by Nick Carter (Author), Graeme R. Newman (Introduction)

Featuring: The Stolen Brain, An Uncanny Revenge, A Human Counterfeit, and The Forced Crime

What happens when crime appears impossible—and science itself becomes the weapon?

In this thrilling collection of classic Nick Carter adventures, America's legendary detective confronts some of the most bizarre and unsettling mysteries of the early twentieth century. Mad surgeons, stolen identities, psychological manipulation, human experimentation, and seemingly impossible crimes challenge Carter's powers of observation, deduction, and courage like never before.

The centerpiece of this volume, The Stolen Brain, pits Nick Carter against the brilliant but ruthless Doctor Hiram Grantley, a surgeon whose obsession with scientific discovery has crossed every moral boundary. As Carter uncovers a horrifying conspiracy of human experimentation, he finds himself facing a criminal genius willing to sacrifice anything—and anyone—in pursuit of forbidden knowledge.

Also included:

• An Uncanny Revenge – A chilling tale in which vengeance reaches beyond the ordinary limits of justice.

• A Human Counterfeit – An ingenious mystery of deception, impersonation, and hidden motives.

• The Forced Crime – A suspenseful battle of wills involving manipulation, coercion, and a crime that may not be what it seems.

Introduced by criminologist Graeme R. Newman, Strange Crimes explores the fascinating intersection of detective fiction, early forensic science, psychology, and the enduring appeal of the impossible crime. These stories capture a pivotal moment when scientific progress inspired both hope and fear, and when the detective became the champion of reason against mystery and deception.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 276p..

In Book 5 of the celebrated Nick Carter series, America's legendary detective confronts some of his most dangerous and morally complex cases. Murder, deception, stolen fortunes, elaborate conspiracies, and false accusations combine in a thrilling collection of classic detective adventures that helped define the modern crime novel.

This volume includes:

• A Battle for Right – A deadly confrontation at a poker game appears to end in murder, but the truth is far more complicated than anyone suspects. Nick Carter must untangle a web of family loyalties, hidden motives, and mistaken guilt before justice can prevail.

• With Links of Steel – A daring robbery, an international diamond gang, and a relentless pursuit lead Carter through one of his most ingenious investigations.

• The Crime of the French Café – An apparently straightforward murder becomes a masterclass in mistaken identity, deception, and brilliant deduction.

• Nick Carter's Ghost Story – Supernatural appearances conceal a thoroughly human crime, as Carter exposes the tricks behind a haunting mystery.

• The Mystery of St. Agnes' Hospital – Bribery, suspicious deaths, and hidden evidence place Carter's reputation—and the search for justice itself—at risk.

This new Read-Me.Org edition features an original introduction by Graeme R. Newman, exploring the relationship between crime fiction and the Progressive Era's faith in policing, prisons, punishment, and the rule of law. Newman shows how Nick Carter's adventures reflect enduring questions about justice, criminal investigation, and whether legal institutions can ever fully overcome human greed, corruption, and violence.

Fast-paced, intelligently plotted, and historically fascinating, Justice in Chains captures the golden age of American detective fiction while revealing why Nick Carter remains one of the most influential fictional detectives ever created. Whether you are discovering these stories for the first time or revisiting a classic, this collection offers suspense, ingenious mysteries, and timeless reflections on crime and justice.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 345p..

by Nick Carter (Author), Graeme Newman (Introduction)

Deadly Women and Other Mysteries brings together three gripping Nick Carter detective adventures in which danger, deception, and brilliant criminal minds collide in the shadowy world of early crime fiction.

At the heart of these stories are women who defy every conventional expectation of their age—women who are cunning, fearless, manipulative, and sometimes deadly. From criminal masterminds and femme fatales to survivors hiding dangerous secrets, these unforgettable characters challenge Detective Nick Carter at every turn.

In A Woman at Bay, Carter infiltrates a ruthless gang of railroad robbers and outlaws, only to discover that the legendary criminal leader known as Hobo Harry is actually the notorious Black Madge, one of the most formidable villains he has ever faced. Disguises, bank robberies, secret hideouts, and life-or-death escapes lead to an explosive battle between detective and queen of crime.

In The Babbington Case, a mysterious death, hidden identities, forged documents, and a deadly inheritance conspiracy draw Carter into a complex investigation where appearances are never what they seem—and where a beautiful woman may be far more dangerous than any armed criminal.

In Out of Death’s Shadow, blackmail, murder, deception, and long-buried secrets converge in a suspense-filled mystery that tests Carter’s powers of deduction to their limits.

Featuring daring undercover operations, criminal masterminds, courtroom drama, thrilling escapes, and some of the most memorable female antagonists of classic detective fiction, Deadly Women and Other Mysteries is a fascinating collection from the golden age of pulp mysteries.

This volume also includes an insightful introduction by Graeme R. Newman, exploring the role of women, crime, and social anxiety in Victorian and Edwardian detective fiction.

Perfect for readers of classic mysteries, vintage detective stories, Sherlock Holmes, and crime fiction history.

New York-Philadelphia-Australia. 2026. 377p.

by Colin Heston (Author), A. E. W. Mason (Author) Format: Paperback

Step into a world of intrigue, courage, and moral conflict with this compelling double volume from acclaimed storyteller A.E.W. Mason. Trials of Honor and Fate brings together two unforgettable novels—The Witness for the Defence and The Winding Stair—in one masterful collection of suspense, adventure, and human drama.

In The Witness for the Defence, a seemingly straightforward murder trial unfolds into a gripping tale of love, loyalty, and sacrifice. As a barrister navigates a case that is painfully close to his own past, the boundaries between justice and personal honor blur. Set against evocative backdrops in England and colonial India, this powerful story explores the cost of silence and the weight of truth.

In The Winding Stair, Mason leads readers on a sweeping journey of redemption and courage. A young man burdened by his father’s disgrace sets out to reclaim lost honor, only to face dangers that test both his spirit and his convictions. Spanning continents and filled with vivid landscapes and high-stakes adventure, this novel reveals that the path to redemption is rarely straight—but always transformative.

Together, these two novels showcase Mason at the height of his storytelling powers—blending thrilling plots with deep psychological insight. Whether in the courtroom or the far reaches of unfamiliar lands, his characters are united by one question: can honor survive the trials imposed by fate?

Perfect for readers who enjoy:

• Classic mystery and courtroom drama

• Adventure tales set in exotic locations

• Stories of moral conflict, redemption, and courage

• Early 20th-century British fiction

Discover two timeless works in one captivating volume—where every choice matters, and every turn of fate leaves its mark.
Trials await. Honor is tested. Fate decides.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 306p.

by Colin Heston (Author), Arthur Machen (Author) Format: Paperback

Long before H. P. Lovecraft, Stephen King, and modern psychological horror, Arthur Machen was redefining the boundaries of supernatural fiction. His stories blurred the line between science and mysticism, reality and nightmare, suggesting that beneath the familiar world lies an older, stranger, and infinitely more terrifying reality.

This definitive collection brings together Machen's five greatest longer works, spanning more than twenty years of his remarkable career:

• The Great God Pan (1894) – the classic novella that shocked Victorian readers and forever changed supernatural fiction.

• The Three Impostors (1895) – an ingenious web of mysteries containing some of the finest weird tales ever written, including The Novel of the Black Seal and The Novel of the White Powder.

• The House of Souls (1906) – haunting stories in which everyday life opens onto hidden worlds of wonder and terror.

• The Hill of Dreams (1907) – Machen's deeply psychological masterpiece, exploring genius, obsession, imagination, and madness.

• The Terror (1917) – a chilling wartime novel in which nature itself appears to declare war on humanity.

More than a collection of horror stories, Of God and Terror is an exploration of forbidden knowledge, ancient myths, hidden civilizations, spiritual mystery, and the fragile limits of human understanding. Machen's influence can be traced through more than a century of literature, inspiring writers from H. P. Lovecraft and Algernon Blackwood to Ramsey Campbell, Clive Barker, and Stephen King.

This new Read-Me.Org edition features a substantial new preface by Colin Heston placing Machen's work in its historical context while examining its enduring relevance to modern readers. The text has been carefully modernized for readability while preserving the elegance, atmosphere, and distinctive voice of the original works.

Whether you are discovering Arthur Machen for the first time or returning to one of the founding masters of weird fiction, Of God and Terror offers an unforgettable journey into the mysterious territory where mythology, psychology, horror, and literature meet.

This volume includes:

• The Great God Pan

• The Three Impostors

• The House of Souls

• The Hill of Dreams

• The Terror

A landmark collection by one of the greatest—and most influential—writers of supernatural fiction ever to put pen to paper.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 470p.

Colin Hestpn Editor and Preface. J. S. Fletcher author.

Crime in the Counting House gathers three of J. S. Fletcher’s most compelling investigations into the hidden workings of money, law, and power, where crime is concealed not in darkened streets but within the very institutions designed to uphold order. In The Chestermarke Instinct, The Herapath Property, and The Root of All Evil, Fletcher reveals a world in which trust is fragile, appearances are deceptive, and the pursuit of wealth can obscure both truth and justice. These are mysteries shaped as much by financial intrigue and legal complexity as by human ambition, drawing the reader into a network of secrets that extends far beyond the immediate crime.

Writing at a pivotal moment in the development of modern detective fiction, Fletcher shifts the genre’s focus from the isolated act of wrongdoing to the systems that make such acts possible. His narratives probe the respectable surfaces of society—banks, estates, partnerships, and inheritances—and uncover the tensions and hidden motives that lie beneath. Each novel unfolds with methodical precision, yet the solutions they offer point to a deeper unease, suggesting that corruption and deception are rarely confined to individuals alone.

This edition, introduced by a new preface from Colin Heston, situates Fletcher’s work within the broader history of crime writing and highlights its enduring significance. Heston argues that these stories occupy a crucial middle ground in the evolution of the genre, where the traditional puzzle begins to expand into a more complex exploration of social and economic reality. The result is a collection that is not only deeply engaging as narrative, but also revealing in its portrayal of a world where the most dangerous crimes are often those committed in plain sight.

For readers who value classic British mystery, Crime in the Counting House offers both intellectual intrigue and narrative richness, demonstrating why Fletcher remains one of the most important and versatile writers of early twentieth‑century crime fiction.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 425 p.

By Hugh Clifford (Author), Graeme Newman (Introduction)

Studies in Brown Humanity by Sir Hugh Clifford is a striking collection of literary sketches drawn from the author’s experiences as a British colonial administrator in the Malay Peninsula during the late nineteenth century. Blending storytelling with observation, Clifford presents a series of vivid portraits of village life, local customs, personal conflicts, and dramatic encounters shaped by the social structures of colonial Southeast Asia. The narratives explore themes of honor, betrayal, justice, and authority, often focusing on moments when traditional Malay codes of conduct collide with the legal and moral framework imposed by the British colonial state.

Although written as literary sketches rather than formal social analysis, the book provides revealing insights into the ways communities understand wrongdoing and punishment. Clifford’s stories depict acts of violence, disputes over reputation, and conflicts between individuals and authority, illustrating how social norms, kinship ties, and communal expectations shape both criminal behavior and responses to it. In this sense, the work can be read not only as colonial literature but also as an early, informal contribution to the sociological study of crime and social control.

At the same time, Studies in Brown Humanity reflects the attitudes and assumptions of its imperial context. Clifford’s interpretations are filtered through the perspective of a European observer, and the book reveals much about the intellectual climate of the British Empire at the turn of the twentieth century. For modern readers, the volume is therefore both a vivid narrative of colonial life and a historical document that illuminates how crime, justice, and cultural difference were understood within the framework of empire.

Rich in atmosphere and dramatic detail, Clifford’s work remains valuable today as a window into the complex social worlds of colonial Southeast Asia and as a reminder of how early narratives about crime and punishment were shaped by the cultural and political conditions of their time.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 291p.

By O. E. Rølvaag (Author), Colin Heston (Introduction)

Peder Victorious by O. E. Rølvaag is a powerful continuation of the prairie saga that began with Giants in the Earth, shifting the focus from the physical hardships of pioneer settlement to the inner conflicts of the immigrant’s American-born son. Set within a Norwegian farming community in the Dakota Territory, the novel follows young Peder Holm as he comes of age amid the competing claims of ancestral faith and American ambition. Intelligent and driven, Peder embraces education and opportunity, yet his aspirations strain against the religious intensity and cultural conservatism that define his mother’s world. Rølvaag portrays with psychological depth the tension between generations, the fragility of cultural inheritance, and the cost of assimilation. The prairie remains vast and elemental, but the central struggle unfolds within the human heart, where identity, loyalty, and belief are tested. Both intimate and epic in scope, the novel offers a searching exploration of what it means to be victorious in a land that promises freedom while quietly demanding transformation.

Nearly a century after its publication, Peder Victorious by O. E. Rølvaag remains strikingly relevant in an era defined by global migration, cultural pluralism, and debates over national identity. The novel’s portrayal of second-generation tension—between inherited faith and modern ambition, communal loyalty and individual advancement—mirrors the lived experience of many contemporary families navigating assimilation in North America, Europe, and beyond. Peder’s divided consciousness anticipates what sociologists now describe as bicultural identity formation, in which success within dominant institutions can coexist with a sense of estrangement from ancestral tradition. At a time when questions of belonging, integration, and cultural continuity are again politically and socially charged, Rølvaag’s work offers a sober reminder that assimilation is not a frictionless process but a psychological and moral negotiation whose costs and gains are unevenly distributed across generations.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 240p.

By Johann Peter Eckerman., Johann Wolfgang Von Goethe. Special Preface by Graeme R. Newman

In the final decade of his life, one of Europe’s greatest literary minds opened his door each day to a devoted young writer—and spoke freely. Conversations with Eckermann preserves those remarkable exchanges, offering readers an intimate portrait of Johann Wolfgang von Goethe at the height of his intellectual maturity. Through the attentive record of Johann Peter Eckermann, we witness Goethe reflecting on art, science, politics, poetry, and the destiny of modern culture with candor, wit, and penetrating insight.

These conversations are not formal lectures but living thought—unfolding over dinners, walks, and evenings of discussion. Goethe comments on Shakespeare and Byron, debates the direction of German literature, critiques romantic excess, anticipates the idea of “world literature,” and reveals the disciplines that sustained his own creative genius. The result is a rare literary document: philosophy in motion, cultural criticism in real time, and the inner workshop of a towering mind laid open.

Both intellectually rich and deeply human, Conversations with Eckermann offers more than historical curiosity. It models the art of thinking—measured, expansive, resistant to extremes. For modern readers navigating an age of ideological noise and cultural fragmentation, this classic work remains a masterclass in intellectual clarity, civil discourse, and the enduring power of conversation.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 284p.

By Francis Beeding. Introduction by Colin Heston.

In the shadows of a Europe still scarred by the Great War, a new and more terrifying conspiracy awakens. When Thomas Preston arrives in Geneva, he expects nothing more than a quiet diplomatic mission. Instead, he is thrust into a lethal game of cat-and-mouse after stumbling upon the secrets of the "Seven Sleepers"—a clandestine cabal of German industrialists and embittered generals plotting to shatter the fragile peace of the League of Nations.

Equipped with a terrifying hidden technology and a ruthless determination to rewrite the Treaty of Versailles, the Sleepers have already set their clock for a second global cataclysm. Preston’s only hope lies with the enigmatic Colonel Alastair Granby of British Intelligence. From high-speed chases across the continent to the inner sanctums of hidden laboratories, they must race to dismantle the conspiracy before the world is plunged back into the abyss of total war.

Originally published in 1925, The Seven Sleepers is the pulse-pounding debut of Francis Beeding’s most famous hero. It is a classic of the "clubland" thriller era, blending atmospheric suspense with the high-stakes espionage that defined a generation.

NU. Little Brown & Co. 1925.. New York-Philadelphia-Australia.. Read-Me.Org Inc. 2026. 182p.

By George W. Cable

The Grandissimes: A Story of Creole Life stands among the most vivid and penetrating literary portraits of early New Orleans—its tangled ancestries, its hierarchies of caste and color, and its rich cultural complexity at the turn of the nineteenth century. First published in 1880, George W. Cable’s novel announced the arrival of a distinctive Southern voice: one capable of blending romance, social critique, historical reconstruction, and an almost anthropological attention to the manners and moral contradictions of Creole society.

Cable, himself native to New Orleans, wrote at a moment when the American public was only beginning to recognize the significance of Louisiana’s unique heritage. The city had passed from French to Spanish control, then back to France, then suddenly into the hands of the United States through the Louisiana Purchase. In Cable’s imagination, this swirl of sovereignties—compounded by the interwoven legacies of France, Spain, Africa, the Caribbean, and Indigenous peoples—created a society unlike any other on the continent. The Grand–issimes dramatizes this world at a moment of profound transition, when old loyalties struggled against the pressures of Americanization, and when the boundaries of race, class, and honor were both fiercely guarded and constantly transgressed.

At its center stands the old Creole family of the Grandissimes, whose branches include both the proud white aristocracy and a free man of color who bears the same name—a blood relationship that must not, in respectable society, be spoken aloud. Through this intricate family history, Cable exposes the contradictions of slavery, the moral compromises of privilege, and the tragic limitations imposed on people of mixed heritage. Yet the novel is anything but a simple moral allegory. Its pages teem with humor, local color, memorable characters, and a richly textured atmosphere that evokes the city’s architecture, dialects, festivals, and customs with unmatched fidelity.

Cable’s realism—rare among Southern writers of his generation—caused both admiration and controversy. His depictions of racial injustice were received with anger in parts of the post-Reconstruction South, and his advocacy for Black civil rights would eventually drive him to relocate to the North. Today, his work is recognized as foundational: a precursor to later explorations of New Orleans identity by Kate Chopin, Lafcadio Hearn, Lyle Saxon, and many others.

This edition of The Grandissimes invites readers to rediscover Cable’s great novel not merely as an historical document but as a living work of art. Its themes of belonging, cultural collision, and the moral weight of inherited systems remain deeply resonant. In tracing the fate of a family—and of a city—at a crossroads, Cable offers a vision both critical and compassionate, illuminating a world whose complexities still echo through the streets of New Orleans today.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. p.248.

By Ring W. Gardner (Author), Colin Heston (Preface) Format: Kindle Edition

Round Up gathers together the taut, muscular stories of Ring W. Lardner, a writer whose work bridges the divide between the mythologized West and its harsher, less forgiving realities. In these pages, Lardner is neither sentimental nor nostalgic. He strips the Western narrative to its barest elements, presenting us with a landscape that is both expansive and claustrophobic, and characters who are caught between the lure of freedom and the inevitability of fate.
Lardner’s contribution to the American short story lies in his ability to invest the familiar tropes of frontier life with psychological depth and moral ambiguity. His cowboys and ranchers are not mere archetypes; they are restless souls negotiating loyalty, isolation, and survival in a world where law and justice are provisional at best. The violence in these stories is never gratuitous—it is sudden, often senseless, and always carries a human cost. Lardner understands that the West was not only a place but also an idea, one that promised reinvention yet often delivered ruin.
What sets Lardner apart from many of his contemporaries is his prose: terse, unsentimental, yet charged with a quiet lyricism. His narratives move with the inevitability of a gathering storm, his dialogue as spare as the plains he describes. The result is a body of work that feels astonishingly modern in its refusal of easy resolutions.
In an era when the Western genre risks being dismissed as an artifact of popular culture, Round Up demands reconsideration. These are not mere adventure tales or moral fables. They are stories of a liminal world, where the boundaries between civilization and wilderness, justice and vengeance, myth and memory, blur and collapse. Lardner’s West is not simply the West that was; it is also the West as it continues to haunt the American imagination.

By George Meredith (Author), Colin Heston (Introduction)

George Meredith’s “The Egoist” is widely regarded as one of his most accomplished and mature works, combining his characteristic wit, psychological depth, and social critique into a sharp and satirical narrative. Published in 1879, this novel represents a pinnacle in Meredith’s literary philosophy—his commitment to using fiction not merely as entertainment but as a vehicle for exploring human character, societal expectations, and the subtle dynamics of personal relationships. In many ways, “The Egoist” functions both as a comedy of manners and as a profound psychological study, holding a mirror up to the follies and vanities of Victorian society.
At the heart of “The Egoist” lies a central theme that preoccupied Meredith throughout his literary career: the tension between individual selfhood and the demands of others—particularly within the confines of marriage and social conventions. The story revolves around Sir Willoughby Patterne, a wealthy and charming yet profoundly self-absorbed gentleman, whose narcissism forms the axis upon which the novel’s drama turns. Meredith describes him as a man who regards others merely as extensions of his own identity, whose self-love blinds him to the autonomy, desires, and inner lives of those around him. Willoughby’s egoism is not the mere arrogance or pride commonly depicted in fiction but is an all-encompassing psychological state—a subtle, insidious failure of empathy and moral imagination.
In conclusion, “The Egoist” is more than a satire of a single narcissistic man; it is a brilliant dissection of the subtle forces that govern human relationships. Through its precise psychological characterization, sharp wit, and philosophical depth, the novel transcends its Victorian context to speak to enduring questions about identity, autonomy, and the ethical demands of living among others. Its challenge to readers remains as relevant today as it was in 1879: to recognize, confront, and transcend the egoisms that so often distort both personal and social life.
Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 441p..

Edited by Matthias J. Becker, Marcus Scheiber, and Uffa Jensen

This edited volume explores the evolving role of visual and multimodal expressions in spreading hate ideologies within digital communication. In digital spaces, hate speech is increasingly conveyed through memes, images, and videos, blending textual and pictorial elements to perpetuate harmful stereotypes and other exclusionary narratives. While historical perspectives on hate imagery are well-documented, this collection emphasises the pressing need for contemporary analysis of visual and multimodal communication in digital environments. Featuring contributions from interdisciplinary experts, this volume investigates the content, structure, and dynamics of normalisation of visual hate speech. By examining memes, manipulated images, and other visual artifacts, it reveals how hateful content gains traction in digital public spheres, often blurring traditional boundaries of acceptability. Through rigorous case studies and theoretical insights, the anthology provides a comprehensive understanding of how multimodality shapes hate discourse and its societal impact. Grounded in empirical research, this collection also addresses the challenges of defining and analysing hate ideologies, offering nuanced frameworks for distinguishing legitimate critique from hate-based narratives. Decoding Visual Hate is an essential resource for scholars, policymakers, teachers, and digital communicators seeking to combat the proliferation of visual hate and foster more inclusive online spaces.

Cambridge, U: Open Book Publishers, 2025. 278p.

By Scarlet Harris

Drawing on first-hand accounts from anti-racist activists and community workers in two British cities, Islamophobia, anti-racism and the British left explores the treatment of Islamophobia by those committed to challenging it. The book interrogates the ways in which anti-racist activists and community workers understand the problem of Islamophobia, and what this means for their organised responses on the ground. Islamophobia remains one of the most misunderstood varieties of racism in the current moment. By combining empirical research with sociological theory, the book casts a clarifying lens on Islamophobia’s complex relationship to ‘race’, other modalities of racism and wider structures of racial capitalism. Furthermore, it offers a critical assessment of recent attempts to talk about and tackle Islamophobia. Reflecting on key political trends in Britain, from the entrenchment of ‘counter-extremism’ policy, liberal hegemony and resurgent left nationalisms, to histories of Black radicalism and recent pro-Palestine activism, Islamophobia, anti-racism and the British left offers an alternative approach to resisting Islamophobia from and for the anti-racist left.

Manchester, UK: Manchester University Press, OA Open. 2025. 177p.

By Paul McGorrery

In sentencing an offender, courts take many factors into account, such as the seriousness of the offence, the offender’s prior record, their age, whether they pleaded guilty and many others. In Australia, courts do this through an approach known as instinctive synthesis, meaning they consider all the factors that can justify a sentence being more or less severe and then arrive at a final outcome. One of the factors that courts may take into account is whether the offender has already been punished in some fashion outside the criminal justice process. Known as extra-curial punishment3 (or extra judicial or natural5 punishment) this can take various forms such as visa cancellation,6 loss of chosen career, injury to the offender8 and hardship to the offender’s family. This report is concerned with just one form of extra-curial punishment: adverse media coverage, in particular, of people. The media and the courts have an important and symbiotic relationship, but sometimes their interests can diverge. The media have an interest in reporting on criminal justice matters because they are often stories of considerable interest to their audiences. In reporting on those stories, the media often concentrate their attentions ‘on the exceptional and unusual among serious crimes’, which can lead to ‘intense and often emotive media reporting’ about sentencing. This can run the risk of undermining, rather than promoting, confidence in the justice system.

Courts in turn have an interest in having their decisions reported. Confidence in the judicial arm of the criminal justice system relies on a combination of community awareness about what courts do, the transparency of their work, and the apparent fairness of their decisions, which can only be scrutinised if there is transparency and community awareness. Moreover, the sentencing purpose of general deterrence – whereby the sentencing of one offender is thought to deter other people from engaging in similar behaviour – is realistically only achievable (if at all) if the media and/or government operate as the conduit between the courts and the community. While some courts have taken the very laudable step of making most of their sentencing remarks publicly available, many people do not even have time to read media summaries, let alone original source material like sentencing remarks, especially in the social media age. So the community realistically only becomes aware of sentencing decisions through the media. The difficulty is balancing the need for fair coverage (the courts’ priority) with the need for interesting coverage (the media’s priority). Justice Harper has described the relationship as like a ‘Greek tragedy’ because ‘[e]ach is forced by its circumstances to face the other off, with neither having the flexibility necessary to reach a satisfactory working compromise’.

Malbourne: Sentencing Advisory Council (VIC), 2022. 24p.

By David de Boer

For victims of persecution, attracting international awareness of their plight is often a matter of life and death. This book uncovers how in seventeenth-century Europe, persecuted minorities first learned how to use the press as a weapon to combat religious persecution. To mobilize foreign audiences, they faced an acute dilemma: how to make people care about distant suffering? This study argues that by answering this question, they laid the foundations of a humanitarian culture in Europe. The book reveals how, as consuming news became an everyday practice for many Europeans, the Dutch Republic emerged as an international hub of printed protest against religious violence. It traces how a diverse group of people, including Waldensian refugees, Huguenot ministers, Savoyard officeholders, and many others, all sought access to the Dutch printing presses to raise transnational solidarity for their cause. By examining their publicity strategies, this study deepens our understanding of how people tried to confront the specter of religious violence that had haunted them for generations.

UA Open. Oxford, UK: Oxford University Press, 2023. 225p.

By Dimitri A. Bogazianos

In 2010, President Barack Obama signed a law repealing one of the most controversial policies in American criminal justice history: the one hundred to one sentencing disparity between crack cocaine and powder whereby someone convicted of “simply” possessing five grams of crack—the equivalent of a few sugar packets—had been required by law to serve no less than five years in prison. In this highly original work, Dimitri A. Bogazianos draws on various sources to examine the profound symbolic consequences of America’s reliance on this punishment structure, tracing the rich cultural linkages between America’s War on Drugs, and the creative contributions of those directly affected by its destructive effects.

Focusing primarily on lyrics that emerged in 1990s New York rap, which critiqued the music industry for being corrupt, unjust, and criminal, Bogazianos shows how many rappers began drawing parallels between the “rap game” and the “crack game." He argues that the symbolism of crack in rap’s stance towards its own commercialization represents a moral debate that is far bigger than hip hop culture, highlighting the degree to which crack cocaine—although a drug long in decline—has come to represent the entire paradoxical predicament of punishment in the U.S. today.

UA Open. New York; London: NYU Press, 2011. 216p.

by Gregory Forter

Though American crime novels are often derided for containing misogynistic attitudes and limiting ideas of masculinity, Greg Forter maintains that they are instead psychologically complex and sophisticated works that demand closer attention. Eschewing the synthetic methodologies of earlier work on crime fiction, Murdering Masculinities argues that the crime novel does not provide a consolidated and stable notion of masculinity. Rather, it demands that male readers take responsibility for the desires they project on to these novels.
Forter examines the narrative strategies of five novels--Hammett's The Glass Key, Cain's Serenade, Faulkner's Sanctuary, Thompson's Pop. 1280, and Himes's Blind Man with a Pistol--in conjunction with their treatment of bodily metaphors of smell, vision, and voice. In the process, Forter unearths a "generic unconscious" that reveals things Freud both discovered and sought to repress.

UA. Open. New York; London: NYU Press, 2000. 278p.

Sarah J. Jackson

“It is clear in news coverage of recent uprisings for Black life that journalists and media organizations struggle to reconcile the fact of ongoing racism with narratives of U.S. progress. Bound up in this struggle is how collective memory—or rather whose collective memory—shapes the practices of news-making. Here I interrogate how television news shapes collective memory of Black activism through analysis of a unique moment when protests over police abuse of Black people became newsworthy simultaneous with widespread commemorations of the civil rights movement. I detail the complex terrain of nostalgia and misremembering that provides cover for moderate and conservative delegitimization of contemporary Black activism. At the same time, counter-memories, introduced most often by members of the Black public sphere, o ff er alternative, actionable, and comprehensive interpretations of Black protest.”

Communication, Culture and Critique 00 (2021) 1–20.