By R. L. Stevenson. Edited by Colin Heston

"Treasure Island" is a classic adventure novel by Robert Louis Stevenson, first published in 1883. The story follows young Jim Hawkins, who discovers a treasure map in the chest of a deceased pirate. This discovery sets him on a thrilling journey across the seas aboard the Hispaniola, in search of the hidden treasure. Along the way, Jim encounters a host of memorable characters, including the charismatic and cunning Long John Silver, who leads a mutiny among the crew. The novel is celebrated for its vivid characters, gripping plot, and timeless themes of adventure, bravery, and the quest for fortune. "Treasure Island" has had a lasting impact on popular culture, shaping the modern image of pirates and inspiring countless adaptations.

Volume VI of the Swanston Edition of "The Works of Robert Louis Stevenson" continues to showcase the breadth of Stevenson's literary talent. This volume typically includes a mix of his essays, short stories, and other writings. The Swanston Edition is known for its comprehensive and authoritative compilation of Stevenson's works, offering readers a thorough exploration of his diverse contributions to literature. Each volume in this series provides insight into Stevenson's versatility as a writer, highlighting his ability to engage readers across various genres and styles.

This volume has been carefully edited and redesigned by Colin Heston, renowned novelist and story writer, to make the book more comprehensible to the present-day reader.

Read-Me.Org Inc. NY. Philal Australia. 2025. 197p.

By Yuanfei Wang

In Writing Pirates, Yuanfei Wang connects Chinese literary production to emerging discourses of pirates and the sea. In the late Ming dynasty, so-called “Japanese pirates” raided southeast coastal China. Hideyoshi invaded Korea. Europeans sailed for overseas territories, and Chinese maritime merchants and emigrants founded diaspora communities in Southeast Asia. Travel writings, histories, and fiction of the period jointly narrate pirates and China’s Orient in maritime Asia. Wang shows that the late Ming discourses of pirates and the sea were fluid, ambivalent, and dialogical; they simultaneously entailed imperialistic and personal narratives of the “other”: foreigners, renegades, migrants, and marginalized authors. At the center of the discourses, early modern concepts of empire, race, and authenticity were intensively negotiated. Connecting late Ming literature to the global maritime world, Writing Pirates expands current discussions of Chinese diaspora and debates on Sinophone language and identity.

Ann Arbor: University of Michigan Press, 2021. 227p.