By Frederic F. Van de Water. Introduction by Graeme R. Newman

When Grey Riders appeared in 1922, Frederic F. Van de Water was already emerging as one of the most capable interpreters of American frontier mythology. A journalist, historian, and novelist, he had spent years documenting the enduring tensions between law, order, memory, and violence in the development of the Atlantic seaboard. Grey Riders stands as one of his most vivid contributions to that project: a narrative history and interpretive reconstruction of the Border Riders—Vermont and New York militiamen, irregulars, and informal vigilante bands who policed, contested, and sometimes exploited the wilderness regions between the American colonies and British Canada during the late eighteenth and early nineteenth centuries

Van de Water had a journalist’s fascination with complexity, and Grey Riders is at its strongest when it illuminates the contradictions inherent in a frontier culture that simultaneously demanded firmness of justice and tolerated the improvisational violence of irregular policing. In his account, the riders are men shaped by hardship—farmers, Loyalists, deserters, Yankee patriots, trappers, smugglers, and opportunists—who alternately defended and defied the emerging legal structures of the early United States. Their world was one where the line between protector and predator was always negotiable.

The book’s historical frame—stretching most visibly from the late Revolutionary era through the War of 1812—allows Van de Water to explore how unresolved grievances, economic scarcity, and geopolitical rivalry produced a frontier culture that did not neatly conform to the nation-state boundaries we take for granted today. The riders themselves were products of this ambiguity. While some acted as scouts and auxiliaries for the Continental Army or state militias, others drifted into banditry, smuggling, or private vengeance. Van de Water refuses to simplify this ambiguity; instead, he constructs a narrative that emphasizes how the frontier’s conditions forged men who were, by necessity, adaptable to both moral clarity and moral shade.

For the modern reader, Grey Riders also holds value as part of the broader early-twentieth-century reconsideration of American origins. The 1920s were a period of heightened nostalgia, cultural nationalism, and renewed interest in the country’s formative conflicts. Van de Water, however, avoids sentimentalism. His frontier is not a place of heroic inevitability but a zone of tension where identity, loyalty, and legitimacy are constantly renegotiated. In this respect, the book anticipates the more critical frontier historiography that would emerge later in the century.

Contemporary scholars may also find in Grey Riders an instructive account of how local communities develop security practices when state institutions are weak, distant, or contested—an issue that remains resonant in discussions of borderlands worldwide. The riders, as Van de Water portrays them, are precursors to many modern forms of irregular security actors: militias, local auxiliaries, self-appointed protectors, and armed community defense groups. Their actions demonstrate both the necessity and danger of such formations, especially when scarcity and political friction define daily life.

This new edition returns readers to a moment when questions of national boundaries, informal justice, and community resilience are central to global debate. Van de Water’s riders, moving through a grey zone of legality and identity, offer a powerful reminder that the frontier has never been a simple place—and that the forces shaping it never truly disappeared.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. p.188.

By Erskine Caldwell. Designed and Edited with an Introduction  by Colin Heston

When All Night Long appeared in 1942, Erskine Caldwell was already one of the most widely read—and most controversial—American novelists of his generation. Known primarily for his unsparing portrayals of poverty, violence, and moral stress in the American South, Caldwell here turned his attention outward, to a global conflict unfolding at unprecedented scale. Subtitled A Novel of Guerrilla Warfare in Russia, All Night Long represents Caldwell’s direct literary engagement with the Second World War at the moment when its outcome remained deeply uncertain and when the Soviet Union, newly allied with the United States, had become a central symbol of resistance to fascist aggression.

Caldwell’s Russia is not a romanticized abstraction nor a detailed ethnographic portrait. Instead, it functions as a stark moral landscape shaped by occupation, deprivation, and constant threat. Villages, forests, and frozen terrain become arenas of endurance rather than scenery. The emphasis falls on night operations, secrecy, hunger, exhaustion, and the psychological toll of living in a perpetual state of danger. The title itself—All Night Long—signals this temporal and emotional register: war as an unbroken vigil, a continuous strain that erodes the boundary between action and survival.

For modern readers, the novel occupies an intriguing position in Caldwell’s body of work and in twentieth-century war literature more broadly. It stands apart from his Southern novels in geography but not in theme. As in Tobacco Road or God’s Little Acre, Caldwell examines how extreme conditions strip life down to its essentials and expose the structures—economic, political, or military—that govern human behavior. In All Night Long, the setting is international, but the underlying concerns remain consistent: power, exploitation, resilience, and the cost of endurance.

Read today, All Night Long also invites reflection on the evolving representation of guerrilla warfare itself. Long before such conflicts became a dominant feature of late-twentieth- and early-twenty-first-century military discourse, Caldwell recognized the strategic and moral complexity of irregular resistance. His novel anticipates later debates about asymmetrical warfare, civilian involvement, and the blurred lines between combatant and noncombatant—issues that continue to shape global conflicts.

Ultimately, All Night Long is less a novel about Russia per se than a novel about resistance under occupation. It captures a historical moment when global war demanded new forms of solidarity and new narrative frameworks to explain them. Caldwell’s achievement lies in his ability to translate that vast struggle into an intimate, unrelenting account of human persistence, sustained through darkness, danger, and the long hours of night.

NY.Book League of America. 1942. Read-Me.Org Inc. Australia, New York & Philadelphia. 2025. 161p.

By Walter Besant. Introduction by Colin Heston.

First published in 1893, The Ivory Gate stands among the late novels of Walter Besant, a writer whose career was defined by a sustained engagement with the moral, social, and psychological pressures of modern urban life. Appearing at the close of the Victorian era, the novel reflects both Besant’s long-standing commitment to social realism and his increasing interest in the interior life of the individual—especially the fragile boundary between aspiration and illusion.
The title itself announces the book’s governing metaphor. In classical and medieval literature, the “ivory gate” is the passage through which false dreams pass into waking life, as opposed to the gate of horn, from which true dreams emerge. Besant adapts this image to late-nineteenth-century conditions, using it to explore the seductive power of unrealized hopes, romantic delusions, and social fantasies that shape—and often distort—human conduct. The novel is less concerned with overt villainy than with self-deception: the quiet, persistent capacity of individuals to misread their circumstances and to substitute imagined futures for lived realities.
For modern readers, the novel remains strikingly relevant. Its exploration of illusion, self-fashioning, and the tension between inner fantasy and external reality resonates with contemporary concerns about identity, expectation, and social pressure. While its Victorian idiom and moral framework are firmly rooted in the nineteenth century, its psychological insights anticipate later treatments of self-deception and emotional displacement.
This new edition invites readers to reconsider The Ivory Gate not simply as a period piece, but as a thoughtful and understated meditation on the human tendency to live in dreams of our own making. In tracing the quiet tragedies that arise when those dreams eclipse judgment, Besant offers a work of enduring moral seriousness—one that illuminates both the anxieties of his age and the persistent vulnerabilities of our own.

A READ-ME.ORG CLASSIC REPRINT. New York-Philadelphia-Australia. 2025. 321p.

By Alexandre Dumas (Author), G. Staal (Illustrator), J.A. Beauce (Illustrator), & 2more Format: Kindle Edition

Few novels have captured the imagination of readers across generations as powerfully as The Count of Monte Cristo. First published in 1844, this sweeping tale of betrayal, revenge, and redemption is the work of Alexandre Dumas, one of France’s most celebrated literary figures. Set against the backdrop of post-Napoleonic France, the novel follows the transformation of Edmond Dantès, a young sailor whose promising future is shattered by the treachery of those he trusted. Wrongfully imprisoned in the Château d’If, Dantès emerges years later not as the man he once was, but as the enigmatic and wealthy Count of Monte Cristo—determined to exact justice on those who wronged him. At once a thrilling adventure and a profound exploration of human nature, The Count of Monte Cristodelves into themes of vengeance, justice, mercy, and the enduring power of hope. Dumas weaves a rich tapestry of characters and subplots, each contributing to the novel’s intricate moral landscape. His storytelling is both grand in scope and intimate in detail, offering readers a journey that is as emotionally resonant as it is exhilarating.
This two volume edition is based on the five volume 1888 English edition. It retains all text as in the original and includes most of the illustrations preserving the spirit and elegance of Dumas’s original edition, while making the novel accessible to contemporary readers. This version is most likely that of an anonymous translator who translated the work from the French for the publisher Chapman and Hall in 1846. There have been many translations in dozens of languages, and some in the 20th century basically rewriting the novel in modern prose and almost always considerably abridged.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 501 p.

By Alexandre Dumas (Author), G. Staal (Illustrator), J.A. Beauce (Illustrator), & 2more Format: Kindle Edition

Few novels have captured the imagination of readers across generations as powerfully as The Count of Monte Cristo. First published in 1844, this sweeping tale of betrayal, revenge, and redemption is the work of Alexandre Dumas, one of France’s most celebrated literary figures. Set against the backdrop of post-Napoleonic France, the novel follows the transformation of Edmond Dantès, a young sailor whose promising future is shattered by the treachery of those he trusted. Wrongfully imprisoned in the Château d’If, Dantès emerges years later not as the man he once was, but as the enigmatic and wealthy Count of Monte Cristo—determined to exact justice on those who wronged him. At once a thrilling adventure and a profound exploration of human nature, The Count of Monte Cristodelves into themes of vengeance, justice, mercy, and the enduring power of hope. Dumas weaves a rich tapestry of characters and subplots, each contributing to the novel’s intricate moral landscape. His storytelling is both grand in scope and intimate in detail, offering readers a journey that is as emotionally resonant as it is exhilarating.
This two volume edition is based on the five volume 1888 English edition. It retains all text as in the original and includes most of the illustrations preserving the spirit and elegance of Dumas’s original edition, while making the novel accessible to contemporary readers. This version is most likely that of an anonymous translator who translated the work from the French for the publisher Chapman and Hall in 1846. There have been many translations in dozens of languages, and some in the 20th century basically rewriting the novel in modern prose and almost always considerably abridged.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 456 p.

By George Meredith (Author), Colin Heston (Introduction)

Evan Harrington, first published in 1861, represents a crucial early milestone in the literary career of George Meredith. While not as formally experimental or philosophically dense as his later masterpieces like The Egoist or Beauchamp’s Career, this novel nonetheless displays in fully developed form the sharp social satire, psychological acuity, and probing concern with class, identity, and social performance that would become hallmarks of Meredith’s mature work. More overtly comedic than much of his later fiction, Evan Harrington occupies a unique place in his canon as both a sparkling social comedy and a pointed critique of the hypocrisies embedded within Victorian class structures.
At its most basic level, Evan Harrington is a novel about a young man’s struggle with the question of identity — specifically, the tension between his personal merit and the social stigma attached to his family’s occupation. Evan is the son of Melchisedec Harrington, an exceedingly proud and flamboyant tailor whose death leaves his family facing financial and social crisis. Although Evan has received a gentleman’s education and possesses the manners and intellect of the upper classes, he is forced to reckon with the fact that in the rigidly stratified world of mid-19th century England, the mere fact of being “the tailor’s son” is enough to exclude him from the ranks of polite society.
Evan Harrington remains a vital and compelling work not only because it provides insight into Meredith’s literary evolution but also because its central concerns continue to resonate. The tension between personal integrity and social expectation, the arbitrariness of class distinctions, and the enduring question of what it means to live authentically within a society structured by appearances — these remain pressing questions in any era.
In sum, Evan Harrington is both a sparkling social comedy and a profound moral fable. It combines the pleasures of sharp character portraits, witty dialogue, and romantic intrigue with a serious exploration of identity, class, and the painful comedy of human vanity. It is a work that delights the reader while also challenging them to reflect on the enduring absurdities of social life and the courage it takes to live truthfully in the face of them. As such, it stands as a worthy introduction to the genius of George Meredith and a foundational text within the broader tradition of the Victorian social novel.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 332p.

By Joseph C. Lincloln. Introduction by Colin Heston.

Cap’n Dan’s Daughter* by Joseph C. Lincoln is a heartwarming and humorous novel set in the fictional Cape Cod town of Trumet. The story follows Captain Dan Dott, a retired sea captain who now runs a struggling dry goods store, and his family, particularly his ambitious wife Serena and their clever daughter Gertrude. Captain Dan is a simple, good-natured man who finds himself increasingly overwhelmed by the pressures of domestic life and the social aspirations of his wife, who is determined to elevate the family’s status in the community. Serena’s ambitions are fueled when the family receives news of an inheritance from a wealthy relative, which she sees as their ticket to a more refined and prominent lifestyle.

As Serena pushes the family into a more genteel social circle, she becomes increasingly controlling and obsessed with appearances, dragging Captain Dan along with her plans despite his discomfort. Gertrude, however, sees through the pretensions and recognizes the strain it places on her father. She devises a clever plan to gently undermine her mother’s social climbing and restore a sense of balance and authenticity to their lives. Her scheme, while well-intentioned, nearly backfires, leading to a series of misunderstandings and comic situations that test the family’s unity and resilience.

Throughout the novel, Lincoln’s affection for Cape Cod and its people shines through. He populates the story with colorful local characters and infuses the narrative with regional dialect, humor, and a deep sense of place. The novel explores themes of family loyalty, the tension between tradition and change, and the importance of staying true to oneself. In the end, the Dott family comes to a deeper understanding of what truly matters, finding contentment not in wealth or social standing, but in love, honesty, and the enduring bonds of family.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 222p.

By  Robert Louis Stevenson. Edited by Colin Heston

“The Story of a Lie” is one of Cs earliest works of fiction, first published in 1879 and later included in Volume XXI of the Swanston Edition of his collected works. Though lesser known than his major novels, this short novella is a significant piece in Stevenson’s literary development, showcasing his early experimentation with moral themes, psychological conflict, and narrative form.

The story centers on Dick Naseby, a young man of artistic temperament and idealistic values, who becomes entangled in a web of deception involving his friend Edward Langham and Langham’s romantic interest, Esther Warriston. Langham, a man of weak character and social ambition, fabricates a noble identity to win Esther’s affection. Dick, initially complicit in the lie out of loyalty, soon finds himself morally compromised and emotionally conflicted as the consequences of the deception unfold.

At its core, The Story of a Lie is a moral fable—a study of how even well-intentioned falsehoods can spiral into destructive outcomes. Stevenson explores the psychological burden of dishonesty, the tension between personal integrity and social expectation, and the painful awakening that often accompanies disillusionment. The narrative is compact but layered, with Stevenson’s characteristic wit and insight into human nature already evident.

Stylistically, the novella reflects Stevenson’s early prose—elegant, precise, and tinged with irony. Though the plot is relatively simple, the emotional and ethical dilemmas faced by the characters give the story depth and resonance. It also anticipates themes that would recur in Stevenson’s later works, such as dual identity, moral ambiguity, and the conflict between appearance and reality. Though not as widely read as Dr. Jekyll and Mr. Hyde or Treasure Island, “The Story of a Lie” remains a compelling and thought-provoking piece, valuable for its literary craftsmanship and its exploration of timeless ethical questions.

The Swanston Edition presents The Story of a Lie with scholarly annotations and contextual commentary, situating it within Stevenson’s broader literary career and the Victorian literary landscape. As part of Volume XXI, it is accompanied by other shorter works and essays, offering readers a fuller view of Stevenson’s range and evolution as a writer. Other works included in this volume are: Olalla, A Fragment, Heathercat, The Great North Road, The Young Chevalier, and Fables  .

Read-Me.Org Inc. New York-Australia-Philadelphia. 2025. 190p.

By  Robert Louis Stevenson and Lloyd Osbourne, Edited by Colin Heston.

“The Ebb-Tide: A Trio and Quartette” is a dark, psychologically complex novella co-written by Robert Louis Stevenson and his stepson Lloyd Osbourne, first published in 1894. Included in Volume XIX of the Swanston Edition of Stevenson’s collected works, this tale marks one of the final literary efforts of Stevenson’s life and reflects his mature style—gritty, morally ambiguous, and deeply engaged with the human condition.

Set in the South Pacific, a region Stevenson had come to know intimately during his later years, The Ebb-Tide follows three disgraced and destitute Europeans—Herrick, Davis, and Huish—who find themselves stranded in Tahiti. When they are offered the chance to captain a cargo schooner, the Farallone, they seize the opportunity, only to discover that the ship is carrying a mysterious and morally troubling cargo. Their journey soon spirals into a tale of greed, betrayal, and existential crisis, culminating in a confrontation with Attwater, a charismatic and enigmatic missionary who lives alone on a remote island.

The novella is notable for its psychological depth and moral complexity. Each character represents a different facet of human weakness—cowardice, cruelty, and self-deception—and Stevenson explores how these traits play out under the pressures of isolation and lawlessness. The tropical setting, far from being idyllic, becomes a backdrop for moral decay and spiritual reckoning. The story’s title, The Ebb-Tide, metaphorically suggests the retreat of moral certainty and the erosion of personal integrity.

Stylistically, the work is lean and intense, with Stevenson’s prose sharpened by his collaboration with Osbourne. The narrative is driven by suspense and philosophical inquiry, raising questions about redemption, colonialism, and the nature of evil. It is often seen as a companion piece to Stevenson’s earlier South Seas fiction, such as The Beach of Falesá, but it is darker and more introspective in tone.

The Swanston Edition provides this novella with critical annotations and historical context, situating it within Stevenson’s broader literary and biographical trajectory. As one of his final works, The Ebb-Tide offers a powerful and unsettling vision of the human soul adrift—both literally and morally—on the margins of empire and civilization.

Read-Me.Org Inc. Australia-New York-Philadelphia. 2025. 216p.

By Robert Louis Stevenson (Author), LLoyd Osbourne (Author), Colin Heston (Editor)

The Wrecker, co-written by Robert Louis Stevenson and his stepson Lloyd Osbourne, is a globe-trotting mystery and adventure novel centered around the mysterious fate of a derelict ship found in the South Seas. The story follows Loudon Dodd, an idealistic artist turned reluctant adventurer, as he unravels the secrets of the wrecked ship Currency Lass. Combining elements of detective fiction, satire, and romance, the novel explores themes of ambition, identity, and the illusion of fortune. Set against a backdrop of San Francisco, Paris, and the Pacific Islands, it presents a vivid and at times ironic portrait of late 19th-century capitalist enterprise and artistic struggle. This novel is taken from The Works of Robert Louis Stevenson VOL. XIII. This volume has been carefully edited and redesigned by Colin Heston, renowned novelist and story writer, to make the book more comprehensible to the present-day reader.

Read-Me.Org Inc. New York-Australia-Philadelphia. 2025. 269p.

By Robert Louis Stevenson:. Edited by Colin Heston

The Master of Ballantrae is a dark historical novel by Robert Louis Stevenson, set during the Jacobite rising of 1745. It tells the story of two brothers—noble and dutiful Henry Durie and his charming but treacherous elder brother James, the Master of Ballantrae—whose rivalry leads to betrayal, vengeance, and tragedy. Narrated by the loyal steward Ephraim Mackellar, the novel explores themes of family loyalty, pride, and the destructive power of ambition, set against a backdrop that spans Scotland, America, and India. With its psychological depth and moral complexity, the book stands as one of Stevenson’s most powerful works.

Read-Me.Org. Inc. Australia, New York, Philadelphia. 2025. 171p.

By R. L. Stevenson. Edited by Colin Heston

"The Black Arrow: A Tale of the Two Roses" is a historical adventure novel by Robert Louis Stevenson, first published in 1888. Set during the tumultuous period of the Wars of the Roses in 15th-century England, the story follows the young protagonist, Richard Shelton. Richard is caught in the conflict between the houses of York and Lancaster, and his journey is marked by themes of loyalty, betrayal, and revenge. The novel begins with Richard discovering that his guardian, Sir Daniel Brackley, is involved in treacherous activities. As Richard seeks justice for his father's murder, he joins forces with a band of outlaws known as the Black Arrow. The leader of the outlaws, John Amend-All, becomes a key ally in Richard's quest. Throughout the narrative, Richard faces numerous challenges, including battles, escapes, and romantic entanglements with Joanna Sedley, a young woman disguised as a boy. Stevenson's vivid descriptions and fast-paced plot make "The Black Arrow" a captivating read. The novel seamlessly combines elements of adventure, romance, and historical fiction, offering readers a thrilling portrayal of medieval England and its intricate political landscape.

Volume VIII of the Swanston Edition of "The Works of Robert Louis Stevenson" continues to showcase Stevenson's literary versatility. This volume typically includes a mix of his essays, short stories, and other writings, reflecting his wide-ranging interests and talents. The Swanston Edition is renowned for its comprehensive and authoritative compilation of Stevenson's works, providing readers with an in-depth exploration of his literary contributions. Each volume in this series highlights Stevenson's ability to engage readers with his storytelling prowess across various genres and styles. This volume has been carefully edited and redesigned by Colin Heston, a renowned novelist and storyteller, to make the book more enjoyable and comprehensible to the modern reader.

Read-Me.Org Inc. New York, Philadelphia, Australia. 2025. 178p.

by Robert Louis Stevenson (Author), Colin Heston (Editor)

Volume VII of the Swanston Edition of "The Works of Robert Louis Stevenson" continues to present a diverse collection of Stevenson's literary output. This volume typically includes a mix of his essays, short stories, and other writings, reflecting his wide-ranging interests and talents. The lead piece, "Prince Otto", was first published in 1885. The story is set in the fictional Germanic principality of Grünewald and follows the titular character, Prince Otto Johann Friedrich. Otto is a well-meaning but somewhat ineffectual ruler, whose reign is marked by political intrigue and personal dilemmas. The novel explores themes of power, responsibility, and personal growth as Otto grapples with his duties as a prince and his relationships with those around him, including his wife, Princess Seraphina, and his scheming ministers. "Prince Otto" is notable for its blend of romance, adventure, and political satire, showcasing Stevenson's versatility as a writer.

This volume has been carefully edited and redesigned by Colin Heston, renowned novelist and story writer, to make the book more comprehensible to the present-day reader.

By R.L. Stevenson. Edited by Colin Heston

Volume 3 of the works of Robert Louis Stevenson is a fascinating collection that showcases his versatility as a writer. This volume includes the chilling short story "The Body Snatcher" and the insightful essays in "Familiar Studies of Men and Books."

"The Body Snatcher" is a macabre tale that delves into the dark world of grave robbing and medical ethics. Set in 19th-century Scotland, the story follows Fettes, a medical student, and his involvement with the unscrupulous Dr. Wolfe Macfarlane. The duo engages in the illegal practice of body snatching to supply cadavers for anatomical study. Stevenson's narrative is rich with suspense and horror, exploring themes of guilt, morality, and the consequences of one's actions. The story's climax is particularly haunting, leaving readers with a lingering sense of dread and contemplation about the darker aspects of human nature.

"Familiar Studies of Men and Books" is a collection of essays in which Stevenson examines the lives and works of various literary figures and thinkers. Through these essays, Stevenson offers his reflections on the personalities and contributions of individuals such as Victor Hugo, Robert Burns, and Walt Whitman. His writing is characterized by a blend of critical analysis and personal insight, revealing his deep appreciation for literature and the human condition. Stevenson’s essays are not merely biographical; they are thoughtful explorations of the impact these figures had on their respective fields and on Stevenson himself. The essays are marked by Stevenson's eloquent prose and his ability to connect with readers on an intellectual and emotional level.

Overall. Volume 3 of Stevenson's works is a testament to his literary prowess, combining the eerie and gripping narrative of "The Body Snatcher" with the reflective and scholarly essays in "Familiar Studies of Men and Books." This volume highlights Stevenson's ability to traverse different genres and themes, offering readers a rich and varied reading experience. Through his storytelling and essays, Stevenson continues to captivate and provoke thought, making this collection a valuable addition to his oeuvre.

Read-Me.Org. Australia. 2025. 185p.

By Rolf Boldrewood

Plain Living: A Bush Idyll is a captivating tale that delves into the simple yet profound world of rural life. Written in exquisite detail, the novel follows the journey of Sarah, a young woman who leaves the hustle and bustle of the city to seek solace in the peaceful countryside. As she immerses herself in the beauty of nature and the warmth of community, Sarah discovers a deeper connection to the land and its inhabitants.

Through lyrical prose and vivid descriptions, the author paints a rich portrait of life in the bush, intertwining themes of love, loss, and self-discovery. Plain Living invites readers to slow down, appreciate the small moments, and find joy in the quietude of rural living. A poignant and heartfelt narrative, this book is a celebration of simple pleasures and the enduring spirit of the human heart.

Macmillan, 1898, 316 pages

By James Branch Cabell. Introduction by Colin Heston.

This book offers a witty and insightful examination of love, honor, and human imperfection. Through his richly drawn characters and elegant prose, he creates a collection of entertaining and thought-provoking stories. The themes of romantic love and societal expectations are explored with humor and irony, making "Gallantry" a timeless work that continues to resonate with readers today. His writing stands out for its sophisticated prose, satirical edge, and intricate exploration of themes like love, honor, and human folly. His style is a unique blend of fantasy and social critique, making his works both entertaining and thought-provoking. Gallantry is a fascinating collection of comedic narratives that delve into romantic entanglements and societal interplay, set against a backdrop reminiscent of the 18th century. Gallantry is part of Cabell's larger body of work that often blends fantasy, satire, and historical fiction. The book is structured as a series of interconnected stories, each exploring different facets of love, honor, and human imperfection. Cabell's writing is known for its wit, irony, and elaborate prose, which are all evident in this collection.

Original Publication Date: 1922. Publisher: Robert M. McBride & Company. This version Read-Me.Org Inc 2025. 237p.

By George Eliot (author) and Colin Heston (AI assisted editor)

This book is a substory of Tom and Maggie Tulliver featured in Eliot's "The Mill on the Floss". (1860) Tom and Maggie are the children of Mr. and Mrs. Tulliver, who own and operate Dorlcote Mill near the fictional town of St. Ogg's. From an early age, the siblings exhibit starkly different temperaments and aspirations. Tom, the elder of the two, is pragmatic, responsible, and somewhat rigid in his moral outlook. He possesses a strong sense of duty and loyalty to his family but is also unforgiving and often harsh in his judgments. He takes after his father in his belief in tradition and financial security, and he grows into a young man deeply committed to restoring the family's honor after they suffer economic ruin.

Maggie, in contrast, is deeply emotional, imaginative, and intellectually curious. She is an ardent reader with a keen mind and an inclination toward philosophical reflection. However, her passionate nature and nonconformist tendencies put her at odds with the rigid expectations of her time, particularly regarding women's roles in society. Throughout the novel, Maggie struggles with her desire for personal fulfillment while also yearning for familial love and acceptance. Her deep affection for her brother is a defining aspect of her character, yet it is also a source of great pain, as Tom's strict moral code and inability to understand her inner struggles create tension and estrangement between them. George Eliot's portrayal of Tom and Maggie Tulliver is remarkable for its depth and psychological complexity. Through them, she explores the difficulties of familial duty, the limitations imposed by rigid social structures, and the yearning for personal freedom. Their story, filled with moments of tenderness, misunderstanding, and ultimate reconciliation, continues to resonate with readers, making *The Mill on the Floss* one of Eliot's most enduring and emotionally powerful works.

Read-Me.Org Inc. 2015. 80p.

By George Eliot. Introduction by Colin Heston

Step into the rich tapestry of Renaissance Florence with George Eliot's Romola, a novel that masterfully intertwines politics, religion, philosophy, and personal transformation. Originally published as a serial in The Cornhill Magazine from July 1862 to August 1863, and later in three volumes by Smith, Elder & Co., Romola stands as one of Eliot's most ambitious and intellectually rich works..

In this special edition, Colin Heston provides a compelling introduction that sets the stage for Eliot's intricate narrative. Heston's introduction delves into the historical and cultural backdrop of late 15th-century Florence, a city undergoing dramatic transformation following the death of Lorenzo de’ Medici and the rise of the Dominican friar Girolamo Savonarola. Heston highlights how Eliot's profound historical research and deep psychological insight bring to life the ideological conflicts and moral questions faced by the protagonists.

Follow the journey of Romola de’ Bardi, the daughter of a blind scholar, as she navigates personal disillusionment and societal upheaval. Raised in an environment that reveres knowledge and classical learning, Romola's path becomes entangled with Tito Melema, a charming but opportunistic Greek scholar. As Romola evolves from a passive intellectual companion to an active agent of change, she becomes a symbol of ethical steadfastness and selfless service.

Eliot's Romola engages with themes of reform, idealism, and the struggles of the human soul against the tides of history. Through Savonarola's rise and fall, Eliot examines the dangers and possibilities of ideological purity, raising questions about the balance between faith, reason, and pragmatism. The novel suggests that while individuals are often caught within the larger movements of history, personal choices and moral convictions can shape the course of one's life. Reflecting Eliot's engagement with historical materialism, moral idealism, and the complexities of human character, Romola is deeply philosophical. Heston's introduction underscores the novel's ambitious scope, feminist undertones, and philosophical depth, making it a significant achievement in historical fiction.

For those willing to immerse themselves in its complex narrative, Romola offers a rewarding exploration of human character set against one of the most fascinating periods of European history. This edition, enriched by Colin Heston's insightful introduction, invites readers to experience Eliot's remarkable ability to illuminate the past while grappling with timeless questions of morality, identity, and social responsibility.

Read-Me.Org Inc. 2025. 411p.

By George Meredith

This book, first published in 1859, is a novel that explores the complexities of human nature and the consequences of rigid educational systems. The story centers around Sir Austin Feverel, who devises a strict educational plan known as "the System" to raise his son, Richard, in isolation from the corrupting influences of society. Despite Sir Austin's efforts, Richard falls in love with Lucy Desborough, a girl of lower social standing, leading to a series of tragic events. The novel delves into themes of love, passion, and the limitations of authoritarian control, offering a critical examination of contemporary attitudes toward education and sexuality.

Meredith's work is notable for its rich psychological analysis and lyrical prose, significantly contributing to Victorian literature. The novel's exploration of the father-son relationship and the impact of societal expectations on individual lives is both poignant and thought-provoking. "The Ordeal of Richard Feverel" was controversial at the time of its publication, with some readers finding its content prurient, leading to its ban by leading lending libraries. Despite this, it has endured as a classic, praised for its depth and literary merit.

First published by Chapman & Hall in a three-volume set. 1859. This edition Read-Me.Org Inc. 2025. 320p.

Byy Ludwig Lewisohn (Author), Graeme Newman (Editor)

“The Case of Mr. Crump” by Ludwig Lewisohn is a richly detailed narrative that delves into the complex lives of Anne and Herbert Crump. The story spans multiple stages of their lives, exploring themes of love, manipulation, duty, and the pursuit of artistic integrity. Anne’s tumultuous past and manipulative nature clash with Herbert’s aspirations as a young musician, leading to a series of personal and professional struggles. Set against the backdrop of early 20th-century America, the novel portrays Herbert’s journey through marital conflicts, familial obligations, and his relentless quest for success in the music industry. The narrative is marked by intense emotional conflicts, societal pressures, and the enduring impact of past traumas on the characters’ lives. Editing of the book corrects punctuation and spelling errors and improves the overall design and layout of the book, taking care to preserve the author's style. The interior design has been improved to make the book easier to read. The new Introduction offers a detailed overview of the novel and discusses the cultural and historical significance of Lewisohn's work.

Read-Me.Org Inc. 2025.