By Steele Rudd

"We want a man," Fahey added, "who'll go to Brisbane an' put the sufferances of the farmers plainly an'— an'—well before Parliament—a man who'll talk t' thim, an' talk straightforredly t' thim, an'—an'—tell thim what's right an'—an' what ought t' be done. An' there's no one can do it better'n yeou."

Dad stared at the floor in silence. He seemed impressed with Fahey's argument.

So began Dad's career in Politics, and although he doesn't know much about Parliamentary protocol, he is determined to have his say; his spectacular entry into the House, his subsequent brushes with the long-suffering Speaker, and portraits of the Member for Fillemupagen, the Minister for Lands, the Premier and the Treasurer, and the "Chesterfield", make this one of the wittiest criticisms of its kind. The book was written not long after Rudd had been retrenched from the Public Service, and he worked off a personal grudge by making many of his characters clearly recognizable among the State politicians of the day—small wonder that there were moves to have him called before the bar of the house and disciplined.

Steele Rudd's works are now part of the Australian image, and his chief heroes, Dad and Dave, part of the Australian myth. They have, unhappily, been out of print for a long time, and a whole generation has grown up without knowing characters who were a household word to their parents and grandparents. People who have never read Steele Rudd can now appreciate a unique part of the Australian heritage; and those who do know his characters will doubtless be glad to renew old acquaintances and memories.

Sydney. Bookstall. 1908. 304p.

By Rohinton Mistry

With a compassionate realism and narrative sweep that recall the work of Charles Dickens, this magnificent novel captures all the cruelty and corruption, dignity and heroism, of India. The time is 1975. The place is an unnamed city by the sea. The government has just declared a State of Emergency, in whose upheavals four strangers--a spirited widow, a young student uprooted from his idyllic hill station, and two tailors who have fled the caste violence of their native village--will be thrust together, forced to share one cramped apartment and an uncertain future.

As the characters move from distrust to friendship and from friendship to love, A Fine Balance creates an enduring panorama of the human spirit in an inhuman state.

NY. Vintage. 1997. 603p.

By William Handel Richardson

'The Getting of Wisdom' is a compelling and frank account of a young girl's coming of age. It tells the story of Laura Rambotham and her struggle to be accepted by her peers at a new school.

Henry Handel was the pseudonym of Ethel Florence Lindsay Richardson. She was born in 1870 in Victoria. Her family was fairly well-off in the early days, but fell on hard times, after her father died. She attended the Presbyterian Ladies’ College in Melbourne from age 13 – 17.

The Getting of Wisdom was written in 1910, but was set in 1890’s Melbourne & loosely followed Richardson’s own experiences at boarding school. Curiously none of the girls (or women) in The Getting of Wisdom are very likeable. They’re mean, snobbish, selfish & bitchy. Even Laura, who you empathise with at the start, never learns from her mistakes. And in fact, her self-deception, lying, cheating & self-absorption at the expense of others grew worse with time. At the end, while wondering “wisdom, what wisdom?”, Richardson did have some interesting things to say about conformity, creativity, moderation, honesty, integrity & the status of women in Victorain society, via her characters.

London. Heinemann. 1910. 209p.

By Jonas Jonasson. Translated by Rod Bradbury

A larger-than-life old man with a fondness for vodka goes on an unexpected adventure in this whimsical novel -- perfect for fans of Forrest Gump and A Man Called Ove.. The international publishing sensation -- more than six million copies sold worldwide! A reluctant centenarian much like Forrest Gump (if Gump were an explosives expert) decides it's not too late to start over . . .

After a long and eventful life, Allan Karlsson ends up in a nursing home, believing it to be his last stop. The only problem is that he's still in good health, and in one day, he turns 100. A big celebration is in the works, but Allan really isn't interested (and he'd like a bit more control over his vodka consumption). So he decides to escape. He climbs out the window in his slippers and embarks on a hilarious and entirely unexpected journey, involving, among other surprises, a suitcase stuffed with cash, some unpleasant criminals, a friendly hot-dog stand operator, and an elephant (not to mention a death by elephant).

It would be the adventure of a lifetime for anyone else, but Allan has a larger-than-life backstory: Not only has he witnessed some of the most important events of the twentieth century, but he has actually played a key role in them. Starting out in munitions as a boy, he somehow finds himself involved in many of the key explosions of the twentieth century and travels the world, sharing meals and more with everyone from Stalin, Churchill, and Truman to Mao, Franco, and de Gaulle. Quirky and utterly unique, The 100-Year-Old Man Who Climbed Out the Window and Disappeared has charmed readers across the world.

NY. Hachette. 2009, 2012. 381p.

By Richard Flanagan

Kif Kehlmann, a young, penniless writer, thinks he’s finally caught a break when he’s offered $10,000 to ghostwrite the memoir of Siegfried “Ziggy” Heidl, the notorious con man and corporate criminal. Ziggy is about to go to trial for defrauding banks for $700 million; they have six weeks to write the book.
 
But Ziggy swiftly proves almost impossible to work with: evasive, contradictory, and easily distracted by his still-running “business concerns”—which Kif worries may involve hiring hitmen from their shared office. Worse, Kif finds himself being pulled into an odd, hypnotic, and ever-closer orbit of all things Ziggy. As the deadline draws near, Kif becomes increasingly unsure if he is ghostwriting a memoir, or if Ziggy is rewriting him—his life, his future, and the very nature of the truth.
 
By turns comic, compelling, and finally chilling, First Person is a haunting look at an age where fact is indistinguishable from fiction, and freedom is traded for a false idea of progress.

London. Penguin, 2017, 392p.

By Salman Rushdie

A mixture of science fiction and folktale, past and future, primitive and present-day . . . Thunderous and touching. After drinking an elixir that bestows immortality upon him, a young Indian named Flapping Eagle spends the next seven hundred years sailing the seas with the blessing–and ultimately the burden–of living forever. Eventually, weary of the sameness of life, he journeys to the mountainous Calf Island to regain his mortality. There he meets other immortals obsessed with their own stasis and sets out to scale the island’s peak, from which the mysterious and corrosive Grimus Effect emits. Through a series of thrilling quests and encounters, Flapping Eagle comes face-to-face with the island’s creator and unwinds the mysteries of his own humanity. Salman Rushdie’s celebrated debut novel remains as powerful and as haunting as when it was first published more than thirty years ago. A book to be read twice . . . [Grimus] is literate, it is fun, it is meaningful, and perhaps most important, it pushes the boundaries of the form outward.

London. Vintage. 1975. 253p.

By Elizabeth Norton

Doomed queen of Henry VIII, mother to Elizabeth I, the epic story of Anne Boleyn.Anne Boleyn was the most controversial and scandalous woman ever to sit on the throne of England. From her early days at the imposing Hever Castle in Kent, to the glittering courts of Paris and London, Anne caused a stir wherever she went. Alluring but not beautiful, Anne's wit and poise won her numerous admirers at the English court, and caught the roving eye of King Henry. Anne was determined to shape her own destiny, first through a secret engagement to Henry Percy, the heir of the Earl of Northumberland, and later through her insistence on marriage with the king, after a long and tempestuous relationship as his mistress. Their love affair was as extreme as it was deadly, from Henry's 'mine own sweetheart' to 'cursed and poisoning whore' her fall from grace was total.

ABOUT THE AUTHOR
Elizabeth Norton gained her first degree from the Universiy of Cambridge, and her Masters from the University of Oxford. Her other books include Jane Seymour: Henry VIII's True Love, Anne of Cleves: Henry VIII's Discarded Bride (both published by Amberley Publishing) and She Wolves: The Notorious Queens of England. She lives in Kingston Upon Thames.

Glocderstershire. Amberly Publishing. 2009. 221p.

By Jackie French

This is a love song to our nation, told in a single sweeping story

Jed Kelly has finally persuaded her great aunt Nancy to tell the story of her grandparents. The tale that unfolds is one of Australia's greatest romances - that of Clancy of the Overflow, who gave up everything for Rose, the woman he adored, and yet still gained all he'd lost and more.

But Nancy's story is not the history that Jed expects. More tales lurk behind the folklore that surrounds Clancy - the stories of the women hidden in Australia's long history, who forged a nation and whose voices need to be heard.

It is also a story of many kinds of love. Clancy's growing passion for the bush, immortalised in Paterson's poem, which speaks to him in the ripple of the river and the song of the stars, and Nancy's need to pass on her deep understanding of her country.

But perhaps the most moving love story of all is the one that never happened, between Matilda O'Halloran and Clancy of the Overflow. And as Jed brings all of these stories to life in her book, Matilda and Clancy will once again waltz beside the river and the forgotten will be given a new voice.

Australia. Harper Collins Australia. 2019. 446p.

By Paula Hawkins

An addictive novel of psychological suspense from the author of #1 New York Times bestseller and global phenomenon The Girl on the Train and A Slow Fire Burning.

“Hawkins is at the forefront of a group of female authors . . who have reinvigorated the literary suspense novel by tapping a rich vein of psychological menace and social unease… there’s a certain solace to a dark escape, in the promise of submerged truths coming to light.” —Vogue

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged.
 
Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return.
 
With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present.

London. Transworld. Penguin. 2017. 357p.

By Alex Miller

Following the sudden end of her marriage, Annabelle Beck returns from Melbourne to the sanctuary of her old family home in North Queensland. There, on an archaeological survey, she discovers that the aboriginal field officer, Bo Rennie, knows her from her childhood. Initially intrigued by his old-fashioned manners, she finds herself increasingly captivated by his modest assurance that he holds the key to her future. Eventually she sets out with him on a path of discovery that leads back to her childhood and to the uncovering of family secrets that have lain buried for a generation or more, secrets that will challenge their future together and force them to question whether their love can survive the terrible knowledge they have come to possess.

NSW. Aust. Allen and Unwin.2002. 327p.

By Geraldine Brooks

An extraordinary novel woven out of the lore of American history—by the author of the international bestseller Year of Wonders. Winner of the 2006 Pulitzer Prize for Fiction.

From Louisa May Alcott’s beloved classic Little Women, Geraldine Brooks has animated the character of the absent father, March, and crafted a story "filled with the ache of love and marriage and with the power of war upon the mind and heart of one unforgettable man" (Sue Monk Kidd). With"pitch-perfect writing" (USA Today), Brooks follows March as he leaves behind his family to aid the Union cause in the Civil War. His experiences will utterly change his marriage and challenge his most ardently held beliefs. A lushly written, wholly original tale steeped in the details of another time, March secures Geraldine Brooks’s place as a renowned author of historical fiction. Winner of the 2006 Pulitzer Prize for Fiction.

Australia. Harper Collins. 2005. 365p.

Edited By Aviva Tuffield

Proving that the short story is alive and well in Australia, this eclectic anthology of previously unpublished and uncollected vignettes showcases some of the finest authors from Down Under—from seasoned practitioners to rising and emerging stars of the short story firmament. At once poignant, tender, introspective, and funny, the volume includes a wide variety of genres, from humor and romance to drama and mystery. Capturing whole lives in just a few satisfying pages, this lively compendium is ideal for dipping into and perfect for those seeking inspiration and escape.. This eclectic anthology of new stories showcases some of our finest writers, and proves that the short story is alive and well in Australia.

From seasoned practitioners of the form through to emerging stars of the short-story firmament, New Australian Stories 2 caters for all tastes. There's humour, mystery, drama, and even some delusion and deceit. Ideal for dipping into, and perfect for those seeking inspiration and escape, this collection is designed for your reading pleasure.

Full list of contributors: Debra Adelaide, Claire Aman, Jon Bauer, Melissa Beit, Tegan Bennett Daylight, Tony Birch, Georgia Blain, Patrick Cullen, Sonja Dechian, Brooke Dunnell, Peggy Frew, Julie Gittus, Marion Halligan, Jacinta Halloran, Karen Hitchcock, Anne Jenner, Myfanwy Jones, Lesley Jorgensen, Cate Kennedy, Zane Lovitt, Scott McDermott, Fiona McFarlane, Jane McGown, A.G. McNeil, Susan Midalia, Jennifer Mills, Meg Mundell, Peta Murray, Ruby J. Murray, Mark O'Flynn, Ryan O'Neill, Paddy O'Reilly, Kate Ryan, Emma Schwarcz, Jane Sullivan, Chris Womersley.

Melbourne Scribe. 2009. 339p.

By Bianca Pitzorno Translated by Brigid Maher.

The irresistible story of a young woman seeking freedom and happiness.


Born into poverty, the seamstress spends her days sewing in the houses of wealthy families. Her work is simple and honest; taught by her nonna, she skilfully prepares nightgowns, undergarments and children's clothes, leaving the finer work of dressmaking to the ateliers in Paris.


Her story weaves in and out of the lives of the people she works for, whose secrets and scandals she is privy to. Some are kind and generous, others blinded by their desire to climb the social ladder. She dreams of freeing herself from the hardscrabble life she has inherited but can't help being pulled back in by the love of the people around her.


Set at the dawn of the twentieth century, The Seamstress of Sardinia follows the girl as she grows into a woman, strives to educate herself and falls in love-always fighting for her independence in a world dominated by men and old social conventions.

Melbourne. Text Publishing. 2018. 292p.

By Geraldine brooks

This gripping historical novel is based on the true story of Eyam, the "Plague Village," in the rugged mountain spine of England. In 1666, the bubonic plague is brought to this isolated settlement and the people choose to seal themselves off to prevent the spread of infection.

This gripping historical novel is based on the true story of Eyam, the "Plague Village," in the rugged mountain spine of England. In 1666, a tainted bolt of cloth from London carries bubonic infection to this isolated settlement of shepherds and lead miners. A visionary young preacher convinces the villagers to seal themselves off in a deadly quarantine to prevent the spread of disease. The story is told through the eyes of eighteen-year-old Anna Frith, the vicar's maid, as she confronts the loss of her family, the disintegration of her community, and the lure of a dangerous and illicit love. As the death toll rises and people turn from prayers and herbal cures to sorcery and murderous witch-hunting, Anna emerges as an unlikely and courageous heroine in the village's desperate fight to save itself.

Exploring love and learning, fear and fanaticism, and the struggle of science and religion to interpret the world at the cusp of the modern era, Year of Wonders is at once a story of unconventional love and a richly detailed evocation of a riveting moment in history. Like Arthur Golden's Memoirs of a Geisha and A. S. Byatt's Posession, Year of Wonders blends learning and romance into an unforgettable read.

NY. Penguin.2001. 336p.

By Courtney Collins

This moving debut novel was inspired by the life of Australian Elizabeth Jessie Hickman, a runaway convict born in 1820. In Collins poetically reimagined tribute, 22-year-old Jessie is on the run after killing her brutal husband. She has recently given birth to a stillborn child whose spirit is somehow tethered to her mother and who narrates the story. Jessie has already lived a dramatic life; she once worked as a circus acrobat and then as a horse rustler but is now desperate to escape the posse of men who want to hang her for murder. While she runs, she thinks of her short, sweet relationship with the Aboriginal stockman Jack Brown, whose gentle ways were a welcome relief from the beatings administered by her drunken husband. She finds an idyllic camp in the mountains made up of desperate boys who steal horses and thinks she might finally have found a refuge, but the lawmen are not far behind. This intense read, with dark undertones of death and foreboding, contains breathtaking descriptions of the Australian bush and a lyrical homage to Jessie’s desperate quest for freedom.

NY. Berkley Books. 2012. 284p.

By Katharine Susannah Prichard

From the jacket: No writer has painted a more vivid picture of the tragic meeting of primi­tive and civilized humanity than Katharine Susannah Prichard in Coonardoo. First published in 1929, this remarkable novel has become an Australian classic, as moving in its deli­cate portraiture of an aboriginal girl as it is revealing in its authentic know­ledge of the outback scene in north­western Australia. The little black girl Coonardoo and the boy Hugh are childhood play­mates, and the relationship that gradually develops from their early bond is compelling and disastrous. Coonardoo has her tribal partner; Hugh, the station-owner, must marry. This drama is played out in the deserts and cattle country of the north­west, a cruel story redeemed by the poetic quality-of Coonardoo and her devotion to the man whose race dealt so harshly with hers.

Melbourne. Angus and Robertson. 1929.

By Daphne Du Maurier

From Amazon: This "highly personalized adventure, ultra-romantic" story from the author of Rebecca tells the tale of a woman looking for adventure, only to find it in the arms a rebellious criminal (New York Times). Bored and restless in London's Restoration Court, Lady Dona escapes into the British countryside with her restlessness and thirst for adventure as her only guides. Eventually Dona lands in remote Navron, looking for peace of mind in its solitary woods and hidden creeks. She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall. Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

U.K. Gollancz. 1941. 208p.

By Robert Barnard

“The perfect gem, one you wouldn’t change
a word of Los Angeles Times

Professor Belville-Smith had bored university au­diences in England with the same lecture for fifty years. Now he was crossing the Australian continent, doing precisely the same. Never before had the reaction been so extreme, however; for shortly after an undistin­guished appearance at Drummondale University, the doddering old professor is found brutally murdered. As Police Inspector Royle (who had never actually had to solve a crime before) probes the possible motives of the motley crew of academics who drink their way through the dreary days at Drummondale and as he investigates the bizarre behavior of some worthy lo­cals, a hilarious, highly satirical portrait of life down under emerges!’ —St. Louis PbstHDispatch.

London Collins. 1977. 190p.

By Gustav Flaubert

"She longed t o rush into his arms. to take refuge in his strength as ir the incarnation of bertect love. tc cry aloud to him- 'Take me away ! Oh, take me away!'" Madame Bovary is the story of a beautiful young woman who marries a luckless and loutishcountry doctor. She attempts to escape the narrou confines of her lifethrough a series of passionate affairs, hoping to find in other men the romantic ideal she has alwavs dreamed about. Her reckless. n e s s comes back to haunt her. however. and the strong-willed and independent Emma finds herself in a desperate fight for existence. Flaubert's daring depiction of adultery and sinfulness caused a national scandal when it was first published, and the author was put on trial for offending public morality. One hundred and fifty years later, this masterpiece of realist literature has lost none of its impact.

Michel Lévy Frères (in book form, 2 Vols). 1857. 322p.

By Daphne Du Maurier.

Many of Daphne dimario's novels are set in Cornwall probably because she had made her home in the area and her writing seems to have absorbed so much of the atmosphere of that land of mystery and dark deeds. From Chapter 1: “It was a cold grey day in late November. The weather had changed overnight, when a backing wind brought a granite sky and a mizzling rain with it, and although it was now only a little after two o’clock in the afternoon the pallor of a winter evening seemed to have closed upon the hills, cloaking them in mist. It would be dark by four. The air was clammy cold, and for all the tightly closed windows it penetrated the interior of the coach. The leather seats felt damp to the hands, and there must have been a small crack in the roof, because now and again little drips of rain fell softly through, smudging the leather and leaving a dark-blue stain like a splodge of ink. The wind came in gusts, at times shaking the coach as it travelled round the bend of the road, and in the exposed places on the high ground it blew with such force that the whole body of the coach trembled and swayed, rocking between the high wheels like a drunken man….”

U.K. Gollancz. 1936.189p.