By D. H. Lawrence

Kangaroo is D. H. Lawrence's eighth novel, set in Australia. He wrote the first draft in just forty-five days while living south of Sydney, in 1922, and revised it three months later in New Mexico. The descriptions of the country are vivid and sympathetic and the book fuses lightly disguised autobiography with an exploration of political ideas at an immensely personal level. Based on a collation of the manuscript, typescripts and first editions, this text of Kangaroo is closest to what Lawrence would have expected to see in print. There is a full textual apparatus of variants, a comprehensive introduction giving the background and history of composition and publication and a summary of contemporary reviewers' opinions. Explanatory notes elucidate the many geographical, political and literary allusions in the text; there are three maps and an appendix detailing Australian locations.

London. Thomas Seltzer Inc. 1923. 367p.

By Jonas Jonasson. Translated by Rod Bradbury

A larger-than-life old man with a fondness for vodka goes on an unexpected adventure in this whimsical novel -- perfect for fans of Forrest Gump and A Man Called Ove.. The international publishing sensation -- more than six million copies sold worldwide! A reluctant centenarian much like Forrest Gump (if Gump were an explosives expert) decides it's not too late to start over . . .

After a long and eventful life, Allan Karlsson ends up in a nursing home, believing it to be his last stop. The only problem is that he's still in good health, and in one day, he turns 100. A big celebration is in the works, but Allan really isn't interested (and he'd like a bit more control over his vodka consumption). So he decides to escape. He climbs out the window in his slippers and embarks on a hilarious and entirely unexpected journey, involving, among other surprises, a suitcase stuffed with cash, some unpleasant criminals, a friendly hot-dog stand operator, and an elephant (not to mention a death by elephant).

It would be the adventure of a lifetime for anyone else, but Allan has a larger-than-life backstory: Not only has he witnessed some of the most important events of the twentieth century, but he has actually played a key role in them. Starting out in munitions as a boy, he somehow finds himself involved in many of the key explosions of the twentieth century and travels the world, sharing meals and more with everyone from Stalin, Churchill, and Truman to Mao, Franco, and de Gaulle. Quirky and utterly unique, The 100-Year-Old Man Who Climbed Out the Window and Disappeared has charmed readers across the world.

NY. Hachette. 2009, 2012. 381p.

By Katharine Susannah Prichard

From the jacket: No writer has painted a more vivid picture of the tragic meeting of primi­tive and civilized humanity than Katharine Susannah Prichard in Coonardoo. First published in 1929, this remarkable novel has become an Australian classic, as moving in its deli­cate portraiture of an aboriginal girl as it is revealing in its authentic know­ledge of the outback scene in north­western Australia. The little black girl Coonardoo and the boy Hugh are childhood play­mates, and the relationship that gradually develops from their early bond is compelling and disastrous. Coonardoo has her tribal partner; Hugh, the station-owner, must marry. This drama is played out in the deserts and cattle country of the north­west, a cruel story redeemed by the poetic quality-of Coonardoo and her devotion to the man whose race dealt so harshly with hers.

Melbourne. Angus and Robertson. 1929.

By Daphne Du Maurier

From Amazon: This "highly personalized adventure, ultra-romantic" story from the author of Rebecca tells the tale of a woman looking for adventure, only to find it in the arms a rebellious criminal (New York Times). Bored and restless in London's Restoration Court, Lady Dona escapes into the British countryside with her restlessness and thirst for adventure as her only guides. Eventually Dona lands in remote Navron, looking for peace of mind in its solitary woods and hidden creeks. She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall. Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

U.K. Gollancz. 1941. 208p.

By Gustav Flaubert

"She longed t o rush into his arms. to take refuge in his strength as ir the incarnation of bertect love. tc cry aloud to him- 'Take me away ! Oh, take me away!'" Madame Bovary is the story of a beautiful young woman who marries a luckless and loutishcountry doctor. She attempts to escape the narrou confines of her lifethrough a series of passionate affairs, hoping to find in other men the romantic ideal she has alwavs dreamed about. Her reckless. n e s s comes back to haunt her. however. and the strong-willed and independent Emma finds herself in a desperate fight for existence. Flaubert's daring depiction of adultery and sinfulness caused a national scandal when it was first published, and the author was put on trial for offending public morality. One hundred and fifty years later, this masterpiece of realist literature has lost none of its impact.

Michel Lévy Frères (in book form, 2 Vols). 1857. 322p.

By Daphne Du Maurier.

Many of Daphne dimario's novels are set in Cornwall probably because she had made her home in the area and her writing seems to have absorbed so much of the atmosphere of that land of mystery and dark deeds. From Chapter 1: “It was a cold grey day in late November. The weather had changed overnight, when a backing wind brought a granite sky and a mizzling rain with it, and although it was now only a little after two o’clock in the afternoon the pallor of a winter evening seemed to have closed upon the hills, cloaking them in mist. It would be dark by four. The air was clammy cold, and for all the tightly closed windows it penetrated the interior of the coach. The leather seats felt damp to the hands, and there must have been a small crack in the roof, because now and again little drips of rain fell softly through, smudging the leather and leaving a dark-blue stain like a splodge of ink. The wind came in gusts, at times shaking the coach as it travelled round the bend of the road, and in the exposed places on the high ground it blew with such force that the whole body of the coach trembled and swayed, rocking between the high wheels like a drunken man….”

U.K. Gollancz. 1936.189p.

By Niccolo Machiavelli

From Chapter 1: The people who inhabit the northern parts beyond the Rhine and the Danube, living in a healthy and prolific region, frequently increase to such vast multitudes, that part of them are compelled to abandon their native soil, and seek a habitation in other countries. The method adopted, when one of these provinces had to be relieved of its superabundant population, was to divide into three parts, each containing an equal number of nobles and of people, of rich and of poor. The third upon whom the lot fell, then went in search of new abodes, leaving the remaining two-thirds in possession of their native country. These migrating masses destroyed the Roman empire by the facilities for settlement which the country offered when the emperors abandoned Rome, the ancient seat of their dominion, and fixed their residence at Constantinople…..

London. M. Walter Dunne. 1901.

By Woody Allen

From the cover. In Getting Even Woody Allen revenges himself upon such significant subjects as death, obe­sity, organized crime, the invention of the sandwich, adult education, laundry lists of famous people, and Latin American revolu­tionaries. Here is Woody Allen at his philo­sophical deepest: •    "... Death is an acquired trait.'' •    "If man were immortal, do you realize what his meat bills would be?" •    "Why pork was proscribed by Hebraic law is still unclear, and some scholars believe that the Torah merely suggested not eating pork at certain restaurants." •    "Eternal Nothingness is OK if you're dressed for it." •    "My mind can never know my body although it has become quite friendly with my legs."

NY. Random House. 1978. 124p.

By Alexander Solzhenitsyn

Translated from the Russian by Michael Guybon. “*The First Circle asks to be compared to Dostoevsky. Solzhenitsyn is in the great story-telling tradition. When he introduces a character, he fills in the complete background. His portrait of a Soviet prosecutor and his family circle is unforgettable. So are chapters devoted to the brooding Stalin. A future generation of Russians will be able to come to terms with their history through books like Dr. Zhivago and The First Circle.'“ David Pryce-Jones, Financial Times.

London Collins. Fontana Books. 1970. 680P.

By Emile Gaboriau

Illustrated by W. Glackens. From Chapter 1: In the Paris evening papers of Tuesday, February 28, 1866, under the head of Local Items, the following announcement appeared: " A daring robbery, committed against one of our most eminent bankers, M. André Fauvel, caused great excitement this morning throughout the neighborhood of Rue de Provence. " The thieves, who were as skilful as they were bold, succeeded in making an entrance to the bank, in forcing the lock of a safe that has heretofore been considered impregnable, and in possessing themselves of the enormous sum of three hundred and fifty thousand francs in bank-notes…”

NY. Charles Scribner’s Sons. 1903. 540p.

By Ambrose Bierce

From the Preface: The Devil's Dictionary was begun in a weekly paper in 1881, and was continued in a desultory way and at long intervals until 1906. In that year a large part of it was published in covers with the title The Cynic's Word Book, a name which the author had not the power to reject nor the happiness to approve. To quote the publishers of the present work: “This more reverent title had previously been forced upon him by the religious scruples of the last newspaper in which a part of the work had appeared, with the natural consequence that when it came out in covers the country already had been flooded by its imitators with a score of‘cynic’ books - The Cynic’s This, The Cynic's That and The Cynic's t’Other. Most of these books were merely stupid, though some of them added the distinction of silliness. Among them, they brought the word ‘cynic’ into disfavour so deep that any book bearing it was discredited in advance of publication.”

Hertfordshire. Wordsworth Editions Limited. 1996. 243p.

By Alexander Solzhenitsyn

Translated from the Russian by Ralph Parker. With an Introduction by Marvin L. Kalb. Foreword By Alexander Tvardovsky. From the cover: This extraordinary novel is one of the most significant and outspoken literary documents ever to come out of Soviet Russia. It is both a brutally graphic picture of life in a Stalinist work camp and a moving tribute to man's will to prevail over relentless dehumanization. A masterpiece of modern Russian fiction, ONE DAY IN THE LIFE OF IVAN DENISOVICH first brought to world attention the work of Alexander Solzhenitsyn, brilliant author of THE CANCER WARD and THE FIRST CIRCLE.

Alexander Solzhenitsyn was born in 1918, a year after the Bolsheviks stormed to; power through­out Russia. He studied at the University of Rostov and served with distinction in the Russian Army dur­ing World War II. In 1945 he was arrested and im­prisoned in a labor camp for eight years because he allegedly made a derogatory remark about Stalin. He was released in 1953 after the death of Stalin, but was forced to live in Central Asia, where he remained until Premier Khrushchev’s historic “secret speech” denounced Stalin in 1956. Rehabilitated in 1957, Solzhenitsyn moved to Ryazan, married a chemistry student, and began to teach mathematics at the local school. In his spare time, he started to write. This novel is his first published work.

NY. A Signet Classic from New American Library. 1963. 158p.

By Digby Anderson

A dictionary like no other!

"This book will shortly replace a university;education and it's cheaper." John Cleese.

The dictionary of dangerous words from access to zionist via exclusion, partner and self-esteem.

Contributors: Alice Thomas, Ellis Frederick Forsyth, Simon Heffer, Peter Hitchens, Andrew Roberts, Auberon Waugh, Michael Wharton, and many Others

London. Social Affairs Unit. No Date. 129p.

By Aleksandr Solzhenitsyn.

From the jacket: Cancer Ward, which has been compared to the master­piece of another Nobel Prize winner, Thomas Mann's The Magic Mountain,examines the relationships of a group of people in a provincial Soviet hospital in 1955, two years after Stalin's death. Through their stories, Aleksandr Solzhenitsyn has created a vivid portrait of life in the So­viet Union. Alexsandr Solzhenitsyn, winner of the 1970 Nobel Prize in Literature, was born in 1918. In 1945, while a captain in the Soviet Army, he was arrested—for criticiz­ing Stalin in a letter to a friend—and sentenced to an eight-year term in a labor camp and permanent exile. In exile, he became a patient in a cancer ward, and later re­covered. Although he was allowed to publish One Day in the Life of Ivan Denisovich in 1962, Solzhenitsyn was expelled from the Soviet Writers Union in 1969. When the KGB discovered the manuscript of The Gulag Archi­pelago, it became imperative for Solzhenitsyn to have the book published in the West. The authorities retaliated in 1974 by exiling him from the Soviet Union. He settled in the United States in 1976 and now lives in Vermont.

NY. Farrar, Straus and Giroux. 1968. 630p.

Translated Into English By Samuel Croxall.

This version is beautifully illustrated and contains “New applications, Morals etc. by the Rev. Geo. Tyler Townsend, editor of the “Arabian Nights’ Entertainments.” Eighty original Illustratiiona.

London” Frederick Warne and Co. Strand. ca. 1885. 161p.

Edited by Maria Aristodemou; Fiona Macmillan; Patricia Tuitt

This book opens up a range of important perspectives on law and violence by considering the ways in which their relationship is formulated in literature, television and film. Employing critical legal theory to address the relationship between crime fiction, law and justice, it considers a range of topics, including: the relationship between crime fiction, legal reasoning and critique; questions surrounding the relationship between law and justice; gender issues; the legal, political and social impacts of fictional representations of crime and justice; post-colonial perspectives on crime fiction; as well as the impact of law itself on the crime fiction’s development. Introducing a new sub-field of legal and literary research, this book will be of enormous interest to scholars in critical, cultural and socio-legal studies, as well as to others in criminology, as well as in literature.

Abingdon, Oxon, OX; New York: Birkbeck Law Press; 2017. 181p.

By Josef Hoffmann

Josef Hoffmann covers influences and inspirations in crime writing with references to a stellar cast of crime writers including Arthur Conan Doyle, G. K. Chesterton, Dashiell Hammett, Albert Camus, Borges, Agatha Christie, Raymond Chandler, and Ted Lewis. Hoffmann examines why crime literature may provide stronger consolation for readers than philosophy. In so doing, he demonstrates the truth of Wittgenstein's claim that more wisdom is contained in the best crime fiction than in philosophical essays. Josef Hoffmann's combination of knowledge, academic acuity, and enthusiasm makes this a must-have book for any crime fiction aficionado—with or without a philosophical nature.

Harpenden, Herts, UK: No Exit Press, 2013. 192p.

From Agatha Christie to Ruth Rendell: British Women Writers in Detective and Crime Fiction

By Susan Rowland

From Agatha Christie to Ruth Rendell is the first book to consider seriously the hugely popular and influential works of Agatha Christie, Dorothy L. Sayers, Margery Allingham, Nag Marsh, P.D. James and Ruth Rendell/Barbara Vine. Providing studies of 42 key novels, this volume introduces these authors for students and the general reader in the context of their lives, and of critical debates on gender, colonialism, psychoanalysis, the Gothic, and feminism. It includes interviews with P.D. James and Ruth Rendell/Barbara Vine.
Palgrave macmillan, 2000. 232p.

By Christiana Gregoriou

This book explores the three aspects of deviance that contemporary crime fiction manipulates: linguistic, social, and generic. Gregoriou conducts case studies into crime series by James Patterson, Michael Connelly and Patricia Cornwell, and investigates the way in which these novelists correspondingly challenge those aforementioned conventions.

Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan, 2007. 189p.

By Lisa Hopkins

This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four ‘queens of crime’ (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value.

London; New York: Palgrave Macmillan, 2016. 211p.