By Joseph C. Lincoln (Author), Colin Heston (Introduction)

Cy Whittaker’s Place by Joseph C. Lincoln is a humorous and heartwarming novel set in the fictional Cape Cod town of Bayport. The story follows Captain Cy Whittaker, a former sea captain who returns to his hometown after years of sailing and making his fortune. Having left Bayport as a young man with no intention of coming back, Cy finds himself drawn back to the familiar shores and the old homestead, now in disrepair and known locally as “the Cy Whittaker place.” With no surviving relatives and a reputation to rebuild, Cy sets out to reestablish himself in the community, bringing with him a mix of worldly wisdom, dry wit, and a generous heart.

As Cy settles into life on land, he becomes involved in the town’s affairs, often clashing with local politics and social expectations. His unconventional ways and blunt honesty both amuse and unsettle the townspeople, but over time, his integrity and kindness win them over. A central thread of the story involves Cy’s guardianship of a young boy, whose presence brings new purpose and emotional depth to his life. The novel also features a romantic subplot, as Cy navigates the complexities of rekindled relationships and new affections, all while trying to do right by those around him.

Lincoln populates the novel with a colorful cast of Cape Cod characters, including the meticulous town clerk Asaph Tidditt, the meddling but well-meaning neighbors, and the ever-watchful townsfolk who provide a steady stream of gossip and commentary. The narrative is rich with regional dialect, local color, and the gentle humor that characterizes Lincoln’s work. Through Cy’s journey, the novel explores themes of redemption, community, and the enduring value of home and belonging. With its blend of comedy, sentiment, and social observation, Cy Whittaker’s Place offers a nostalgic and uplifting portrait of small-town life and the quiet heroism of an ordinary man determined to make a difference.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 200 p.

By “The Senator from Alaska”

THE glittering particles of worthless mica found in the sands of the many streams in the West and Alaska deceived innumerable untrained prospectors who had gone out, full of hope and ambition, to locate Nature’s hidden stores of real gold. Posting their location notices and believing that they were rich beyond even the fondest dreams of avarice, they hastened to the nearest mining camp there to celebrate their good fortune in days and nights of riotous spending. When they had exhausted their available cash and much of the credit they had gained by telling of their discovery, they retired to sleep off the debauch. Upon awakening, they were informed by some old-timer that what they had found was nothing but worthless fools gold.

MADISON & MARSHALL, INC. 1936, 242p.

MAY CONTAIN MARKUP

MEGAN O’KEEFE

Sanda and Biran Greeve were siblings destined for greatness. A high-flying sergeant, Sanda has the skills to take down any enemy combatant. Biran is a savvy politician who aims to use his new political position to prevent conflict from escalating to total destruction.

However, on a routine maneuver, Sanda loses consciousness when her gunship is blown out of the sky. Instead of finding herself in friendly hands, she awakens 230 years later on a deserted enemy warship controlled by an AI who calls himself Bero. The war is lost. The star system is dead. Ada Prime and its rival Icarion have wiped each other from the universe.

Now, separated by time and space, Sanda and Biran must fight to put things right.

LONDON. LITTLE BROWN. 2010. 537p.

MAY CONTAIN MARKUP

By C. S. Forester

From chapter 1: “A DEFEATED ARMY was falling back through the mountains from Espinosa. Such was its condition that an ignorant observer would find it easier to guess that it had, been defeated than that it had been an army. The twenty thousand men of whom it was composed were strung out along twenty miles of road; its sick and its dead littered the edges of the road for a hundred miles to the rear. At the head came such of the cavalry as were fortunate enough still to have horses to ride; they felt safer there than in their proper place covering the retreat. Next came the infantry, in groups, in herds, or in ones and twos.”

London. MICHAEL JOSEPH. ND. 207p.

By Rosemary A. Kelanic

Black Gold and Blackmail seeks to explain why great powers adopt such different strategies to protect their oil access from politically motivated disruptions. In extreme cases, such as Imperial Japan in 1941, great powers fought wars to grab oil territory in anticipation of a potential embargo by the Allies; in other instances, such as Germany in the early Nazi period, states chose relatively subdued measures like oil alliances or domestic policies to conserve oil. What accounts for this variation? Fundamentally, it is puzzling that great powers fear oil coercion at all because the global market makes oil sanctions very difficult to enforce. Rosemary A. Kelanic argues that two variables determine what strategy a great power will adopt: the petroleum deficit, which measures how much oil the state produces domestically compared to what it needs for its strategic objectives; and disruptibility, which estimates the susceptibility of a state's oil imports to military interdiction—that is, blockade. Because global markets undercut the effectiveness of oil sanctions, blockade is in practice the only true threat to great power oil access. That, combined with the devastating consequences of oil deprivation to a state's military power, explains why states fear oil coercion deeply despite the adaptive functions of the market. Together, these two variables predict a state's coercive vulnerability, which determines how willing the state will be to accept the costs and risks attendant on various potential strategies. Only those great powers with large deficits and highly disruptible imports will adopt the most extreme strategy: direct control of oil through territorial conquest.

Ithaca, NY: Cornell University Press, 2020. 230 p

Edited by Giulia Gaimari and Catherine Keen

Ethics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works of Dante Alighieri, including chapters on Dante’s modern ‘afterlife’.

Together the chapters explore how Dante’s writings engage with the contemporary culture of medieval Florence and Italy, and how and why his political and moral thought still speaks compellingly to modern readers. The collection’s contributors range across different disciplines and scholarly traditions – history, philology, classical reception, philosophy, theology – to scrutinise Dante’s Divine Comedy and his other works in Italian and Latin, offering a multi-faceted approach to the evolution of Dante’s political, ethical and legal thought throughout his writing career.

Certain chapters focus on his early philosophical Convivio and on the accomplished Latin Eclogues of his final years, while others tackle knotty themes relating to judgement, justice, rhetoric and literary ethics in his Divine Comedy, from hell to paradise. The closing chapters discuss different modalities of the public reception and use of Dante’s work in both Italy and Britain, bringing the volume’s emphasis on morality, political philosophy, and social justice into the modern age of the nineteenth, twentieth, and twenty-first centuries.

London: UCL Press, 2019. 192p.

ByDavid Wästerfors

This book considers how the concept of violence has been interpreted, used, defined, and explored by social researchers and thinkers. It does not provide a final answer to the question of what violence is or how it should be explained (or prevented), and instead offers a variety of useful ways of thinking about and theorising the phenomenon, mainly from a sociological standpoint.

It outlines four ways of understanding violence:

• • Violence as situation: the tension that exists between category-driven and situational explanations.

• • Violence as speciality: the study of particularly violent actors, and how they may be understood by reference to childhood histories, technologies, institutions, culture, class, and gender.

• • Violence as politics: political violence and violent politics.

• • Violence as storytelling: representations of violence from a narrative perspective.

Concluding with reflections on possible convergences between the four approaches and new directions for research, this book offers a unique and experimental approach to discussing and reconstructing the concept of violence. It is essential reading for criminologists, sociologists, and philosophers alike.

London: Routledge, 2022. 136p.

By Charles Dickens

From Wikipedia: Our Mutual Friend, written in 1864–1865, is the last novel completed by Charles Dickens and is one of his most sophisticated works, combining savage satire with social analysis. It centres on, in the words of critic J. Hillis Miller, quoting the book's character Bella Wilfer, "money, money, money, and what money can make of life".[1]

Most reviewers in the 1860s continued to praise Dickens's skill as a writer in general, but did not review this novel in detail. Some found the plot both too complex and not well laid out.[2] The Times of London found the first few chapters did not draw the reader into the characters. In the 20th century, however, reviewers began to find much to approve in the later novels of Dickens, including Our Mutual Friend.[3] In the late 20th and early 21st centuries, some reviewers suggested that Dickens was, in fact, experimenting with structure,[4][5] and that the characters considered somewhat flat and not recognized by the contemporary reviewers[6] were meant rather to be true representations of the Victorian working class and the key to understanding the structure of the society depicted by Dickens in the novel.[6][7]

London. Chapman & Hall. 1865. 970p.

By Steele Rudd

"We want a man," Fahey added, "who'll go to Brisbane an' put the sufferances of the farmers plainly an'— an'—well before Parliament—a man who'll talk t' thim, an' talk straightforredly t' thim, an'—an'—tell thim what's right an'—an' what ought t' be done. An' there's no one can do it better'n yeou."

Dad stared at the floor in silence. He seemed impressed with Fahey's argument.

So began Dad's career in Politics, and although he doesn't know much about Parliamentary protocol, he is determined to have his say; his spectacular entry into the House, his subsequent brushes with the long-suffering Speaker, and portraits of the Member for Fillemupagen, the Minister for Lands, the Premier and the Treasurer, and the "Chesterfield", make this one of the wittiest criticisms of its kind. The book was written not long after Rudd had been retrenched from the Public Service, and he worked off a personal grudge by making many of his characters clearly recognizable among the State politicians of the day—small wonder that there were moves to have him called before the bar of the house and disciplined.

Steele Rudd's works are now part of the Australian image, and his chief heroes, Dad and Dave, part of the Australian myth. They have, unhappily, been out of print for a long time, and a whole generation has grown up without knowing characters who were a household word to their parents and grandparents. People who have never read Steele Rudd can now appreciate a unique part of the Australian heritage; and those who do know his characters will doubtless be glad to renew old acquaintances and memories.

Sydney. Bookstall. 1908. 304p.

Edited by Richard Rogers and Sabine Niederer

Disinformation and so-called fake news are contemporary phenomena with rich histories. Disinformation, or the willful introduction of false information for the purposes of causing harm, recalls infamous foreign interference operations in national media systems. Outcries over fake news, or dubious stories with the trappings of news, have coincided with the introduction of new media technologies that disrupt the publication, distribution and consumption of news -- from the so-called rumour-mongering broadsheets centuries ago to the blogosphere recently. Designating a news organization as fake, or <i>der Lügenpresse</i>, has a darker history, associated with authoritarian regimes or populist bombast diminishing the reputation of 'elite media' and the value of inconvenient truths. In a series of empirical studies, using digital methods and data journalism, the authors inquire into the extent to which social media have enabled the penetration of foreign disinformation operations, the widespread publication and spread of dubious content as well as extreme commentators with considerable followings attacking mainstream media as fake.

Amsterdam: Amsterdam University Press, 2020. 257p.