ brought into being through print and publicity. Radical clubs rose and fell in the face of the hostile attentions of government. They were sustained by a faith in the press as a form of ‘print magic,’ but confidence in the liberating potential of the printing press was interwoven with hard-headed deliberations over how best to animate and represent the people. Ideas of disinterested rational debate were thrown into the mix with coruscating satire, rousing songs, and republican toasts. Print personality became a vital interface between readers and print exploited by the cast of radicals returned to history in vivid detail by Print, Publicity, and Popular Radicalism.

Cambridge, UK: Cambridge University Press, 2016. 286p.

By Ciarán O’Connor

In collaboration with the Southern Poverty Law Center, ISD conducted research to examine the use and misuse of YouTube Super Chats, a tool that allows creators to monetise comments in their livestream chat feeds, that are an increasingly important source of revenue for both YouTube and creators on the platform. The report features three case studies examining popular political commentary and content channels; Timcast IRL, The Young Turks and Right Side Broadcasting Network. In the past, Super Chats have been used by extremists on the platform as a source of generating revenue and, as this report demonstrates, Super Chats continue to enable creators and YouTube to profit from comments that promote violence, conspiracy theories, misinformation and hate. The report features three case studies of popular YouTube highlights YouTube’s failure to effectively enforce its own community guidelines on Super Chats and includes recommendations on how the platform can address this enforcement gap.

Beirut; Berlin; London; Paris; Washington DC : Institute for Strategic Dialogue (ISD), 2022. 18p.

By Jan Blommaert

Sociolinguistic evidence is an undervalued resource for social theory. In this book, Jan Blommaert uses contemporary sociolinguistic insights to develop a new sociological imagination, exploring how we construct and operate in online spaces, and what the implications of this are for offline social practice. Taking Émile Durkheim’s concept of the ‘social fact’ (social behaviours that we all undertake under the influence of the society we live in) as the point of departure, he first demonstrates how the facts of language and social interaction can be used as conclusive refutations of individualistic theories of society such as 'Rational Choice'. Next, he engages with theorizing the post-Durkheimian social world in which we currently live. This new social world operates 'offline' as well as 'online' and is characterized by 'vernacular globalization', Arjun Appadurai’s term to summarise the ways that larger processes of modernity are locally performed through new electronic media. Blommaert extrapolates from this rich concept to consider how our communication practices might offer a template for thinking about how we operate socially. Above all, he explores the relationship between sociolinguistics and social practice In Durkheim and the Internet, Blommaert proposes new theories of social norms, social action, identity, social groups, integration, social structure and power, all of them animated by a deep understanding of language and social interaction. In drawing on Durkheim and other classical sociologists including Simmel and Goffman, this book is relevant to students and researchers working in sociolinguistics as well as offering a wealth of new insights to scholars in the fields of digital and online communications, social media, sociology, and digital anthropology.

London; New York: Bloomsbury Academic, 2018. 136p.

Edited by Eric Schaefer

Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media—film and television, recorded sound, and publishing—that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as ;Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.

Durham, NC: Duke University Press, 2014. 481p.