by H.G. Wells. Edited with an Introduction by Colin Heston.

What happens when science makes life bigger—but the world refuses to grow with it?

In The Food of the Gods and How It Came to Earth, H. G. Wells transforms a seemingly absurd scientific experiment into a sweeping and surprisingly modern story about progress, fear, power, and humanity’s resistance to change.

Two scientists, Mr. Bensington and Professor Redwood, develop an extraordinary substance—Herakleophorbia, soon known simply as “the Food”—capable of producing astonishing growth. Intended as little more than an improved food supply, their invention quickly escapes the laboratory. The consequences are spectacular: gigantic plants, monstrous wasps, enormous rats, and eventually human children who grow to dimensions that make ordinary society seem absurdly small.

At first, the giants are treated as curiosities and inconveniences. But as the children mature, their extraordinary strength and intelligence threaten a civilization constructed—physically, politically, and socially—for smaller people. The new generation can lift enormous weights, cross great distances, and contemplate achievements beyond the abilities of ordinary humanity.

Fear soon becomes political. Caterham, the self-proclaimed “Jack the Giant-killer,” rises to power as hostility toward the giants intensifies. Laws restrict their movement, society demands their submission, and the conflict between the old world and the new moves inexorably toward confrontation.

First published in book form in 1904, The Food of the Gods is one of Wells’s most imaginative works of speculative fiction—a novel he described as a “fantasia on the change of scale in human affairs.”Beneath its giant insects, colossal children, scientific mishaps, and dark comedy lies a serious question: When something new outgrows the society that created it, should humanity suppress it—or make room for the future?

This Read-Me.Org Classic Reprint preserves the novel’s original three-book structure and presents Wells’s remarkable vision for a new generation of readers. It includes a new Introduction by Colin Heston.

A classic of early science fiction filled with giant creatures, scientific catastrophe, political satire, social conflict—and H. G. Wells’s unmistakable fascination with the terrifying possibilities of the future.

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 176p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

What if you fell asleep—and awoke more than two hundred years later to discover that you owned the world?

Graham, an exhausted nineteenth-century man, falls into a mysterious cataleptic trance. When at last he awakens, London has become an immense mechanized metropolis of moving walkways, towering structures, mass communications and flying machines. But the greatest shock is not technological. During his extraordinary sleep, Graham's modest fortune has multiplied through compound interest until he has become the richest man alive—and, at least in name, the Master of the World.

Yet ownership is not power. Graham discovers that a ruling Council has governed in his name while millions of ordinary people live under a rigid system of economic and political control. His awakening threatens the entire structure. Revolution erupts, and Graham is forced to choose between the calculating Ostrog, who believes the masses must be controlled, and a population determined to overthrow its masters.

First published in 1899 as When the Sleeper Wakes, Wells substantially revised the novel in 1910 under the title The Sleeper Awakes. He removed much of the original romantic subplot, tightened the later chapters, reconsidered the story's flying machines, and gave the struggle between rulers and ruled a darker and more ambiguous conclusion.

More than a century later, Wells's vision remains startling. Concentrated wealth, manipulation of public opinion, mass entertainment, technological surveillance, economic inequality and political elites who claim to know what is best for the people make The Sleeper Awakes one of the great precursors of modern dystopian fiction.

This new Read-Me.Org edition presents Wells's revised text, newly reset and lightly corrected for typographical consistency, while retaining the language and character of the original. It also includes a new Introduction by Colin Heston and five public-domain period illustrations by Henri Lanos, the celebrated illustrator of the original 1899 publication.

For readers of The Time Machine, The War of the Worlds, Nineteen Eighty-Four, Brave New World and other classics of speculative and dystopian fiction, The Sleeper Awakes reveals H. G. Wells not merely as a prophet of technology, but as a remarkably prescient critic of wealth, power and the politics of the modern mass society.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 174p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

H. G. Wells imagined the nightmare of modern aerial warfare before the modern airplane had truly arrived.

First published in 1908, The War in the Air: And Particularly How Mr. Bert Smallways Fared While It Lasted is one of Wells’s most startling works of speculative fiction—a sweeping story of technological progress, global conflict, and the terrifying consequences of inventions that humanity may be clever enough to create but not wise enough to control.

Bert Smallways is no soldier, statesman, or scientific genius. He is an ordinary, ambitious young bicycle mechanic whose enthusiasm for the new age of machines leads him into an extraordinary adventure. By accident, Bert finds himself swept into the world of experimental aviation and then carried aboard a German aerial armada crossing the Atlantic to attack the United States.

What begins with the excitement and comedy of early flight rapidly becomes something much darker.

Wells imagines fleets of gigantic airships, military aeroplanes, battles fought above oceans and cities, the destruction of New York, international retaliation, and finally a conflict so widespread that the political, commercial, and technological foundations of civilization begin to collapse.

Written years before the First World War demonstrated the military importance of aviation, The War in the Air is remarkable for the questions it asks. What happens when technological change moves faster than political institutions can respond? Can a weapon that can destroy an enemy actually secure victory? What becomes of civilians when the battlefield expands into the sky above their homes? And what happens when every great power possesses the ability to strike beyond traditional frontiers?

Yet this is not simply a novel of machines and warfare. At its center is Bert Smallways—bewildered, resourceful, comic, frightened, and unmistakably human—trying to survive a catastrophe whose causes are far beyond his understanding or control.

More than a century after its first appearance, Wells’s warning has lost little of its force. Aircraft, missiles, nuclear weapons, drones, cyberwarfare, and autonomous military technologies have changed the instruments, but the fundamental problem remains: human beings continually acquire new powers before they have necessarily acquired the wisdom to govern them.

This new Read-Me.Org Classic Reprint reproduces Wells’s historic novel in a freshly reset edition, supplemented by period public-domain aviation illustrations and a new Introduction by Colin Heston that places the book in its historical setting while examining its continuing relevance to warfare, technology, and the uncertain future of civilization.

A classic of early science fiction, future-war literature, and political prophecy, The War in the Air remains both a gripping adventure and one of H. G. Wells’s most disturbing warnings about the price of uncontrolled progress.

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 210p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

H. G. Wells takes humanity beyond Earth in one of the earliest—and still one of the most imaginative—novels of lunar exploration.

When the eccentric scientist Mr. Cavor invents Cavorite, an extraordinary substance capable of shielding matter from gravity, his commercially minded neighbor Mr. Bedford immediately recognizes its possibilities. Together they construct a spherical spacecraft and embark upon an experiment that carries them farther than either man intended: all the way to the Moon.

But Wells's Moon is no lifeless wilderness. Beneath its strange surface lies an enormous subterranean world of caverns, vegetation and astonishing forms of life. Most remarkable of all are the Selenites, an advanced insect-like civilization whose society has developed along principles utterly different from those of humanity.

What begins with the exuberance of scientific discovery gradually becomes something much more unsettling. Bedford sees opportunity, wealth and conquest; Cavor seeks knowledge and understanding. Their reactions to the Selenites allow Wells to turn the adventure back upon its readers. Who, after all, is truly alien? What happens when one civilization encounters another that it neither understands nor controls? And what might an intelligent extraterrestrial species conclude after learning about human warfare, greed and empire?

First published in book form in 1901, The First Men in the Moon was the culmination of the extraordinary sequence of scientific romances that included The Time Machine, The Island of Doctor Moreau, The Invisible Man and The War of the Worlds. It combines humor, adventure, speculation and social criticism with an imaginative vision of extraterrestrial life that helped shape modern science fiction.

This Read-Me.Org Classic Reprint presents Wells's original narrative for a new generation of readers, together with an introduction placing the novel in its literary and historical setting. The edition preserves Wells's extraordinary mixture of Victorian adventure and remarkably modern speculation about alien intelligence, specialization, colonialism and humanity's place in the universe.

A classic voyage beyond Earth—and an encounter with a world stranger, larger and more sophisticated than its human visitors ever imagined.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 184p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

What separates the human being from the animal—and what happens when science attempts to erase the boundary?

Shipwrecked and close to death, Edward Prendick is rescued from the Pacific and carried aboard a strange schooner transporting an assortment of animals to an unnamed island. His relief at surviving soon gives way to suspicion. The island is inhabited by the mysterious Doctor Moreau, a brilliant scientist whose notorious experiments forced him to abandon civilized society.

Then Prendick discovers what Moreau has been doing.

Hidden within the island is the terrible House of Pain, where Moreau has attempted to transform animals into beings resembling men and women. His creations walk upright, speak, obey commandments and struggle to suppress their animal instincts. They call themselves the Beast Folk.

And they live according to the Law.

First published in 1896, The Island of Doctor Moreau followed The Time Machine and became one of H. G. Wells's most disturbing scientific romances. Written during the fierce Victorian controversy surrounding vivisection and experimental biology, the novel pushes scientific ambition to its most horrifying conclusion. Moreau is not simply a conventional mad scientist. He is more frightening than that: an intelligent investigator who has convinced himself that knowledge justifies suffering and that scientific curiosity need recognize no moral boundary.

Yet Wells's real target extends far beyond the laboratory. The Beast Folk imitate humanity through speech, ritual, prohibition and fear. When Moreau's authority begins to collapse, so does the Law that has restrained them. The resulting nightmare forces Prendick to confront an even more disturbing possibility—that civilization itself may be only a thin covering over humanity's own animal inheritance.

More than a century after its publication, the questions raised by Doctor Moreau have become more rather than less provocative. Genetic engineering, biotechnology, animal experimentation and the power of scientists to manipulate living organisms give Wells's nightmare a striking contemporary resonance.

Part science fiction, part Gothic horror and part philosophical investigation, The Island of Doctor Moreau asks questions that remain profoundly uncomfortable: How far should science be permitted to go? Does the ability to alter life confer the right to do so? And how certain are we that the boundary between civilization and savagery is as secure as we imagine?

This Read-Me.Org Classic Reprint presents Wells's original 1896 narrative, together with a new introduction exploring the scientific, ethical and evolutionary questions behind one of the darkest masterpieces of early science fiction.

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 135p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

They came from Mars—and suddenly humanity was no longer the dominant species on Earth.

When a strange cylinder crashes into the English countryside, curious spectators gather around the crater. What emerges changes the world forever.

The Martians have arrived.

Armed with terrifying technology, towering fighting machines, deadly Heat-Rays, and poisonous Black Smoke, the invaders sweep aside human resistance with shocking ease. Soldiers, artillery, cities, governments, and the certainties of Victorian civilization collapse before an enemy whose scientific superiority appears overwhelming.

Through the experiences of an unnamed narrator struggling across a devastated England, H. G. Wells creates one of literature’s greatest stories of invasion, survival, panic, and social breakdown.

First published in 1898, The War of the Worlds helped establish the modern alien-invasion story, but Wells intended much more than spectacular science fiction. Behind the Martian machines lies a provocative reversal of imperial power. What does conquest look like when the technologically superior invader is no longer European—and humanity itself becomes the apparently inferior population?

Wells strips civilization of its confidence with astonishing speed. Refugees choke the roads. Authority disintegrates. Ordinary people flee for their lives. Humanity discovers that intelligence, technology, and military power do not necessarily guarantee survival.

More than a century after its publication, The War of the Worlds retains its extraordinary power because its central question remains unsettlingly simple:

What if something arrived that we could not defeat?

This Read-Me.Org edition brings Wells’s revolutionary scientific romance to contemporary readers while preserving the extraordinary imagination, urgency, and menace of the original.

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 207p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

In 1914 H. G. Wells imagined the atomic bomb—and a world forced to confront what such a weapon would mean.

Among Wells’s extraordinary works of scientific speculation, The World Set Free occupies a unique place. Written in 1913 and published in 1914, the novel imagined the release of atomic energy and weapons Wells explicitly called “atomic bombs” decades before Hiroshima and Nagasaki.

But Wells was interested in far more than predicting a new weapon.

Beginning with humanity’s long struggle to harness energy, the novel moves toward the discovery of practical atomic power—and then toward catastrophe. The new energy promises abundance on an unprecedented scale, but nations quickly transform scientific achievement into military power. Atomic war follows, devastating cities and demonstrating that the traditional international order can no longer survive the destructive capacities science has placed in human hands.

From that destruction Wells develops his larger and more controversial argument. If technology has made war potentially catastrophic for civilization itself, must humanity eventually abandon competing sovereign states and construct some form of world government?

The World Set Free is therefore simultaneously scientific romance, future history, political argument, and warning.

Its historical significance is remarkable. Physicist Leó Szilárd, who later played an important role in the development of nuclear physics and the history of the atomic bomb, acknowledged Wells’s novel as an influence on his thinking about atomic chain reactions.

Yet the book’s greatest interest today may lie in the question Wells asks beyond the bomb itself: Can humanity develop political institutions rapidly enough to control the destructive technologies its scientists create?

The uploaded Read-Me.Org edition includes Wells’s important 1921 preface, in which he reconsidered his predictions after the catastrophe of the First World War.

More than a century after Wells wrote it, The World Set Free remains an extraordinary encounter between science fiction and history—a novel that did not merely imagine atomic warfare but helped place the idea into the intellectual world from which the nuclear age eventually emerged.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 216p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

A hidden garden behind a green door. A valley where the blind rule. A magic shop where every trick is real. A crystal window onto Mars.

H. G. Wells is celebrated for The Time Machine, The War of the Worlds, and The Invisible Man, but his short fiction reveals the full breadth of his imagination. In these pages, ordinary men and women stumble across impossible discoveries, strange inventions, terrifying creatures, and worlds that exist just beyond the boundaries of everyday experience.

The Door in the Wall and Other Stories brings together forty of Wells's finest short stories, including every story from his definitive 1911 collection The Country of the Blind and Other Stories together with the additional tales from The Stolen Bacillus and Other Incidents that Wells himself later left behind. The result is the most complete single-volume gathering of his greatest short fiction from the remarkable decade in which he transformed modern speculative storytelling.

Here are unforgettable classics such as:

• The Door in the Wall

• The Country of the Blind

• The Crystal Egg

• The Magic Shop

• The New Accelerator

• The Star

• The Man Who Could Work Miracles

• The Empire of the Ants

• The Red Room

• The Remarkable Case of Davidson's Eyes

Alongside these famous masterpieces are comic tales, Gothic horrors, scientific romances, social satires, mysteries, and fantasies that display Wells at his most inventive and entertaining.

Whether imagining alien visions, miraculous powers, invisible thresholds, or the unexpected consequences of scientific discovery, Wells continually asks a question that became the foundation of modern science fiction: What would happen if the impossible were suddenly true?

Complete, authoritative, and newly introduced for modern readers, this volume is an essential collection for fans of classic science fiction, fantasy, horror, and one of the greatest imaginative writers in English literature.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 172p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

A hidden garden behind a green door. A valley where the blind rule. A magic shop where every trick is real. A crystal window onto Mars.

H. G. Wells is celebrated for The Time Machine, The War of the Worlds, and The Invisible Man, but his short fiction reveals the full breadth of his imagination. In these pages, ordinary men and women stumble across impossible discoveries, strange inventions, terrifying creatures, and worlds that exist just beyond the boundaries of everyday experience.

The Door in the Wall and Other Stories brings together forty of Wells's finest short stories, including every story from his definitive 1911 collection The Country of the Blind and Other Stories together with the additional tales from The Stolen Bacillus and Other Incidents that Wells himself later left behind. The result is the most complete single-volume gathering of his greatest short fiction from the remarkable decade in which he transformed modern speculative storytelling.

Here are unforgettable classics such as:

• The Door in the Wall

• The Country of the Blind

• The Crystal Egg

• The Magic Shop

• The New Accelerator

• The Star

• The Man Who Could Work Miracles

• The Empire of the Ants

• The Red Room

• The Remarkable Case of Davidson's Eyes

Alongside these famous masterpieces are comic tales, Gothic horrors, scientific romances, social satires, mysteries, and fantasies that display Wells at his most inventive and entertaining.

Whether imagining alien visions, miraculous powers, invisible thresholds, or the unexpected consequences of scientific discovery, Wells continually asks a question that became the foundation of modern science fiction: What would happen if the impossible were suddenly true?

Complete, authoritative, and newly introduced for modern readers, this volume is an essential collection for fans of classic science fiction, fantasy, horror, and one of the greatest imaginative writers in English literature.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 360p.

by Hugh Walpole. Introduction by Colin Heston.

A single blow. A single death. A lifetime of consequences.

On a misty November afternoon near Cambridge, Olva Dune kills a fellow undergraduate in a moment of long-suppressed fury. The act is sudden, irrevocable, and witnessed by no one. Yet standing over the body, Olva experiences something far more disturbing than fear or remorse: the overwhelming certainty that he is no longer alone.

As suspicion slowly gathers around the unsolved crime, Olva returns to the routines of college life carrying a secret that separates him from everyone around him. Friendship, ambition, and a growing love for the brilliant Margaret Craven seem to offer escape, but an unseen presence pursues him with relentless patience, demanding truth, sacrifice, and surrender.

Set against the atmospheric backdrop of Edwardian Cambridge, The Prelude to Adventure is a haunting psychological novel that explores guilt, conscience, faith, and redemption. Decades before such themes became staples of modern literary fiction, Hugh Walpole crafted an unforgettable portrait of a man forced to choose between the life he desires and the truth he cannot escape.

Dark, compelling, and profoundly moving, this neglected classic deserves its place beside the great novels of moral conflict and spiritual awakening.

"A remarkable psychological study of crime, conscience, and the search for grace."

This edition includes a new introduction by Colin Heston and presents Walpole's classic novel in a carefully modernized text for contemporary readers.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 204p.

by Hugh Walpole. Introduction by Colin Heston.

A young woman’s search for freedom leads her into a world where faith, love, and human loyalty become their own forms of captivity.

After the sudden death of her harsh and miserly clergyman father, nineteen-year-old Maggie Cardinal leaves the lonely West Country village she has always known and journeys to London to live with two deeply religious aunts. There she is drawn into the orbit of the Warlocks, leaders of a fervent sect convinced that the Second Coming of Christ is near at hand.

As Maggie struggles to find her place in an unfamiliar world, she becomes entangled in powerful emotional and spiritual conflicts. The Warlock community offers belonging and purpose, yet demands unquestioning devotion. Her growing love for Martin Warlock, the troubled and self-destructive son of the sect’s revered leader, forces her to confront difficult questions about faith, independence, sacrifice, and the price of personal happiness.

First published in 1920, The Captives is one of Hugh Walpole’s most compelling psychological novels. Combining vivid characterization, emotional intensity, and penetrating insight into the nature of belief, Walpole explores how people become prisoners not only of institutions and doctrines, but also of love, family, memory, and their own deepest desires.

This new Read-Me.Org edition presents a carefully corrected and modernized text, preserving the full power of Walpole’s original masterpiece for contemporary readers.

Perfect for readers of E.M. Forster, Arnold Bennett, George Gissing, and early twentieth-century literary fiction exploring religion, identity, and the struggle for personal freedom.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 394p.

by Hugh Walpole. Introduction by Colin Heston.

A single blow. A single death. A lifetime of consequences.

On a misty November afternoon near Cambridge, Olva Dune kills a fellow undergraduate in a moment of long-suppressed fury. The act is sudden, irrevocable, and witnessed by no one. Yet standing over the body, Olva experiences something far more disturbing than fear or remorse: the overwhelming certainty that he is no longer alone.

As suspicion slowly gathers around the unsolved crime, Olva returns to the routines of college life carrying a secret that separates him from everyone around him. Friendship, ambition, and a growing love for the brilliant Margaret Craven seem to offer escape, but an unseen presence pursues him with relentless patience, demanding truth, sacrifice, and surrender.

Set against the atmospheric backdrop of Edwardian Cambridge, The Prelude to Adventure is a haunting psychological novel that explores guilt, conscience, faith, and redemption. Decades before such themes became staples of modern literary fiction, Hugh Walpole crafted an unforgettable portrait of a man forced to choose between the life he desires and the truth he cannot escape.

Dark, compelling, and profoundly moving, this neglected classic deserves its place beside the great novels of moral conflict and spiritual awakening.

"A remarkable psychological study of crime, conscience, and the search for grace."

This edition includes a new introduction by Colin Heston and presents Walpole's classic novel in a carefully modernized text for contemporary readers.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 180p.

by Hugh Walpole. Introduction by Colin Heston.

A wild man, a stolen valley, and the love that outlasted everything.

In 1730, Francis Herries — reckless, restless, and already half a scandal — abandons his comfortable Yorkshire life and drags his wife, his mistress, and his children into the wilds of Borrowdale, a Cumberland valley whose people want nothing to do with outsiders. They call him "Rogue," and they are not wrong. He is cruel when he shouldn't be, unfaithful when it costs him everything, and incapable of being tamed by property, propriety, or the good opinion of his neighbors.

He is also unforgettable — and so is the country that swallows him whole.

Across four decades of storms both domestic and historical, Rogue Herries follows Francis's turbulent household: his son David, whose steadier heart anchors the family through scandal and rebellion; the Jacobite rising of 1745, when terror reaches the gates of Carlisle; and above all Francis's decades-long, never-quite-requited obsession with Mirabell Starr, the gypsy girl he first meets as a child and cannot stop pursuing for the rest of his life.

Hugh Walpole knew this ground before he wrote a word of it — he lived within sight of these fells for years — and it shows. Critics and readers have agreed for nearly a century that the true hero of this novel may be the Lake District itself: its weather, its light, its way of shutting a valley off from the world and daring you to belong to it.

First published in 1930, Rogue Herries became Walpole's best-selling and most enduring novel, the foundation of his celebrated four-volume Herries Chronicle, and the book by which he is still best remembered today.

This Read-Me.Org Classic Reprint edition features:

• A newly corrected and reformatted text of the original 1930 American edition

• A new critical introduction by Colin Heston, covering Walpole's life, the novel's origins, and its place in literary history

• The original Herries family tree and map of Borrowdale, reproduced from the first edition

• Clean, modern formatting for today's readers

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 389p.

Colin Heston (Editor and Preface). H. P. Lovecraft (author).

Enter the shadowed realms of H. P. Lovecraft—where the boundaries of reality unravel, and humanity stands helpless before forces older than time itself. Horrors of Madness brings together five of Lovecraft’s most iconic and unsettling works, newly edited and modernized for today’s reader.

In these pages, you will confront:

• The Dunwich Horror – A remote, decaying village hides a secret too monstrous to remain unseen.

• The Colour Out of Space – A mysterious entity from beyond the stars corrupts the very fabric of life.

• The Call of Cthulhu – Fragments of forbidden knowledge reveal a sleeping god beneath the sea.

• At the Mountains of Madness – A scientific expedition uncovers an ancient, alien civilization in the Antarctic wastes.

• The Shunned House – A cursed dwelling reveals horrors buried under generations of decay.

These tales form the dark heart of Lovecraft’s legacy—stories of forbidden knowledge, cosmic insignificance, and the fragile edge of sanity.

This edition has been carefully edited and modernized, with a thoughtful preface by Colin Heston, offering insight into Lovecraft’s enduring influence and the deeper themes behind his most chilling works.
Perfect for readers who enjoy:

• Cosmic horror and existential dread

• Gothic and supernatural fiction

• Dark, atmospheric storytelling

• Classic literature with modern readability

Dare to look beyond the veil.
Because once you understand the universe Lovecraft reveals… there is no going back.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 208p.

Edited by Graeme R. Newman

Step out of the shadow of 221B Baker Street and into the gaslit world of the "Great Detectives."

While Sherlock Holmes reigned supreme in the pages of The Strand, he was far from the only mind at work in the fog-choked streets of Victorian London. "Beyond Sherlock Holmes: The Rivals, Rogues, and Rationalists of the Golden Age" is a definitive collection of public domain masterpieces that defined the evolution of the modern thriller.

From the "ratiocination" of Edgar Allan Poe to the forensic laboratories of Dr. Thorndyke, this anthology gathers the brilliant specialists who refined, subverted, and occasionally haunted the detective genre. These are the stories that gave Holmes his fiercest competition—characters who used logic, science, and even the occult to solve the "impossible."

Inside this collection, you will discover:

• The Forensic Pioneers: Join Dr. Thorndyke as he utilizes the first true "mobile crime lab" to solve murders through microscopic analysis.

• The Logic Masters: Witness The Thinking Machine prove that "two and two make four" by thinking his way out of an inescapable prison cell.

• The Shadow Detectives: Meet Max Carrados, the blind investigator whose heightened senses allow him to observe truths that even Holmes would miss.

• The Occult Investigators: Follow Thomas Carnacki as he bridges the gap between science and the supernatural to hunt "monsters" through the lens of logic.

• The Mastermind Villains: Face the terrifying ambition of Dr. Nikola, the Victorian "supervillain" whose global reach predates Bond villains by half a century.

• The Gentleman Thieves: Cross the line with A.J. Raffles and Arsène Lupin, the brilliant "cracksmen" who prove that the detective’s mind is just as effective when applied to the perfect heist.

A Must-Have for Fans of Classic Mystery

Whether you are a scholar of criminology or a lover of "Victorian Shockers," this volume offers a panoramic view of an era defined by gaslight, cobblestones, and the birth of forensic science. Curated with an extensive introduction detailing the history and impact of these "Rivals of Sherlock," this book is more than a collection—it is a journey through the evolution of the human mind at work.

Stories included in this edition: THE MURDERS IN THE RUE MORGUE, Edgar Allan Poe-- THE CASE OF LAKER, ABSCONDED, Arthur Morrison-- THE CASE OF THE DIXON TORPEDO, Arthur Morrison-- THE PROBLEM OF CELL 13, Jacques Futrelle-- THE SILENT BULLET, Austin Freeman-- THE COIN OF DIONYSIUS, Ernest Bramah-- THE GATEWAY OF THE MONSTER, Wiliam Hope Hodgson-- THE RED LODGE, Russell Wakefield-- THE ADVENTURE OF THE SPECKLED BAND, Arthur Conan Doyle-- THE IDES OF MARCH, E.W.Hornung-- THE ARREST OF ARSÈNE LUPIN, Maurice Leblanc.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 330p.

by Guy Boothby (Author), Graeme Newman (Editor), Colin Heston (Introduction)

. When the enigmatic Dr. Nikola first stepped onto the literary stage in 1895, clutching his sinister black cat Apollyon and weaving schemes that stretched from the back alleys of Shanghai to the hidden monasteries of Tibet, he didn't just capture the Victorian imagination—illegally or otherwise, he colonized it.
These volumes bring together, for the first time in a single definitive collection, the complete saga of Dr. Nikola: A Bid for Fortune, Dr. Nikola, The Lust of Hate, Dr. Nikola’s Experiment, and Farewell, Nikola. To read them in succession is to witness the birth of the modern "super-villain" and to appreciate the unique, rugged perspective Boothby brought to the crowded field of late-Victorian sensation fiction.
Born in Adelaide in 1867, Guy Newell Boothby was the son of a prominent South Australian parliamentarian. While he eventually found fame in the drawing rooms of London, his formative years were spent in the wide-open, often unforgiving landscapes of the Australian colonies.
In the 1890s, the literary world was reeling from "Sherlock-mania." While Sir Arthur Conan Doyle gave the world the ultimate champion of logic, Boothby gave it the ultimate agent of chaos. Dr. Nikola is not merely a criminal; he is a polymath, an occultist, and a man of immense physical and intellectual magnetism.
Across these five novels, we see Nikola evolve:
Volume 1:
A Bid for Fortune (1895): We are introduced to the Doctor through the eyes of Richard Hattasall. Here, Nikola is a vengeful shadow, a man whose "vendetta" drives a globe-trotting chase.
Dr. Nikola (1896): Arguably the centerpiece of the series, Boothby takes us into the forbidden heart of Tibet. It remains one of the finest examples of the "Lost World" genre, enriched by Stanley L. Wood’s iconic illustrations.
The Lust of Hate (1898): A darker, more psychological turn where Nikola manipulates a broken man’s desire for revenge.
Volume 2
Dr. Nikola’s Experiment (1899): Here, Boothby touches on the "mad scientist" tropes that would later define 20th-century sci-fi, as Nikola attempts to conquer death itself.
Farewell, Nikola (1901): The swan song of the character, providing a sense of closure to a man who lived his life in the liminal space between genius and madness.
Guy Boothby died tragically young at the age of 37, leaving behind a staggering 53 novels written in just over a decade. For years, his work languished in the shadows of more "academic" Victorian literature. However, as these works have entered the public domain, a new generation of readers—and editors—has rediscovered the sheer, unadulterated joy of his storytelling.
Boothby’s Dr. Nikola remains a vital link in the evolution of popular fiction. Without Nikola, would we have Sax Rohmer’s Fu Manchu? Would we have the sophisticated antagonists of James Bond? Probably not. By centering this edition on Boothby’s Australian roots, we acknowledge that the "King of Sensation" wasn't just a product of London’s Fleet Street, but a traveler of the world who brought the wild energy of the Antipodes to the heart of the Empire. This collection aims to preserve the thrill of the original serialization while providing the context necessary for a modern reader. As you follow the Doctor through the mist-shrouded streets of London and the sun-bleached ports of the Pacific, remember that you are in the hands of a master who knew those ports firsthand.
Welcome to the world of Dr. Nikola. Tread carefully—Apollyon is watching!

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 292p.

by Guy Boothby (Author), Graeme Newman (Editor), Colin Heston (Introduction)

When the enigmatic Dr. Nikola first stepped onto the literary stage in 1895, clutching his sinister black cat Apollyon and weaving schemes that stretched from the back alleys of Shanghai to the hidden monasteries of Tibet, he didn't just capture the Victorian imagination—illegally or otherwise, he colonized it. Behind this towering figure of Gothic villainy was a prolific, whirlwind talent from the edge of the British Empire: the South Australian-born Guy Boothby.

These two volumes bring together, for the first time in a single definitive collection, the complete saga of Dr. Nikola: A Bid for Fortune, Dr. Nikola, The Lust of Hate, Dr. Nikola’s Experiment, and Farewell, Nikola. To read them in succession is to witness the birth of the modern "super-villain" and to appreciate the unique, rugged perspective Boothby brought to the crowded field of late-Victorian sensation fiction.

Born in Adelaide in 1867, Guy Newell Boothby was the son of a prominent South Australian parliamentarian. While he eventually found fame in the drawing rooms of London, his formative years were spent in the wide-open, often unforgiving landscapes of the Australian colonies. Unlike many of his contemporaries—who wrote of "The Orient" or the "South Seas" from the comfort of an English study—Boothby had the red dust of the Flinders Ranges and the salt of the Southern Ocean in his blood. In 1891, he and his brother famously crossed Australia from north to south, an arduous journey that informed the visceral, kinetic energy of his prose. This "Australian-ness" manifests in the Nikola series through a distinct lack of Victorian stuffiness; his heroes and villains alike are defined by their competence, their physical endurance, and a certain democratic grit that felt fresh to a British audience.

Guy Boothby died tragically young at the age of 37, leaving behind a staggering 53 novels written in just over a decade. For years, his work languished in the shadows of more "academic" Victorian literature. However, as these works have entered the public domain, a new generation of readers—and editors—has rediscovered the sheer, unadulterated joy of his storytelling. Boothby’s Dr. Nikola remains a vital link in the evolution of popular fiction. Without Nikola, would we have Sax Rohmer’s Fu Manchu? Would we have the sophisticated antagonists of James Bond? Probably not. By centering this edition on Boothby’s Australian roots, we acknowledge that the "King of Sensation" wasn't just a product of London’s Fleet Street, but a traveler of the world who brought the wild energy of the Antipodes to the heart of the Empire.

This collection published in two volumes aims to preserve the thrill of the original serialization while providing the context necessary for a modern reader. As you follow the Doctor through the mist-shrouded streets of London and the sun-bleached ports of the Pacific, remember that you are in the hands of a master who knew those ports firsthand.
Welcome to the world of Dr. Nikola. Tread carefully—Apollyon is watching!

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 471p.

By Guy Boothby. Introduction by Colin Heston.

In the unforgiving expanse of the Australian outback, where the line between fortune and ruin is as thin as a shadow on the sand, the race for survival is never-ending. Guy Boothby’s pulse-pounding tale follows the odyssey of a man driven by ambition and haunted by the specters of his past, thrust into a world where the elements are as treacherous as the men who inhabit them. From the sweat-soaked cattle runs of the bush to the high-stakes tension of the burgeoning colonial cities, this is a story of grit, reinvention, and the relentless pursuit of a legacy.

As the old world’s certainties crumble in the face of a wild, new frontier, the struggle for dominance becomes a trial of the soul. In a landscape that promises everything to the bold and nothing to the weak, can a man outrun his history, or will the "race of life" ultimately claim him? Boothby, the master of Edwardian adventure, delivers a visceral masterwork of high drama and rugged suspense that captures the raw, beating heart of a continent in the making.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 209p.

by Guy Boothby (Author), Colin Heston (Introduction)

In the landscape of late-Victorian sensation fiction, few figures loom as large or as shadow-drenched as Dr. Nikola. Before the world had a definitive supervillain archetype, Guy Boothby introduced a mastermind who combined the cold intellect of Sherlock Holmes with the occult ambitions of a sorcerer. A Bid for Fortune, published in 1895 and often subtitled Dr. Nikola’s Vendetta, marks the debut of this iconic antagonist in a high-stakes adventure that spans the globe, moving restlessly from the dusty streets of Sydney to the high society of London and the secretive corners of the East.
The narrative follows Richard Hatteras, a rugged Australian sailor who finds himself accidentally entangled in a web of international intrigue. Hatteras is a man of action, yet he is fundamentally out of his depth when he crosses paths with the enigmatic Doctor. Nikola is not interested in mere petty theft or local power; he is obsessed with uncovering the ancient secrets of a mysterious Tibetan sect. To achieve his ends, he requires a specific Chinese stick—a relic of immense power—and he proves himself willing to manipulate, kidnap, and destroy anyone standing in his way.
Guy Boothby was a pioneer of the "Yellow Back" thrillers, and in Dr. Nikola, he created a character who fascinated readers as much as he terrified them. Accompanied by a massive, sinister black cat named Apollyon, Nikola is a master of science, hypnotism, and disguise, driven by a personal code that sits entirely outside conventional law. This work is more than a simple chase; it is a quintessential example of the "New Imperial" gothic style, blending the era's anxiety about the unknown with the thrill of global exploration.
Readers should prepare for a narrative that moves at a breakneck pace, as Boothby excels at building atmosphere through his descriptions of Nikola’s cat-like movements and calculated calm. As Hatteras attempts to protect the woman he loves while outmaneuvering a man who seems to see five steps ahead, the audience is invited into a world where the line between science and magic is dangerously thin. It is a story where the hero is constantly shadowed by a man who, as the text suggests, is just as dangerous to have as a friend as he is as an enemy.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 232p.

By Johann Peter Eckerman., Johann Wolfgang Von Goethe. Special Preface by Graeme R. Newman

In the final decade of his life, one of Europe’s greatest literary minds opened his door each day to a devoted young writer—and spoke freely. Conversations with Eckermann preserves those remarkable exchanges, offering readers an intimate portrait of Johann Wolfgang von Goethe at the height of his intellectual maturity. Through the attentive record of Johann Peter Eckermann, we witness Goethe reflecting on art, science, politics, poetry, and the destiny of modern culture with candor, wit, and penetrating insight.

These conversations are not formal lectures but living thought—unfolding over dinners, walks, and evenings of discussion. Goethe comments on Shakespeare and Byron, debates the direction of German literature, critiques romantic excess, anticipates the idea of “world literature,” and reveals the disciplines that sustained his own creative genius. The result is a rare literary document: philosophy in motion, cultural criticism in real time, and the inner workshop of a towering mind laid open.

Both intellectually rich and deeply human, Conversations with Eckermann offers more than historical curiosity. It models the art of thinking—measured, expansive, resistant to extremes. For modern readers navigating an age of ideological noise and cultural fragmentation, this classic work remains a masterclass in intellectual clarity, civil discourse, and the enduring power of conversation.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 284p.