Edited By Aviva Tuffield

Proving that the short story is alive and well in Australia, this eclectic anthology of previously unpublished and uncollected vignettes showcases some of the finest authors from Down Under—from seasoned practitioners to rising and emerging stars of the short story firmament. At once poignant, tender, introspective, and funny, the volume includes a wide variety of genres, from humor and romance to drama and mystery. Capturing whole lives in just a few satisfying pages, this lively compendium is ideal for dipping into and perfect for those seeking inspiration and escape.. This eclectic anthology of new stories showcases some of our finest writers, and proves that the short story is alive and well in Australia.

From seasoned practitioners of the form through to emerging stars of the short-story firmament, New Australian Stories 2 caters for all tastes. There's humour, mystery, drama, and even some delusion and deceit. Ideal for dipping into, and perfect for those seeking inspiration and escape, this collection is designed for your reading pleasure.

Full list of contributors: Debra Adelaide, Claire Aman, Jon Bauer, Melissa Beit, Tegan Bennett Daylight, Tony Birch, Georgia Blain, Patrick Cullen, Sonja Dechian, Brooke Dunnell, Peggy Frew, Julie Gittus, Marion Halligan, Jacinta Halloran, Karen Hitchcock, Anne Jenner, Myfanwy Jones, Lesley Jorgensen, Cate Kennedy, Zane Lovitt, Scott McDermott, Fiona McFarlane, Jane McGown, A.G. McNeil, Susan Midalia, Jennifer Mills, Meg Mundell, Peta Murray, Ruby J. Murray, Mark O'Flynn, Ryan O'Neill, Paddy O'Reilly, Kate Ryan, Emma Schwarcz, Jane Sullivan, Chris Womersley.

Melbourne Scribe. 2009. 339p.

By Bianca Pitzorno Translated by Brigid Maher.

The irresistible story of a young woman seeking freedom and happiness.


Born into poverty, the seamstress spends her days sewing in the houses of wealthy families. Her work is simple and honest; taught by her nonna, she skilfully prepares nightgowns, undergarments and children's clothes, leaving the finer work of dressmaking to the ateliers in Paris.


Her story weaves in and out of the lives of the people she works for, whose secrets and scandals she is privy to. Some are kind and generous, others blinded by their desire to climb the social ladder. She dreams of freeing herself from the hardscrabble life she has inherited but can't help being pulled back in by the love of the people around her.


Set at the dawn of the twentieth century, The Seamstress of Sardinia follows the girl as she grows into a woman, strives to educate herself and falls in love-always fighting for her independence in a world dominated by men and old social conventions.

Melbourne. Text Publishing. 2018. 292p.

By Geraldine brooks

This gripping historical novel is based on the true story of Eyam, the "Plague Village," in the rugged mountain spine of England. In 1666, the bubonic plague is brought to this isolated settlement and the people choose to seal themselves off to prevent the spread of infection.

This gripping historical novel is based on the true story of Eyam, the "Plague Village," in the rugged mountain spine of England. In 1666, a tainted bolt of cloth from London carries bubonic infection to this isolated settlement of shepherds and lead miners. A visionary young preacher convinces the villagers to seal themselves off in a deadly quarantine to prevent the spread of disease. The story is told through the eyes of eighteen-year-old Anna Frith, the vicar's maid, as she confronts the loss of her family, the disintegration of her community, and the lure of a dangerous and illicit love. As the death toll rises and people turn from prayers and herbal cures to sorcery and murderous witch-hunting, Anna emerges as an unlikely and courageous heroine in the village's desperate fight to save itself.

Exploring love and learning, fear and fanaticism, and the struggle of science and religion to interpret the world at the cusp of the modern era, Year of Wonders is at once a story of unconventional love and a richly detailed evocation of a riveting moment in history. Like Arthur Golden's Memoirs of a Geisha and A. S. Byatt's Posession, Year of Wonders blends learning and romance into an unforgettable read.

NY. Penguin.2001. 336p.

By Courtney Collins

This moving debut novel was inspired by the life of Australian Elizabeth Jessie Hickman, a runaway convict born in 1820. In Collins poetically reimagined tribute, 22-year-old Jessie is on the run after killing her brutal husband. She has recently given birth to a stillborn child whose spirit is somehow tethered to her mother and who narrates the story. Jessie has already lived a dramatic life; she once worked as a circus acrobat and then as a horse rustler but is now desperate to escape the posse of men who want to hang her for murder. While she runs, she thinks of her short, sweet relationship with the Aboriginal stockman Jack Brown, whose gentle ways were a welcome relief from the beatings administered by her drunken husband. She finds an idyllic camp in the mountains made up of desperate boys who steal horses and thinks she might finally have found a refuge, but the lawmen are not far behind. This intense read, with dark undertones of death and foreboding, contains breathtaking descriptions of the Australian bush and a lyrical homage to Jessie’s desperate quest for freedom.

NY. Berkley Books. 2012. 284p.

By Katharine Susannah Prichard

From the jacket: No writer has painted a more vivid picture of the tragic meeting of primi­tive and civilized humanity than Katharine Susannah Prichard in Coonardoo. First published in 1929, this remarkable novel has become an Australian classic, as moving in its deli­cate portraiture of an aboriginal girl as it is revealing in its authentic know­ledge of the outback scene in north­western Australia. The little black girl Coonardoo and the boy Hugh are childhood play­mates, and the relationship that gradually develops from their early bond is compelling and disastrous. Coonardoo has her tribal partner; Hugh, the station-owner, must marry. This drama is played out in the deserts and cattle country of the north­west, a cruel story redeemed by the poetic quality-of Coonardoo and her devotion to the man whose race dealt so harshly with hers.

Melbourne. Angus and Robertson. 1929.

By Daphne Du Maurier

From Amazon: This "highly personalized adventure, ultra-romantic" story from the author of Rebecca tells the tale of a woman looking for adventure, only to find it in the arms a rebellious criminal (New York Times). Bored and restless in London's Restoration Court, Lady Dona escapes into the British countryside with her restlessness and thirst for adventure as her only guides. Eventually Dona lands in remote Navron, looking for peace of mind in its solitary woods and hidden creeks. She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall. Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

U.K. Gollancz. 1941. 208p.

By Robert Barnard

“The perfect gem, one you wouldn’t change
a word of Los Angeles Times

Professor Belville-Smith had bored university au­diences in England with the same lecture for fifty years. Now he was crossing the Australian continent, doing precisely the same. Never before had the reaction been so extreme, however; for shortly after an undistin­guished appearance at Drummondale University, the doddering old professor is found brutally murdered. As Police Inspector Royle (who had never actually had to solve a crime before) probes the possible motives of the motley crew of academics who drink their way through the dreary days at Drummondale and as he investigates the bizarre behavior of some worthy lo­cals, a hilarious, highly satirical portrait of life down under emerges!’ —St. Louis PbstHDispatch.

London Collins. 1977. 190p.

By Gustav Flaubert

"She longed t o rush into his arms. to take refuge in his strength as ir the incarnation of bertect love. tc cry aloud to him- 'Take me away ! Oh, take me away!'" Madame Bovary is the story of a beautiful young woman who marries a luckless and loutishcountry doctor. She attempts to escape the narrou confines of her lifethrough a series of passionate affairs, hoping to find in other men the romantic ideal she has alwavs dreamed about. Her reckless. n e s s comes back to haunt her. however. and the strong-willed and independent Emma finds herself in a desperate fight for existence. Flaubert's daring depiction of adultery and sinfulness caused a national scandal when it was first published, and the author was put on trial for offending public morality. One hundred and fifty years later, this masterpiece of realist literature has lost none of its impact.

Michel Lévy Frères (in book form, 2 Vols). 1857. 322p.

By Daphne Du Maurier.

Many of Daphne dimario's novels are set in Cornwall probably because she had made her home in the area and her writing seems to have absorbed so much of the atmosphere of that land of mystery and dark deeds. From Chapter 1: “It was a cold grey day in late November. The weather had changed overnight, when a backing wind brought a granite sky and a mizzling rain with it, and although it was now only a little after two o’clock in the afternoon the pallor of a winter evening seemed to have closed upon the hills, cloaking them in mist. It would be dark by four. The air was clammy cold, and for all the tightly closed windows it penetrated the interior of the coach. The leather seats felt damp to the hands, and there must have been a small crack in the roof, because now and again little drips of rain fell softly through, smudging the leather and leaving a dark-blue stain like a splodge of ink. The wind came in gusts, at times shaking the coach as it travelled round the bend of the road, and in the exposed places on the high ground it blew with such force that the whole body of the coach trembled and swayed, rocking between the high wheels like a drunken man….”

U.K. Gollancz. 1936.189p.

By Kingsley Amis

From the cover: Throughout his notable career as a novelist, poet and literary critic, Kingsley Amis was often concerned — the less understanding some might say obsessed--with the use and abuse of the English language. Do we know what the words we employ really mean? Do we have the right to use them fi we don't? Should an "exciting" new program be allowed to "hit” your television screen? When is it acceptable to split an infinitive? And just when is one allowed to begin a sentence with "and"? The enemies of fine prose may dismiss such issues as tiresome and pedantic, but Kingsley Amis, like all great novelists, depended upon these very questions to separate the truth from the lie, both in literature and in life. A Parthian shot from one of the most important figures in postwar British fiction, this volume represents Amis's last word on the state of the language. More frolicsome than Fowler's Modern Usage, lighter than the Oxford English Dictionary, and replete with the strong opinions that have made Amis so popular- and so controversial….”

NY. St. Martin’s Press. 1997. 272p.

By Markus Zusak

The Dunbar boys bring each other up in a house run by their own rules a family of ramshackled tragedy their mother is dead their father has fled they love and fight and learn to reckon with the adult world. It is Clay, the quiet one, who will build a bridge; for his family, for his past, for his sins. He builds a bridge to transcend humanness. To survive A miracle and nothing less. Markus Zusak makes his long-awaited return with a profoundly heartfelt and inventive novel about a family held together by stories, and a young life caught in the current: a hoy in search of greatness, as a cure for a painful past. “‘Brilliant and hugely ambitious...the kind of book that can be life changing.” The New York Times. “‘Unsettling, thought-provoking, life affirming, triumphant and tragic, this is a novel of breathtaking scope, masterfully told.” Guardian. ‘Zusak’s novel is a highwire act of inventiveness and emotional suppleness’ The Australian.

Australia. Picador Macmillan. 2018. 581p.

By Tim Winton

In the 1990s Tim Winton made his mark through tough spare stories about youth and promise; of early age parenthood and the challenges of loyalty. Now almost 20 years since his last collection he returns to the form with 17 overlapping stories of second thoughts and mid-life regret set in the brooding small town world of coastal WA. Brilliantly crafted and as tender as they are confronting these ellagic stories examine the darkness and frailty of ordinary people and celebrate the moments when the light shines through.

Picador. Australia. Pan Macmillan. 2004. 317p.

By Pierre Magnan

Translated from the French by Patricia Clancy. “It is June 1945. The war is over. As dawn breaks over the hills of Provence, Pierrot, a 15-year-old boy, stumbles across the body of Capitaine Patrocle, a local hero of the Resistance. He has been murdered. In his wallet Pierrot finds a letter written on blue paper, which he conceals beneath his beret. It provides the key to the dramatic events that lie at the heart of this haunting story of illicit passions and pitiless revenge, and leads, ultimately, to the boy’s association with the beautiful Madame Henry and his introduction to the mysteries of love. “ ‘Magnan’s evocation of sun-baked landscapes and small-town Provencal life, still smarting from
the Occupation and the Vichy betrayals, is superb.’ The Times.

London.. Vintage. 1999. 254p.

By Elizabeth Wein

“Harrowing and wholly believable, Code Name Verity wrecked me. It ii a book as unexpected, beautiful, and enduring as tle friendship at its heart. The story's brutality is almost inti­mate. It's depictions ol heroism are so real and vibrant, they live beyond the page. You will want to clutch these characters to youi in the hopes of keeping them safe, and your heart will break knowing that you can't." —Leigh Bardugo. New York Times best-selling author of Shadow and Bone.

NY. Hyperion. 2013. 371p.

By Julie Otsuka

Winner of the Pen Faulkner Award for Fiction 2012. National Book Award Finalist 2011. From the cover. Between the wars a group of young, non-English-speaking Japanese women travelled by boat to America. They were picture brides, clutching photos of husbands-to-be whom they had yet to meet. Julie Otsuka tells their extraordinary, heartrending story in this spellbinding and poetic account
of strangers lost and alone in a new and deeply foreign land. “Harrowing. Otsuka tells a powerful, affecting story that ensures a largely forgotten voice is heard once more.” Scotsman. ‘Poignant, fascinating and tragic’ Easy Living

NY. Penguin. 2011. 130p.

By Robert Harris

From the cover: “Ancient Rome - ‘a city of glory built on a river of filth teems with ambitious and ruthless men. None is more  brilliant than Marcus Cicero. A rising young lawyer, backed by a shrewd wife, he decides to gamble everything on one of the most dramatic courtroom battles of all time. Win it, and he could win control of Rome itself. Lose it, and he is finished forever. Internationally acclaimed for its storytelling power and historical accuracy, Robert Harris’s new novel is an epic account of the timeless struggle for power and the sudden disintegration of society.”

London.. Random House. 2006. 495p.

By Niccolo Machiavelli

From Chapter 1: The people who inhabit the northern parts beyond the Rhine and the Danube, living in a healthy and prolific region, frequently increase to such vast multitudes, that part of them are compelled to abandon their native soil, and seek a habitation in other countries. The method adopted, when one of these provinces had to be relieved of its superabundant population, was to divide into three parts, each containing an equal number of nobles and of people, of rich and of poor. The third upon whom the lot fell, then went in search of new abodes, leaving the remaining two-thirds in possession of their native country. These migrating masses destroyed the Roman empire by the facilities for settlement which the country offered when the emperors abandoned Rome, the ancient seat of their dominion, and fixed their residence at Constantinople…..

London. M. Walter Dunne. 1901.

By Woody Allen

From the cover. In Getting Even Woody Allen revenges himself upon such significant subjects as death, obe­sity, organized crime, the invention of the sandwich, adult education, laundry lists of famous people, and Latin American revolu­tionaries. Here is Woody Allen at his philo­sophical deepest: •    "... Death is an acquired trait.'' •    "If man were immortal, do you realize what his meat bills would be?" •    "Why pork was proscribed by Hebraic law is still unclear, and some scholars believe that the Torah merely suggested not eating pork at certain restaurants." •    "Eternal Nothingness is OK if you're dressed for it." •    "My mind can never know my body although it has become quite friendly with my legs."

NY. Random House. 1978. 124p.

By Alexander Solzhenitsyn

Translated from the Russian by Michael Guybon. “*The First Circle asks to be compared to Dostoevsky. Solzhenitsyn is in the great story-telling tradition. When he introduces a character, he fills in the complete background. His portrait of a Soviet prosecutor and his family circle is unforgettable. So are chapters devoted to the brooding Stalin. A future generation of Russians will be able to come to terms with their history through books like Dr. Zhivago and The First Circle.'“ David Pryce-Jones, Financial Times.

London Collins. Fontana Books. 1970. 680P.

By Emile Gaboriau

Illustrated by W. Glackens. From Chapter 1: In the Paris evening papers of Tuesday, February 28, 1866, under the head of Local Items, the following announcement appeared: " A daring robbery, committed against one of our most eminent bankers, M. André Fauvel, caused great excitement this morning throughout the neighborhood of Rue de Provence. " The thieves, who were as skilful as they were bold, succeeded in making an entrance to the bank, in forcing the lock of a safe that has heretofore been considered impregnable, and in possessing themselves of the enormous sum of three hundred and fifty thousand francs in bank-notes…”

NY. Charles Scribner’s Sons. 1903. 540p.