By Charles Dickens

From Wikipedia: Little Dorrit is a novel by Charles Dickens, originally published in serial form between 1855 and 1857. The story features Amy Dorrit, youngest child of her family, born and raised in the Marshalsea prison for debtors in London. Arthur Clennam encounters her after returning home from a 20-year absence, ready to begin his life anew.

The novel satirises some shortcomings of both government and society, including the institution of debtors' prisons, where debtors were imprisoned, unable to work and yet incarcerated until they had repaid their debts. The prison in this case is the Marshalsea, where Dickens's own father had been imprisoned. Dickens is also critical of the impotent bureaucracy of the British government, in this novel in the form of the fictional "Circumlocution Office". Dickens also satirises the stratification of society that results from the British class system.

Bradbury and Evans. 1857. 995p.

By Charles Dickens

From Wikipedia: “Hard Times: For These Times (commonly known as Hard Times) is the tenth novel by Charles Dickens, first published in 1854. The book surveys English society and satirises the social and economic conditions of the era. Hard Times is unusual in several ways. It is by far the shortest of Dickens's novels, barely a quarter of the length of those written immediately before and after it.[1] Also, unlike all but one of his other novels, Hard Times has neither a preface nor illustrations. Moreover, it is his only novel not to have scenes set in London.[1] Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, in some ways similar to Manchester, though smaller. Coketown may be partially based on 19th-century Preston. One of Dickens's reasons for writing Hard Times was that sales of his weekly periodical Household Words were low, and it was hoped the novel's publication in instalments would boost circulation – as indeed proved to be the case. Since publication it has received a mixed response from critics.

London. Chapman and Hal. 1905. 304p.

By Charles Dickens

From Wikipedia: “The story concerns Paul Dombey, the wealthy owner of the shipping company of the book's title, whose dream is to have a son to continue his business. The book begins when his son is born and Dombey's wife dies shortly after giving birth. Following the advice of Mrs Louisa Chick, his sister, Dombey employs a wet nurse named Mrs Richards (Toodle). Dombey already has a six-year-old daughter Florence, but, bitter at her not having been the desired boy, he neglects her continually. One day, Mrs Richards, Florence, and her maid, Susan Nipper, secretly pay a visit to Mrs Richards' house in Staggs's Gardens so that Mrs Richards can see her children. During this trip, Florence becomes separated from them and is kidnapped for a short time by Good Mrs Brown, before being returned to the streets. She makes her way to Dombey and Son's offices in the City and there is found and brought home by Walter Gay, an employee of Mr Dombey, who first introduces her to his uncle, the navigation instrument maker Solomon Gills, at his shop The Wooden Midshipman. The child, named Paul after his father, is a weak and sickly child….”

London. Bradbury & Evans. 1848.

By Charles Dickens

From Wikipedia: “Like nearly all of Dickens's novels, Martin Chuzzlewit was first published in monthly instalments. Early sales of the monthly parts were lower than those of previous works, so Dickens changed the plot to send the title character to the United States.[3] Dickens had visited America in 1842 in part as a failed attempt to get the US publishers to honour international copyright laws. He satirized the country as a place filled with self-promoting hucksters, eager to sell land sight unseen. In later editions, and in his second visit 24 years later to a much-changed US, he made clear it was satire and not a balanced image of the nation in a speech and then included that speech in all future editions. The main theme of the novel, according to Dickens's preface, is selfishness, portrayed in a satirical fashion using all the members of the Chuzzlewit family. The novel is also notable for two of Dickens's great villains, Seth Pecksniff and Jonas Chuzzlewit. Dickens introduced the first private detective character in this novel.”

By Charles Dickens

“…When he came therefore to think of his new story for Christmas time, he resolved to make it a plea for the poor ... He was to try and convert Society, as he had converted Scrooge, by showing that its happiness rested on the same foundations as those of the individual, which are mercy and charity not less than justice…” (Wikipedia)

Chapman and Hall. 1844. 175p.

By Charles Dickens

From the Preface: “The late Mr Waterton having, some time ago, expressed his opinion that ravens are gradually becoming extinct in England, I offered the few following words about my experience of these birds. The raven in this story is a compound of two great originals, of whom I was, at different times, the proud possessor. The first was in the bloom of his youth, when he was discovered in a modest retirement in London, by a friend of mine, and given to me. He had from the first, as Sir Hugh Evans says of Anne Page, ‘good gifts’, which he improved by study and attention in a most exemplary manner. He slept in a stable—generally on horseback —and so terrified a Newfoundland dog by his preternatural sagacity, that he has been known, by the mere superiority of his genius, to walk off unmolested with the dog’s dinner, from before his face…”

London Chapmwn Hall. 1870. 770p

From the Cover: In this, his most famous book, Genet charts his progress through Europe and the 1930s in rags, hunger, contempt, fatigue and vice. Spain, Italy, Austria, Czechoslovakia, Poland, Nazi Germany, Belgium . . . everywhere the pattern is the same: bars, dives, flop-houses; robbery, prison and expulsion. This is a voyage of discovery beyond all moral laws; the expression of a philosophy of perverted vice, the working out of an aesthetic of degradation. The cover shows 'Head on Stand' (1947)b y Alberto Giacometti, in the Maeght Collection.

London. Penguin Classics. 1950s? THIS BOOK CONTAINS MARK-UP

By Daphne Du Maurier

"My Cousin Rachel" is a novel written by Daphne du Maurier, a British author known for her Gothic and romantic suspense novels. The novel was first published in 1951 and is set in 19th-century Cornwall, England.

The story follows the character of Philip Ashley, a young man who is raised by his cousin Ambrose on their estate in Cornwall. When Ambrose travels to Italy for his health and falls in love with their distant cousin Rachel, Philip is initially suspicious of her motives. After Ambrose's sudden death, Philip inherits his estate and becomes increasingly obsessed with Rachel, who comes to visit him in Cornwall.

The novel is a blend of mystery, romance, and psychological drama, as Philip tries to uncover the truth about Rachel's involvement in Ambrose's death and struggles with his conflicting feelings for her.

London. Gollancz. 1951. 221p.

By Patrick White

"The Aunt's Story" is a novel written by Patrick White, an Australian author who was awarded the Nobel Prize in Literature in 1973. It was first published in 1948 and is considered one of White's most significant works.

The novel follows the character of Theodora Goodman, a woman who feels out of place in her conventional middle-class Australian upbringing. She travels to Europe to find a sense of purpose and belonging, but struggles to find her place in the world. The story is told through a series of interconnected vignettes, exploring Theodora's inner thoughts and perceptions of the world around her.

"The Aunt's Story" is noted for its lyrical and poetic writing style, as well as its exploration of themes such as identity, self-discovery, and the search for meaning in life. The novel is also notable for its use of symbolism and metaphor, which are used to explore Theodora's psychological journey.

Mitcham, Austalia. Penguin. 1953

By Nevil Shute

"On the Beach" is a post-apocalyptic novel written by Nevil Shute, a British-Australian author. It was first published in 1957 and is set in the aftermath of a global nuclear war that has destroyed most of the northern hemisphere.

The story takes place in Melbourne, Australia, which has been spared from the immediate effects of the war due to its southern location. However, as the radiation from the northern hemisphere begins to spread southward, the people of Melbourne realize that their time is running out.

The novel follows a group of characters, including an American submarine captain, a young Australian woman, and a scientist, as they confront their mortality and the inevitability of their impending deaths. The story explores themes of hope, despair, and the futility of war.

London Heinemann. 1957. 310p.

By Robert Harris

"Pompeii" is a historical novel written by Robert Harris, a British author. It was published in 2003 and is set in ancient Rome, specifically during the final days of Pompeii before the eruption of Mount Vesuvius in 79 AD.

The novel follows the character of Marcus Attilius, a young aqueduct engineer who is sent to Pompeii to investigate the sudden loss of water in the city's aqueduct system. Attilius soon discovers that the problem is due to a blockage caused by the eruption of Mount Vesuvius. As the eruption intensifies, Attilius becomes embroiled in a race against time to save the citizens of Pompeii from the impending disaster.

The story is a mix of historical fiction and thriller, with vivid descriptions of life in ancient Rome and the eruption of Mount Vesuvius. The novel is also notable for its accurate depiction of the engineering and technological innovations of the ancient Roman empire, particularly with regard to the aqueduct system.

London. Hutchinson. 2003. 347p.

By Bryce Courtenay

"The Potato Factory" is a novel written by Bryce Courtenay, an Australian author. It was published in 1995 and is the first book in a trilogy, followed by "Tommo & Hawk" and "Solomon's Song".

The novel is set in the mid-19th century and follows the life of Ikey Solomon, a notorious London criminal who is arrested and transported to Australia. There, he becomes involved in the potato trade, opening a factory to process and export potatoes to England.

The story also focuses on the relationship between Ikey and his wife, Hannah, who remains in London and eventually joins him in Australia. It explores the themes of survival, redemption, and the struggle for power and control.

Penguin Random House. 1995. 696p.

By Jock Serong

"Preservation" is a historical fiction novel by Australian author Jock Serong, first published in 2018. The novel is based on the true story of the wreck of the Sydney Cove, a British merchant ship that was carrying a cargo of spirits and supplies from Calcutta to the fledgling colony of Sydney in 1797.

The novel tells the story of the survivors of the wreck, who find themselves stranded on the coast of present-day Victoria, Australia. The group includes the ship's captain, a pair of American sailors, an Irish convict, and a group of Chinese traders. They are forced to endure hunger, thirst, and the harsh Australian wilderness as they try to make their way back to civilization.

The novel is a vivid and atmospheric portrayal of early colonial life in Australia, and is notable for its detailed research and historical accuracy. Serong draws on a range of historical sources to create a nuanced and complex picture of the social, political, and economic forces at play in colonial Australia, as well as the experiences of the different groups of people who were involved in the colony's development.

Melbourne Aust. Text Publishing. 2018. 364.p

By Mario Puzo

"The Godfather" is a novel written by Mario Puzo and published in 1969. The book tells the story of the Corleone family, a powerful mafia family based in New York City, and their involvement in organized crime during the mid-20th century.

The novel is notable for its detailed portrayal of the inner workings of the mafia, as well as its exploration of themes such as power, loyalty, and family. The central character of the novel is Don Vito Corleone, the patriarch of the Corleone family, who is widely regarded as one of the greatest characters in American literature.

"The Godfather" was a commercial and critical success, and has been adapted into numerous films, television series, and video games. The book is widely regarded as one of the greatest works of fiction of the 20th century, and its influence on popular culture and the portrayal of organized crime in media is still felt today.

Greenwich. Conn. Fawcett, 1969. 439p.

By Rosalie Ham

Sydney. Duffy and Shellgrove. 2000. 302p.

"The Dressmaker" is a novel by Australian author Rosalie Ham, first published in 2000. The book tells the story of Tilly Dunnage, a talented dressmaker who returns to her hometown in rural Australia after years of living abroad. As she settles back into her old life, Tilly must confront the demons of her past and navigate the complex social dynamics of a small town that has never fully accepted her.

The novel is a darkly comic satire that skewers the hypocrisies and prejudices of small-town life. Ham's vivid descriptions of the characters and setting bring the town to life, and her use of irony and satire add a sharp edge to the story's humor. At its heart, though, "The Dressmaker" is a story about the power of self-expression and the importance of being true to oneself, even in the face of opposition from others.

By E. V. Timms

NY. Pyramid. 1951. 315p

"The Valleys Beyond" is a novel by Australian author Peter Kocan, first published in 1995. The novel follows the lives of a group of working-class Australians living in the fictional town of Walgaree, New South Wales, in the 1950s and 1960s.

At the heart of the novel is the character of Brian Madden, a troubled young man who struggles with mental illness and a sense of alienation from the world around him. Madden's struggles are mirrored in the lives of the other characters, including his mother, who works as a cleaner, his father, a factory worker, and his girlfriend, an aspiring singer.

Kocan uses vivid and poetic language to capture the landscape and atmosphere of Walgaree and to explore the characters' inner lives and struggles. The novel also explores themes of class, identity, and the impact of social and economic change on working-class communities in Australia.

By Chris Cleave

NY. Simon and Schuster. 2008. 298p.

The novel alternates between the perspectives of Little Bee and Sarah, a British woman whose life intersects with Little Bee's when they meet on a Nigerian beach two years before Little Bee's arrival in England. As the two women's stories unfold, the novel explores themes of identity, trauma, and the complexities of human relationships.

Through the character of Little Bee, the novel sheds light on the experiences of refugees and asylum seekers, and the challenges they face as they try to build new lives in unfamiliar and often hostile environments. It also explores issues of race, privilege, and the legacy of colonialism, as well as the impact of global economic and political forces on the lives of individuals and communities.

By George Eliot III

Silas Marner is George Eliot's (1819-1880) short novel of 1861, in which the protagonist is obliged to leave his small religious community after being falsely accused of theft. He settles in Raveloe, where he works diligently as a weaver for 15 years and manages to accumulate and hoard a substantial amount of gold.
“The Lifted Veil” concerns themes of fate, extrasensory perception, the mystery of life and life after death. Eliot's interest in these themes stemmed partly from her own struggles with religious faith, as she was an extremely devout Christian as a child and young adult who later renounced Christianity completely. “Brother Jacob'“raises issues of perennial concern to George Eliot as an author who was also a woman. In particular, this fabular tale about a hapless confectioner and his imbecilic broth- er exposes the pitfalls in women's relationship(s) to cultural authority, 'the strange bright fruits of knowledge' (Woolf 160). As a fable whose hero is distinguished by fraudulence and guile, 'Brother Jacob' reflects its author's attitude towards plagiarists and other impostors with pre- tensions to authorship. Even as Marian Evans disguised herself as George Eliot, the 'silly lady novelist' of her day is disguised in the story's protagonist, David Faux.

London. Oxford University Press. 1861., 1859, 1860. 318p.

By Albert Camus

With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward.

Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. 

“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and ­devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” –from the Introduction by Peter Dunwoodie.

Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd." First published in English in 1946; now in a new translation by Matthew Ward.

London. Knopf. 1946. 77p.

By Steele Rudd

"We want a man," Fahey added, "who'll go to Brisbane an' put the sufferances of the farmers plainly an'— an'—well before Parliament—a man who'll talk t' thim, an' talk straightforredly t' thim, an'—an'—tell thim what's right an'—an' what ought t' be done. An' there's no one can do it better'n yeou."

Dad stared at the floor in silence. He seemed impressed with Fahey's argument.

So began Dad's career in Politics, and although he doesn't know much about Parliamentary protocol, he is determined to have his say; his spectacular entry into the House, his subsequent brushes with the long-suffering Speaker, and portraits of the Member for Fillemupagen, the Minister for Lands, the Premier and the Treasurer, and the "Chesterfield", make this one of the wittiest criticisms of its kind. The book was written not long after Rudd had been retrenched from the Public Service, and he worked off a personal grudge by making many of his characters clearly recognizable among the State politicians of the day—small wonder that there were moves to have him called before the bar of the house and disciplined.

Steele Rudd's works are now part of the Australian image, and his chief heroes, Dad and Dave, part of the Australian myth. They have, unhappily, been out of print for a long time, and a whole generation has grown up without knowing characters who were a household word to their parents and grandparents. People who have never read Steele Rudd can now appreciate a unique part of the Australian heritage; and those who do know his characters will doubtless be glad to renew old acquaintances and memories.

Sydney. Bookstall. 1908. 304p.