By George Meredith. Designed and Edited with an Introduction by Colin Heston.

Sandra Belloni, first published in 1864 under the title Emilia in England, occupies a distinctive place in the literary corpus of George Meredith. It represents one of his earliest extended efforts to merge the comic novel with a more pointed social critique, a technique that would become a hallmark of his mature style. This novel, rich in subtle irony and psychological insight, grapples with the tensions between individuality and conformity, art and social convention, and the constraints of class and gender in Victorian England. At its heart, it is a narrative about a young woman of Italian descent, Emilia Belloni, whose musical gifts and unorthodox spirit clash with the expectations of the rigid English society into which she is thrust.

Meredith uses Emilia’s character not merely as a protagonist but as a symbolic figure—an embodiment of passionate sincerity, artistic freedom, and the disruptive power of the outsider. Emilia’s foreignness is not just ethnic; it is deeply cultural and emotional. Her instincts are governed by feeling and a commitment to truth, which repeatedly brings her into conflict with the carefully cultivated hypocrisies and social facades of the English middle and upper classes. Through her, Meredith examines the ways in which English society suppresses emotional authenticity in favor of propriety and self-interest.

In reading Sandra Belloni today, one encounters not only a portrait of Victorian society in all its contradictions but also an enduring exploration of the universal struggle between the self and society, between the voice that seeks to sing freely and the forces that would silence it. It is a novel that resonates beyond its historical moment, inviting readers to reflect on the costs and necessities of remaining true to oneself in the face of overwhelming pressure to conform.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 318p.

By George Meredith (Author), Colin Heston (Introduction)

At the heart of One of Our Conquerors is the story of Victor Radnor, a self-made, successful businessman who embodies the energies of commercial Victorian England. Victor is a man of formidable charm, ambition, and benevolence, yet he is ensnared in a socially precarious position due to his relationship with his beloved partner, Nataly, with whom he has lived for years as husband and wife without formal marriage. Their union, socially illegitimate though personally devoted, becomes the focal point for much of the novel’s tension. Victor’s desire to legitimize their relationship and secure a respectable position for their daughter Nesta in society serves as the narrative’s driving conflict.
Meredith, ever the ironist, does not present Victor uncritically. Victor is a man of immense energy, imagination, and generosity, but also prone to illusions—particularly about the power of charm, wealth, and personal will to override the deeper currents of social judgment. His belief that society can be bent to his personal desires reflects both the optimism of the self-made man and the hubris that often accompanies unchecked ambition. In this sense, the title One of Our Conquerors carries a double edge: it acknowledges Victor’s triumphs in commerce and his conquest of circumstances but also points to the broader critique of conquest itself—whether in business, society, or personal relationships.
One of Our Conquerors is a profound exploration of the tensions between private morality and public life, between individual will and social constraint, and between the old moral orders and the emerging complexities of modernity. It challenges readers to consider the costs of social conformity, the meaning of success, and the possibilities for human integrity in a world increasingly driven by commerce, appearance, and social performance. As with Meredith’s other major works, it is a novel whose rewards are commensurate with the patience and thoughtfulness brought to it—a work that continues to resonate with readers interested in the enduring struggles between the personal and the public, the ideal and the real.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 291p.

By George Meredith (Author), Colin Heston (Introduction)

Evan Harrington, first published in 1861, represents a crucial early milestone in the literary career of George Meredith. While not as formally experimental or philosophically dense as his later masterpieces like The Egoist or Beauchamp’s Career, this novel nonetheless displays in fully developed form the sharp social satire, psychological acuity, and probing concern with class, identity, and social performance that would become hallmarks of Meredith’s mature work. More overtly comedic than much of his later fiction, Evan Harrington occupies a unique place in his canon as both a sparkling social comedy and a pointed critique of the hypocrisies embedded within Victorian class structures.
At its most basic level, Evan Harrington is a novel about a young man’s struggle with the question of identity — specifically, the tension between his personal merit and the social stigma attached to his family’s occupation. Evan is the son of Melchisedec Harrington, an exceedingly proud and flamboyant tailor whose death leaves his family facing financial and social crisis. Although Evan has received a gentleman’s education and possesses the manners and intellect of the upper classes, he is forced to reckon with the fact that in the rigidly stratified world of mid-19th century England, the mere fact of being “the tailor’s son” is enough to exclude him from the ranks of polite society.
Evan Harrington remains a vital and compelling work not only because it provides insight into Meredith’s literary evolution but also because its central concerns continue to resonate. The tension between personal integrity and social expectation, the arbitrariness of class distinctions, and the enduring question of what it means to live authentically within a society structured by appearances — these remain pressing questions in any era.
In sum, Evan Harrington is both a sparkling social comedy and a profound moral fable. It combines the pleasures of sharp character portraits, witty dialogue, and romantic intrigue with a serious exploration of identity, class, and the painful comedy of human vanity. It is a work that delights the reader while also challenging them to reflect on the enduring absurdities of social life and the courage it takes to live truthfully in the face of them. As such, it stands as a worthy introduction to the genius of George Meredith and a foundational text within the broader tradition of the Victorian social novel.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 332p.

By Rolf Boldrewood

"The Squatter's Dream" is a thought-provoking novel that delves into the complexities of identity, belonging, and the pursuit of the Australian dream. Set against the backdrop of the harsh Australian outback, the story follows the journey of a young squatter named Jack as he grapples with his aspirations for the future and the harsh realities of his present circumstances. Through vivid storytelling and rich character development, this novel challenges readers to question the true meaning of success and the sacrifices one must make to achieve it. "The Squatter's Dream" is a poignant exploration of hope, resilience, and the enduring human spirit in the face of adversity.

Macmillan and Company, 1892, 319 pages

MAY CONTAIN MARKUP

HENRY JAMES.

In the first volume of "The Wings of the Dove," readers are introduced to a compelling story of love, desire, and betrayal set in the lavish backdrop of Victorian England. The novel follows the intertwined lives of Kate Croy, a young woman from a modest background with ambitious aspirations, and Merton Densher, a struggling journalist with his own dreams of success.

As their forbidden romance blossoms, the couple becomes entangled in a web of deceit and manipulation orchestrated by Kate's wealthy, dying aunt, Milly Theale. In a bid to secure her financial future, Kate schemes to have Merton woo and marry Milly, whose immense fortune could provide them with the means to live out their desires.

Henry James masterfully weaves a tale of moral complexity and emotional turmoil, exploring the depths of human ambition and the consequences of selfishness. As the characters navigate the intricacies of love and wealth, readers are drawn into a world where the allure of power and possessions threatens to overshadow the purity of the heart.

Volume I of "The Wings of the Dove" sets the stage for a riveting narrative that will captivate readers with its rich character development and profound exploration of the human spirit. Henry James's exquisite prose and keen observations make this classic novel a timeless masterpiece that continues to resonate with audiences today.

NEW YORK. CHARLES SCRIBNER'S SONS. 1902. 318.

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BY HENRY JAMES

"Washington Square" by Henry James is a classic novel that delves into the complexities of relationships, wealth, and betrayal. Set in the affluent society of mid-19th century New York City, the story follows Catherine Sloper, a plain and unassuming young woman who stands to inherit a considerable fortune from her father, Dr. Austin Sloper.

Dr. Sloper, a wealthy and renowned physician, disapproves of Catherine's suitor, Morris Townsend, whom he believes to be pursuing her solely for her inheritance. As the drama unfolds, Catherine must navigate the conflicting desires of her heart and her duty to her father, leading to a poignant and powerful exploration of love, manipulation, and the consequences of one's choices.

With its keen observations of human nature and intricate character portrayals, "Washington Square" is a timeless novel that continues to captivate readers with its nuanced storytelling and profound insights into the complexities of life and relationships.

London. MacMillan. 1881. 128p.