by H.G. Wells. Edited with an Introduction by Colin Heston.

What if you fell asleep—and awoke more than two hundred years later to discover that you owned the world?

Graham, an exhausted nineteenth-century man, falls into a mysterious cataleptic trance. When at last he awakens, London has become an immense mechanized metropolis of moving walkways, towering structures, mass communications and flying machines. But the greatest shock is not technological. During his extraordinary sleep, Graham's modest fortune has multiplied through compound interest until he has become the richest man alive—and, at least in name, the Master of the World.

Yet ownership is not power. Graham discovers that a ruling Council has governed in his name while millions of ordinary people live under a rigid system of economic and political control. His awakening threatens the entire structure. Revolution erupts, and Graham is forced to choose between the calculating Ostrog, who believes the masses must be controlled, and a population determined to overthrow its masters.

First published in 1899 as When the Sleeper Wakes, Wells substantially revised the novel in 1910 under the title The Sleeper Awakes. He removed much of the original romantic subplot, tightened the later chapters, reconsidered the story's flying machines, and gave the struggle between rulers and ruled a darker and more ambiguous conclusion.

More than a century later, Wells's vision remains startling. Concentrated wealth, manipulation of public opinion, mass entertainment, technological surveillance, economic inequality and political elites who claim to know what is best for the people make The Sleeper Awakes one of the great precursors of modern dystopian fiction.

This new Read-Me.Org edition presents Wells's revised text, newly reset and lightly corrected for typographical consistency, while retaining the language and character of the original. It also includes a new Introduction by Colin Heston and five public-domain period illustrations by Henri Lanos, the celebrated illustrator of the original 1899 publication.

For readers of The Time Machine, The War of the Worlds, Nineteen Eighty-Four, Brave New World and other classics of speculative and dystopian fiction, The Sleeper Awakes reveals H. G. Wells not merely as a prophet of technology, but as a remarkably prescient critic of wealth, power and the politics of the modern mass society.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 174p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

H. G. Wells imagined the nightmare of modern aerial warfare before the modern airplane had truly arrived.

First published in 1908, The War in the Air: And Particularly How Mr. Bert Smallways Fared While It Lasted is one of Wells’s most startling works of speculative fiction—a sweeping story of technological progress, global conflict, and the terrifying consequences of inventions that humanity may be clever enough to create but not wise enough to control.

Bert Smallways is no soldier, statesman, or scientific genius. He is an ordinary, ambitious young bicycle mechanic whose enthusiasm for the new age of machines leads him into an extraordinary adventure. By accident, Bert finds himself swept into the world of experimental aviation and then carried aboard a German aerial armada crossing the Atlantic to attack the United States.

What begins with the excitement and comedy of early flight rapidly becomes something much darker.

Wells imagines fleets of gigantic airships, military aeroplanes, battles fought above oceans and cities, the destruction of New York, international retaliation, and finally a conflict so widespread that the political, commercial, and technological foundations of civilization begin to collapse.

Written years before the First World War demonstrated the military importance of aviation, The War in the Air is remarkable for the questions it asks. What happens when technological change moves faster than political institutions can respond? Can a weapon that can destroy an enemy actually secure victory? What becomes of civilians when the battlefield expands into the sky above their homes? And what happens when every great power possesses the ability to strike beyond traditional frontiers?

Yet this is not simply a novel of machines and warfare. At its center is Bert Smallways—bewildered, resourceful, comic, frightened, and unmistakably human—trying to survive a catastrophe whose causes are far beyond his understanding or control.

More than a century after its first appearance, Wells’s warning has lost little of its force. Aircraft, missiles, nuclear weapons, drones, cyberwarfare, and autonomous military technologies have changed the instruments, but the fundamental problem remains: human beings continually acquire new powers before they have necessarily acquired the wisdom to govern them.

This new Read-Me.Org Classic Reprint reproduces Wells’s historic novel in a freshly reset edition, supplemented by period public-domain aviation illustrations and a new Introduction by Colin Heston that places the book in its historical setting while examining its continuing relevance to warfare, technology, and the uncertain future of civilization.

A classic of early science fiction, future-war literature, and political prophecy, The War in the Air remains both a gripping adventure and one of H. G. Wells’s most disturbing warnings about the price of uncontrolled progress.

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 210p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

H. G. Wells takes humanity beyond Earth in one of the earliest—and still one of the most imaginative—novels of lunar exploration.

When the eccentric scientist Mr. Cavor invents Cavorite, an extraordinary substance capable of shielding matter from gravity, his commercially minded neighbor Mr. Bedford immediately recognizes its possibilities. Together they construct a spherical spacecraft and embark upon an experiment that carries them farther than either man intended: all the way to the Moon.

But Wells's Moon is no lifeless wilderness. Beneath its strange surface lies an enormous subterranean world of caverns, vegetation and astonishing forms of life. Most remarkable of all are the Selenites, an advanced insect-like civilization whose society has developed along principles utterly different from those of humanity.

What begins with the exuberance of scientific discovery gradually becomes something much more unsettling. Bedford sees opportunity, wealth and conquest; Cavor seeks knowledge and understanding. Their reactions to the Selenites allow Wells to turn the adventure back upon its readers. Who, after all, is truly alien? What happens when one civilization encounters another that it neither understands nor controls? And what might an intelligent extraterrestrial species conclude after learning about human warfare, greed and empire?

First published in book form in 1901, The First Men in the Moon was the culmination of the extraordinary sequence of scientific romances that included The Time Machine, The Island of Doctor Moreau, The Invisible Man and The War of the Worlds. It combines humor, adventure, speculation and social criticism with an imaginative vision of extraterrestrial life that helped shape modern science fiction.

This Read-Me.Org Classic Reprint presents Wells's original narrative for a new generation of readers, together with an introduction placing the novel in its literary and historical setting. The edition preserves Wells's extraordinary mixture of Victorian adventure and remarkably modern speculation about alien intelligence, specialization, colonialism and humanity's place in the universe.

A classic voyage beyond Earth—and an encounter with a world stranger, larger and more sophisticated than its human visitors ever imagined.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 184p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

They came from Mars—and suddenly humanity was no longer the dominant species on Earth.

When a strange cylinder crashes into the English countryside, curious spectators gather around the crater. What emerges changes the world forever.

The Martians have arrived.

Armed with terrifying technology, towering fighting machines, deadly Heat-Rays, and poisonous Black Smoke, the invaders sweep aside human resistance with shocking ease. Soldiers, artillery, cities, governments, and the certainties of Victorian civilization collapse before an enemy whose scientific superiority appears overwhelming.

Through the experiences of an unnamed narrator struggling across a devastated England, H. G. Wells creates one of literature’s greatest stories of invasion, survival, panic, and social breakdown.

First published in 1898, The War of the Worlds helped establish the modern alien-invasion story, but Wells intended much more than spectacular science fiction. Behind the Martian machines lies a provocative reversal of imperial power. What does conquest look like when the technologically superior invader is no longer European—and humanity itself becomes the apparently inferior population?

Wells strips civilization of its confidence with astonishing speed. Refugees choke the roads. Authority disintegrates. Ordinary people flee for their lives. Humanity discovers that intelligence, technology, and military power do not necessarily guarantee survival.

More than a century after its publication, The War of the Worlds retains its extraordinary power because its central question remains unsettlingly simple:

What if something arrived that we could not defeat?

This Read-Me.Org edition brings Wells’s revolutionary scientific romance to contemporary readers while preserving the extraordinary imagination, urgency, and menace of the original.

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 207p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

In 1914 H. G. Wells imagined the atomic bomb—and a world forced to confront what such a weapon would mean.

Among Wells’s extraordinary works of scientific speculation, The World Set Free occupies a unique place. Written in 1913 and published in 1914, the novel imagined the release of atomic energy and weapons Wells explicitly called “atomic bombs” decades before Hiroshima and Nagasaki.

But Wells was interested in far more than predicting a new weapon.

Beginning with humanity’s long struggle to harness energy, the novel moves toward the discovery of practical atomic power—and then toward catastrophe. The new energy promises abundance on an unprecedented scale, but nations quickly transform scientific achievement into military power. Atomic war follows, devastating cities and demonstrating that the traditional international order can no longer survive the destructive capacities science has placed in human hands.

From that destruction Wells develops his larger and more controversial argument. If technology has made war potentially catastrophic for civilization itself, must humanity eventually abandon competing sovereign states and construct some form of world government?

The World Set Free is therefore simultaneously scientific romance, future history, political argument, and warning.

Its historical significance is remarkable. Physicist Leó Szilárd, who later played an important role in the development of nuclear physics and the history of the atomic bomb, acknowledged Wells’s novel as an influence on his thinking about atomic chain reactions.

Yet the book’s greatest interest today may lie in the question Wells asks beyond the bomb itself: Can humanity develop political institutions rapidly enough to control the destructive technologies its scientists create?

The uploaded Read-Me.Org edition includes Wells’s important 1921 preface, in which he reconsidered his predictions after the catastrophe of the First World War.

More than a century after Wells wrote it, The World Set Free remains an extraordinary encounter between science fiction and history—a novel that did not merely imagine atomic warfare but helped place the idea into the intellectual world from which the nuclear age eventually emerged.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 216p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

A hidden garden behind a green door. A valley where the blind rule. A magic shop where every trick is real. A crystal window onto Mars.

H. G. Wells is celebrated for The Time Machine, The War of the Worlds, and The Invisible Man, but his short fiction reveals the full breadth of his imagination. In these pages, ordinary men and women stumble across impossible discoveries, strange inventions, terrifying creatures, and worlds that exist just beyond the boundaries of everyday experience.

The Door in the Wall and Other Stories brings together forty of Wells's finest short stories, including every story from his definitive 1911 collection The Country of the Blind and Other Stories together with the additional tales from The Stolen Bacillus and Other Incidents that Wells himself later left behind. The result is the most complete single-volume gathering of his greatest short fiction from the remarkable decade in which he transformed modern speculative storytelling.

Here are unforgettable classics such as:

• The Door in the Wall

• The Country of the Blind

• The Crystal Egg

• The Magic Shop

• The New Accelerator

• The Star

• The Man Who Could Work Miracles

• The Empire of the Ants

• The Red Room

• The Remarkable Case of Davidson's Eyes

Alongside these famous masterpieces are comic tales, Gothic horrors, scientific romances, social satires, mysteries, and fantasies that display Wells at his most inventive and entertaining.

Whether imagining alien visions, miraculous powers, invisible thresholds, or the unexpected consequences of scientific discovery, Wells continually asks a question that became the foundation of modern science fiction: What would happen if the impossible were suddenly true?

Complete, authoritative, and newly introduced for modern readers, this volume is an essential collection for fans of classic science fiction, fantasy, horror, and one of the greatest imaginative writers in English literature.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 172p.

by H.G. Wells. Edited with an Introduction by Colin Heston.

A hidden garden behind a green door. A valley where the blind rule. A magic shop where every trick is real. A crystal window onto Mars.

H. G. Wells is celebrated for The Time Machine, The War of the Worlds, and The Invisible Man, but his short fiction reveals the full breadth of his imagination. In these pages, ordinary men and women stumble across impossible discoveries, strange inventions, terrifying creatures, and worlds that exist just beyond the boundaries of everyday experience.

The Door in the Wall and Other Stories brings together forty of Wells's finest short stories, including every story from his definitive 1911 collection The Country of the Blind and Other Stories together with the additional tales from The Stolen Bacillus and Other Incidents that Wells himself later left behind. The result is the most complete single-volume gathering of his greatest short fiction from the remarkable decade in which he transformed modern speculative storytelling.

Here are unforgettable classics such as:

• The Door in the Wall

• The Country of the Blind

• The Crystal Egg

• The Magic Shop

• The New Accelerator

• The Star

• The Man Who Could Work Miracles

• The Empire of the Ants

• The Red Room

• The Remarkable Case of Davidson's Eyes

Alongside these famous masterpieces are comic tales, Gothic horrors, scientific romances, social satires, mysteries, and fantasies that display Wells at his most inventive and entertaining.

Whether imagining alien visions, miraculous powers, invisible thresholds, or the unexpected consequences of scientific discovery, Wells continually asks a question that became the foundation of modern science fiction: What would happen if the impossible were suddenly true?

Complete, authoritative, and newly introduced for modern readers, this volume is an essential collection for fans of classic science fiction, fantasy, horror, and one of the greatest imaginative writers in English literature.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 360p.

By Hugh Clifford (Author), Graeme Newman (Introduction)

Studies in Brown Humanity by Sir Hugh Clifford is a striking collection of literary sketches drawn from the author’s experiences as a British colonial administrator in the Malay Peninsula during the late nineteenth century. Blending storytelling with observation, Clifford presents a series of vivid portraits of village life, local customs, personal conflicts, and dramatic encounters shaped by the social structures of colonial Southeast Asia. The narratives explore themes of honor, betrayal, justice, and authority, often focusing on moments when traditional Malay codes of conduct collide with the legal and moral framework imposed by the British colonial state.

Although written as literary sketches rather than formal social analysis, the book provides revealing insights into the ways communities understand wrongdoing and punishment. Clifford’s stories depict acts of violence, disputes over reputation, and conflicts between individuals and authority, illustrating how social norms, kinship ties, and communal expectations shape both criminal behavior and responses to it. In this sense, the work can be read not only as colonial literature but also as an early, informal contribution to the sociological study of crime and social control.

At the same time, Studies in Brown Humanity reflects the attitudes and assumptions of its imperial context. Clifford’s interpretations are filtered through the perspective of a European observer, and the book reveals much about the intellectual climate of the British Empire at the turn of the twentieth century. For modern readers, the volume is therefore both a vivid narrative of colonial life and a historical document that illuminates how crime, justice, and cultural difference were understood within the framework of empire.

Rich in atmosphere and dramatic detail, Clifford’s work remains valuable today as a window into the complex social worlds of colonial Southeast Asia and as a reminder of how early narratives about crime and punishment were shaped by the cultural and political conditions of their time.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 291p.

By Arthur Train. Introduction by Graeme R. Newman

The transition of the American legal system from the rough-and-tumble nineteenth century into the more structured, investigative era of the early twentieth century is nowhere more vividly captured than in Arthur Train’s True Stories of Crime from the District Attorney’s Office. As an Assistant District Attorney for New York County during a period of rapid urbanization and social upheaval, Train occupied a unique vantage point that allowed him to witness the collision of old-world criminal archetypes with the emerging complexities of modern life. This collection of narratives serves as a clinical yet deeply compelling autopsy of the era’s most notorious legal battles, offering readers a rare glimpse into the machinery of justice at a time when forensic science was in its infancy and the power of the prosecutor’s office was expanding into new, uncharted territories.

Train’s work is particularly significant for its early exploration of what would eventually be termed white-collar crime. While the public imagination of 1908 was often captured by tales of blunt violence and physical daring, Train directs his focus toward the "super-criminal"—the manipulative mastermind who utilized the administrative and financial structures of the city as their primary tools of exploitation. Through these accounts, we see the emergence of a new kind of threat that required a equally sophisticated response from the legal establishment. Train describes a landscape where economic desperation and social isolation were the primary drivers of criminal behavior, yet he also highlights the systemic vulnerabilities that allowed institutional fraud to flourish. By documenting these cases, he provides a foundation for the study of victimology, illustrating how the legal system often struggled to keep pace with the evolving ingenuity of those who sought to undermine it.

Beyond their historical and legal value, these stories possess a narrative vitality that reflects the tension between the sensationalism of early tabloid journalism and the rigorous demands of the courtroom. Train’s prose is informed by his experiences on the front lines of the District Attorney’s office, where the outcome of a trial often hinged as much on rhetorical flair and personal intuition as it did on physical evidence. In revisiting these cases today, we are invited to consider the persistent challenges of defining and delivering justice within a complex bureaucracy. Train does not shy away from the moral ambiguities of his profession, and his reflections on the nature of guilt and the limitations of the law remain strikingly relevant. This volume stands not only as a record of forgotten crimes but as an enduring meditation on the social fabric of a metropolis in flux, capturing the moment when the modern era of criminal justice truly began.

Read-Me.Org Inc. 2026. 184p.

By Charlie Blank

The Story Page: Embracing Ten Interesting Tales is a short story anthology by Charlie Blank, published in 1933 by The O’Sullivan Publishing House in Chicago. The book is a collection of ten distinct narratives that explore themes of missed opportunities, second chances, and the dramatic twists of fate that define human lives during the early 20th century.

The collection is dedicated "Lovingly to Mother". It features the following ten stories:

1. "The Unanswered Call.. 2. His Second Chance-3. Ann-4. The Destroyer 5. The Teetotal Tar. 6. The Sequel, Unique. 7. The Phantom at the Wheel. 8. A Brush with Civilization. 9. The Crampton Kidnapping. 10. A Peep into the Hereafter.

The stories often focus on characters at emotional or moral crossroads, dealing with the consequences of their choices or the intervention of tragedy.

Thematic Overview.

“Tragedy and Irony:” In "The Unanswered Call," a nurse named Jane Merrick decides to end her eight-year relationship with a man named Jerry. She intentionally ignores his persistent phone calls to prove her resolve, only to receive a call from a hospital informing her that he was fatally struck by a car thirty minutes prior—the very period during which she refused to answer.

The Struggle for Redemption:. "His Second Chance"* follows John V. Caruthers, a man living in poverty and shame after losing his job during the Depression and embezzling money to play the stock market. The story explores his internal battle as a fugitive from justice, trying to earn enough money through a risky oil venture to make amends for his past.

Historical Context: The narratives are deeply rooted in their era, referencing the **Great Depression**, the volatility of the **Stock Exchange**, and the personal toll of financial ruin.

The prose is character-driven and often somber, highlighting the thin line between a "fresh youthfulness" and a life turned "sordid and bitter" by time and circumstance.

The O’Sullivan Publishing house. Chicago. Illinois. 1938. 229p.

By EDNA FERBER, IRVIN S. COBB, PETER B. KYNE, JAMES OLIVER CURWOOD, MEREDITH NICHOLSON, and H. C. WITWER. Edited by RAY LONG. Preface by Colin Heston.

In this book, you will find a rare and intimate glimpse into the minds of some of America’s most celebrated storytellers of the early twentieth century. Edna Ferber, Irvin S. Cobb, Peter B. Kyne, James Oliver Curwood, Meredith Nicholson, and H. C. Witwer—names that graced the covers of magazines and the shelves of countless homes—come together in this unique collection to share the stories they themselves hold dearest.

Unlike anthologies chosen by editors or critics, this volume is deeply personal. Each author was invited to select the work that, in their own judgment, best represents their craft, their ideals, and their voice. These are not merely stories—they are reflections of character, ambition, and artistry, chosen by the creators themselves.

The idea behind this book is simple yet profound: who better to decide what is “best” than the writer who gave the story life? Here, you will encounter tales that stirred their authors’ hearts, stories that perhaps marked turning points in their careers, or pieces that captured the essence of their creative spirit.

As Ray Long, the distinguished editor of Cosmopolitan, notes in his introduction, this collection is more than entertainment—it is a testament to the enduring power of storytelling and the pride of authorship. It invites readers not only to enjoy these narratives but to appreciate the personal significance they hold for their creators.

So turn the page and step into a world where the voices of six remarkable writers speak directly to you, offering the stories they love best. In doing so, they reveal something more than plot and character—they reveal themselves.

NY. International Magazine Company. 1925. Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 157p.

By Robert Louis Stevenson. Edited by Colin Heston

"The New Arabian Nights" by Robert Louis Stevenson is a captivating collection of short stories that showcases his talent for blending adventure, mystery, and humor. Volume 4 of his works includes these tales, which are inspired by the classic "Arabian Nights" but set in contemporary Europe.

The Suicide Club: The collection opens with "The Suicide Club," a trilogy of stories that revolve around Prince Florizel of Bohemia and his loyal companion, Colonel Geraldine. They stumble upon a secret society where members gamble with their lives, seeking an escape from their troubles through death. The stories are filled with suspense, intrigue, and Stevenson's signature wit, as the prince and the colonel navigate dangerous situations to uncover the club's dark secrets.

The Rajah's Diamond: Another notable story is "The Rajah's Diamond," which is divided into four parts. It follows the adventures of a priceless diamond and the various characters who come into possession of it. The diamond's journey leads to a series of thrilling and unexpected events, showcasing Stevenson's ability to weave complex plots and create memorable characters.

Other Stories: The volume also includes other engaging tales such as "The Pavilion on the Links," a story of love, betrayal, and revenge set against the backdrop of a remote Scottish coast, and "A Lodging for the Night," which features the infamous French poet François Villon and his escapades in medieval Paris.

"The New Arabian Nights" is a testament to Stevenson's versatility as a writer. Each story is rich with vivid descriptions, dynamic characters, and a blend of humor and suspense. Stevenson's ability to transport readers to different settings and immerse them in the adventures of his characters makes this collection a delightful and compelling read. Volume 4 of his works highlights Stevenson's skill in crafting engaging narratives that continue to captivate readers with their originality and charm.

Australia. Read-Me.Org. Inc. 2025. 197p.

MAY CONTAIN MARKUP

Dean Koontz

In the stunning title story 'Strange Highways', a failed author returns to his hometown after many years to attend his father's funeral, only to find himself suddenly and inexplicably thrust back through time to relive a traumatic event from his past.

One rain-swept Sunday night when he was twenty years old, on his way back to college after a weekend with his family, Joey Shannon took the wrong highway - and from that moment, nothing ever went right for him again. Now, exactly twenty years later, on another rain-swept night, Joey finds himself at the same crossroads, looking down the road never taken. Which is odd. Because that road no longer exists. A superhighway replaced it nearly twenty years ago, and the old state route - which had crossed a web of perpetually burning, abandoned coal mines - was condemned as too dangerous and was torn up. But now the highway is exactly as it was on that long-ago night, and when Joey turns on to it, he begins an eerie, terrifying journey toward a truth so dark and stunning that it will change everything he believes about himself, his past, and the nature of life.

LONDON. HEADLINE BOOKS. 1995. 445p.

USED BOOK. MAY CONTAIN MARK-UP

By E. E. Reynolds

FROM THE PREFACE: “The yarns in this book are all narratives of actual experiences. It is not usually difficult to get the books written by famous explorers, such as Livingstone, and their achievements are also recorded in biographies; but there have been a great many men who have travelled in the lesser known parts of the world without becoming famous. Many of the stories that follow are drawn from the adventures ofsuch minor explorers. One group. of the yarns is about early settlers in the Dominions; these men and women had to endure much hardship while creating new homes, but unfortunately few of themrecorded their experiences.

Oxford University Press. 1953. 160p.

By Rudyard Kipling

FROM THE COVER: "Once upon a Time O Best Beloved," and so begins one of the best loved and most respected collections of stories for children, Rudyard Kipling's Just So Stories. This edition includes the author's own unique illustrations. Kipling's bold linear fantasies, in the style of art nouveau, as well as his attention to realistic detail, create an intriguing and strikingly different interpretation. The first tale, "How the Whale Got Its Throat," a tall tale of a big whale, sets the tone for these wild "venturesome adventures," to use Kipling's words. One glance at the table of contents will reveal that the Just So Stories appeal most to inquisitive and fantasy-loving minds. These are stories which tell us of the Time of Very Beginnings;…”

London. Crown Publishers.. 1978. Originally published 1937. 211p. USED BOOK

By Franz Kafka. Translated by David Wyllie

From Wikipedia: The Trial (German: Der Process,[1] previously Der Proceß, Der Prozeß and Der Prozess) is a novel written by Franz Kafka in 1914 and 1915 and published posthumously on 26 April 1925. One of his best known works, it tells the story of Josef K., a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor to the reader. Heavily influenced by Dostoevsky's Crime and Punishment and The Brothers Karamazov, Kafka even went so far as to call Dostoevsky a blood relative.[2] Like Kafka's two other novels, The Castleand Amerika, The Trial was never completed, although it does include a chapter which appears to bring the story to an intentionally abrupt ending.

After Kafka's death in 1924 his friend and literary executor Max Brod edited the text for publication by Verlag Die Schmiede. The original manuscript is held at the Museum of Modern Literature, Marbach am Neckar, Germany. The first English-language translation, by Willa and Edwin Muir, was published in 1937.[3] In 1999, the book was listed in Le Monde's 100 Books of the Century and as No. 2 of the Best German Novels of the Twentieth Century.

Berlin. Verlag Die Schmiede. 1925. 213p. CONTAINS MARK-UP

By Franz Kafka. Translated by David Wyllie

From Wikipedia: Metamorphosis (German: Die Verwandlung) is a novella written by Franz Kafka which was first published in 1915. One of Kafka's best-known works, Metamorphosis tells the story of salesman Gregor Samsa, who wakes one morning to find himself inexplicably transformed into a huge insect (German: ungeheueres Ungeziefer, lit. "monstrousvermin") and subsequently struggles to adjust to this new condition. The novella has been widely discussed among literary critics, with differing interpretations being offered. In popular culture and adaptations of the novella, the insect is commonly depicted as a cockroach.

With a length of about 70 printed pages over three chapters, it is the longest of the stories Kafka considered complete and published during his lifetime. The text was first published in 1915 in the October issue of the journal Die weißen Blätter under the editorship of René Schickele. The first edition in book form appeared in December 1915 in the series Der jüngste Tag, edited by Kurt Wolff.[1]

Leipzig. Kurt Wolff Verlag . 1915. 49p. CONTAINS MARK-UP

By Franz Kafka. : Willa and Edwin Muir, Tania and James Stern

This is a 1971 collection of all Kafka’s finished works. It contains all the amazing, weird and wonderful unsettling stories from Metamorphisis to In the Penal Colony.From Wikipedia: “In 1912, Kafka wrote Die Verwandlung (The Metamorphosis, or The Transformation),[150] published in 1915 in Leipzig. The story begins with a travelling salesman waking to find himself transformed into an ungeheures Ungeziefer, a monstrous vermin, Ungezieferbeing a general term for unwanted and unclean pests, especially insects. Critics regard the work as one of the seminal works of fiction of the 20th century.[151][152][153] The story "In der Strafkolonie" ("In the Penal Colony"), dealing with an elaborate torture and execution device, was written in October 1914,[82] revised in 1918, and published in Leipzig during October 1919. The story "Ein Hungerkünstler" ("A Hunger Artist"), published in the periodical Die neue Rundschau in 1924, describes a victimized protagonist who experiences a decline in the appreciation of his strange craft of starving himself for extended periods.[154] His last story, "Josefine, die Sängerin oder Das Volk der Mäuse" ("Josephine the Singer, or the Mouse Folk"), also deals with the relationship between an artist and his audience.[155]

NY. Schoken. 1971. 487p. CONTAINS MARK-UP

By Charles Dickens

From Wikipedia: “In 1859 Dickens founded a new journal called All the Year Round, and the "Uncommercial Traveller" articles would be among his main contributions. He seems to have chosen the title and persona of the Uncommercial Traveller as a result of a speech he gave on 22 December 1859 to the Commercial Travellers' School in London,[1] in his role as honorary chairman and treasurer. The persona sits well with a writer who liked to travel, not only as a tourist, but also to research and report what he found visiting Europe, America and giving book readings throughout Britain. He did not seem content to rest late in his career when he had attained wealth and comfort and continued travelling locally, walking the streets of London in the mould of the flâneur, a "gentleman stroller of city streets". He often suffered from insomnia and his night-time wanderings gave him an insight into some of the hidden aspects of Victorian London, details of which he also incorporated into his novels.”

London: Chapman & Hall, Ld. New York: Charles Scribner’s Sons. 1905. 370p.