By John Bunyan

This work of Christian fiction was published in 1680. It is structured as a dialogue between two characters, Mr. Wiseman and Mr. Attentive, who discuss Mr. Badman's sinful life and eventual death. The book serves as a moral tale, warning readers about the consequences of a wicked life and the importance of repentance and redemption.

The narrative provides a detailed account of Mr. Badman's life, from his early years of deceit and dishonesty to his ultimate demise. Through the dialogue, Bunyan explores themes of sin, morality, and the afterlife, using Mr. Badman's story as a cautionary example. The book is notable for its realistic portrayal of the consequences of immoral behavior and its emphasis on the need for spiritual awakening.

First Published: 1680 by Nathaniel Ponde. This edition Read-Me.Org Inc. 2025. 174p.

By George Eliot

"Middlemarch" by George Eliot is a richly woven tapestry of life in a provincial English town during the early 19th century. The novel delves into the lives, ambitions, and struggles of its diverse cast of characters, exploring themes of marriage, idealism, political reform, and the pursuit of personal fulfillment. At its heart is Dorothea Brooke, an intelligent and idealistic young woman whose aspirations for a meaningful life lead her into a complex marriage with the much older scholar, Edward Casaubon. Alongside Dorothea's story, the novel follows the fortunes of other key figures, such as the ambitious but flawed doctor Tertius Lydgate, the charming and morally ambiguous Will Ladislaw, and the steadfast yet troubled banker, Nicholas Bulstrode. Through its intricate plot and deep psychological insight, "Middlemarch" offers a profound commentary on the social and political issues of the time, while also providing timeless reflections on human nature and relationships.

• "Middlemarch" is celebrated for its intricate narrative and profound exploration of social, political, and personal themes.

• The novel features rich and complex characters, such as Dorothea Brooke and Tertius Lydgate, who reflect societal struggles and limitations.

• Eliot's work provides a detailed social and political commentary on 19th-century England, addressing issues like the Reform Bill of 1832 and the impact of industrialization.

• The themes of personal fulfillment, societal expectations, and moral integrity are timeless and resonate with readers across generations.

• Despite its length and complexity, "Middlemarch" remains relevant for its exploration of social issues, influence on modern writers, and significance in feminist literary criticism.

First published in eight installments between 1871 and 1872 by William Blackwood and Sons. This edition Read-Me.Org Inc. 2025. 690p.

By George Eliot

Step into the richly woven tapestry of Victorian society with George Eliot's final and most ambitious novel, "Daniel Deronda." Published in 1876, this literary gem explores profound themes of identity, cultural heritage, and moral growth, making it a timeless classic that continues to resonate with readers today.

"Daniel Deronda" masterfully intertwines the lives of two compelling characters: Daniel Deronda and Gwendolen Harleth. Daniel, a compassionate and introspective young man of uncertain parentage, embarks on a journey of self-discovery that leads him to embrace his Jewish heritage. His quest for identity and purpose is both poignant and inspiring, reflecting the universal human search for belonging.

Gwendolen Harleth, on the other hand, is a beautiful but self-centered woman whose life takes a dramatic turn when she marries the cruel and manipulative Henleigh Grandcourt. Her journey from vanity and ambition to moral awakening and redemption is a powerful narrative of personal growth and transformation. Through Gwendolen's struggles, Eliot critiques the societal constraints placed on women and explores the possibilities of moral and personal redemption.

Eliot's writing is renowned for its deep psychological insight and realism, and "Daniel Deronda" is no exception. The novel is rich with symbolism that adds depth to its themes and character development. Water, for instance, symbolizes cleansing and rebirth, particularly in Gwendolen's storyline. Jewelry represents power, control, and submission, while stage performance reflects the theme of appearance versus reality.

"Daniel Deronda" is not just a story of individual journeys; it is also a critique of Victorian society. Eliot highlights the limitations and hypocrisies of societal conventions, particularly those related to gender and class. Her characters frequently struggle against these constraints, seeking to find their own paths and to act according to their moral convictions rather than societal expectations.

As George Eliot's final novel, "Daniel Deronda" represents the culmination of her literary career. Its innovative approach to character development and engagement with cultural and social issues have influenced countless writers and continue to inspire readers. Eliot's emphasis on empathy, integrity, and the importance of understanding individual circumstances offers valuable insights into the complexities of human behavior and ethical decision-making.

First published in 1876. William Blackwood and Sons in London released the book in eight parts from February to September of that year. This novel was the last one Eliot completed and is notable for its exploration of Victorian society and its sympathetic portrayal of Jewish proto-Zionist ideas. 591p.

USED BOOK. MAY CONTAIN MARK-UP

By Irving Stone

FROM THE COVER: “Set in the days of the deadly Borgias, the warring popes and the mighty Medicis, this is the truly great novel of Michelangelo, his lifelong friendships, his passionate loves and his unquenchable genius. ….

"Irving Stone has painted the portrait of a supreme craftsman, one of the most versatile artists of all time, and he has also laid before us a cyclorama of one of the world's most astounding ages." New York Times

NY. Fontana books. 1970. 786p.

By Jorge Luis Borges

From the cover: ". unquestionably the most brilliant South American writing today. . .one of the genuine prose talents of our pe- riod. Written with a classical economy of means and under the control of a mind of wide culture and deep sensitivity, his stories will continue echoing in the minds of his readers as do those of Franz Kafka." -Herald Tribune Books

NY. Grove Press. 1962. 164p. USED BOOK. CONTAINS MARK-UP.

By Anthony Trollope

Fron Wikipedia: “Phineas Finn is a novel by Anthony Trollope and the name of its leading character. The novel was first published as a monthly serial from October 1867 to May 1868 in St Paul's Magazine.[1] It is the second of the "Palliser" series of novels. Its sequel, Phineas Redux, is the fourth novel in the series. The character of Phineas Finn is said to have been partly inspired by Sir John Pope Hennessy (grandfather of the museum director of the same name),[2] a Roman Catholic from Cork, who was elected as an "Irish Nationalist Conservative" Member of Parliament for King's County in 1859.[3] It deals with both British parliamentary politics of the 1860s, including voting reform (secret ballot and eliminating rotten boroughs and Irish tenant-right) and Finn's romances with women of fortune, which would secure his financial future.

London. George Virtue. 1869. 751p.

By Franz Kafka. : Willa and Edwin Muir, Tania and James Stern

This is a 1971 collection of all Kafka’s finished works. It contains all the amazing, weird and wonderful unsettling stories from Metamorphisis to In the Penal Colony.From Wikipedia: “In 1912, Kafka wrote Die Verwandlung (The Metamorphosis, or The Transformation),[150] published in 1915 in Leipzig. The story begins with a travelling salesman waking to find himself transformed into an ungeheures Ungeziefer, a monstrous vermin, Ungezieferbeing a general term for unwanted and unclean pests, especially insects. Critics regard the work as one of the seminal works of fiction of the 20th century.[151][152][153] The story "In der Strafkolonie" ("In the Penal Colony"), dealing with an elaborate torture and execution device, was written in October 1914,[82] revised in 1918, and published in Leipzig during October 1919. The story "Ein Hungerkünstler" ("A Hunger Artist"), published in the periodical Die neue Rundschau in 1924, describes a victimized protagonist who experiences a decline in the appreciation of his strange craft of starving himself for extended periods.[154] His last story, "Josefine, die Sängerin oder Das Volk der Mäuse" ("Josephine the Singer, or the Mouse Folk"), also deals with the relationship between an artist and his audience.[155]

NY. Schoken. 1971. 487p. CONTAINS MARK-UP

By Daphne du Maurier

"Rebecca" is a novel by British author Daphne du Maurier, first published in 1938. The novel is a gothic romance and psychological thriller that tells the story of an unnamed young woman who marries a wealthy widower, Maxim de Winter, and moves into his estate, Manderley.

The new Mrs. de Winter soon realizes that the shadow of Maxim's first wife, Rebecca, who died in mysterious circumstances, still looms large over the house and its inhabitants. She feels like an outsider in her own home and is haunted by the memory of Rebecca, who was beautiful, charismatic, and seemingly perfect. As she tries to uncover the truth about Rebecca's death, the new Mrs. de Winter becomes entangled in a web of deceit, jealousy, and danger.

The novel is known for its vivid descriptions of the English countryside, its atmospheric portrayal of Manderley, and its exploration of themes such as love, identity, jealousy, and the nature of truth. It has been adapted into several films, stage productions, and a television series, and is considered one of du Maurier's most popular and enduring works.

London. Gollancz. 1936. 283p.

By Niccolo Machiavelli

From Chapter 1: The people who inhabit the northern parts beyond the Rhine and the Danube, living in a healthy and prolific region, frequently increase to such vast multitudes, that part of them are compelled to abandon their native soil, and seek a habitation in other countries. The method adopted, when one of these provinces had to be relieved of its superabundant population, was to divide into three parts, each containing an equal number of nobles and of people, of rich and of poor. The third upon whom the lot fell, then went in search of new abodes, leaving the remaining two-thirds in possession of their native country. These migrating masses destroyed the Roman empire by the facilities for settlement which the country offered when the emperors abandoned Rome, the ancient seat of their dominion, and fixed their residence at Constantinople…..

London. M. Walter Dunne. 1901.

By Alexander Solzhenitsyn

Translated from the Russian by Michael Guybon. “*The First Circle asks to be compared to Dostoevsky. Solzhenitsyn is in the great story-telling tradition. When he introduces a character, he fills in the complete background. His portrait of a Soviet prosecutor and his family circle is unforgettable. So are chapters devoted to the brooding Stalin. A future generation of Russians will be able to come to terms with their history through books like Dr. Zhivago and The First Circle.'“ David Pryce-Jones, Financial Times.

London Collins. Fontana Books. 1970. 680P.

By Aleksandr Solzhenitsyn.

From the jacket: Cancer Ward, which has been compared to the master­piece of another Nobel Prize winner, Thomas Mann's The Magic Mountain,examines the relationships of a group of people in a provincial Soviet hospital in 1955, two years after Stalin's death. Through their stories, Aleksandr Solzhenitsyn has created a vivid portrait of life in the So­viet Union. Alexsandr Solzhenitsyn, winner of the 1970 Nobel Prize in Literature, was born in 1918. In 1945, while a captain in the Soviet Army, he was arrested—for criticiz­ing Stalin in a letter to a friend—and sentenced to an eight-year term in a labor camp and permanent exile. In exile, he became a patient in a cancer ward, and later re­covered. Although he was allowed to publish One Day in the Life of Ivan Denisovich in 1962, Solzhenitsyn was expelled from the Soviet Writers Union in 1969. When the KGB discovered the manuscript of The Gulag Archi­pelago, it became imperative for Solzhenitsyn to have the book published in the West. The authorities retaliated in 1974 by exiling him from the Soviet Union. He settled in the United States in 1976 and now lives in Vermont.

NY. Farrar, Straus and Giroux. 1968. 630p.

Translated Into English By Samuel Croxall.

This version is beautifully illustrated and contains “New applications, Morals etc. by the Rev. Geo. Tyler Townsend, editor of the “Arabian Nights’ Entertainments.” Eighty original Illustratiiona.

London” Frederick Warne and Co. Strand. ca. 1885. 161p.

By Josef Hoffmann

Josef Hoffmann covers influences and inspirations in crime writing with references to a stellar cast of crime writers including Arthur Conan Doyle, G. K. Chesterton, Dashiell Hammett, Albert Camus, Borges, Agatha Christie, Raymond Chandler, and Ted Lewis. Hoffmann examines why crime literature may provide stronger consolation for readers than philosophy. In so doing, he demonstrates the truth of Wittgenstein's claim that more wisdom is contained in the best crime fiction than in philosophical essays. Josef Hoffmann's combination of knowledge, academic acuity, and enthusiasm makes this a must-have book for any crime fiction aficionado—with or without a philosophical nature.

Harpenden, Herts, UK: No Exit Press, 2013. 192p.