By George Meredith (Author), Colin Heston (Introduction)

Vittoria, published in 1867, is one of George Meredith’s most ambitious historical novels and serves as a sequel to his earlier work Sandra Belloni (originally titled Emilia in England). While Sandra Belloni explored the struggles of an Italian-born heroine within the confines of English provincial society, Vittoria shifts the scene entirely to Italy during one of the most turbulent and significant periods of the 19th century—the Italian Risorgimento, the movement for national unification and independence from foreign rule.
In Vittoria, Meredith combines the personal and the political, weaving a narrative in which the inner development of the heroine, Vittoria, mirrors the aspirations and tumult of the Italian national cause. The novel is set during the events of 1848, a year of revolutionary fervor across Europe, when Italy was in the throes of armed uprisings against Austrian dominance. Through the story of Vittoria, a gifted opera singer who becomes involved in the nationalist struggle, Meredith addresses questions of patriotism, duty, identity, and the costs of freedom. Ultimately, Vittoria is a novel about courage—the courage to defy oppression, to embrace love in the face of danger, and to live a life that is aligned with one’s highest convictions. It is both a stirring narrative of revolution and an enduring meditation on the responsibilities that come with freedom. For readers willing to engage with its intellectual demands, Vittoria offers a richly rewarding experience—a testament to Meredith’s belief that literature should challenge as well as enlighten.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 358p.

By C. Serjeant

A boys adventure book linking Christian life to war…FROM CHAPTER 1:

“"Yes, mother. And you remember what he said about being good soldiers of our Lord, don't you?"

"I'm afraid I didn't hear quiteall the sermon," she said, trying to speak lightly. "I wish," she added to herself, "that Jack would stop talking about such things. Especially in public. It would be frightfully embarrassing if he began to discuss religion in front of Lady Hardcastle or Mrs. Lyle-Gault. I'm not sure that they wouldn't think it a joke.'

"Well, mother,"Jack was saying, "that was what his sermon was about--being good soldiers-and somehow I felt I wanted to be one of them-and I am, mother."

London. Pickering & Inglis Ltd. 1932. 67p. USED BOOK

K. M. Macleod

A boys book heralding the wonderful role of the Christian missionaries of imperialism.

FROM THE COVER: but what can the boys join:" A new school teacher, Miss Stanley, arrives, and has an unkind trick played on her by Derry. She, however, starts a company of Life Boys, under the Great Leader, Jesus Christ, and to Derry's surprise he is allowed to join. They soon christen Miss Stanley, "The Skipper," and the story abounds with Life Boy adventures, until a Mr. Wardic arrives from Central Africa, and falls in love with The Skipper. The Life Boys form the guard of honor at the wedding which folows, and the story ends with The Skipper leaving a s "Mrs. Wardic" to be a foreign missionary in Africa, and hoping to form a company of Life Boys there of little African boys.”

London. Pickering & Inglis Ltd. 1934. 69p. USED BOOK

Edited By Marlene Tromp Maria K. Bachman Heidi Kaufman.

In this groundbreaking collection, scholars explore Victorian xenophobia as a rhetorical strategy that transforms “foreign” people, bodies, and objects into perceived invaders with the dangerous power to alter the social fabric of the nation and the identity of the English. Essays in the collected edition look across the cultural landscape of the nineteenth century to trace the myriad tensions that gave rise to fear and loathing of immigrants, aliens, and ethnic/racial/religious others. This volume introduces new ways of reading the fear and loathing of all that was foreign in nineteenth-century British culture, and, in doing so, it captures nuances that often fall beyond the scope of current theoretical models. “Xenophobia” not only offers a distinctive theoretical lens through which to read the nineteenth century; it also advances and enriches our understanding of other critical approaches to the study of difference. Bringing together scholarship from art history, history, literary studies, cultural studies, women’s studies, Jewish studies, and postcolonial studies, Fear, Loathing, and Victorian Xenophobia seeks to open a rich and provocative dialogue on the global dimensions of xenophobia during the nineteenth century.

Columbus, OH: Ohio State University Press, 2013. 390.