by Gregory Forter

Though American crime novels are often derided for containing misogynistic attitudes and limiting ideas of masculinity, Greg Forter maintains that they are instead psychologically complex and sophisticated works that demand closer attention. Eschewing the synthetic methodologies of earlier work on crime fiction, Murdering Masculinities argues that the crime novel does not provide a consolidated and stable notion of masculinity. Rather, it demands that male readers take responsibility for the desires they project on to these novels.
Forter examines the narrative strategies of five novels--Hammett's The Glass Key, Cain's Serenade, Faulkner's Sanctuary, Thompson's Pop. 1280, and Himes's Blind Man with a Pistol--in conjunction with their treatment of bodily metaphors of smell, vision, and voice. In the process, Forter unearths a "generic unconscious" that reveals things Freud both discovered and sought to repress.

New York; London: NYU Press, 2000. 278p.

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By Dean Koontz

FROM THE COVER: Martie Rhodes, a happily married, successful video games designer, takes an agoraphobic friend to therapy sessions twice a week. Each trip is a grim ordeal, but the experience has brought the two friends even closer together. Then, one morning, Martie experiences a brief, irrational but disquieting fear of... her shadow. When autophobia - one of the rarest and most intriguing phobias known to psychology - is diagnosed, suddenly, radically her life changes, and the future looks dark. Martie's husband, Dusty, loves her profoundly, and is desperate to understand the cause of her autophobia. But as he comes closer to the terrible truth, Dusty himsell starts showing signs of a psychological disorder even more frightening than that afflicting Martie...FALSE MEMORY is the breathtaking new thriller from the internationally bestselling author of SEIZE THE NIGHT and FEAR NOTHING.

London. Headline Book Publishing. 1999. 827p.

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J. D. ROBB

While Eve examines a fresh body in Washington Square Park, her husband, Roarke, spots a man among the onlookers he’s known since his younger days on the streets of Dublin. A man who claims to be his half brother. A man who kills for a living—and who burns with hatred for him.

Eve is quick to suspect that the victim’s spouse—resentful over his wife’s affair and poised to inherit her fortune—would have happily paid an assassin to do his dirty work. Roarke is just as quick to warn her that if Lorcan Cobbe is the hitman, she needs to be careful. Law enforcement agencies worldwide have pursued this cold-hearted killer for years, to no avail. And his lazy smirk when he looked Roarke’s way indicates that he will target anyone who matters to Roarke...and is confident he’ll get away with it.

Eve is desperate to protect Roarke. Roarke is desperate to protect Eve. And together, they’re determined to find Cobbe before he finds them—even if it takes them across the Atlantic, far outside Eve’s usual jurisdiction...

PIATKUS First published in the United States i by St Martin's Press. 2020. 348p.

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By Ruth Rendell

A bypass is planned in Kingsmarkham, but before the protestors make their presence felt, the badly decomposed body of a young woman is discovered. Burden thinks he knows the identity of the murderer, but Wexford is not convinced.

London. Random House. 1997. 389p.

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Robert Whitaker

In 1735 a team of French scientists set out on a daring expedition into the South American wilderness to resolve one of the great scientific challenges of the time: the precise size and shape of the Earth. Scaling the Andes and journeying along the Amazon, the mapmakers faced all manner of danger, while madness, disease and violent death each took their toll. However one, Jean Godin, fell in love with a local girl called Isabel Grameson. When the time came for the expedition to return to France, Godin travelled ahead to ensure the way was safe for his new family. But on reaching French Guiana, disaster struck: Spain and Portugal closed their borders and he was stranded, unable to return to Isabel. What followed lies at the core of this extraordinary tale - a heartbreaking 20-year separation that ended when Isabel, believing she might never see her husband again, decided to make her own way across the continent: a journey that began in hope but became hell on earth...

Drawing on his own experience retracing Isabel's epic trek as well as contemporary records, Robert Whitaker recounts a captivating true story of love and survival set against the backdrop of what many still regard as 'the greatest expedition the world has ever known'.

LONDON. BANTAM. 2004. 416p.

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Minette Walters

CRIME & MYSTERY. In 1970, Harold Stamp, a retarded twenty-year-old was convicted on disputed evidence and a retracted confession of brutally murdering his grandmother the one person who understood and protected him. Less than three years later he is dead, driven to suicide by isolation and despair. A fate befitting a murderer, perhaps, but what if he were innocent? Thirty years on, Jonathan Hughes, an anthropologist specialising in social stereotyping, comes across the case by accident. He finds alarming disparities in the evidence and has little doubt that Stamp's conviction was a terrible miscarriage of justice. But how far is he prepared to go in the search for justice? Is the forgotten story of one friendless young man compelling enough to make him leave his books and face his own demons? And with what result? If Stamp didn't murder Grace Jeffries then somebody else did, which means there's a dangerous killer still at large.

Crows Nest, Australia. ALLEN & UNWIN. 2003. 408p.

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LOUISE PENNY

Chief Inspector Armand Gamache returns in the eighteenth book in #1 New York Times bestseller Louise Penny's beloved series.

It’s spring and Three Pines is reemerging after the harsh winter. But not everything buried should come alive again. Not everything lying dormant should reemerge.

But something has.

As the villagers prepare for a special celebration, Armand Gamache and Jean-Guy Beauvoir find themselves increasingly worried. A young man and woman have reappeared in the Sûreté du Québec investigators’ lives after many years. The two were young children when their troubled mother was murdered, leaving them damaged, shattered. Now they’ve arrived in the village of Three Pines.

But to what end?

Gamache and Beauvoir’s memories of that tragic case, the one that first brought them together, come rushing back. Did their mother’s murder hurt them beyond repair? Have those terrible wounds, buried for decades, festered and are now about to erupt?

As Chief Inspector Gamache works to uncover answers, his alarm grows when a letter written by a long dead stone mason is discovered. In it the man describes his terror when bricking up an attic room somewhere in the village. Every word of the 160-year-old letter is filled with dread. When the room is found, the villagers decide to open it up.

As the bricks are removed, Gamache, Beauvoir and the villagers discover a world of curiosities. But the head of homicide soon realizes there’s more in that room than meets the eye. There are puzzles within puzzles, and hidden messages warning of mayhem and revenge.

In unsealing that room, an old enemy is released into their world. Into their lives. And into the very heart of Armand Gamache’s home.

London. Hodder & Stoughton L. 2002. 400p.

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By Kathy Reichs

“Down time” is not a phrase in Tempe Brennan’s vocabulary. A string of disturbing cases has put her vacation plans on hold; instead, she heads to the lab to analyze charred remains from a suspicious fire, and a mysterious black residue from a small plane crash. But most troubling of all are the bones. Even more disturbing is the fact that bones turns up on a family picnic in North Carolina—but are they animal or human? X-rays and

London. Arrow Books. 2012. 434p.

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By Patricia Cornwell

Forensic pathologist Dr. Kay Scarpetta has come almost full circle, returning to Virginia, the state where she launched her storied career, as the chief medical examiner. Finding herself the new girl in town once again after being away for many years, she's inherited both an overbearing secretary and a legacy of neglect and potential corruption.

She and her husband, Benton Wesley, now a forensic psychologist with the U.S. Secret Service, have relocated to Old Town Alexandria, where she's headquartered five miles from the Pentagon in a post-pandemic world that's been torn apart by civil and political unrest. After just weeks on the job, she's called to a scene by railroad tracks--a woman's body has been shockingly displayed, her throat cut down to the spine--and as Scarpetta begins to follow the trail, it leads unnervingly close to her own historic neighborhood.

At the same time, a catastrophe occurs in a top secret labo-ratory in outer space, endangering at least two scientists aboard. Appointed to the highly classified Doomsday Commission that specializes in sensitive national security cases, Scarpetta is summoned to the White House and tasked with finding out exactly what happened. But even as she remotely works the first potential crime scene in space, an apparent serial killer strikes again very close to home.

This latest novel in the groundbreaking Kay Scarpetta series captivates readers with the shocking twists, high-wire tension, and forensic detail that Patricia Cornwell is famous for, proving once again why she's the world's #1 bestselling crime writer.

NY. Harper Collins. 2021. 413p

By Jonathan Beller

The Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities, and that the rise of digital culture and technologies under capitalism should be seen as an extension of capitalism's bloody logic. Engaging with Borges, Turing, Claude Shannon, Hitchcock and Marx, this book tracks computational capital to reveal the lineages of capitalised power as it has restructured representation, consciousness and survival in the twentieth and twenty-first centuries. Ultimately The Message is Murder makes the case for recognising media communications across all platforms - books, films, videos, photographs and even language itself - as technologies of political economy, entangled with the social contexts of a capitalism that is inherently racial, 

London: Pluto Press, 2017. 225p.

By Mark Pizzato

From the Preface: Why do humans perform acts of violence for a watching audience? This book

explores the performance of violence in various cultures, from ancient human and animal sacrifices to modern sports and cinema, through psychoanalytic theories and theatrical paradigms. How is the sublimation of human sacrifice today, on sports fields and movie screens, like and unlike actual bloodshed in prior cultures? Does it create a current community of ritual belief in the divine powers of mythic heroes and demons? What effects might melodramatic violence have on a mass audience--with purely good and evil forces battling apocalyptically onscreen especially after September 11, 2001, and the subsequent "war on terrorism" in our new millennium? Is a fundamental catharsis of fear and desire, of terrorist paranoia and capitalist greed, still pos- sible today, through complex characters and tragic violence, involving our mass-media warriors and godlike stars?

NY. SUNY Press. 2005. 260p. CONTAINS MARK-UP

By David John Brennan

In 1798, William Wordsworth and Samuel Taylor Coleridge were engaged in a top secret experiment. This was not, as many assume, the creation of a book of poetry. A book emerged, to be sure—the landmark Lyrical Ballads. But in Murder Ballads, David John Brennan posits that the two poets were in fact pursuing far different ends: to birth from their poems a singular, idealized Poet. Despite their success, such Frankensteinian pursuits proved rife with consequence for the men. Doubts and questions plagued them: What does it mean to be a poet if your work is not your own? Who is best fit to lay claim to a parcel of poetic property that was collaboratively crafted and bequeathed to a fictitious Poet? How does one kill a Poet born of one’s own hand? Blending critical examination with jocular playlets-in-verse featuring the authors of the two books in baffled conversation.

Brooklyn, NY: Punctum Books, 2016. 160p.

Edited by Gerardo Del Guercio

This collection offers six critical essays on the topic of psychology in Edgar Allan Poe. It came together as a response to a visible absence of this subject in recent scholarship. The volume presents Edgar Allan Poe as one of the pioneers in psychology, who often anticipated major theoretical trends and ideas in psychology in his incessant explorations of the relationship between behavior and the psyche. Scrutinizing serial killer narratives, obsessive narratives through Jungian unconscious, Lacanian Das Ding, doppelg angers, intersubjectivity, and the interrelationship between the material world and imaginative faculties, the essays reveal the richness and the complexity of Poe's work and its pertinence to contemporary culture.

 Berlin: Logos Verlag Berlin,  2019. 168p.

By Albert Camus

With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward.

Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. 

“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and ­devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” –from the Introduction by Peter Dunwoodie.

Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd." First published in English in 1946; now in a new translation by Matthew Ward.

London. Knopf. 1946. 77p.

From Agatha Christie to Ruth Rendell: British Women Writers in Detective and Crime Fiction

By Susan Rowland

From Agatha Christie to Ruth Rendell is the first book to consider seriously the hugely popular and influential works of Agatha Christie, Dorothy L. Sayers, Margery Allingham, Nag Marsh, P.D. James and Ruth Rendell/Barbara Vine. Providing studies of 42 key novels, this volume introduces these authors for students and the general reader in the context of their lives, and of critical debates on gender, colonialism, psychoanalysis, the Gothic, and feminism. It includes interviews with P.D. James and Ruth Rendell/Barbara Vine.
Palgrave macmillan, 2000. 232p.