By George Meredith

This book, first published in 1859, is a novel that explores the complexities of human nature and the consequences of rigid educational systems. The story centers around Sir Austin Feverel, who devises a strict educational plan known as "the System" to raise his son, Richard, in isolation from the corrupting influences of society. Despite Sir Austin's efforts, Richard falls in love with Lucy Desborough, a girl of lower social standing, leading to a series of tragic events. The novel delves into themes of love, passion, and the limitations of authoritarian control, offering a critical examination of contemporary attitudes toward education and sexuality.

Meredith's work is notable for its rich psychological analysis and lyrical prose, significantly contributing to Victorian literature. The novel's exploration of the father-son relationship and the impact of societal expectations on individual lives is both poignant and thought-provoking. "The Ordeal of Richard Feverel" was controversial at the time of its publication, with some readers finding its content prurient, leading to its ban by leading lending libraries. Despite this, it has endured as a classic, praised for its depth and literary merit.

First published by Chapman & Hall in a three-volume set. 1859. This edition Read-Me.Org Inc. 2025. 320p.

By Amanda Anderson

Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

Ithaca, NY: Cornell University Press, 1993. 264p.

Edited by Eric Schaefer

Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media—film and television, recorded sound, and publishing—that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as ;Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.

Durham, NC: Duke University Press, 2014. 481p.

By Daniel Defoe.

Moll Flanders follows the life of its eponymous heroine through its many vicissitudes, which include her early seduction, careers in crime and prostitution, conviction for theft and transportation to the plantations of Virginia, and her ultimate redemption and prosperity in the new World. “When a woman debauched from her youth, nay, even being the offspring of debauchery and vice, comes to give an account of all her vicious practices, and even to descend to the particular occasions and circumstances by which she ran through in threescore years, an author must be hard put to it wrap it up so clean as not to give room, especially for vicious readers, to turn it to his disadvantage.”

NY. Harrow and Heston Classic Reprint. (1772) 502 pages.