By Dick Donovan (Author), Colin Heston (Introduction)

From the shadowed corridors of imperial power to the hidden networks of revolution and intrigue, The Russian Assassin and Other Bond-Like Stories by Dick Donovan delivers a gripping collection of high-stakes crime fiction that bridges the worlds of classic detection and early espionage.

At the heart of this volume is the unforgettable tale of Egor Treskin—a hunted man, a political exile, and an avenger forged by injustice. When a powerful Russian official is assassinated under mysterious circumstances, the pursuit that follows stretches across borders, drawing in spies, informants, and detectives in a tense international manhunt. But as the truth unfolds, the question becomes unavoidable: is Treskin a cold-blooded killer, or the product of a brutal and oppressive system?

Surrounding this powerful opening narrative are a series of equally compelling stories—ingenious schemes, daring conspiracies, and criminal plots that hinge on deception, chance, and razor-sharp intelligence. Donovan’s storytelling combines vivid atmosphere with tightly constructed mysteries, while anticipating the global intrigue and psychological complexity that would later define modern spy fiction.

Written at a time when political unrest, anarchist movements, and international surveillance were reshaping the nature of crime, these stories feel strikingly contemporary. Disguises, coded messages, secret alliances, and relentless pursuit drive narratives that move from the streets of Britain to the shadowy machinery of foreign powers.

This Read-Me.Org edition, introduced by Graeme R. Newman, brings together these thrilling and thought-provoking tales in a carefully prepared modern format. It preserves the energy of Donovan’s original storytelling while highlighting its lasting relevance to readers of crime, history, and espionage fiction.

For fans of classic detectives, early spy thrillers, and authors like Arthur Conan Doyle and Edgar Wallace, The Russian Assassin and Other Bond-Like Stories offers a rare and compelling glimpse into the origins of modern crime fiction—where justice is uncertain, motives are complex, and danger is never far from view.

A classic collection of intrigue, intelligence, and international suspense.

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 269 p.

By Dick Donovan. Introduction by Graeme R. Newman

A brilliant mind. A new way of solving crime. A detective unlike any other.

In The Criminologist as Detective, Victorian master storyteller Dick Donovan introduces Fabian Field—a daring and unconventional investigator who challenges the limits of traditional policing. At a time when Scotland Yard relies on routine methods and rigid procedures, Field brings something radically different to the pursuit of justice: psychological insight, analytical daring, and a fearless willingness to follow reason wherever it leads.

This collection of gripping detective stories showcases some of Field’s most remarkable cases, from the sensational disappearance of a wealthy heiress to chilling murders concealed behind layers of deception. Each mystery unfolds with vivid drama, but what sets these stories apart is their intellectual edge. Field does not simply gather clues—he interprets human behavior, exposes hidden motives, and reconstructs crime through logic, intuition, and bold inference.

Blending suspense with early criminological thinking, Donovan’s stories anticipate the modern detective genre while retaining the atmosphere and richness of late nineteenth-century fiction. Here, crime is not merely a puzzle to be solved, but a window into the complexities of human nature—greed, ambition, fear, and betrayal.

This new Read-Me.Org edition, introduced by Graeme R. Newman, brings these classic tales to contemporary readers in a carefully prepared and accessible form, preserving their original energy while highlighting their lasting significance.

For readers of Sherlock Holmes, Edgar Wallace, and classic detective fiction, The Criminologist as Detective offers a compelling journey into the origins of modern crime-solving—where reason triumphs, perception sharpens, and every case is a battle of minds.

A classic reborn for a new generation of readers.

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 273 p.

by Dick Donovan (Author), Colin Heston (Introduction)

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In an age before forensic certainty and tidy solutions, crime was a shadowy affair—driven by passion, greed, jealousy, and chance. In Mysteries of Death and Poison, Dick Donovan—one of the great pioneers of detective fiction—invites readers into a world where truth is elusive and justice is never guaranteed.

These gripping tales range from domestic intrigue to international adventure, from quiet drawing rooms to perilous frontiers. A young woman vanishes into scandal and suspicion. A death by poison defies explanation. A secret, buried in the wreckage of empire, threatens to surface with deadly consequences. Across each story, Donovan’s investigators confront not only cunning criminals, but the deeper uncertainties of human motive and moral responsibility.

Unlike the neatly solved puzzles of later detective fiction, these mysteries resist easy answers. Evidence is incomplete, witnesses unreliable, and the line between guilt and innocence dangerously blurred. The result is a collection that is as unsettling as it is compelling—where the question is not merely who committed the crime, but whether the truth can ever be fully known.

Vivid, atmospheric, and remarkably modern in its psychological insight, Mysteries of Death and Poison reveals the origins of the detective genre while challenging its assumptions. These are stories that linger—haunting in their ambiguity, and unforgettable in their portrayal of a world where justice is uncertain and danger is never far from the surface

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 273 p.

by Dick Donovan (Author), Graeme Newman (Introduction)

Long before the age of international spies, high-tech surveillance, and cinematic intrigue, there was the detective—patient, methodical, and relentless in the pursuit of truth.

Before 007 brings together a powerful collection of classic crime stories from the late Victorian era, drawn from A Detective’s Triumphs and In the Grip of the Law. These tales capture the origins of modern detective fiction, where every clue matters, every motive counts, and justice depends not on force, but on reason.

In these pages, readers will encounter murders concealed by cunning, thefts executed with precision, and criminals undone by the smallest of details—a footprint, a gesture, a forgotten inconsistency. The detectives who pursue them rely not on gadgets or spectacle, but on observation, logic, and experience. Their world is one of gaslit streets, quiet drawing rooms, and hidden dangers beneath respectable society.

This new edition has been carefully modernized for today’s reader. Language has been streamlined, structure clarified, and pacing refined—while preserving the distinctive voice and atmosphere of the original texts. The result is a collection that reads with clarity and immediacy, yet retains the depth and character of its time.

More than historical curiosities, these stories reveal the foundations of the modern whodunnit. The techniques, tensions, and narrative strategies that define contemporary crime fiction are already present here in their earliest form.

For readers of classic mysteries, criminology, and detective fiction—from Sherlock Holmes to modern thrillers—Before 007offers a compelling return to where it all began.

Step into the world of detection—before the spy, before the spectacle—when solving the crime was the story.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 272 p.

by Dick Donovan (Author), Colin Heston (Introduction)

Investigating Terror – More Stories of Dick Donovan gathers a wide-ranging collection of late Victorian crime and mystery tales in which detection merges with dread and rational inquiry confronts the unknown. In these stories, investigation is never merely the solving of a puzzle; it is an encounter with uncertainty, where crime, psychology, and the uncanny are tightly entwined.

From the eerie Edinburgh mystery of The Clue of the Dead Hand to the unsettling medical case of The Woman with the ‘Oily Eyes’, Donovan leads readers through gripping narratives told by detectives, physicians, and eyewitnesses. Presented through layered forms—official records, personal testimonies, and recovered papers—these stories achieve a striking sense of immediacy while deepening their atmosphere of unease. Whether confronting spectral legends, violent crimes, or inexplicable events, Donovan’s investigators move through worlds in which logic alone cannot fully account for what they encounter.

Spanning settings from Britain to continental Europe and beyond, these tales reveal a writer of remarkable versatility and imaginative reach. Rich in suspense, gothic tension, and psychological insight, they anticipate many of the themes of modern crime and horror fiction while retaining the vivid drama of their time.

This edition is enhanced by a substantial introduction by Colin Heston, which situates Donovan’s work within the broader evolution of detective and terror fiction and explores its continuing relevance for contemporary readers. Together, the stories and introduction offer both a compelling reading experience and a deeper understanding of a formative moment in the history of crime literature.

For readers of classic mysteries, gothic fiction, and early detective stories, Investigating Terror is an essential rediscovery—where every investigation opens onto something darker, and every answer leads further into the unknown.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 248 p.

by Guy Boothby (Author), Colin Heston (Introduction)

To step into the world of Guy Boothby is to step into a whirlwind. At the turn of the 20th century, few authors could match Boothby's sheer velocity. A man who famously dictated his novels into a phonograph to keep pace with his imagination, Boothby was the architect of the "sensation novel," bridging the gap between the gothic mysteries of the past and the fast-paced thrillers of the future. This volume brings together two of his most gripping works: My Strangest Case and The Red Rat's Daughter. While different in setting, they share the quintessential Boothby hallmarks—exotic locales, high-stakes intrigue, and the relentless pursuit of justice (or survival).

The George Fairfax Mystery: My Strangest Case
In My Strangest Case, we are introduced to George Fairfax, a detective who stands in the long shadow of Sherlock Holmes but operates with a flair all his own. Originally published at the dawn of the 1900s, this story takes the reader from the high society of London to the rugged landscapes of the East. It is more than a simple whodunit; it is a globe-trotting adventure that explores the consequences of a long-hidden secret. Boothby’s talent for atmosphere ensures that the mystery feels as much a part of the environment as the characters themselves.

Intrigue in the East: The Red Rat's Daughter
The Red Rat's Daughter showcases Boothby’s obsession with the "Far East" and the political tensions of the era. Set against the backdrop of imperial Russia and the vast Siberian frontier, it is a tale of romance entangled with international conspiracy. The title itself—alluding to the mysterious "Red Rat"—promises a level of melodrama that Boothby delivers in spades. It captures a specific moment in literary history when the world felt both dangerously large and increasingly interconnected.
Why Boothby Matters Today
Reading Guy Boothby in the 21st century offers more than just nostalgia. It provides a window into the Victorian psyche:

• The Pace: Boothby’s narrative drive is modern; he rarely lets a chapter end without a hook.

• The Scope: He was an early pioneer of the "international thriller," refusing to keep his protagonists tethered to English soil.

• The Style: His prose is unapologetically bold, designed to entertain the masses of the Edwardian era.

Whether you are a devotee of classic detective fiction or a newcomer to the "sensation" genre, these two novels represent a master storyteller at the height of his powers. Turn the page and prepare for a journey that spans continents and decades.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 350p.

by Guy Boothby (Author), Graeme Newman (Editor), Colin Heston (Introduction)

. When the enigmatic Dr. Nikola first stepped onto the literary stage in 1895, clutching his sinister black cat Apollyon and weaving schemes that stretched from the back alleys of Shanghai to the hidden monasteries of Tibet, he didn't just capture the Victorian imagination—illegally or otherwise, he colonized it.
These volumes bring together, for the first time in a single definitive collection, the complete saga of Dr. Nikola: A Bid for Fortune, Dr. Nikola, The Lust of Hate, Dr. Nikola’s Experiment, and Farewell, Nikola. To read them in succession is to witness the birth of the modern "super-villain" and to appreciate the unique, rugged perspective Boothby brought to the crowded field of late-Victorian sensation fiction.
Born in Adelaide in 1867, Guy Newell Boothby was the son of a prominent South Australian parliamentarian. While he eventually found fame in the drawing rooms of London, his formative years were spent in the wide-open, often unforgiving landscapes of the Australian colonies.
In the 1890s, the literary world was reeling from "Sherlock-mania." While Sir Arthur Conan Doyle gave the world the ultimate champion of logic, Boothby gave it the ultimate agent of chaos. Dr. Nikola is not merely a criminal; he is a polymath, an occultist, and a man of immense physical and intellectual magnetism.
Across these five novels, we see Nikola evolve:
Volume 1:
A Bid for Fortune (1895): We are introduced to the Doctor through the eyes of Richard Hattasall. Here, Nikola is a vengeful shadow, a man whose "vendetta" drives a globe-trotting chase.
Dr. Nikola (1896): Arguably the centerpiece of the series, Boothby takes us into the forbidden heart of Tibet. It remains one of the finest examples of the "Lost World" genre, enriched by Stanley L. Wood’s iconic illustrations.
The Lust of Hate (1898): A darker, more psychological turn where Nikola manipulates a broken man’s desire for revenge.
Volume 2
Dr. Nikola’s Experiment (1899): Here, Boothby touches on the "mad scientist" tropes that would later define 20th-century sci-fi, as Nikola attempts to conquer death itself.
Farewell, Nikola (1901): The swan song of the character, providing a sense of closure to a man who lived his life in the liminal space between genius and madness.
Guy Boothby died tragically young at the age of 37, leaving behind a staggering 53 novels written in just over a decade. For years, his work languished in the shadows of more "academic" Victorian literature. However, as these works have entered the public domain, a new generation of readers—and editors—has rediscovered the sheer, unadulterated joy of his storytelling.
Boothby’s Dr. Nikola remains a vital link in the evolution of popular fiction. Without Nikola, would we have Sax Rohmer’s Fu Manchu? Would we have the sophisticated antagonists of James Bond? Probably not. By centering this edition on Boothby’s Australian roots, we acknowledge that the "King of Sensation" wasn't just a product of London’s Fleet Street, but a traveler of the world who brought the wild energy of the Antipodes to the heart of the Empire. This collection aims to preserve the thrill of the original serialization while providing the context necessary for a modern reader. As you follow the Doctor through the mist-shrouded streets of London and the sun-bleached ports of the Pacific, remember that you are in the hands of a master who knew those ports firsthand.
Welcome to the world of Dr. Nikola. Tread carefully—Apollyon is watching!

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 292p.

by Guy Boothby (Author), Graeme Newman (Editor), Colin Heston (Introduction)

When the enigmatic Dr. Nikola first stepped onto the literary stage in 1895, clutching his sinister black cat Apollyon and weaving schemes that stretched from the back alleys of Shanghai to the hidden monasteries of Tibet, he didn't just capture the Victorian imagination—illegally or otherwise, he colonized it. Behind this towering figure of Gothic villainy was a prolific, whirlwind talent from the edge of the British Empire: the South Australian-born Guy Boothby.

These two volumes bring together, for the first time in a single definitive collection, the complete saga of Dr. Nikola: A Bid for Fortune, Dr. Nikola, The Lust of Hate, Dr. Nikola’s Experiment, and Farewell, Nikola. To read them in succession is to witness the birth of the modern "super-villain" and to appreciate the unique, rugged perspective Boothby brought to the crowded field of late-Victorian sensation fiction.

Born in Adelaide in 1867, Guy Newell Boothby was the son of a prominent South Australian parliamentarian. While he eventually found fame in the drawing rooms of London, his formative years were spent in the wide-open, often unforgiving landscapes of the Australian colonies. Unlike many of his contemporaries—who wrote of "The Orient" or the "South Seas" from the comfort of an English study—Boothby had the red dust of the Flinders Ranges and the salt of the Southern Ocean in his blood. In 1891, he and his brother famously crossed Australia from north to south, an arduous journey that informed the visceral, kinetic energy of his prose. This "Australian-ness" manifests in the Nikola series through a distinct lack of Victorian stuffiness; his heroes and villains alike are defined by their competence, their physical endurance, and a certain democratic grit that felt fresh to a British audience.

Guy Boothby died tragically young at the age of 37, leaving behind a staggering 53 novels written in just over a decade. For years, his work languished in the shadows of more "academic" Victorian literature. However, as these works have entered the public domain, a new generation of readers—and editors—has rediscovered the sheer, unadulterated joy of his storytelling. Boothby’s Dr. Nikola remains a vital link in the evolution of popular fiction. Without Nikola, would we have Sax Rohmer’s Fu Manchu? Would we have the sophisticated antagonists of James Bond? Probably not. By centering this edition on Boothby’s Australian roots, we acknowledge that the "King of Sensation" wasn't just a product of London’s Fleet Street, but a traveler of the world who brought the wild energy of the Antipodes to the heart of the Empire.

This collection published in two volumes aims to preserve the thrill of the original serialization while providing the context necessary for a modern reader. As you follow the Doctor through the mist-shrouded streets of London and the sun-bleached ports of the Pacific, remember that you are in the hands of a master who knew those ports firsthand.
Welcome to the world of Dr. Nikola. Tread carefully—Apollyon is watching!

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 471p.

by Guuy Boothby (Author), Colin Heston (Introduction)

In this combined edition, readers are presented with two quintessential examples of the late Victorian "shocker" from the pen of Guy Boothby, a writer who defined the era’s taste for fast-paced, sensational mystery. The first novel in this volume, The Mystery of the Clasped Hands, originally published in 1901 by F.V. White & Co., serves as a dark exploration of the macabre and the forensic. The story begins with a truly visceral hook: a wedding gift that contains the severed, preserved hands of a woman. It is a classic example of the Victorian obsession with reputation and the legal system, as the protagonist, Godfrey Tring, finds himself trapped in a web of circumstantial evidence. Boothby expertly depicts how quickly a gentleman’s life can be dismantled by a single accusation, making the legal system itself a source of mounting dread. This work highlights Boothby's skill in using sensational artifacts to drive a plot that forces the reader to question whether innocence alone is enough to survive a vengeful conspiracy.
Published just a year later in 1902, The Childerbridge Mystery shifts the focus toward the "sins of the father" trope and the intersection of colonial wealth and domestic stability. When wealthy Australian squatter William Standerton returns to England to establish himself at Childerbridge Manor, he brings with him a fortune that carries the shadow of his past. The mystery is not merely a puzzle of logic but a psychological examination of how the "New World" of the colonies—often viewed by Victorians as a place of lawless opportunity—inevitably catches up with the refined "Old World" of the English gentry. Boothby uses the tranquil setting of a country estate to highlight the tension between a man’s desire for a respectable future and the inescapable reach of his history.
Bound together, these two novels illustrate the common threads of Boothby’s literary legacy: the fragility of social identity, the weight of previous associations, and a relentless narrative pace that bridges the gap between 19th-century Gothic horror and the structured detective fiction of the 20th century. Whether dealing with a grisly forensic artifact or a haunted family legacy, Boothby provided his audience with a perfect blend of the familiar and the shocking. This edition serves as a testament to a writer who, though often overlooked today, once stood as a master of the mystery genre, capturing the collective anxieties of a world on the brink of change.

By George Meredith. Designed and Edited with an Introduction by Colin Heston.

Sandra Belloni, first published in 1864 under the title Emilia in England, occupies a distinctive place in the literary corpus of George Meredith. It represents one of his earliest extended efforts to merge the comic novel with a more pointed social critique, a technique that would become a hallmark of his mature style. This novel, rich in subtle irony and psychological insight, grapples with the tensions between individuality and conformity, art and social convention, and the constraints of class and gender in Victorian England. At its heart, it is a narrative about a young woman of Italian descent, Emilia Belloni, whose musical gifts and unorthodox spirit clash with the expectations of the rigid English society into which she is thrust.

Meredith uses Emilia’s character not merely as a protagonist but as a symbolic figure—an embodiment of passionate sincerity, artistic freedom, and the disruptive power of the outsider. Emilia’s foreignness is not just ethnic; it is deeply cultural and emotional. Her instincts are governed by feeling and a commitment to truth, which repeatedly brings her into conflict with the carefully cultivated hypocrisies and social facades of the English middle and upper classes. Through her, Meredith examines the ways in which English society suppresses emotional authenticity in favor of propriety and self-interest.

In reading Sandra Belloni today, one encounters not only a portrait of Victorian society in all its contradictions but also an enduring exploration of the universal struggle between the self and society, between the voice that seeks to sing freely and the forces that would silence it. It is a novel that resonates beyond its historical moment, inviting readers to reflect on the costs and necessities of remaining true to oneself in the face of overwhelming pressure to conform.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 318p.