By George Meredith. Designed and Edited with an Introduction by Colin Heston.

Sandra Belloni, first published in 1864 under the title Emilia in England, occupies a distinctive place in the literary corpus of George Meredith. It represents one of his earliest extended efforts to merge the comic novel with a more pointed social critique, a technique that would become a hallmark of his mature style. This novel, rich in subtle irony and psychological insight, grapples with the tensions between individuality and conformity, art and social convention, and the constraints of class and gender in Victorian England. At its heart, it is a narrative about a young woman of Italian descent, Emilia Belloni, whose musical gifts and unorthodox spirit clash with the expectations of the rigid English society into which she is thrust.

Meredith uses Emilia’s character not merely as a protagonist but as a symbolic figure—an embodiment of passionate sincerity, artistic freedom, and the disruptive power of the outsider. Emilia’s foreignness is not just ethnic; it is deeply cultural and emotional. Her instincts are governed by feeling and a commitment to truth, which repeatedly brings her into conflict with the carefully cultivated hypocrisies and social facades of the English middle and upper classes. Through her, Meredith examines the ways in which English society suppresses emotional authenticity in favor of propriety and self-interest.

In reading Sandra Belloni today, one encounters not only a portrait of Victorian society in all its contradictions but also an enduring exploration of the universal struggle between the self and society, between the voice that seeks to sing freely and the forces that would silence it. It is a novel that resonates beyond its historical moment, inviting readers to reflect on the costs and necessities of remaining true to oneself in the face of overwhelming pressure to conform.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 318p.

By George Meredith. Designed and Edited with an Introduction by Colin Heston

The Adventures of Harry Richmond, first published in serial form between 1870 and 1871, then in full in 1871, occupies a fascinating place in the evolution of the English novel. A heady mixture of picaresque adventure, coming-of-age narrative, satire, romance, and psychological study, it is one of George Meredith’s most ambitious works. Beneath its surface as a lively and sometimes eccentric tale of a young man’s escapades lies an intricate meditation on the construction of identity, the conflict between appearance and reality, and the profound influence of family, class, and society. These themes connect the novel powerfully to concerns that dominate modern fiction.

At its core, Harry Richmond examines how identity is not simply inherited but assembled—through choice, resistance, deception, and chance. Harry Richmond is born into a web of conflicting influences: his father, Roy Richmond, is a charming but unscrupulous social climber whose life revolves around maintaining appearances and manipulating social structures; his grandfather, Squire Beltham, represents a rigid, landed English respectability that is both moralistic and emotionally cold. Caught between these poles, Harry’s life becomes a journey to define himself outside the narrow confines of these competing legacies.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 355p.

By George Meredith (Author), Colin Heston (Introduction)

At the heart of One of Our Conquerors is the story of Victor Radnor, a self-made, successful businessman who embodies the energies of commercial Victorian England. Victor is a man of formidable charm, ambition, and benevolence, yet he is ensnared in a socially precarious position due to his relationship with his beloved partner, Nataly, with whom he has lived for years as husband and wife without formal marriage. Their union, socially illegitimate though personally devoted, becomes the focal point for much of the novel’s tension. Victor’s desire to legitimize their relationship and secure a respectable position for their daughter Nesta in society serves as the narrative’s driving conflict.
Meredith, ever the ironist, does not present Victor uncritically. Victor is a man of immense energy, imagination, and generosity, but also prone to illusions—particularly about the power of charm, wealth, and personal will to override the deeper currents of social judgment. His belief that society can be bent to his personal desires reflects both the optimism of the self-made man and the hubris that often accompanies unchecked ambition. In this sense, the title One of Our Conquerors carries a double edge: it acknowledges Victor’s triumphs in commerce and his conquest of circumstances but also points to the broader critique of conquest itself—whether in business, society, or personal relationships.
One of Our Conquerors is a profound exploration of the tensions between private morality and public life, between individual will and social constraint, and between the old moral orders and the emerging complexities of modernity. It challenges readers to consider the costs of social conformity, the meaning of success, and the possibilities for human integrity in a world increasingly driven by commerce, appearance, and social performance. As with Meredith’s other major works, it is a novel whose rewards are commensurate with the patience and thoughtfulness brought to it—a work that continues to resonate with readers interested in the enduring struggles between the personal and the public, the ideal and the real.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 291p.

By George Meredith (Author), Colin Heston (Introduction)

Evan Harrington, first published in 1861, represents a crucial early milestone in the literary career of George Meredith. While not as formally experimental or philosophically dense as his later masterpieces like The Egoist or Beauchamp’s Career, this novel nonetheless displays in fully developed form the sharp social satire, psychological acuity, and probing concern with class, identity, and social performance that would become hallmarks of Meredith’s mature work. More overtly comedic than much of his later fiction, Evan Harrington occupies a unique place in his canon as both a sparkling social comedy and a pointed critique of the hypocrisies embedded within Victorian class structures.
At its most basic level, Evan Harrington is a novel about a young man’s struggle with the question of identity — specifically, the tension between his personal merit and the social stigma attached to his family’s occupation. Evan is the son of Melchisedec Harrington, an exceedingly proud and flamboyant tailor whose death leaves his family facing financial and social crisis. Although Evan has received a gentleman’s education and possesses the manners and intellect of the upper classes, he is forced to reckon with the fact that in the rigidly stratified world of mid-19th century England, the mere fact of being “the tailor’s son” is enough to exclude him from the ranks of polite society.
Evan Harrington remains a vital and compelling work not only because it provides insight into Meredith’s literary evolution but also because its central concerns continue to resonate. The tension between personal integrity and social expectation, the arbitrariness of class distinctions, and the enduring question of what it means to live authentically within a society structured by appearances — these remain pressing questions in any era.
In sum, Evan Harrington is both a sparkling social comedy and a profound moral fable. It combines the pleasures of sharp character portraits, witty dialogue, and romantic intrigue with a serious exploration of identity, class, and the painful comedy of human vanity. It is a work that delights the reader while also challenging them to reflect on the enduring absurdities of social life and the courage it takes to live truthfully in the face of them. As such, it stands as a worthy introduction to the genius of George Meredith and a foundational text within the broader tradition of the Victorian social novel.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 332p.

By George Meredith (Author), Colin Heston (Introduction)

Diana of the Crossways, first published in 1885, represents a pivotal achievement in George Meredith’s literary career. It stands apart not merely as his most commercially successful novel during his lifetime but as a mature and sophisticated exploration of some of the most pressing social, psychological, and philosophical dilemmas of the Victorian age. This novel synthesizes his longstanding thematic concerns—gender relations, the constraints of marriage, the struggle for individual autonomy, and the social mechanisms of hypocrisy and surveillance—into a narrative that is at once accessible, profoundly ironic, and deeply analytical.
At its center is the figure of Diana Merion Warwick, a woman of exceptional beauty, intellect, and vivacity, whose struggle is emblematic of the tensions between the individual, particularly the intellectually aspiring woman, and a society structured to suppress her independence. Diana’s trajectory is not merely the story of a woman’s personal fate but a dramatization of the larger structural impediments to female agency in a patriarchal world that equates female virtue with silence, obedience, and domestic confinement.
The novel’s contemporary relevance is striking. Its exploration of gendered power dynamics, the politics of reputation, the policing of women’s voices, and the ethical failures of institutions built on inequality continues to resonate with modern readers. It anticipates many of the concerns that would later be taken up by feminist literary critics, particularly in its portrayal of how systemic power operates through language, marriage, and social surveillance.
Diana of the Crossways thus stands not merely as a compelling work of Victorian fiction but as a profound literary experiment in social critique, psychological realism, and moral philosophy. It is a novel that challenges the reader to think deeply about the structures of power that govern intimate relationships and public life, and about the costs of pursuing truth and autonomy in a world designed to punish those who do. Through its combination of narrative wit, philosophical depth, and emotional intensity, it remains one of George Meredith’s most enduring and significant achievements.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 275p.

By George Meredith. Designed and Edited with an Introduction by Colin Heston.

More than any other of his novels, Beauchamp’s Career embodies Meredith’s philosophical worldview: that the highest human calling is the continual pursuit of greater consciousness. For Meredith, the “Comic Spirit” serves as an ethical guide—illuminating human folly, deflating pretension, and inviting self-correction through laughter rather than dogma.

Yet Beauchamp, ironically, lacks the flexibility of the Comic Spirit. He is too earnest, too driven by absolute convictions, to fully participate in the comic self-awareness that Meredith idealizes. In this sense, Beauchamp is both a hero and a warning: a figure of immense moral courage whose tragedy lies in his refusal to accept that the world operates not by ideals but by compromises.

While Beauchamp’s Career was never Meredith’s most popular work during his lifetime, it has come to be recognized as one of his most ambitious and profound novels. Its examination of the dilemmas of idealism, political integrity, and personal sacrifice remains strikingly relevant in an era of political polarization and disillusionment.

The novel speaks to anyone who has struggled with the tension between moral conviction and the messy realities of human society. Its insights into the nature of political life—the seductions of populism, the compromises demanded by coalition, the frustrations of advocacy in an indifferent world—resonate just as powerfully now as they did in the 19th century. Beauchamp’s Career stands as one of George Meredith’s greatest achievements: a work that challenges as much as it enlightens, a moral and political fable wrapped in the ironic garb of the Victorian social novel. It demands much of its readers—patience, attentiveness, and a willingness to engage with ambiguity—but it rewards that effort with a deeply moving meditation on the costs and the dignity of living according to one’s principles.

In an age when the struggle between ideals and pragmatism remains as urgent as ever, Beauchamp’s Career offers both a mirror and a guide—one that reflects the frailty of human institutions, but also the enduring power of conscience.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 383p.

By Joseph C. Lincoln (Author), Colin Heston (Introduction)

In Shavings, published in 1918 at the peak of his literary success, Joseph C. Lincoln again turns his familiar eye and pen toward Cape Cod—its people, its rhythms, and its moral heart. Like much of Lincoln’s fiction, this novel offers more than light entertainment; it is a nuanced exploration of human decency, community obligation, and emotional transformation, wrapped in a quietly humorous and affectionately drawn setting.
Set in the fictional village of East Wellmouth, Shavings centers on a seemingly unremarkable character: a middle-aged man named Lemuel “Shavings” Keziah, a gentle and eccentric resident who works as a handyman and caretaker of sorts at the local ship-chandlery. What begins as a portrait of a quiet, solitary man becomes a deeper meditation on compassion, guardianship, and the power of unassuming kindness to transform lives. In this novel, Lincoln refines his formula of New England coastal fiction, combining rich local detail, deft character sketches, and moral clarity in a story that both reflects and transcends its setting.
The title Shavings is rich in metaphor. At the surface level, it refers to wood shavings—fragments trimmed away in the process of building or shaping. But on a deeper level, it suggests themes of smallness, modesty, and the overlooked. Lemuel Keziah is, like his namesake shavings, a figure that most would pass over without a second thought. He is plain, odd, physically unimposing, and considered somewhat simple by his neighbors. Yet within that uncarved block of humility lies a figure of enormous quiet integrity, and Lincoln’s triumph is in showing how such a man can become a pillar of his community and a redeemer in the lives of others.
Lincoln gives us a novel that blends humility with heart, modesty with moral insight. It is a story of redemption through quiet persistence, of fatherhood without blood, and of character tested not by fame or fortune but by the daily demands of decency. For those who cherish gentle fiction with real emotional weight, Shavings is a touchstone. It evokes a vanished New England but leaves in its place timeless lessons on love, trust, and the power of doing good without seeking reward. In Lemuel Keziah, Lincoln offers a model of quiet heroism whose relevance has only grown with time.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 229p.

By Joseph C. Lincloln. Introduction by Colin Heston.

Cap’n Dan’s Daughter* by Joseph C. Lincoln is a heartwarming and humorous novel set in the fictional Cape Cod town of Trumet. The story follows Captain Dan Dott, a retired sea captain who now runs a struggling dry goods store, and his family, particularly his ambitious wife Serena and their clever daughter Gertrude. Captain Dan is a simple, good-natured man who finds himself increasingly overwhelmed by the pressures of domestic life and the social aspirations of his wife, who is determined to elevate the family’s status in the community. Serena’s ambitions are fueled when the family receives news of an inheritance from a wealthy relative, which she sees as their ticket to a more refined and prominent lifestyle.

As Serena pushes the family into a more genteel social circle, she becomes increasingly controlling and obsessed with appearances, dragging Captain Dan along with her plans despite his discomfort. Gertrude, however, sees through the pretensions and recognizes the strain it places on her father. She devises a clever plan to gently undermine her mother’s social climbing and restore a sense of balance and authenticity to their lives. Her scheme, while well-intentioned, nearly backfires, leading to a series of misunderstandings and comic situations that test the family’s unity and resilience.

Throughout the novel, Lincoln’s affection for Cape Cod and its people shines through. He populates the story with colorful local characters and infuses the narrative with regional dialect, humor, and a deep sense of place. The novel explores themes of family loyalty, the tension between tradition and change, and the importance of staying true to oneself. In the end, the Dott family comes to a deeper understanding of what truly matters, finding contentment not in wealth or social standing, but in love, honesty, and the enduring bonds of family.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 222p.

By Joseph Crosby Lincoln. Edited with an Introduction by Introduction by Colin Heston

The Big Mogul is a warm, character-driven novel set in a small New England town, where the rhythms of coastal life and the intricacies of human relationships unfold with gentle humor and emotional depth. The story centers on Foster Townsend, a wealthy, proud, and somewhat cantankerous man who is grappling with the loneliness that has settled over his life following the death of his beloved wife. His grand mansion, once filled with warmth and companionship, now feels hollow and cold. In an effort to fill this emotional void, he considers inviting his estranged niece, Esther, to live with him. Esther, who has been raised by her aunt Reliance after the death of her parents, represents a potential new beginning for Foster, though he is unsure how to bridge the emotional distance between them.

As the narrative unfolds, the novel explores the evolving relationship between Foster and Esther, marked by moments of awkwardness, affection, and gradual understanding. Their interactions are shaped by Foster’s brusque demeanor and Esther’s quiet resilience, and the story gently reveals how both characters begin to heal and grow through their connection. The novel also delves into the broader community dynamics of the town, where long-standing feuds, gossip, and the quirks of small-town life add texture and humor to the story. A subplot involving young love between members of two feuding families adds a layer of romantic tension and serves as a counterpoint to the more mature emotional journey of Foster and Esther.

Lincoln’s writing is imbued with a nostalgic affection for Cape Cod and its people, and he paints his characters with a blend of realism and idealism that makes them both believable and endearing. The novel resists the darker currents of contemporary naturalist literature, instead offering a comforting vision of human decency, reconciliation, and the possibility of renewal. Through its gentle pacing and focus on character over plot, The Big Mogul invites readers to reflect on the importance of family, the pain of loss, and the quiet joys of rediscovered connection.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. p.261p.

By R. L. Stevenson. Edited by Colin Heston.

“St. Ives: Being the Adventures of a French Prisoner in England” is an unfinished historical romance by Robert Louis Stevenson, posthumously Vol. XX published and included in Volume XX of the Swanston Edition of his collected works. Begun in 1893 during Stevenson’s final years in Samoa, the novel was left incomplete at his death in 1894 and later finished by Arthur Quiller-Couch, a respected British writer and editor.

Set during the Napoleonic Wars, St. Ives follows the escapades of Viscomte Anne de Keroual de St. Ives, a dashing and witty French officer who is captured and imprisoned in Scotland. The novel opens with his internment at Edinburgh Castle, from which he eventually escapes, embarking on a series of adventures across the British countryside. Along the way, he encounters a colorful cast of characters, including fellow prisoners, eccentric aristocrats, and a romantic interest, Flora Gilchrist, whose loyalty and courage become central to the story.

Thematically, St. Ives explores identity, honor, and the absurdities of war, all delivered with Stevenson’s characteristic blend of humor, irony, and narrative flair. The protagonist’s aristocratic pride and gallant demeanor are frequently tested by the unpredictable circumstances of exile and captivity, offering a light-hearted yet insightful commentary on the nature of heroism and national rivalry.

Although the novel remains incomplete in Stevenson’s hand—he wrote approximately thirty chapters before his death—Quiller-Couch’s continuation, based on Stevenson’s notes and stylistic cues, brings the story to a satisfying conclusion. The transition between authors is handled with care, though literary scholars often distinguish between the two parts in terms of tone and polish.

The Swanston Edition presents St. Ives with critical apparatus, including editorial notes and historical context, allowing readers to appreciate both the literary qualities of the work and the circumstances of its creation. As a late work, it reflects Stevenson’s enduring fascination with adventure, character, and the interplay between personal freedom and historical forces.

“St. Ives” stands as a testament to Stevenson’s narrative gifts and his ability to infuse even unfinished tales with charm, wit, and enduring appeal. It offers a unique glimpse into the author’s creative process and remains a valuable piece of his literary legacy.

This volume has been carefully edited and redesigned by Colin Heston, a renowned novelist and storyteller, to make the book more enjoyable and comprehensible to the modern reader.

Read-Me.Org Inc. Australia-New York-Philadelphia. 2025. 245p.

By  Robert Louis Stevenson and Lloyd Osbourne, Edited by Colin Heston.

“The Ebb-Tide: A Trio and Quartette” is a dark, psychologically complex novella co-written by Robert Louis Stevenson and his stepson Lloyd Osbourne, first published in 1894. Included in Volume XIX of the Swanston Edition of Stevenson’s collected works, this tale marks one of the final literary efforts of Stevenson’s life and reflects his mature style—gritty, morally ambiguous, and deeply engaged with the human condition.

Set in the South Pacific, a region Stevenson had come to know intimately during his later years, The Ebb-Tide follows three disgraced and destitute Europeans—Herrick, Davis, and Huish—who find themselves stranded in Tahiti. When they are offered the chance to captain a cargo schooner, the Farallone, they seize the opportunity, only to discover that the ship is carrying a mysterious and morally troubling cargo. Their journey soon spirals into a tale of greed, betrayal, and existential crisis, culminating in a confrontation with Attwater, a charismatic and enigmatic missionary who lives alone on a remote island.

The novella is notable for its psychological depth and moral complexity. Each character represents a different facet of human weakness—cowardice, cruelty, and self-deception—and Stevenson explores how these traits play out under the pressures of isolation and lawlessness. The tropical setting, far from being idyllic, becomes a backdrop for moral decay and spiritual reckoning. The story’s title, The Ebb-Tide, metaphorically suggests the retreat of moral certainty and the erosion of personal integrity.

Stylistically, the work is lean and intense, with Stevenson’s prose sharpened by his collaboration with Osbourne. The narrative is driven by suspense and philosophical inquiry, raising questions about redemption, colonialism, and the nature of evil. It is often seen as a companion piece to Stevenson’s earlier South Seas fiction, such as The Beach of Falesá, but it is darker and more introspective in tone.

The Swanston Edition provides this novella with critical annotations and historical context, situating it within Stevenson’s broader literary and biographical trajectory. As one of his final works, The Ebb-Tide offers a powerful and unsettling vision of the human soul adrift—both literally and morally—on the margins of empire and civilization.

Read-Me.Org Inc. Australia-New York-Philadelphia. 2025. 216p.

By R. L. Stevenson. Edited by Colin Heston

"The Black Arrow: A Tale of the Two Roses" is a historical adventure novel by Robert Louis Stevenson, first published in 1888. Set during the tumultuous period of the Wars of the Roses in 15th-century England, the story follows the young protagonist, Richard Shelton. Richard is caught in the conflict between the houses of York and Lancaster, and his journey is marked by themes of loyalty, betrayal, and revenge. The novel begins with Richard discovering that his guardian, Sir Daniel Brackley, is involved in treacherous activities. As Richard seeks justice for his father's murder, he joins forces with a band of outlaws known as the Black Arrow. The leader of the outlaws, John Amend-All, becomes a key ally in Richard's quest. Throughout the narrative, Richard faces numerous challenges, including battles, escapes, and romantic entanglements with Joanna Sedley, a young woman disguised as a boy. Stevenson's vivid descriptions and fast-paced plot make "The Black Arrow" a captivating read. The novel seamlessly combines elements of adventure, romance, and historical fiction, offering readers a thrilling portrayal of medieval England and its intricate political landscape.

Volume VIII of the Swanston Edition of "The Works of Robert Louis Stevenson" continues to showcase Stevenson's literary versatility. This volume typically includes a mix of his essays, short stories, and other writings, reflecting his wide-ranging interests and talents. The Swanston Edition is renowned for its comprehensive and authoritative compilation of Stevenson's works, providing readers with an in-depth exploration of his literary contributions. Each volume in this series highlights Stevenson's ability to engage readers with his storytelling prowess across various genres and styles. This volume has been carefully edited and redesigned by Colin Heston, a renowned novelist and storyteller, to make the book more enjoyable and comprehensible to the modern reader.

Read-Me.Org Inc. New York, Philadelphia, Australia. 2025. 178p.

By R.L. Stevenson. Edited by Colin Heston

Volume 3 of the works of Robert Louis Stevenson is a fascinating collection that showcases his versatility as a writer. This volume includes the chilling short story "The Body Snatcher" and the insightful essays in "Familiar Studies of Men and Books."

"The Body Snatcher" is a macabre tale that delves into the dark world of grave robbing and medical ethics. Set in 19th-century Scotland, the story follows Fettes, a medical student, and his involvement with the unscrupulous Dr. Wolfe Macfarlane. The duo engages in the illegal practice of body snatching to supply cadavers for anatomical study. Stevenson's narrative is rich with suspense and horror, exploring themes of guilt, morality, and the consequences of one's actions. The story's climax is particularly haunting, leaving readers with a lingering sense of dread and contemplation about the darker aspects of human nature.

"Familiar Studies of Men and Books" is a collection of essays in which Stevenson examines the lives and works of various literary figures and thinkers. Through these essays, Stevenson offers his reflections on the personalities and contributions of individuals such as Victor Hugo, Robert Burns, and Walt Whitman. His writing is characterized by a blend of critical analysis and personal insight, revealing his deep appreciation for literature and the human condition. Stevenson’s essays are not merely biographical; they are thoughtful explorations of the impact these figures had on their respective fields and on Stevenson himself. The essays are marked by Stevenson's eloquent prose and his ability to connect with readers on an intellectual and emotional level.

Overall. Volume 3 of Stevenson's works is a testament to his literary prowess, combining the eerie and gripping narrative of "The Body Snatcher" with the reflective and scholarly essays in "Familiar Studies of Men and Books." This volume highlights Stevenson's ability to traverse different genres and themes, offering readers a rich and varied reading experience. Through his storytelling and essays, Stevenson continues to captivate and provoke thought, making this collection a valuable addition to his oeuvre.

Read-Me.Org. Australia. 2025. 185p.

By George Eliot (author) and Colin Heston (AI assisted editor)

This book is a substory of Tom and Maggie Tulliver featured in Eliot's "The Mill on the Floss". (1860) Tom and Maggie are the children of Mr. and Mrs. Tulliver, who own and operate Dorlcote Mill near the fictional town of St. Ogg's. From an early age, the siblings exhibit starkly different temperaments and aspirations. Tom, the elder of the two, is pragmatic, responsible, and somewhat rigid in his moral outlook. He possesses a strong sense of duty and loyalty to his family but is also unforgiving and often harsh in his judgments. He takes after his father in his belief in tradition and financial security, and he grows into a young man deeply committed to restoring the family's honor after they suffer economic ruin.

Maggie, in contrast, is deeply emotional, imaginative, and intellectually curious. She is an ardent reader with a keen mind and an inclination toward philosophical reflection. However, her passionate nature and nonconformist tendencies put her at odds with the rigid expectations of her time, particularly regarding women's roles in society. Throughout the novel, Maggie struggles with her desire for personal fulfillment while also yearning for familial love and acceptance. Her deep affection for her brother is a defining aspect of her character, yet it is also a source of great pain, as Tom's strict moral code and inability to understand her inner struggles create tension and estrangement between them. George Eliot's portrayal of Tom and Maggie Tulliver is remarkable for its depth and psychological complexity. Through them, she explores the difficulties of familial duty, the limitations imposed by rigid social structures, and the yearning for personal freedom. Their story, filled with moments of tenderness, misunderstanding, and ultimate reconciliation, continues to resonate with readers, making *The Mill on the Floss* one of Eliot's most enduring and emotionally powerful works.

Read-Me.Org Inc. 2015. 80p.

By George Eliot. Introduction by Colin Heston

Step into the rich tapestry of Renaissance Florence with George Eliot's Romola, a novel that masterfully intertwines politics, religion, philosophy, and personal transformation. Originally published as a serial in The Cornhill Magazine from July 1862 to August 1863, and later in three volumes by Smith, Elder & Co., Romola stands as one of Eliot's most ambitious and intellectually rich works..

In this special edition, Colin Heston provides a compelling introduction that sets the stage for Eliot's intricate narrative. Heston's introduction delves into the historical and cultural backdrop of late 15th-century Florence, a city undergoing dramatic transformation following the death of Lorenzo de’ Medici and the rise of the Dominican friar Girolamo Savonarola. Heston highlights how Eliot's profound historical research and deep psychological insight bring to life the ideological conflicts and moral questions faced by the protagonists.

Follow the journey of Romola de’ Bardi, the daughter of a blind scholar, as she navigates personal disillusionment and societal upheaval. Raised in an environment that reveres knowledge and classical learning, Romola's path becomes entangled with Tito Melema, a charming but opportunistic Greek scholar. As Romola evolves from a passive intellectual companion to an active agent of change, she becomes a symbol of ethical steadfastness and selfless service.

Eliot's Romola engages with themes of reform, idealism, and the struggles of the human soul against the tides of history. Through Savonarola's rise and fall, Eliot examines the dangers and possibilities of ideological purity, raising questions about the balance between faith, reason, and pragmatism. The novel suggests that while individuals are often caught within the larger movements of history, personal choices and moral convictions can shape the course of one's life. Reflecting Eliot's engagement with historical materialism, moral idealism, and the complexities of human character, Romola is deeply philosophical. Heston's introduction underscores the novel's ambitious scope, feminist undertones, and philosophical depth, making it a significant achievement in historical fiction.

For those willing to immerse themselves in its complex narrative, Romola offers a rewarding exploration of human character set against one of the most fascinating periods of European history. This edition, enriched by Colin Heston's insightful introduction, invites readers to experience Eliot's remarkable ability to illuminate the past while grappling with timeless questions of morality, identity, and social responsibility.

Read-Me.Org Inc. 2025. 411p.

By George Eliot. Introduction by Colin Heston.

Discover the timeless classic Silas Marner by George Eliot, a heartwarming tale of redemption and the transformative power of love. Follow the journey of Silas Marner, a reclusive weaver whose life is turned upside down when he loses his treasured gold and finds an unexpected treasure in a golden-haired child named Eppie. Set in the quaint village of Raveloe, this novel beautifully explores themes of community, isolation, and the true meaning of wealth and happiness. With richly developed characters and a compelling narrative, Silas Marner is a story that will captivate and inspire readers of all ages.

First published in 1861 by William Blackwood and Sons. This edition Read-Me.Org Inc. 2025.149p.

By Joseph Lincoln

Set against the picturesque backdrop of Cape Cod, this enchanting novel introduces you to Judson Green, a lovable and eccentric character whose antics and adventures are as unpredictable as the tides. Judson, with his peculiar habits and endearing personality, becomes the heart and soul of his small coastal town. His interactions with the townsfolk, each with their own unique quirks, create a tapestry of humor, warmth, and genuine human connection. As you turn the pages, you'll find yourself laughing at Judson's comical escapades, feeling the warmth of his friendships, and rooting for him as he faces life's challenges with unwavering optimism. The story beautifully captures the essence of community spirit, the importance of kindness, and the simple joys that make life meaningful.

"Queer Judson" is more than just a tale of one man's journey; it's a celebration of the human spirit, filled with rich descriptions of Cape Cod's scenic beauty and the vibrant lives of its inhabitants. This timeless classic is perfect for readers who cherish heartwarming stories and unforgettable characters.

First published in 1925 by D. Appleton and Company.. This edition Read-Me.Org Inc. 2025.

By John Bunyan. Introduction by Colin Heston Paperback

The Pilgrim’s Progress (1678) by John Bunyan is a Christian allegory that narrates the spiritual journey of a man named Christian as he seeks salvation. Leaving his home in the City of Destruction, he embarks on a perilous pilgrimage to the Celestial City, guided by faith and the teachings of the Bible. Along the way, he encounters various symbolic figures and places, such as Evangelist, who sets him on the right path; the Slough of Despond, representing despair; Vanity Fair, a place of worldly temptation; and Giant Despair, who imprisons him in Doubting Castle. The novel, written in accessible yet vivid prose, reflects Bunyan’s Puritan theology and explores themes of sin, redemption, and perseverance. Though primarily a religious work, it is also a compelling adventure story that has captivated readers for centuries. While some view its moral instruction as rigid, it remains one of the most influential and widely read books in English literature. This version contains an introduction by Colin Heston, who assesses its effect on subsequent modern-day authors, especially its religious significance, allegorical style, and theological critiques.

Read-Me.Org Inc. 2025. 133p.

By George Meredith

This book, first published in 1859, is a novel that explores the complexities of human nature and the consequences of rigid educational systems. The story centers around Sir Austin Feverel, who devises a strict educational plan known as "the System" to raise his son, Richard, in isolation from the corrupting influences of society. Despite Sir Austin's efforts, Richard falls in love with Lucy Desborough, a girl of lower social standing, leading to a series of tragic events. The novel delves into themes of love, passion, and the limitations of authoritarian control, offering a critical examination of contemporary attitudes toward education and sexuality.

Meredith's work is notable for its rich psychological analysis and lyrical prose, significantly contributing to Victorian literature. The novel's exploration of the father-son relationship and the impact of societal expectations on individual lives is both poignant and thought-provoking. "The Ordeal of Richard Feverel" was controversial at the time of its publication, with some readers finding its content prurient, leading to its ban by leading lending libraries. Despite this, it has endured as a classic, praised for its depth and literary merit.

First published by Chapman & Hall in a three-volume set. 1859. This edition Read-Me.Org Inc. 2025. 320p.

By John Bunyan

This work of Christian fiction was published in 1680. It is structured as a dialogue between two characters, Mr. Wiseman and Mr. Attentive, who discuss Mr. Badman's sinful life and eventual death. The book serves as a moral tale, warning readers about the consequences of a wicked life and the importance of repentance and redemption.

The narrative provides a detailed account of Mr. Badman's life, from his early years of deceit and dishonesty to his ultimate demise. Through the dialogue, Bunyan explores themes of sin, morality, and the afterlife, using Mr. Badman's story as a cautionary example. The book is notable for its realistic portrayal of the consequences of immoral behavior and its emphasis on the need for spiritual awakening.

First Published: 1680 by Nathaniel Ponde. This edition Read-Me.Org Inc. 2025. 174p.