By Retman, Sonnet H.

"A combination madhouse, burlesque show and Coney Island" : the color question in George Schuyler's Black no more -- "Inanimate hideosities" : the burlesque of racial capitalism in Nathanael West's A cool million -- "The last American frontier" : mapping the folk in the Federal Writers' Project's Florida : a guide to the southernmost state -- "Ah gives myself de privilege to go" : navigating the field and the folk in Zora Neale Hurston's Mules and men -- "Am I laughing"? : burlesque incongruities of genre, gender, and audience in Preston Sturges's Sullivan's travels -- Afterpiece : the Coen brothers' Ol'-timey blues in O brother, where art thou?

Durham, NC : Duke University Press, 2011. 322p.

By Nazgol Ghandnoosh, Celeste Barry and Luke Trinka

The United States experienced a 25% decline in its prison population between 2009, its peak year, and 2021. While all major racial and ethnic groups experienced decarceration, the Black prison population has downsized the most. But with the prison population in 2021 nearly six times as large as 50 years ago and Black Americans still imprisoned at five times the rate of whites, the crisis of mass incarceration and its racial injustice remain undeniable. What’s more, the progress made so far is at risk of stalling or being reversed.

Washington, DC, Sentencing Project. 2023, 34pg