MAY CONTAIN MARKUP

Neil Postman

Neil Postman's groundbreaking book, Technopoly, delves deep into the pervasive influence of technology on modern society. With keen insight and intellectual rigor, Postman challenges readers to critically examine the role of technology in shaping culture. By exploring how technology has become the dominant force in our lives, he raises crucial questions about the impact of this shift on human values, communication, and the very essence of our humanity. A timely and thought-provoking read, Technopoly offers a compelling exploration of the complex relationship between technology and culture in the digital age.

NY. Vintage. 1993. 233p.

MAY CONTAIN MARKUP

By Herbert S. Dordick and Georgette Wang

The Information Society: A Retrospective View offers a comprehensive exploration of the evolution and impact of information and communication technologies on our world. From the early days of the internet to the current era of social media and artificial intelligence, this book delves into the complex interplay between technology, society, and culture. Readers will gain valuable insights into how the information age has shaped our lives, transformed industries, and redefined the way we connect and communicate. Engaging and thought-provoking, this retrospective provides a compelling overview of the key developments that have defined the information society as we know it today.

London. Sage. 1993. 174p.

By John Feffer

In a post-Trump world, the right is still very much in power. Significantly more than half the world’s population currently lives under some form of right-wing populist or authoritarian rule. Today’s autocrats are, at first glance, a diverse band of brothers. But religious, economic, social and environmental differences aside, there is one thing that unites them - their hatred of the liberal, globalised world. This unity is their strength, and through control of government, civil society and the digital world they are working together across borders to stamp out the left. In comparison, the liberal left commands only a few disconnected islands - Iceland, Mexico, New Zealand, South Korea, Spain and Uruguay. So far they have been on the defensive, campaigning on local issues in their own countries. This narrow focus underestimates the resilience and global connectivity of the right. In this book, John Feffer speaks to world’s leading activists to show how international leftist campaigns must come together if they are to combat the rising tide of the right. A global Green New Deal, progressive trans-European movements, grassroots campaigning on international issues with new and improved language and storytelling are all needed if we are to pull the planet back from the edge of catastrophe. This book is both a warning and an inspiration to activists terrified by the strengthening wall of far-right power.

London: Pluto Press, 2021.

By Martin Paul Eve

When most people think of piracy, they think of Bittorrent and The Pirate Bay. These public manifestations of piracy, though, conceal an elite worldwide, underground, organized network of pirate groups who specialize in obtaining media – music, videos, games, and software – before their official sale date and then racing against one another to release the material for free. Warez: The Infrastructure and Aesthetics of Piracy is the first scholarly research book about this underground subculture, which began life in the pre-internet era Bulletin Board Systems and moved to internet File Transfer Protocol servers (“topsites”) in the mid- to late-1990s. The “Scene,” as it is known, is highly illegal in almost every aspect of its operations. The term “Warez” itself refers to pirated media, a derivative of “software.” Taking a deep dive in the documentary evidence produced by the Scene itself, Warez describes the operations and infrastructures an underground culture with its own norms and rules of participation, its own forms of sociality, and its own artistic forms. Even though forms of digital piracy are often framed within ideological terms of equal access to knowledge and culture, Eve uncovers in the Warez Scene a culture of competitive ranking and one-upmanship that is at odds with the often communalist interpretations of piracy. Broad in scope and novel in its approach, Warez is indispensible reading for anyone interested in recent developments in digital culture, access to knowledge and culture, and the infrastructures that support our digital age.

Santa Barbara, CA: Punctum Books, 221. 445p.

By E.C. Wilkinson

This thesis looks at the representation of violence in Dutch newspapers during the rise of the mass media in the Netherlands, from 1880 to 1930. Newspaper circulations shot up and newspapers increasingly targeted women readers and the working class. The thesis examines how these changes affected press coverage of sexual and family violence, crimes that involved women either as the victim or the perpetrator. A key question was whether public condemnation of male violence against women increased during this period, as has been argued by some historians.I find that newspaper reporting on partner violence and sexual violence increased after 1880, and the reports became more sympathetic to the women involved. I argue that this was in part because such human-interest stories were thought to appeal to the new target segment of women readers. However, journalists never treated such violence as a social problem and they often romanticized or trivialized assaults by men. Moreover, crime news was mediated by the sources and shaped by distinctive features of the Dutch criminal justice system.

Leiden, Netherlands: Leiden University, 2020. 293p.

By Loren Daniel Glass and Charles Francis Williams.

Over the course of the nineteenth century in both Europe and the United States, the state usurped the traditional authority of the church in regulating sexual expression and behavior. In the same century philosophers of classical liberalism identified that state function as a threat to individual liberty. Since then, liberalism has provided the framework for debates over obscenity around the globe. But liberalism has recently been under siege, on the one side from postmodern thinkers skeptical about its andro- and ethnocentric assumptions, and on the other side from religious thinkers doubtful of the moral integrity of the Enlightenment project writ large. The principal challenge for those who conduct academic work in this realm is to formulate new models of research and analysis appropriate to understanding and evaluating speech in the present-day public sphere. Toward those ends, Obscenity and the Limits of Liberalism contains a selection of essays and interventions by prominent authors and artists in a variety of disciplines and media. These writings, taken as a whole, put recent developments into historical and global contexts and chart possible futures for a debate that promises to persist well into the new millennium.

Columbus, OH: Ohio State University Press, 2011. 181p.

By Eirini Avramopoulou and Irene Peano.

Porno-Graphics and Porno-Tactics asks whether, and how, it is possible to re-appropriate pornography and think through it critically and creatively for a project of liberation. In the different contributions which make up this deliberately heterogeneous collection of short, non-canonical essays, such a quest proceeds by re-articulating the aporias of desire, intimacy, touch and seduction. It also relates them to claims of visibility, visions of emancipation and its failures, as well as to the politics of violence that we get exposed to through circulating images and affects. This is an attempt to exceed the limits set by and for ourselves in relation to how we connect to our own bodies, to the bodies of our lovers and to the bodies of the theories we live with, sleep with and dream about – in short, to all that we get attached to. The editors and contributors of this collection do not claim the euphoric potentiality of pornography as necessarily subversive and emancipatory, but are nevertheless open to the possibilities of re-shaping it (in textual, contextual, intertextual, but also affective and embodied forms) through different graphic and tactical/tactile inscriptions. On the one hand, authors reflect on definitions and practices of pornography as a genre adopting specific codes and canons, whether it is concerned with sex acts and the industry of porn or with other predominant forms of representation and the structures of power underlying them. On the other hand, chapters relate to the more affective, libidinal, synaesthetic and inter/subjective dimensions of pornography, and on the capacity of different reappropriations to subvert its limits.

Punctum books. (2016)

By Kimberly Seida and Eran Shor.

Aggression in Pornography focusses on the issue of violence in mainstream pornography and examines what we know, what we think we know, and what are some surprising research findings and insights about the place of violence within pornography today. The authors first review the modern pornography industry, theoretical claims about pornography as violence, and the ways in which aggression has been defined and measured in previous research. Next, they review the findings of empirical research on violent content in pornographic materials and the potential effects of such content on audiences. The main part of the book relies on systematically collected empirical data, as the authors analyze the content of hundreds of pornographic videos as well as more than a hundred interviews with men and women who regularly watch pornography. These analyses provide surprising insights regarding the prevalence of and trends in violent content within mainstream pornography, the popularity of violent and non-violent content among viewers, and variations in aggression by race and sexual orientation. As such, Aggression in Pornography will be of interest to students and researchers in sociology, gender and sexuality studies, and media and film studies, as well as to wider audiences who are interested in today’s pornography industry and to policymakers looking to devise empirically driven policies regarding this industry and its potential effects.

London; New York: Routledge, 2021. 152p.