DEAN KOONTZ

FROM CHAPTER 1:

IT'S ONLY LIFE. WE ALL GET THROUGH IT. Not all of us complete the journey in the same condition. Along the way, some lose their legs or eyes in accidents or altercations, while others skate through the years with nothing worse to worry about than an occasional bad-hair day.

I still possessed both legs and both eyes, and even my hair looked all right when I rose that Wednesday morning in late January. If I returned to bed sixteen hours later, having lost all of my hair but nothing else, I would consider the day a triumph. Even minus a few teeth, I'd call it a triumph…

London. Harper Collins Publishers. 2008. 359p.

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STUART MACBRIDE

A new Logan McRae thriller from the bestselling author of 'Cold Granite' and 'Dying Light', set in gritty Aberdeen. In the pale grey light of a chilly February, Aberdeen is not at its best... There's a rapist prowling the city's cold granite streets, leaving a string of tortured women behind. But while DS Logan McRae's girlfriend is out acting as bait, he's dealing with the blood-drenched body of an unidentified male, dumped outside Accident and Emergency. When a stash of explicit films turn up, all featuring the victim, it looks as if someone in the local bondage community has developed a taste for violent death, and Logan gets dragged into the twilight world of pornographers, sex-shops and S&M. To make matters worse, when they finally arrest the Granite City Rapist, Grampian Police are forced by the courts to let him go: Aberdeen Football Club's star striker has an alibi for every attack. Could they really have got it so badly wrong? Logan thinks so, but the trick will be getting anyone to listen before the real rapist strikes again. Especially as his girlfriend, PC Jackie 'Ball Breaker' Watson, is convinced the footballer is guilty and she's hell-bent on a conviction at any cost...

LONDON. HARPER. COLLINS. 2007. 571p

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LOUISE PENNY

Chief Inspector Armand Gamache returns in the eighteenth book in #1 New York Times bestseller Louise Penny's beloved series.

It’s spring and Three Pines is reemerging after the harsh winter. But not everything buried should come alive again. Not everything lying dormant should reemerge.

But something has.

As the villagers prepare for a special celebration, Armand Gamache and Jean-Guy Beauvoir find themselves increasingly worried. A young man and woman have reappeared in the Sûreté du Québec investigators’ lives after many years. The two were young children when their troubled mother was murdered, leaving them damaged, shattered. Now they’ve arrived in the village of Three Pines.

But to what end?

Gamache and Beauvoir’s memories of that tragic case, the one that first brought them together, come rushing back. Did their mother’s murder hurt them beyond repair? Have those terrible wounds, buried for decades, festered and are now about to erupt?

As Chief Inspector Gamache works to uncover answers, his alarm grows when a letter written by a long dead stone mason is discovered. In it the man describes his terror when bricking up an attic room somewhere in the village. Every word of the 160-year-old letter is filled with dread. When the room is found, the villagers decide to open it up.

As the bricks are removed, Gamache, Beauvoir and the villagers discover a world of curiosities. But the head of homicide soon realizes there’s more in that room than meets the eye. There are puzzles within puzzles, and hidden messages warning of mayhem and revenge.

In unsealing that room, an old enemy is released into their world. Into their lives. And into the very heart of Armand Gamache’s home.

London. Hodder & Stoughton L. 2002. 400p.

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By Kathy Reichs

“Down time” is not a phrase in Tempe Brennan’s vocabulary. A string of disturbing cases has put her vacation plans on hold; instead, she heads to the lab to analyze charred remains from a suspicious fire, and a mysterious black residue from a small plane crash. But most troubling of all are the bones. Even more disturbing is the fact that bones turns up on a family picnic in North Carolina—but are they animal or human? X-rays and

London. Arrow Books. 2012. 434p.

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BY JULIAN LEATHERDALE

In the murky world of Kings Cross in 1932, aspiring crime writer Joan Linderman and her friend and flatmate Bernice Becker live the wild bohemian life, a carnival of parties and fancy-dress artists' balls.

One Saturday night, Joan is thrown headfirst into a real crime when she finds Ellie, her neighbour, murdered. To prove her worth as a crime writer and bring Ellie's killer to justice, Joan secretly investigates the case in the footsteps of Sergeant Lillian Armfield.

But as Joan digs deeper, her list of suspects grows from the luxury apartment blocks of Sydney's rich to the brothels and nightclubs of the Cross's underclass.

Death in the Ladies' Goddess Club is a riveting noir crime thriller with more surprises than even novelist Joan bargained for: blackmail, kidnapping, drug-peddling, a pagan sex cult, undercover cops, and a shocking confession.

From the shadows of bohemian and underworld Kings Cross, who will emerge to tell the real story?

Sydney - Meldourne• Auckland • London. Allen & Unwin.. 2020. 398P.

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By Patricia Cornwell

Forensic pathologist Dr. Kay Scarpetta has come almost full circle, returning to Virginia, the state where she launched her storied career, as the chief medical examiner. Finding herself the new girl in town once again after being away for many years, she's inherited both an overbearing secretary and a legacy of neglect and potential corruption.

She and her husband, Benton Wesley, now a forensic psychologist with the U.S. Secret Service, have relocated to Old Town Alexandria, where she's headquartered five miles from the Pentagon in a post-pandemic world that's been torn apart by civil and political unrest. After just weeks on the job, she's called to a scene by railroad tracks--a woman's body has been shockingly displayed, her throat cut down to the spine--and as Scarpetta begins to follow the trail, it leads unnervingly close to her own historic neighborhood.

At the same time, a catastrophe occurs in a top secret labo-ratory in outer space, endangering at least two scientists aboard. Appointed to the highly classified Doomsday Commission that specializes in sensitive national security cases, Scarpetta is summoned to the White House and tasked with finding out exactly what happened. But even as she remotely works the first potential crime scene in space, an apparent serial killer strikes again very close to home.

This latest novel in the groundbreaking Kay Scarpetta series captivates readers with the shocking twists, high-wire tension, and forensic detail that Patricia Cornwell is famous for, proving once again why she's the world's #1 bestselling crime writer.

NY. Harper Collins. 2021. 413p

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By Michael Crichton

A brutal struggle in the cutthroat computer industry; a shattering game of cat and mouse; an accusation of sexual harassment that threatens to derail a brilliant career ... this is the electrifying core of Michael Chrichton's new novel, his first since Rising Sun. At the center: Tom Sanders, an up-and-coming executive with DigiCom in Seattle, a man whose corporate future is certain. Until: after a closed-door meeting with his new boss - a woman who was his lover ten years before, a woman who has been promoted to the position he expected to have - he is accused of sexually harassing her. Now, as he scrambles to defend himself (enlisting the help of a sagacious woman lawyer whose career has been built on the successful prosecution of men charged with sexual misconduct), he finds himself trapped between what he knows to be true and what he knows others will assume to be the truth. And, as he uncovers an electronic trail into the company's secrets, he begins to grasp just how cynical and manipulative an abuse of truth has actually occurred ... Tackling one of the most divisive issues of our time, Disclosure compels us to see beyond our traditional responses. It is Michael Chrichton at his galvanizing best.

A.A. Knopf, 1994, 397 pages

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By Chris Bradford

In a dangerous world, everyone needs protection.

Bodyguard: Hostage is the new thriller from Chris Bradford, bestselling author of Young Samurai. Bodyguard is a bulletproof action-adventure series that fans of Cherub and Alex Rider will love. This is Lee Child for younger readers - a teenage Jason Bourne for the next generation.

With the rise of teen stars, the intense media focus onceleb families and a new wave of billionaires, adults are no longer the only target for hostage-taking, blackmail and assassination - kids are too.

That's why they need a young bodyguard like Connor Reeves to protect them.

Recruited into the ranks of a covert young bodyguard squad, 14-year-old Connor Reeves embarks on a rigorous close protection course. Training in surveillance, anti-ambush exercises, hostage survival and unarmed combat, he's put through his paces and wonders if he will actually survive the course.

But when the US President summons Connor to protect his impulsive teenage daughter, Connor's training is put to the ultimate test. For Connor discovers that the First Daughter, Alicia, doesn't want to be guarded. She just wants to have fun. And with no clue Connor is her bodyguard, Alicia tries to elude her Secret Service agents and lead Connor astray. But unknown to her, a terrorist sleeper cell has been activated.

Its mission: to take the president's daughter HOSTAGE...

Penguin UK, May 2, 2013, 432 pages

By Colin Heston

With an obvious nod to Sir Arthur Conan Doyle, Colin Heston takes us inside the most mysterious of institutions The University, inhabited by many weird academics and administrators, not to mention students. William Hobson, Thomas Colmes’s trusted assistant, recounts the strange and challenging cases that arose among the inhabitants of the Ivory Tower in which they both reside, their offices deep in its basement. Hobson is not quite a doctor (ABD – All But Dissertation) and Colmes’s past is itself a mystery. But never before have the shenanigans and conundrums of academic life in a university been uncovered with such courage and thoroughness, the hallmarks of Colmes’s brilliance.

NY. Read-Me.Org.

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J. D. Rob

Rapture in Death by J.D. Robb is a compelling addition to the well-loved In Death series. Set in a futuristic New York City, Lieutenant Eve Dallas is once again put to the test as she investigates a series of murders that seem to be driven by a twisted agenda. With her trademark wit and determination, Eve delves deep into the dark heart of the killer's mind, uncovering shocking secrets along the way. Robb seamlessly weaves together elements of mystery, suspense, and a touch of romance, keeping readers on the edge of their seats until the very end. Rapture in Death is a riveting read that will leave fans eager for more of Eve Dallas's thrilling adventures.

NY. Berkely Publishing. 2010. 317p.

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Mick Herron

In "Real Tigers" by Mick Herron, readers are taken on a gripping journey into the world of espionage and political intrigue. Herron weaves a complex and thrilling narrative as the characters navigate through the murky waters of betrayal and loyalty. The tension builds steadily throughout the novel, keeping readers on the edge of their seats until the very end. With his masterful storytelling and sharp wit, Herron delivers a captivating tale that will leave readers eagerly awaiting the next installment in this riveting series.

UK. John Murray Publishers. 2016. 362p.

Sarah J. Jackson

“It is clear in news coverage of recent uprisings for Black life that journalists and media organizations struggle to reconcile the fact of ongoing racism with narratives of U.S. progress. Bound up in this struggle is how collective memory—or rather whose collective memory—shapes the practices of news-making. Here I interrogate how television news shapes collective memory of Black activism through analysis of a unique moment when protests over police abuse of Black people became newsworthy simultaneous with widespread commemorations of the civil rights movement. I detail the complex terrain of nostalgia and misremembering that provides cover for moderate and conservative delegitimization of contemporary Black activism. At the same time, counter-memories, introduced most often by members of the Black public sphere, o ff er alternative, actionable, and comprehensive interpretations of Black protest.”

Communication, Culture and Critique 00 (2021) 1–20.

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Regina Janes

FROM THE PREFACE: Why should anyone, especially sophisticated people like you and me, regard so widespread a cultural practice as beheadings as repellent? About 160,000 years ago, homo sapiens idaltu separated heads from bodies.' Homo sapiens sapiens still does. Disagreeable, fascinating, horrific, laughable, headless bodies and bodiless heads are all around us. Tim Burton, whose Sleepy Hollow (1999) sent heads flying, claims severed heads create unease that one cannot put one's finger on.? Garrison Keillor begins the millennium with a snowboarding beheading in Lake Wobegon where "we don't have many beheadings."3 Snoopy horrifies himself by accidentally beheading a snowman. Decapitating murderers horrify the rest of us, populating our prisons, our films, and our fictions. Horror or comedy: decapitation owes its current characteristic shudder to the placement of violence within the modern ideology of the body. Decapitation, like other mutilations, makes visible a violence that the west has been campaigning to make invisible since the seventeenth century, when our body-based ideology begins to emerge.

NEW YORK UNIVERSITY PRESS. New York and London. 2005. 266p.

By Thom Snaphaan & Teun van Ruitenburg 

This article presents a further development of the existing crime scripting framework to enhance insight in the financial aspects of profit-driven crime: financial crime scripting. By drawing on the foundations of crime script analysis, financial crime scripting allows to generate, organise and systematise knowledge about the financial aspects of the crime commission processes of a variety of crime types, and accounts for linking the dots with financial crimes, such as bribery, bankruptcy fraud and money laundering. Viewing these financial crimes as supporting or succeeding offences in light of profit-driven crimes, and at the same time providing guidance to analyse these offences as profit-driven crimes in itself, opens the door for detailed analyses without losing sight of the bigger picture, i.e., the interconnectedness with other crimes. This analytical method helps crime researchers to take into account the financial aspects of crime-commission processes in crime script analyses and could help law enforcement agencies and other crime prevention partners to go beyond a proceeds-of-crime approach and put a follow-the-money approach in practice. Financial crime scripting takes full account of the financial aspects of profit-driven crime and puts relevant concepts in broader perspective, enhancing understanding with conceptual clarity. In addition to outlining the framework, the relevance for policy and practice is unravelled and avenues for future research are discussed.

European Journal on Criminal Policy and Research January 2024   Download

By Victor D van Santvoord and Teun van Ruitenburg

The Netherlands operates as a distribution hub for cocaine, due to its transit characteristics cocaine is imported from South America and distributed to the rest of Europe. To enhance the financial approach to organized crimes, this article proposes a new crime script: a financial crime script. With a special focus on the importing stage, 76 Dutch court rulings are analyzed to make a first financial crime script. This financial crime script provides new insight into the proceeds, costs, and means of payment of criminal organizations and therefore could aid law enforcement in calculating criminal gains.
The Police JournalVolume 96, Issue 3, September 2023, Pages 374-389

Editors: Christiane Kruse, Birgit Meyer, and Anne-Marie Korte

What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of “icono-clash” (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.

Leiden: Brill - Schöningh and Fink Social Sciences, 2018. 383p.

By Lawrence Sherman and Cambridge University associates

Crime statistics require a radical transformation if they are to provide transparent information for the general public, as well as police operational decision-making. This statement provides a blueprint for such a transformation.

Summary

The best way to count crime is to assign a weight to the harm caused by each crime, rather than by counting all crimes as if they were created equal. This can be done by summing up the days of imprisonment recommended by sentencing guidelines for each crime type, multiplied by the number of crimes of each type that were reported by victims or witnesses, then summing the weight across all crime types to equal total crime harm. Total harm can also be calibrated by any other democratically legitimate method of assigning harm levels for each crime category in relation to all others. Any method using sentencing guidelines based on the harm caused by an offence to victims, without regard to the offender’s prior record or other circumstances, meets the standard of the Cambridge Crime Harm Index (Sherman et al. 2016).Footnote1 Other methods of weighing harm for each crime can apply the same principles outlined in this statement.

By using a single sum of weighted crime harm across all crime types, for each year in each community, governments can offer the public a more reliable indicator of their safety. The Crime Harm Index (CHI) would also provide a clearer indicator by leaving out crimes not reported by the public at large, such as police-initiated investigations of human trafficking and narcotics crimes, as well as crimes such as big-store shop-theft that are detected by a company’s security staff. The clarity comes by separate reporting of proactive investigations that measure of varying levels of investment in detections rather than actual crime levels. A CHI also leaves out crimes reported in the current year but which occurred in a prior year—because the existing system of counting crimes when they are reported but years after they occurred distorts the measurement of current public safety for which police are held accountable.

The single CHI sum also lends clarity to other relevant indicators, such as the “detection” rate, which currently treats all crimes as created equal. It allows police to invest scarce resources in proportion to the harm of each offence type, by showing the public the proportion of all harm for which police bring offenders to justice. A Harm Detection Fraction (HDF) would use CHI to give the fact that over two-thirds (67%) of murders are detected far more weight than the low detection rate for vandalism (Office of National Statistics 2019). Similarly, a Proactive Policing Index (PPI) would use the CHI to give credit—instead of blame—to police for detecting hidden slavery and organized crime. The annual national and local crime reports recommended by this Consensus Statement are comprised of these seven statistical series to be calculated consistently from each year to the next: 

• A Crime Harm Index (CHI) for crimes against victims in the current year.

• Crime counts by all crime categories, used to calculate the CHI.

• A Historic Offences Index (HOCHI), a CHI for crime occurring in prior years.

• A Proactive Policing Index (PPI), weighted by crime type as for the CHI.

• A Company-Detected Crime Harm Index (CDCHI), also weighted by CHI.

• A Harm Detection Fraction (HDF), which is the proportion of CHI with police detections.

• Detection rates per 100 by all crime categories, used to calculate the HDF.

This system would give the public a reliable and realistic assessment of trends, patterns and differences in public safety. It would also give police a proportionate system of incentives to manage demands for their services with a clear focus on cutting the harm from crime, and not just the high volume of low-harm crimes counted equally. It offers a “bottom-line” for crime, like the profits of a business: a clear metric that untangles the current confusion about what the profusion of crime statistics really means for the general public.

Camb J Evid Based Polic 4, 1–14 (2020).

By Teun van Ruitenburg & Stijn Ruiter

An emerging line of research explores how calculating the harm associated with different types of crime serves as a method to measure crime across times, places and people. A crime harm index (CHI) is suggested to produce a more reliable bottom line indicator of public safety and it would allow law enforcement agencies to invest their scarce resources in proportion to the harm caused by various types of crimes. This scoping literature review maps the literature on crime harm indices published after 2006 by answering the following research questions: (1) what is the rationale for a CHI, (2) what are the possible ways to operationalize a CHI; (3) how can a CHI be used in crime analysis; (4) what are the general outcomes of the studies using a CHI; (5) what are the known challenges and critiques of a CHI and (6) what research gaps related to CHI are expressed in this field of research?

Police Practice and Research 

An International Journal

Volume 24, 2023 - Issue 4

By Mary McCoy

After a nation has transitioned from authoritarianism to democracy, how are democratic norms most effectively fostered and maintained? This book uses as its case study Indonesia after the fall of the dictator Suharto to reveal that a contentious, even scandal-obsessed press can actually prove extremely useful for an emergent democracy. A society that can tolerate and protect journalists willing to expose corruption and scandal among elites is one, the author finds, in which ordinary citizens are willing to believe in and support other democratic institutions. Based on extensive interviews and research in Indonesia, this book offers a new and surprising perspective on the role of the press and the nature of scandal-driven journalism in fledgling democracies.

Ithaca, NY: Cornell University Press, 2019. 223p.

By Aaron J. Rosenthal

The State You See uncovers a racial gap in the way the American government appears in people's lives. It makes it clear that public policy changes over the last fifty years have driven all Americans to distrust the government that they see in their lives, even though Americans of different races are not seeing the same kind of government.

For white people, these policy changes have involved a rising number of generous benefits submerged within America's tax code, which taken together cost the government more than Social Security and Medicare combined. Political attention focused on this has helped make welfare and taxes more visible representations of government for white Americans. As a result, white people are left with the misperception that government does nothing for them, apart from take their tax money to spend on welfare. Distrust of government is the result. For people of color, distrust is also rampant but for different reasons. Over the last fifty years, America has witnessed increasingly overbearing policing and swelling incarceration numbers. These changes have disproportionately impacted communities of color, helping to make the criminal legal system a unique visible manifestation of government in these communities.

While distrust of government emerges in both cases, these different roots lead to different consequences. White people are mobilized into politics by their distrust, feeling that they must speak up in order to reclaim their misspent tax dollars. In contrast, people of color are pushed away from government due to a belief that engaging in American elections will yield the same kind of unresponsiveness and violence that comes from interactions with the police. The result is a perpetuation of the same kind of racial inequality that has always been present in American democracy. The State You See is essential reading for anyone interested in understanding how the American government engages in subtle forms of discrimination and how it continues to uphold racial inequality in the present day.

Ann Arbor: University of Michigan Press, 2023.